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MODERN OUTDOOR FURNITURE - PART 1

00/00/0000, 00:00 | GAILE GUEVARA
B&B ITALIA - Canasta Line
B&B ITALIA - Canasta Line
B&B ITALIA - Canasta Line
B&B ITALIA - Canasta Line
B&B ITALIA - Canasta Line
Furniture designed by one of my favorite designers Patricia Urquiola for B&B Italia available through INFORM INTERIORS.  For the Modern Morroccan outdoor space, mix these sculptural woven pieces with textured fabrics in tones of warm charcoals or fresh aquas - these are perfect pieces to creating a casual yet luxurious living space.

Vancouver is one of those cities where everyone can't wait till summer.  It's that time of year again for many home owners who plan to design their outdoor spaces in time for summer. Working with several clients on their outdoor spaces here are a few of my top picks for the summer, stay tuned for more modern outdoor spaces.



Natural Building Network

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
There is a fantastic on-line resource for all people interested in natural building: www.naturalbuildingnetwork.org. This site was initiated in 2005 by a group of people who collectively have considerable experience in the realm of natural building, which they define as "any building system which places the highest value on social and environmental sustainability. It assumes the need to minimize the environmental impact of our housing and other supporting systems while providing healthy, beautiful, comfortable and spiritually uplifting homes for everyone."

The Natural Building Network is a non-profit membership association, where the joining members can place listings for their services and talents and network world-wide. Towards this end, there are directories of natural builders by location, by specialty, and by their willingness to teach others their skills. This helps the members find suitable employment and helps the public find experienced builders who live in their area. Additionally there are classified listings of announcements about related matters. The Network website also features listings of workshops and events around the world, along with resources for further education.

This network and website offer a much-needed central facility for collecting information about natural builders around the world.

3030 House - light framing has begun

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
The light gage framing for the exterior walls has begun, and a fresh coat of primer is going on the steel, good progress on the 3030 EcoSteel House.



Just a quick update with new photos in a browser after the link below.




Visit the 3030 House flickr group to see all of the photos forwarded by the owner.

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Trend: DIY Communities

00/00/0000, 00:00 | CScout TrendBlog

Recent years have seen a flourishing of organizations that gather people with common interests participate in do-it-yourself activities

In a reaction to the digital age, creative people are finding ways to build community in the real world to share knowledge, projects, and ideas. People are looking to the Internet to find outlets for active creativity, rather than merely passive entertainment or consumption.

Cases


The Make Lounge


North London’s Make Lounge brings arts and crafts into the 21st century. One-off workshops are delivered in a branded “drop-in” environment, attracting those looking to dabble in activities such as millinery, jewelery making, or knitting.

The School of Life

Located close to some of London’s top universities, The School of Life makes adult education accessible and cool. Opened in September 2008, the space features a shop that sells books, art, courses, vacation packages, and consultancy to those seeking intellectual adventure. Beneath the shop is an underground classroom that hosts regular courses across five central themes - work, play, family, politics and love.





Maker Fair

Dubbed “Woodstock for inventors,” Maker Fair is a two-day event for people who love to make things themselves. Everything from arts and crafts to engineering and science, sustainable design, food, and music are represented. The event is no small job for organizers Make Magazine and Crafts Magazine: the last Maker Fair attracted 65,000 people.

Trend Impact
Although the Internet may provide us with instant, free information, we still thrive on real-world human interactions. Creative people are going online to connect people with common offline interests.

Letters from Sweden - the foundation

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog

One issue we have not examined as we looked at the fabrication of houses in the factory is the foundation work that goes on in advance of the arrival of the house. The Swedes are using some innovative products for foundations as well, products that make there status quo houses much more energy efficient than ours here in the States.

New houses in Sweden are primarily built on slabs, partly because its expedient, but also because its naturally the best way to have in floor radiant heating. In a cold climate this is the only way to use a slab otherwise your slab will feel cold and uncomfortable. But a slab in a cold climate must be insulated from the elements or it will throw heat out its edges. There are typically two strategies to isolate your slab from the cold.

The first strategy is to make an insulation break between the slab and the foundation wall. This is typically done with a narrow insulation layer. In order to place this between the slab and wall the two structures have to be built in separate operations. First the wall, insulation break, and then the slab is poured inside the walls. Two steps.

The second strategy is to insulate the outside edge of the slab. This allows you to pour the slab and foundation wall in a single step, but you have to return and install insulation around the perimeter. Thats not the end of it though. This insulation is of course very vulnerable to damage. Its a soft material and it is right at grade, so it must be protected by something tough, usually the best choice is a cement board product. The insulation and protection board creates at best a second step.

