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Best MoCo Objects This Week
10/06/2008, 21:13 | MoCo LocoAs of yesterday we've changed our weekly Meta MoCo survey post, we've split it into two parts; Best MoCo Architecture This Week (posted yesterday) and Best MoCo Objects This Week. Best MoCo Architecture This Week will be posted every weekend and Best MoCo Objects This Week will now be posted on Mondays.
+ Kithkin: Some rights reserved video at Designguide.tv, "a group of creative friends who form a platform to show and promote their work. Consumers are given the chance to purchase design instantly, either printing it out on their own printer or taking the file to a listed supplier for production.".

+ Core77's FreeDesigndom 2008 photo gallery, featuring images from the first edition of a new annual design and fashion event in the Netherlands.

+ Core77's London Design Week photo gallery, from the 6th edition of this highly regarded annual event.

+ Ilio's hanging bookwave book/magazine storage from their new 2009 collection. At Dezeen.

+ Viable London's Slat Shelves, "an alternative storage solution constructed entirely using rectangular section FSC pine.". At Dezeen.

+ Doshi Levien's Exhibition at Moroso USA at Cool Hunting, a collection that draws upon Indian culture for inspiration.

+ Patricia Urquiola's Purely Porcelain for Rosenthal at designboom, a new 'landscape' ceramics collection with a "pattern [that] is erratic, sometimes filling the form and at other times escaping".

+ Designband's Birdturf birdhouse design by Emilie Baltz and Ben Bearsch, "inspired by the act of throwing shoes over power lines (which is thought to be how gangs mark their 'turf')". Via design*sponge.

+ The Quooker boiling water tap, a child-proof kitchen appliance that dispenses boiling hot water instantly for tea, pasta, vegetables and more. Via Designlines.

+ The Vroom Solo built-in vacuum appliance, a "quick-cleaning tool for small clean-ups in kitchens, bathrooms, laundry rooms, mudrooms and other high traffic areas of the home, the Vroom is easily installed directly into the cabinetry of a room either as a stand alone vacuum appliance or as an accessory to a central vacuum system.". Via Appliancist.

+ Debbie Smyth's 'pins and threads' electrical pylons, "each point was plotted and measured to ensure that the pylons were illustrated accurately.". At matandme.
-THANK YOU -
00/00/0000, 00:00 | GAILE GUEVARA
Photography - excited to learn new means of observation
DEAR READERS - thank you for your patience and support over the past few months. I am honored to have you come back even with my absence (I've been away from the blog scene to attend to a long overdue personal retreat) - I'm glad to say I am back. Blogging almost became an addiction. I missed it dearly and am now back to writing again because sharing with those of you who appreciate modern design is a rewarding experience. I find balance in making blogging part of my day, just like eating breakfast.
So, straight to the point: I would like to share with you a few projects. I will soon publish various articles linked to my involvement with other great networks and causes ... as well personal projects like MODERN CAUSE.
Since I love modern art, architecture, design, fashion, interiors, photography and my yorkie Tyson - I am collaborating with those who inspire me in the design world and will share with you other sources outside of design that inspire me every day.