Ok, what are the Swedes doing. First of all they are not building deep foundations. All buildings in cold climates should be founded on soils below the frost line. How do the Swedes avoid this then. I''ve not seen photos of their entire site prep sequence but they appear to be setting slabs on stone beds which may reach below frost, and prevent soil expansion if frozen. Furthermore they are building on slabs insulated at the perimeter which allows the radiant slab heating system to warm the earth below the center of the slab which prevents soils below the foundation from freezing and heaving. So suddenly they have eliminated the foundation wall and only need to build the slab on grade. A great savings in time, effort, and expense. Ok, but they still end up with the slab insulation issues described above. No. They use a foam formwork that forms the perimeter of the slab, and insulates it at the same time. And this foam formwork is coated with a tough cement finish coating that protects the foam and prevents it from being damaged. Even more important, its one step.

Laying out the slab - corner pieces are place first.

Ready for the pour, edge forms, wire mesh, plumbing, and heating loops all in place.

The slab poured. Once cured its ready to receive the prefab house.

Here is an example of a Swedish manufacturer of these foam forms:

Jakon Isolering

Previously:

Letters from Sweden - deliver and set

Letters from Sweden - plumbing the prefab

Letters from Sweden - wiring zen

Letters from Sweden - a windows tale

Letters from Sweden - panel building in Sweden vs the USA

Letters from Sweden - Europe is different, Sweden is not, sort of..

Letters from Sweden - land of modern, land of prefab

Letters from Sweden - conversations with an expatriate builder

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OJMR Architects | Fritz Residence

00/00/0000, 00:00 | Modern Residential Design

OJMR Architects

Fritz Residence

L Shaped Simplicity - Wrapped around a cooling pool with ample shade and expansive living areas, this Jay M. Reynolds residence in Palm Springs, combines two simple volumes to create a modernistic whole.



Site
The house is located on a flat, irregularly shaped lot at the end of a cul-de-sac. The neighbourhood contains a variety of styles and references to the preferred typical suburban desert subdivision architecture.



Program
Mew single-family residence including kitchen, dining area, living room, office, three bedrooms, and two-and-one-half bathrooms.



Design
The house is designed for a retired couple with the need for guest bedroom suites and a large communal space for the living, dining, and kitchen areas.



To achieve a feeling of "simplicity" within conventional means, it was decided that planning and construction must be straight-forward and the character of the house reflect a strategy of enclosure and openness focused towards the main outdoor space. Two simple volumes are connected together to define a corner with one wing containing the guest bedrooms, and the other containing the master suite. The two wings are connected at the main living, dining, and kitchen space.



Hallways are located along the east and south sides of the two wings and help to define the laterally spaced rooms, which can be closed off from the circulation zone with large sliding walls. The rooms all access the outdoor pool/courtyard space from large sliding glass walls.

Plans




Name of Project: Fritz Residence, Palm Desert, California
Architect: The Office of J.M. Reynolds Architects, Los Angeles
Jay M. Reynolds, AIA, principal
Built area: 2,600 square-feet
Completed: 2003
Budget: US$650,000
Materials: Exposed concrete block walls, natural stone veneer walls, plaster over wood framing, concrete floors, walnut cabinetry, Gascogne Blue limestone floors in bathrooms, translucent glass panels, Montauk Black marble counters in kitchen, Venetino White marble countertops in bathroom and on kitchen island.
Photos: Ciro Coelho

Information courtesy of: OJMR Architects and Taylor & Company (many thanks)

A Short History of Earthbag Building

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
The idea of making walls by stacking bags of sand or earth has been around for at least a century. Originally sand bags were used for flood control and military bunkers because they are easy to transport to where they need to be used, fast to assemble, inexpensive, and effective at their task of warding off both water and bullets.

At first natural materials such as burlap were used to manufacture the bags; more recently woven polypropylene has become the preferred material because of its superior strength. The burlap will actually last a bit longer if subjected to sunlight, but it will eventually rot if left damp, whereas polypropylene is unaffected by moisture.

Because of this history of military and flood control, the use of sandbags has generally been associated with the construction of temporary structures or barriers. Using sandbags to actually build houses or permanent structures has been a relatively recent innovation.

It was an Iranian-born architect named Nader Khalili who has popularized the notion of building permanent structures with bags filled with earthen materials. Actually his first concept was to fill the bags with moon dust! Attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon, Khalili coupled the old sandbag idea with the ancient adobe dome and arch construction methods from his homeland in the Middle East. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter.

Khalili came up with a further refinement on this building concept on Earth: for a more permanent, shock-resistant structure, why not place strands of barbed wire between the courses of bags, thus unifying the shell into a more monolithic structure?

At first Khalili was filling his experimental bags with desert sand, but then he evolved his idea of “superadobe,” where bags or long tubes of polypropylene bag material would be filled with a moistened adobe soil that would dry into large adobe blocks. In this case the original bag material was merely the initial form and would not necessarily be an integral part of the eventual structure.

Soon after these first experiments, Khalili began publicizing his work through newspaper and magazine articles and conducting workshops and seminars on the techniques that he was perfecting. Many people who read about his work, visited his compound in Hesperia, California, or studied with him there, decided to go ahead with their own experiments with his ideas.

Among these “early adopters” were Joe Kennedy, Paulina Wojciechowska, Kaki Hunter and Doni Kiffmeyer, Akio Inoue, and Kelly Hart. I believe that it was Joe Kennedy who coined the more general term “earthbag” to suggest that the bag could contain a variety of earthen materials.

Paulina Wojciechowska was the first to write an entire book on the topic of earthbag building: Building with Earth: A Guide to Flexible-Form Earthbag Construction was published in 2001. This featured some of her early experiments done at Khalili’s CalEarth, along with several other case histories.

Akio Inoue, from Tenri University in Japan, has done extensive experimentation with earthbag construction, both on the campus of the University and in India and Africa where many other domes have been built for assistance programs.

Kaki Hunter and Doni Kiffmeyer (a couple) became enamored with earthbag construction after studying with Khalili, and worked on a variety of projects, both for themselves and for clients. In 2004 they wrote and got published another book, Earthbag Building: the Tools, Tricks and Techniques, based on their particular experience.

Kelly Hart (the author of this article) first began experimenting with earthbag building in 1997, after being exposed to the concept while producing his video program, A Sampler of Alternative Homes: Approaching Sustainable Architecture. He later documented his experience in actually building his own home in another program titled Building with Bags: How We Made Our Experimental Earthbag/Papercrete Home. Both of these programs are now available as DVD’s.

In the meantime, Nader Khalili was continuing the promotion of his “Superadobe” technique and eventually decided to patent the idea, which he obtained in the U. S. in 1999, using very general terms that cover using bags made of any material being filled with virtually any material, and combining these with barbed wired between the courses. While having made many public statements that this concept was his gift to humanity, he obviously wanted to capitalize on the potential economic reward.

Many of us who had been engaged in promoting earthbag building on our own were contacted by Khalili and asked to enter into contracts with him in order to continue our work. It didn’t take much research to discover that his patent could easily be disqualified because he had been publicizing his techniques through various media for at least four years before he even applied for his patent. Patent law clearly states that such publicity occurring prior to one year before the patent application would disqualify it for consideration.

So now the door is wide open for anyone to take this concept and run with it, and more people are doing so all the time, all over the world. While Khalili (and most of his students) have focused primarily on using the bags to form large adobe blocks, others have tried filling the bags with a variety of other materials, such as crushed volcanic rock, crushed coral, non-adobe soils, gravel, and rice hulls.

Earthbag building is unique among all other building technologies in that it can be either insulation or thermal mass, depending on what the bags are filled with. This is a very important distinction, because these characteristics of a wall greatly influence how comfortable, economical, and ecological any given system will be.

Safety is of prime concern with all building technologies, and much experimentation and testing has been done to establish guidelines for many ways of building. Khalili has established a relationship with the building department in Hesperia, California where CalEarth is located, an area where earthquakes are naturally a great danger. In 1993 live-load tests to simulate seismic, snow and wind loads were performed on a number of domed earthbag structures at CalEarth and these exceeded code requirements by 200%.

In 1995 dynamic and static load tests were performed on several prototypes for a planned Hesperia Museum and Nature Center to be constructed using Khalili’s Superadobe concepts with both dome and vault shapes. All of these tests exceeded ICBO and City of Hesperia requirements.

In 2006, at the request of Dr. Owen Geiger of the Geiger Research Institute of Sustainable Building, the Department of Civil and Mechanical Engineering of the U.S. Military Academy at West Point conducted several controlled and computer-monitored tests to determine the ability of polypropylene earthbags filled with sand, local soil, and rubble to withstand vertical loads. Their written report concluded that “overall, the earthbags show promise as a low cost building alternative. Very cheap, and easy to construct, they have proven durable under loads that will be seen in a single story residential home. More testing should prove the reliability and usefulness of earthbags.”

Despite the success of these tests, earthbag building concepts have yet to be incorporated into the International Residential Building Code. Obviously more enlightened acceptance of the demonstrated viability of earthbag building needs to occur!

It is difficult to know how many residences and other earthbag structures have been made at this point, probably hundreds if not thousands. Many of us have been promoting the technique for use as emergency shelters, and certainly some have been built for this reason. It is easy for folks to accept this way of building temporary shelters because it fits the historical model of sandbag use.

But many of us have also built substantial homes using earthbags, and in the process realized how truly versatile and sustainable the technique is. I wouldn’t be surprised if many of these earthbag homes are still standing long after their conventional counterparts built contemporaneously have disintegrated.

the financial sector's losses are enormous

11/12/2008, 15:51 | Influxinsights
"The financial sector’s total losses from the credit crisis are approaching $1,000bn after recent turmoil in the markets triggered a further drop in the value of mortgage-backed securities and other debt securities."