MODERN CAUSE is a blog focused on causes or moments that have touched my heart
MODERNDESIGNSOURCE is blog focused on sources for the modern design enthusiasts of Vancouver, BC
I will be a guest blogger for blog friends Jeans.com and 2Modern to share with readers 2 of my favorite topics of interest: MODERN FASHION and MODERN FURNITURE.
JEANS.COM is a blog focused on my sources for the jean savvy, inspired enthusiast through a designer eye- here I will share with you the style statements of amazing talents
2MODERN is a blog that focuses on my sources for the modern furniture enthusiast, gained through my work with various clients and showrooms.
SEE YOU SOON - looking forward to hearing your comments & design questions!
The Enertia House
00/00/0000, 00:00 | Green Home Building and Sustainable ArchitectureThe Mother Earth News editor said that these homes had been featured in their magazine before. They essentially provide two wooden shells for the home, one inside the other. She said that there was no mention in the article about the cost per square foot. She was wondering what I thought about the concept from the standpoint of sustainable architecture.
Here is my response:
Double envelope house designs have been around for several decades and they definitely offer some benefits, as well as raise some questions. Any house that takes advantage of the geothermal properties of the ground will be doing its inhabitants and the earth a good turn. This can take the form of earth-sheltering in general, or some clever system of circulating air like the Enertia concept; coupled with sensible passive solar design, it is possible to approach a "zero energy" home.
The concerns about their system that I have are: The use of wood as the primary building material is not generally sustainable in this day of lost forests. With the double envelope design, you are practically building two houses to end up with one. Relying on wood as a thermal mass material compromises the potential thermal performance because wood does not serve this function nearly as well as traditional masonry thermal mass materials. So, I guess what I am saying is that a more sustainable and less costly design can be accomplished in more traditional ways.
Clark Snell of www.thinkgreenbuilding.com wrote, "I spent five minutes looking over the web site, so these comments are only based at looking at marketing materials, i.e. they may be inaccurate. Ditto what has been said so far. A couple more “red flags:”
- Solid wood envelope. They seem to be using the old “mass enhanced R-value” argument for why solid wood walls perform well thermally. I think it’s well established that this is true only in very specific climatic situations. Touting solid southern yellow pine walls in comparison to solid white pine walls is like saying a Chevy Suburban gets better gas mileage than a Hummer…that’s not really a useful statistic.
- Energy without oil. The presentation intimates that this is a completely passive design. For example, no heating system is mentioned. That simply isn’t credible for most climates using the technology they are describing.
- Passive means local. You simply can’t create a design that relies heavily on passive techniques and generalize it across climates. In my area where we have high humidity, I’d wonder about this convective loop through the attic and basement, for example.
I could go on. I’m a passive design freak, so I’m all for the basic concepts they are dealing with. However, I don’t see anything really new here, but see marketing claims touting what they are doing as a major breakthrough and “the answer”. That always makes me nervous."
David Eisenberg, of www.dcat.net wrote, "After a skimming around their website, I see that they sell kits and their base prices don't include a lot of things - some of which are enumerated:
That's a pricey list of not includeds and notice they say nothing here and I saw nothing in my quick scan of the site about some really big and typical costs like excavation and foundations, below grade walls, or basement floor. They say this is a structural package but they don't mention all the things that are going to be extra that most people would expect in a house - plumbing, wiring, fixtures (electrical and plumbing), stove, etc. and especially that the solar PV and thermal water heating systems are not part of the package. It would be nice if they said right up front and clearly what they do and don't sell. And they should make it very clear that all the prices include only the factory labor, not the cost of actually assembling and finishing these structures.
But the biggest issue I have is that these are essentially double wall structures using an enormous amount of thick, milled lumber, which appears to use many times more wood than goes into a stick frame house. It would be interesting to see if they use more wood than a comparable log home. They'll likely be more energy efficient than a log home, but they'll use as much or more wood. Which raises all sorts of issues about the sustainability of this venture - beyond just the trees cut down - much bigger transportation, milling, probably kiln drying impacts as well. The concept is fine and likely works reasonably well in most climates. I'd need to see much more actual performance data and of course real cost data to be able to make any kind of realistic judgment of the viability of this concept as anything more than a niche market system. But between the costs which are going to be very high and the amount of materials going into one of these, calling it sustainable seems like a real stretch."
And finally, Jeff Judkoff of the National Renewable Energy Laboratory, wrote: "The concept of "Double Envelope" homes has been around since at least the 1970's. A number of them were built in the late 70's early 80's. Some variations of the concept were published in the Solar Home Book, by Bruce Anderson and Michael Riordan in 1976, Cheshire Books. Other publications in that time frame also showed the concept. The only truly new concept here is the notion that the resins in the wood behave as phase change storage materials. I have no idea if that is true, but I doubt it because the most common phase change is from a solid to a liquid, in which case the resins in their liquid phase would leak out creating a mess. That's not to rule out the possibility that some tree resins could go from a solid to semi-solid phase, or that they are encapsulated in the wood, I just don't know if they can, and would only be able to determine it through controlled scientific testing in a calorimetry chamber. Phase change storage can really be a big boost to the performance of many flavors of passively heated and cooled homes.
There are many ways to acheive highly efficient homes that more or less "heat and cool" themselves. Different approaches have different costs and will work better in some climates than in others. In Colorado, my lab, NREL, worked with Habitat for Humanity to create a net energy producing home. We used super insulation, passive solar tempering, ventilation heat recovery, engineered shading, solar hot water with a backup instantaneous water heater, compact flourescent lighting, and PV. We also have more than a years worth of detailed data to prove the performance of the home (it really was a net energy producer for the last year).
I saw no data to indicate how well the Enertia home actually performed from an energy perspective. Cost, energy performance, and comfort are the key criteria by which to evaluate such homes, and data is always better than arm waving, or catchy theories. Nothing beats the scientific method for objectively determining the value of an idea."
MODERN ARCHITECTURE + DESIGN - VANCOUVER
00/00/0000, 00:00 | GAILE GUEVARA



Architecture & Interiors by: Omar Arbell
Location: Vancouver, Canada
Specialty: residential and commercial renovations to custom furniture and landscapes
Project Highlights: Renovations of Penthouse Suite, Vancouver + Inform Interiors + Salt Tasting Bar
Interior Photography: Michael Boland Photography
Getting back to blogging, I look back at the past year and am proud of Vancouver for the increase of modern design projects, it's a slow start but great to see that modern aesthetic is starting to be recognized more and more every day. An architect I have long admired is Omar Arbel. After seeing the transformation of a penthouse renovation, the opening of the cool Salt Tasting Bar, the renovation of the new Inform Interiors showroom - I'm speechless. It's inspiring to come across Omar's work being featured in more and more design articles to also experiencing installations of his designs like the Bocci Lights. A beautiful choice of light fixture hung throughout STK in the meatpacking district in New York.
To gain a "behind the scenes" insight into the building of a cool new interior in Vancouver, check out the blog story behind Salt where Sean shares the inspiration of combining the design talent of Omar Arbel with the details of local furniture designers like Brent Comber. Got to love learning more about the design & food lovers joining the blogging community.
MODERN INTERIOR DESIGNER - PATRICIA GRAY
00/00/0000, 00:00 | GAILE GUEVARA



In my recent efforts to get back to blogging, Patricia's personal blog (at the top of a growing list of favorite design blogs) has renewed by own personal blogging energy. Here I share with you my interview with Patricia on her design views.
Interior Designer: Patricia Gray
Company: Patricia Gray Inc
Specialty: Interior Design, Furniture & Product Design, Project Management
Started: 1982
Background: Kwantlen College / Parsons School of Design - Paris, France
Current Location: Vancouver BC
INTERVIEW
- Out of all the cities in the world, why do you choose to work in Vancouver?
I was raised in Vancouver. It is my home.
- With respect to your work, what is it that you feel makes you successful? unique?
I feel successful when my clients fall in love with their homes. Unique when I am using my own designs not someone else’s.
- How do you like to approach design?
I like to start on the interior architecture of the space. I make sure the envelope is right then add in the furnishings, artwork and accessories.
- What inspires you?
I am inspired by beauty in all forms.
- What inspires your work?
My work is inspired by clients who have faith in the creative process and want me to design something that is unique for them.
- Who inspires you?
I am inspired by Albert Hadley, Michal Taylor who have been my Mentors since Design School and who I consider to be great Interior Design Icons, and recently I am inspired by Michael S. Smith for his brillance in interpreting the past in fresh and modern ways.
- What do you dislike and wish you could change about design in Vancouver? pet peeve?
I think we live in one of the greatest cities in North America. We have a contemporary, cosmopolitan design genre here that is totally unique to us. The only thing that I long for is to have more design resources available here.
- If there was one thing about your industry that you do that you could change, what would it be? ex. an interior, building, a product, process
I would change the way that Interior Designers are perceived. In European countries they celebrate Interior Designers and Architects and honor them for the contributions they are making.
- What do you feel you are contributing to the industry that is innovative and progressive?
I try to create designs for clients that are not trendy or fleeting, but that are unique and specifaclly suited to the architecture and to their specific life style requirements. That takes a lot of faith on the part of the clients and a willingness to follow through on all the details. I am very dedicated to Smart Design, Eco, Green and & Envioronmentally Friendly practices.
- Describe what your desk looks like (cluttered, heaps of magazines, bottle of Tylenol, etc.)
All that is on my desk is my laptop and the files that I am working on that day, and always fresh flowers.
- What do you need from your work environment in order to be productive?
Beauty, inspiring music, and my bulletin board where I post all my inspirations.
- Do you have a pet, what kind?
I have a 4 ½ lb Yorkshire Terrier named Nicole. She comes to work with me everyday and has her own business card: VP of Security. She is best VP of Security we have ever had. She guards the front door ferociously against couriers.
Thank You Patricia for sharing a little more about you. It is such a privilege to have personal insight from the talent behind the amazing designs we admire. To read more about Patricia , here are links to more interviews by some of the blogs I admire: Frankie of life in a venti cup and Vanessa of Turquise LA for LAapartmenttherapy
MODERN INTERIOR DESIGN - AVROKO
00/00/0000, 00:00 | GAILE GUEVARA