Financial Times- November 12th



Posted by Ed Cotton

MODERN HOMES - MAJORCA + SINGAPORE + LONDON

00/00/0000, 00:00 | GAILE GUEVARA

Images provided by SHOOTFACTORY
View the complete inspiration library of images as a slideshow

Thanks to amazing blogs out there like one of my new favorites by Justin Anthony of materialicious he shares with readers his amazing sources on residential architecture, design, craftsmanship, materials and products. An excellent resource. Featured on one of his articles is an amazing company SHOOTFACTORY based out of the UK. "shootfactory is a full-service location agency, representing UK and international properties, studios and venues for TV, film, photo shoots, product launches and events. With over ten years’ international experience in our respective arenas of photography, styling, location management and production, we are committed to providing our location owners and clients with the best service, advice and support." Shootfactory is great option for clients to consider to turn their vacation properties into a source of income while not in use.

Here are a few examples of the many amazing interiors Shootfactory features. My top cities for modern inspiration MALORCA + SINGAPORE + LONDON.

MAJORCA - "Modern lifestyle studio in SE Mallorca (Majorca). Superb daylight. Open plan. Internal and external studio spaces. Props and lighting."







SINGAPORE - "Spread over 3600 sq ft, the indoors and outdoors merge seamlessly in this open plan apartment. Custom made furniture by the designer mingles with modern classics, industrial materials with soft textures."




LONDON - "Striking architect designed and photographer owned timber house. Bright and minimalist rooms with large expanse of glass. Stylish diner-kitchen room with outside space. Parking. Loading gates." The amazing architecture of David Adjaye





‘creative exchange’ by 5th studio

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


‘creative exchange’ is a new shared workspace complex designed by 5th studio in cambridge, england.
the project was publicly funded and designed for the area’s creative workers and innovators. the building
is designed as a studio not an office, with enough room for 14 different companies. the ground floor is
adaptable, making it suitable for meetings, exhibits and other events. the first and second floors house
the private workspaces. the architects left wide common areas on these floors to encourage cross
pollination. above all this is a ‘working garden’ to further encourage interaction. the building design was
also designed for optimal sustainability, using exposed concrete for thermal mass, natural ventilation
and cooling systems and large windows for minimal need for artificial lighting.

http://www.5thstudio.co.uk

more
park royal proposal by 5th studio









photography by tim soar

Slide Show of Earthbag Building Projects

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I am very pleased to announce that there is now an extensive slide show of earthbag building projects up at www.earthbagbuilding.com. I spent several days selecting the best photos that I could find and formatting them to fluidly present a marvelous array of architectural styles and approaches to building with earthbags. There are already over sixty images assembled, and I expect to continue to enlarge the library over time.

The pictures are labeled so that if any of them attract further attention, the more detailed description of the project can be found on the projects page.

The pace of the slide show is controlled by the viewer by clicking on arrow buttons below the images, so one can browse as casually as one likes. This is a great way to become familiar with some of what is being created with earthbags. The photos depict both works in progress and completed projects.

So sit back and enjoy the show!

kevin kelly- the next phase of the web

11/07/2008, 10:51 | Influxinsights
Kevin Kelly's take on the next phase of web development that involves data sharing from the Web 2.0 Conference.

He takes us through what might happen in the next 6,500 days of the web.

Some highlights.

1. Not be anything like the web

2. Be a single machine- everything is connect to the same thing.We have one large machine with the web as its OS

3. The web will own every bit that's produced- if it's not part of the web, it will not count

4. Everything in our lives will be on this "machine"

5. The machine has and will have a global sense- see latest financial crisis

6. Move to the cloud

7. Be all about sharing- what can we do? what will the limits be?

8. Always be on- never off

9. Extreme dependence on this "machine" because it makes us smarter. Being off will feel like an amputation!

10. Lead us to continue to question- "Who are we?"

11. We will need to believe in the impossible



Posted by Ed Cotton

Timber Framing

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
When I initially designed www.greenhomebuilding.com I intentionally avoided advocating the use of much wood in building, because of my concern for the health of our forests and their ecosystems, with all of the over-harvesting of timber that has occurred around the globe. There is also the fact that forests help sequester CO2 (a greenhouse gas) from the atmosphere.

This was a difficult choice for me, since my father was a wood worker and I grew up learning many of these skills; I love working with wood and I worked for years as a carpenter. It is certainly one of the most versatile of all building materials, and is a renewable resource, when harvested sensibly.

I have finally come to realize that building with wood (at least partially) can still be a sound ecological choice, which is particularly true in regions where forests have regenerated to the point that they can be harvested sustainably. This means that the trees are carefully monitored to make sure that the health and character of the forest is maintained; only certain trees are culled periodically, leaving the remaining trees to grow and contribute to a healthy ecosystem. It is possible to buy wood that has been certified by the Forest Stewardship Council (FSC), but if this means that you are buying wood shipped great distances, then this becomes a less ecological choice; use local materials!