Finley Residence
Architecture & Interiors by: Avroko
Location: New York, USA
Specialty: Restaurants, Hotels, Residential, Convept Development, Furniture
Project Highlights: Sapa, Quality Meats, European Union, Park Avenue Summer
Interior Photography: Avroko


Park Avenue Summer
MINI PREFAB: Modern Architecture for Tots
00/00/0000, 00:00 | Inhabitat
If you’re a fan of modern prefab architecture and you’re raising rugrats, now you can get your little ones on the prefab mod action with the Mini Modern Prefab Playshed. Part Case-Study home, part play-house, the Mini Modern Prefab proves that kid’s design can be fun and sophisticated at the same time. Architect Ryan Grey Smith, known for his adult-sized Modern-Shed is bringing prefab to preschoolers with his Modern Play Shed, a smaller but no-less awesome version of his original design. Better than any treehouse or playhouse we’ve ever seen, it comes fully loaded with a sloped shed roof, dutch doors, 12 windows, and more.
READ MORE AT INHABITOTS >
Nicholas Burns - Johanna Beach House
00/00/0000, 00:00 | Modern Residential Design
Thinking Globally | Acting Locally - Nicholas Burns has taken this "green" addage and designed a modern residential retreat that: incorporates international ideas, templates low impact construction, has relatively minimal impact on the environment and embraces this spectacular plot.

The Johanna residence sits a few kilometres off the Great Ocean Road in Victoria, Australia, up a bush track leading to a gravel turnaround. This porous parking area is the first step into Nicholas's realm of environmentally concious design, allowing the water to soak through in a semi un-constructed area, combats erosion far better than a concrete slab.
Constructed of rammed earth taken in part from the surrounding area the house self regulates in temperature for all but the coldest of days. A super insulated wood burning fire in the centre of the living area tops up on the few days that it is required, whilst for most of the year the 300mm walls and thick floor store daytime heat for night time release. Carefully judged overhangs and windows, shade the rooms from peak summer heat, and allow cooling air to pass.
Arriving at the house you play out a mini script that depicts the notion of a holiday home. A getaway, a release from the constrictive day-to-day life we lead in the city.
Leaving your car you head towards a strong rear wall. From this angle the house appears a small bank or cliff, solid and permanent, with stripes of layers in the rammed earth walls creating cliff like strata. Nearing the house, a courtyard leads you in to a "Burns" play on space and dimensions.

As if entering a cinema through the back corridor, the short courtyard, with its imposing 300mm thick rammed earth walls, contracts to a single passageway and heads to the front door.

The constricting nature of the entrance has you prepared to duck your head and don a helmet and caving lamp. Yet as you pass the front door and round the partitioning wall, you're released into a panorama of views out across Johanna beach and along the coastline. About ten minutes later, you'll realise you're in a wonderful open plan living / dining room.


Nicholas Burns has an affinity for the architecture of Tadao Ando, which he studied for years, admiring as I do, his self taught designs.
Hidden in full view throughout the design of this residence are homages to Ando. Tadao's designs, based of the Tatami mat, 900mm x 1800mm, are all divisible by this measure, leading to a hidden, calming simplicity. Nicholas's dimension is 600mm "so everything has an inherent logic in the space, making it unobtrusive.” Simply furnished, the house allows you to focus on it's surrounds.
Layout
A slight twist on a single plane design, the two bedroom wings are set back from the living area to allow 180 degree views. This also allows a raised courtyard to be placed behind the living area. A sheltered area from winds heading up hillside, it also provides an area for BBQs and outdoor dining.
All but one of the four bedrooms soak in the views and sunsets, the fourth, a more reserved room, is windowed to the rear and surrounding bush, an ideal room for private contemplation.
Plan