Furthermore, with timber framing it is possible to use large wooden posts and beams in such a way as to create strong and versatile load-bearing structures, which can then be completed by either in-filling between the wooden structural members, or completely wrapping the timber frame structure with a variety of other materials (as is recommended in colder climates). Since this method of building has been recognized and approved by most code authorities, it is a way of approaching a natural building project that would otherwise be difficult for the authorities to sanction.

So I have now created a page about Timber Framing,
greenhomebuilding.com/timber, with lots of media resources and informative links listed. I have also enlisted the gracious assistance of a preeminent timber framing specialist to answer questions from the public about this ancient art.

Will Beemer is a charter member and co-Executive Director of the Timber Framers Guild, and is owner of the Heartwood School for the Homebuilding Crafts in Washington, MA. For over 30 years, this school has been offering students a chance to improve their woodworking and timber framing skills. Will helps teach many courses at Heartwood and has been designing and building houses for over 35 years. He was a construction foreman at the Arcosanti project in Arizona, and design instructor at Cornell University. He has organized and taught building workshops around the world, including timber framing courses through the Guild and at Palomar College in San Diego, the North House Folk School and at the Colorado State University Mountain Campus. He has written for Fine Homebuilding, Joiner's Quarterly, and Timber Framing magazines.

You are invited to visit the new page about Timber Framing and to seek guidance about this art from Will Beemer.

Fleshing out a new design

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
This is one of the designs that originated from the design phase of the suburban house project.



I have to confess that I find the space really interesting, but no doubt it won't be for everybody.

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MODERN FLOWERS

00/00/0000, 00:00 | GAILE GUEVARA


From bridal showers to weddings, from modern minimal to gothic chic floral couture, a collaboration of working with a great venue and working with the bride and wedding planner. To view photos of the floral concepts we came up with see slide show.
I am honored to share special moments with amazing friends ... a year filled of weddings. In helping a few friends with planning and styling ... I discovered a new passion in the art of floral design. What an amazing experience to work with such a beautiful medium. With a background in residential development designing display suites to private homes, organizing special events to styling private parties. Stay tuned as I find a way to turn my new found passion into as an extension of my work for 2008.

Floral design by JEFF LEATHAM, to see more of his work see website

Floral design by OLIVIER GUIGNI to see more of their work see website

Floral design by OVANDO to see more of their work see website
I learn so much working with an amazing team and find inspiration from talented New York based florists Banchet, Ovando to Olivier Guigni and Jeff Leatham. I admire the sculptural arrangements of Singapore based Sakul Intakul & Devehastin na Ayudhya, London based floral designer John Carter and LA based Krislyn Design. Flowers transform a room while providing a lasting impression and creates a signature feature in a room. Applying the rule of "less is more" to a floral arrangement allows the natural beauty of a bloom to stand alone, with a skill full eye and attention to details, choosing one single floral type or combinations of monochromatic arrangements give much more impact to a room. I find myself in pure bliss when making an arrangement. More so, I love the design process of creating a focal point where light, water and air meet the stem and petals of a bloom. I also love fully submerged flowers love to breath in water ... and when lit in the right way, you can see the bubbles collect around each petal ...
I share with you the amazing talents of those who have inspired me and the work that unfolded.

One of my favorite flower shops to see in New York is Blanchet located in the meatpacking district. They always have amazing window displays and a beautifully designed floral shop.


john hodgman's inspiration

11/11/2008, 09:48 | Influxinsights
John Hodgman was in San Francisco yesterday evening at a fund raising event for 826 Valencia.

He was on superb form, so much so, that interviewer Dave Eggers could barely get a word in, let alone a question. Hodgman talked about the pleasures of his new found fame that included sharing first class aircraft cabins with the likes of Peter Berg and Rachel Hunter. He also told the crowd that George Plimpton (former editor of The Paris Review) had been his inspiration from an early age. In fact, it was Plimpton's ad campaign for Intellivision video games that persuaded Hodgman that being the "PC" was the right thing to do.

Here's Plimpton selling video game systems.




Hodgman also played a couple of his political attack ads aimed at friends, people who had let him down and hotels. Here's the one attacking is friend, Johnathan Coulton for his cat sitting skills.
via videosift.com

Posted by Ed Cotton

nothing design group at experimentadesign amsterdam 2008

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

a detail of one of the flying fish
image © designboom


just an update from experimentdesign amsterdam 2008. nothing design group, who just participated in
designboom's tokyo mart were also participants of the urban play exhibition which was part of experimentadesign.
the group of young korean designers, directed by koo jin-woog, presented 'fish in the sky' as their contribution
to the exhibition. along the IJ riverfront, transparent wind vanes in the shape of fish, were attached to flag poles
and soared above. the fish were meant to be a school of dutch herring, with the flag poles acting like
fishing rods, which have caught the fish swimming through the sky.


the fish are meant to be a representation of dutch herring
image © designboom


image © designboom


a member of nothing design group preparing one of the fish
image © droog design



fish flying high along the IJ riverfront in amsterdam
image © designboom


more
nothing design group: http://www.designnothing.com
droog design: http://www.droog.com
urban play: http://www.urbanplay.org
experimentadesign amsterdam: http://www.experimentadesign.nl

Hus1 goes live - Design Prints available now.

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
After a few weeks of preliminary images the work is finally done and the 0860 Hus1 design is now live on the catalog site. Design Prints are done and available via the ordering buttons on the catalog page.



The Hus1 is also the first design of our new collection, called the Blueprints Collection which will focus on mid-century inspired home designs. You can read a little bit more about the new collection on the Plans page of our site, and on the new Blueprints Collection page.

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Alvaro Ramírez y Clarisa Elton | House in Buchupureo

00/00/0000, 00:00 | Modern Residential Design

Alvaro Ramírez y Clarisa Elton

House in Buchupureo

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Cliffhanger - Alvaro Ramírez and Clarisa Elton - are the authors of their own weekend retreat on the central Chile coastline. Great residential design, propped on stilts, with minimal environmental impact.


{Reworked article from Plataforma Arqutectura Author:David Basulto [tricky]}

This great house is located on a remote coastal trail in central-south Chile, in Buchupureo, VIII región del Bío-Bío. When I lived in Concepción, the capital of the region, we'd surf here. The waves were fantastic, rolling into all the bays around this area. Getting there was difficult and the water was freezing (pushed up from the Antarctic), but the untouched waves, scenery and beaches were, and are still, amazing!

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The project was developed in dialogue with its environment, both through the materials used for creating the volumes, as well as how these are implemented and placed on the site.

The house is supported on a steep slope through piles, which lessen the intervention/excavation of the plot's soil, allowing in turn, the free passage of water.

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The cabin is divided into three functional spaces, relating to the three requirements of a holiday house. A bedroom with bathroom; a space for entertaining and guests - being with the kitchen; and a terrace, linking the other two spaces and providing spot for those spectacular views. All spaces seeking panoramic view towards the Pacific Ocean. The terrace serves as the lobby space, an intermediate space, as it is located between two interior spaces, providing protection against the wind and and as a place to embrace the ocean.

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The structural elements of the house are left visible, giving form to the shape of the house. The structure, external and internal elements, are all created from local wood (the equivalent of Radiata pine), yet treated differently depending on their role. For the pillar structures and beams pieces of 4 "x6" 2 "x6" and 2 "x5" were used. All were treated to give them protection against moisture.
For interior cladding, ¾" x 4" pine are used,brushed, without any treatment. Finally for the external cladding 1" x 4", painted with carbolineum.

The tectonics of the project establish a close relationship with the local architecture, using wood and 'laja' stone, materials predominant in the area (most of the fences in the area are built with laja stone and mud, as well as many old house floors).

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The structure of the roof is wood and in its V design, it detaches itself from the wall structures at both the front and rear of the house. This letting light into the interior,generating a feeling of spaciousness. Laja, the stone used to cover and protect the roof, was thought of as an element of both cultural adaptation (local architecture) and natural (landscape elements), blending the building into the rocky shores below. Conversely the view up from the beach sees the timber framework match the colours of the cliff face, the house's home.

Images
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Plans
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Google Maps Location: Buchupureo, VIII Región, Chile
Designed: September 2005
Constructed: December 2005 - February 2006
Architects: Alvaro Ramírez, Clarisa Elton
Builder: Ruperto Vera
Structural Engineer: Alvaro Ramirez
Owners: Alvaro Ramirez + Clarisa Elton
Total cost: $7.050.000 (US$15.000)
Constructed Area: 55m2
Images: Carlos Ferrer + Alvaro Ramirez + Clarisa Elton

via:Plataforma Arquitectura
& Alvaro Ramirez + Clarisa Elton



MODERN OUTDOOR FURNITURE - PART 3

00/00/0000, 00:00 | GAILE GUEVARA
Another one of my favorite outdoor furniture lines available through Spencer Interiors
Instead of the typical dining set, I love bringing the living room into the outdoors for casual gatherings where guests can lounge and eat tapas ... order these chairs with outdoor cushions and you're all set for the evenings of catching up with friends over your favorite summer cocktails.  Viteo Outdoor is a company based out of Austria a country which shares similar climate constraints, excellent quality and timeless.  Their innovative design with outdoor showers, light cubes for ambient lighting,  a unique outdoor speaker system or one of my favorite summer finds the zoe floor lamp - a solar powered floor lamp!
viteo outdoor - 4
viteo outdoor - 3
viteo outdoor -2
viteo outdoor - outdoor speakers
viteo outdoor - zoe solar lamp

MODERN CONCRETE - SOLUS DECOR

00/00/0000, 00:00 | GAILE GUEVARA
SOLUS DECOR FiIREBOWL HEMI 36 SOLO
Concrete "Firebowl" - $4,200.00 CAD with fire

Exciting news to see our local Solus decor share their new launch of modern outdoor concrete products. Perfect timing for it's already that time of year to start planning for the summer. Thanks to the team at Solus and to Lindsey & Khai for the update! I'm looking forward to using the firebowl for an outdoor installation this upcoming summer.