About Nicholas Burns
In the 1990s, Burns left his architecture studies in South Australia to pursue a self-education in philosophy and building crafts, a la Tadao Ando. In 2000, he moved to Singapore, where he is still based, travelling from there through Europe, India, China, South-East Asia and Japan. I think Nicholas's practice really focuses on balancing the three way split, design, clients desires and the environment in which the build sits.
As part of all initial concepts and drafts, Nicholas's practice now encourages all of their clients to offset the carbon footprint of the build with United Nations-Certified carbon credits.
The environment is a strong stakeholder. But as you can see, in no way at the expense of fantastic design.
via: Nicholas Burns
Related Articles: http://materialicio.us/2008/01/15/johana-beach-house-nicholas-burns/
http://www.pushpullbar.com/forums//showthread.php?t=5990
Shubin + Donaldson Architects - Urban Spa
00/00/0000, 00:00 | Modern Residential Design
Urban Spa - Shubin + Donaldson Architects have remodelled this house to soak up its Malibu shore front location. Sliding doors and windows allow the residence to be open plan or sectioned off at will. The site elements of the highway and beach challenged, and dispatched with charming results.

Program
The initial task was to renovate the original 1976 dwelling into a contemporary urban retreat, whilst adding some structural reinforcement. Bought in 2001 for it's location, the owners, together with the architects, went on to extensively remodel the house into an urban oasis. Concious efforts to negate the road behind and emphasise the beach in front are evident throughout.
Design
The overall concept for this 2,900-square-foot beach-side modern house was to transform it into an urban spa-like retreat. The house is perched along Malibu’s Pacific Coast Highway, and features access to the beach at the back. Sheltering the house and providing a hard façade is the garage to the rear. As an area of transition between the street and beach, an interior entry courtyard behind the garage, laid with rectangular cement pavers and bordered by smooth river rock and tufted grasses, introduces the primary design element of the home — a seamless union between interior and exterior spaces. Through crisp linear architecture, a split level plan, and visual access throughout the house brings in the beach.
From the entry courtyard, a line of sight straight through the living room takes in the sea views. Dragging your attention away, to the left is a bay window type dining room, accented by a white grid of window panes and shadowed from the noon sun. This window grid is echoed by the geometric pattern of the cabinets and shelves that lead into the minimal kitchen. True to the open plan, the kitchen seamlessly overlooks the main living space, allowing distractions whilst cooking.

The interior design palette of natural woods and limestone, white walls and fabrics, frosted and clear plate-glass creates a crisp and airy environment to appreciate the Pacific Ocean setting. A true Urban Spa,the elements were hand picked to portray the theme of air, light, and water.
Ground-floor living room and adjacent sitting room offer shadowed relief from the sunlit terraces beyond, with cooling white and dark wood tones in the furniture and materials. Double-paned windows, which open onto the first-level terrace, offer several ways for freedom, permitting unrestricted views onto the ocean while buffering sound (from the highway).

The upstairs rooms continue the overall theme of air, light, and water with repeating materials and colours. The well-dressed master suite faces onto a second large terrace with pocket-glass doors that fold away, converting the stepped upper terrace into a sleeping porch reminiscent of designs by Schindler and Neutra (and last weeks post - David Hertz! [Image]).
For reclining on the teak chaises, billowing fabrics can be drawn above and alongside the terrace to shield the sun and wind.
With the clients goal being a boutique like retreat to entertain guests rather than as a reclusive beach getaway, opulent bright-white materials: Limestone and high gloss surfaces were used to give that crisp light filled feel. In fact, the owners found it too 'bling'. The house was cool crisp and far too full of light, with the white being overwhelming sometimes. Aware of this, Shubin + Donaldson had already incorporated exterior shutters and shades, which compensate in the southern facing rooms. Then in terms of layout, a simple North facing Media room was added with minimal windows at the rear, providing a further space to retreat in summer, and a little getaway for all.

Openness and transformation are themes throughout and are most expressive in the master bath. Cool, ocean-blue frosted glass lines the walls and windows (that face another house on these sought-after lots). Behind the glass swing doors are the toilet and shower. Three layers of floor-to-ceiling glass form a translucent door that closes the space off from the bedroom, or opens it up to the master suite, porch, and Pacific Ocean beyond. Dark wenge wood - used throughout the house as an accent - encases the tub, vanity, and spacious closets. The rich brown colour gently contrasts with the limestone counters and floors. Double mirrors are placed on poles in front of the frosted glass, rather than set into a wall. To name-drop, the tub is designed by Philippe Starck.
Layout
First level: living room, dining room, den area, terrace with beach access, powder room. Upper level: home office, guest room and bath, powder room, media room, and master suite with bathroom/walk-in closet, closet office, outdoor sleeping porch.
Plans