Solus Handcast Concrete Decor Goes “Outdoor” For Spring - (thanks Lindsey for the info!)
Solus Decor Inc, a Vancouver, Canada-based firm that designs and manufactures precast concrete home decor products, has been creating fireplace mantels, tiles, site furnishings and custom pieces since 1997. This spring, Solus is launching a new collection of planters, vessels and site furnishings under the banner “Solus Outdoor.” The line is highlighted by an outdoor fire feature called the Hemi Firebowl, and the Grate Bench, a 2007 selection for New York’s Haute Green, “the best in sustainable design for the contemporary home”.
SOLUS DECOR - BOWL HEMI 36 Halva Sml
Concrete "Hemi Bowl" - $1,800.00 CAD
The Outdoor line was created as a response to a dearth in modern four-season outdoor furnishings and is the result of four years of experimentation and refinement. All the pieces in the collection are cast in high performance concrete: formulations that are up to five times stronger and more durable than typical concrete. This state-of-the-art material gives the pieces their uniquely contemporary look and also allows them to withstand harsh Canadian winters without “weathering ugly.” Unlike other materials used for outdoor furniture, high-performance concrete requires no maintenance and is not adversely affected by UV rays and dampness.
PLANK_COAL2sml
The Litha - Plank Bench $1,800 CAD
GRATE_CHALK1sml
The Litha - Grate Bench $2,200 CAD
The benches and planters in the collection utilize Solus’ Litho, an ultra high-performance concrete with a compressive strength in excess of 20,000 psi (140 MPa+). This has allowed the Solus design team to push the boundaries of what was previously possible, with pieces that are unexpectedly thin and detailing that is refined crispness. Further, all pieces in the Outdoor line employ post-industrial recycled content in their formulations which not only helps to reduce the environmental impact of the products, but also enhances the concrete’s performance characteristics.

The spring line-up includes the Hemi Firebowl, Box Planters in two sizes, the multi-use Hemi 36 vessel, and two modern garden benches. All are available in a range of architectural colours and can be shipped across North America. The Solus Outdoor collection will be displayed at IDS West at the Vancouver Convention and Exhibition Centre, May 19-22, 2008, Booth 705.

Solus Decor was founded in 1997 in a small garage in North Vancouver by two Fine Arts graduates from the University of British Columbia. Solus continues to manufacture all of its products in Vancouver, but has grown into a 15,000 square foot facility and showroom with a dedicated 18-person staff.
SOLUS DECOR - BOX CUBE16
SOLUS DECOR - BOX CUBE16
The Box Planters:
Trough $1,100.00 CAD or Cube $400.00 CAD
Find out more at SOLUS DECOR. If you would like more information on this topic, or to schedule an interview with Khai Foo, please contact Solus at 604.255.2472, toll-free at 1.877.255.3146 or email: khai.foo@solusdecor.com

A Brilliant and Wonderful Story on the rolu Blog - CITYDESKSTUDIO Turns Minneapolis Skyways Into Modern Homes

00/00/0000, 00:00 | FUTURE HOUSE NOW
I was really delighted this afternoon to find a new rolu post waiting for me in my feed reader. I clicked on over (because rolu posts are best enjoyed on their own page) and was absolutely blown away. With all due respect to the many other fine blogs I enjoy reading, to me rolu|dsgn has the most original, interesting, and brilliantly told architecture and design related posts on the web. This latest piece is something special, and I cannot recommend strongly enough that you give it a look.

The post describes an almost daydream of a vision, one of Minneapolis skyways converted to chic modern cabins, that was actually turned into reality by the firm CITYDESKSTUDIO. It's a great story of people connecting through common love of design, of seeing interesting things in unusual objects, and turning inspiration into reality.

Here's a quick look at the project. Read the rolu post for the details.





First sea container homes, now this. Wonderful!

I enjoyed browsing CITYDESKSTUDIO's work on their site. They've done a lot of nice projects. For some reason their kitchens really appeal to me. They're bright and cheerful and clean. I'm a morning person, and kitchens are morning person places. I can easily see myself in any one of them, having banana pancakes and hot tea, and reading rolu posts on my laptop (though I very seriously caution you against mixing maple syrup with keyboards). Take a look at a couple of examples:






Did you see the blue Eames chair? It's like they're reading my mind.

By the way, Matt was incredibly kind to mention Future House Now in his post. I'm not writing this gushing praise as a reciprocal gesture, but I must admit it pleases me endlessly to be included in such a good story in any way.

The rolu blog is my favorite site on the web. I say that in all honesty. If you haven't given it a look yet click on over and say hi. You will not be disappointed.

Image credits - CITYDESKSTUDIO site

Cool Modern Homes from Bark Design

00/00/0000, 00:00 | FUTURE HOUSE NOW
I have an announcement to make. I'm in love with Doris. Actually, I should point out that Doris is not a woman, Doris is a house. And she's beautiful.

Doris is the work of Bark Design, a firm with a modern bent that FHN reader Mike was kind enough to point out (thanks again, Mike!). Doris is swell gal, with lots of attractive features. In particular, I adore her flat roof, her expansive banks of windows - and she's got a carport! Oh, I really like carports.




Doris also has a wonderful floor plan with possibly the greatest kitchen in the world - made so by the overhead door out to the patio. It incorporates a screen that can be rolled down when the door is up to keep bugs out while letting breezes flow. Perfecto! My wife would love that.





Doris has a brother, Boris, and a good friend in Leroy G. Cooper.




Here are a few pics Bark shared with me of the Burbank, another model that isn't shown on their site yet. I really like the window placement on this house - it looks like it has pretty good solar orientation.





I must say, I find a whole lot to like aesthetically about Bark's homes. There's definitely a signature style with the flat roofs, carports, window arrangements and the way outdoor living spaces are approached. But what I like most is their attitude and approach to bringing modern homes to the market. I e-mailed Bark, and was very impressed with what they had to say about their direction.
"We are a team consisting of a developer, architect, and
contractor who were getting frustrated by the dismissive response to
modern design by clients and real estate professionals in our area,
so we decided to do our own thing with incredibly positive results.

We couldn't understand why people would seek out the latest design
and technology in cars, electronics, etc., but new builder/spec. home
construction seemed to be stuck in the year 1900. How many people
would go to a store for a new computer and happily walk out with a
univac the size of a refrigerator that only did addition and
subtraction? Yet people were making a similar decision every day with
a new home. We just didn't get it.

So, we design and build homes that respond and complement modern
life, are extremely efficient in terms of energy, space, livability,
constructability, and are affordable."


I've had exactly those same thoughts for a long time. I like what Bark is doing, and they must be hitting the mark - they have seven projects "on the board" for 2008!

Very exciting!

Image credits - Bark Design

Nader Khalili Died

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
The Father of Earthbag Building, Nader Khalili, died peacefully, surrounded by his family, a couple of days ago. He was 71 years old.

Here is part of a letter sent out by his family to former students:

“The flames that ignited him in life and the quest that brought each of you to Cal-Earth to learn from him have touched all of us and led us on this path….the right path……. for arts, humanity and the environment. His work and words have inspired us and his spirit is powerfully alive in every work and word, building and echo that your enthusiastic and loving hands have helped to create for this world.

His soul imbues every grain of sand and every memory contained in Cal-Earth, which expresses so much of his personal life of the last 17 years. And your works, like seeds have been growing and flourishing in every corner of the world…”

Born as an Iranian, Nader lived most of his life in the United States, gaining an architectural degree. He worked on the design of high-rise buildings and taught architecture in Southern California. In 1991 he founded Cal-Earth (the California Institute of Earth Art and Architecture) based in the desert region of Hesperia , California. From this center, he taught classes and workshops on the use of both bricks and bags to fashion domes, arches, vaults, and irregular shapes. These forms sprang from his early exposure to Middle Eastern architecture.

The earthbag concept evolved from attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter. This concept was later refined to include stretching barbed wire between the courses of bags to help stabilize the structure. Nader never referred to this building technique as earthbag building; he preferred to call it “Super Adobe,” referring to the fact that he generally filled the bags (or long tubes) with an adobe soil mix.

In 1999 Nader was issued a U.S. Patent for his Super Adobe technique and he subsequently tried to require contractual arrangements for its use. At this point, however, he had been publicizing the idea for so long it was not an enforcable patent, and few would comply with his request.

This fact points to the complex nature of Nader’s personality. He truly loved humanity and the arts, and was an eloquent and passionate speaker. He often said that his ideas were a gift to humanity and he hoped they would provide shelter for the poor and disadvantaged. At the same time, he wanted to control the economic potential of his invention, and he pursued this vigorously.

Nader was the author of several books, including Ceramic Houses and Earth Architecture: How to Build Your Own, about literally making ceramic houses, and Sidewalks on the Moon, an autobiography. He also wrote several books about the the mystic poetry of Rumi. Interestingly, he never really wrote a book about his Super Adobe invention, allowing others to take the lead in doing this.

With the passing of Nader Khalili we have come to a point where his ideas and work can truly become universal. All of us who explore the potential of the earthbag concept and expand on its possibilities can help further his vision for bettering the world. We owe a great debt to this truly inspired individual. May he rest in peace!