Architect: Shubin + Donaldson Architects - Robin Donaldson, AIA, Principal and Russell Shubin, AIA, Principal
Interiors: Audrey Alberts, interior design consultant
Commenced: 2001
Photos: Tom Bonner Photography
Article & Imagery: Courtesy - Taylor & Company (many thanks)
via: Taylor & Company
Building with Shipping Containers
00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
According to David Cross of www.sgblocks.com, "a container has 8000 lbs of steel which takes 8000 kwh of energy to melt down and make new beams etc... Our process of modifying that entire 8000 lbs of steel into a "higher and better use" only takes 400 kwh of electrical energy (or 5%). Granted it takes a bit more "muscle" but we call this Value-Cycling which we feel is that next step up from Re-cycling."
Each container measures 8 feet wide by 40 feet long by 9 feet tall. SG Blocks sells the finished structural systems (also called SG Blocks) for $9,000 to $11,000 per unit. The finished units have one or two walls removed and include the necessary support columns and beam enhancements.
According to KPFF Consulting, a structural engineering firm in St. Louis with extensive experience working with shipping containers, the units are stronger than conventional house framing because of their resistance to "lateral loads" -- those seen in hurricanes and earthquakes -- and because steel is basically welded to steel. The roof is strong enough to support the extra weight of a green roof — which has vegetation growing on it — if the owner should want it.
As for their energy efficiency, they claim that when the appropriate coatings are installed, the envelope reflects about 95 percent of outside radiation, resists the loss of interior heat, provides an excellent air infiltration barrier and does not allow water to migrate in.
One idea that has occurred to me is that this system might benefit from the use of SIP's (Structural Insulated Panels) for the roofs, rather that standard truss framing. SIP's are very well insulated, install quickly, and use much less wood than convention roofs.
Shipping containers are self-supporting with beams and stout, marine-grade plywood flooring already in place, thereby eliminating time and labor during the home-building process. Cross said construction costs are comparable to those in conventional building. Four to seven units are used in a typical home, he said.
Instead of nailing the siding they use "Super Therm", a ceramic paint made by Superior Products of Minnesota; it can be used as a paint, an adhesive, an insulator, a fireproofing material and an acoustic barrier. With this ceramic paint, they claim the insulation capacity is equal to a conventional house.
Adam Kalkin, of www.architectureandhygiene.com , has also become enamored with shipping containers as an architectural solution. The idea to do something with shipping containers came to Kalkin, a New Jersey resident, when driving to New York City, where he saw sky-high stacks of the unused cargo containers in the shipyards he passed.
"The cargo containers, with a life span of about 20 years when used for their original purpose, have an “infinite life span” when stationary and properly maintained," Kalkin says. “To me they are like a treasured antique: they may not be inherently valuable, but the history and the storytelling add value.”
Environmentalists have embraced the design, applauding the recycling inherent to Kalkin's designs. And advocates for affordable-housing like the design, since according to Kalkin, "the total cost of a house—between $150,000 and $175,000 after the buyer settles upon the various options—works out to be between $73 and $90 per square foot, about half the cost of the conventional $200 per square foot for reasonable quality, new construction in the Northeast.”
Kalkin has recently opened a factory—“a hangar at a little airport in New Jersey”—to manufacture Quik Houses. “There are a lot of elbows flying in this process, and this is the best way to protect the quality of the house, to keep the accounting transparent, and to make sure I am not unwittingly responsible for heinous crimes to the built environment.” Once the factory is fully functional, Kalkin plans to export many of his products, commenting that “the possibilities of working on a world scale are exciting.”
Twenty-one thousand containers hit American shores every day of the year. Containers can be shipped to the interior of the country via trains and trucks. Shipping containers are like Lego toys and the modules can be assembled in thousands of ways.
In general it is a good thing to recycle materials that otherwise have no further use for their intended purpose, and this is true here. As for whether one can make a comfortable house out of these metal boxes, the biggest question is: insulation...it is essential, but there are many ways to insulate these containers, so this is not a big concern. Another concern that many people would have is whether a metal box would have adverse health effects because of EMF (electro-magnetic frequencies) generation or propagation. Some people are sensitive to these while others are not.
There is no doubt that these containers can be used to fabricate very strong shells that would withstand substantial abuse from the ravages of nature.

