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nothing design group at experimentadesign amsterdam 2008

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

a detail of one of the flying fish
image © designboom


just an update from experimentdesign amsterdam 2008. nothing design group, who just participated in
designboom's tokyo mart were also participants of the urban play exhibition which was part of experimentadesign.
the group of young korean designers, directed by koo jin-woog, presented 'fish in the sky' as their contribution
to the exhibition. along the IJ riverfront, transparent wind vanes in the shape of fish, were attached to flag poles
and soared above. the fish were meant to be a school of dutch herring, with the flag poles acting like
fishing rods, which have caught the fish swimming through the sky.


the fish are meant to be a representation of dutch herring
image © designboom


image © designboom


a member of nothing design group preparing one of the fish
image © droog design



fish flying high along the IJ riverfront in amsterdam
image © designboom


more
nothing design group: http://www.designnothing.com
droog design: http://www.droog.com
urban play: http://www.urbanplay.org
experimentadesign amsterdam: http://www.experimentadesign.nl

David Hertz - Studio EA - Floating Residence

00/00/0000, 00:00 | Modern Residential Design

David Hertz - Studio EA

Floating Residence


Suspended Tetris - David Hertz has produced a number of fantastic residences and the Floating or Binder Residence in Venice, CA is no exception. It's paired back black minimalist play on volumes and floating separated masses intrigues.



Overview
The project is located on a small, 37 foot wide lot on a pedestrian only street in Venice, CA. Rather than create one solid object, David followed his residential design signature of two, two story units. The upper levels of the units seeming to float above minimal tilt up concrete walls and pillars of the lower levels. The two upper levels being attached by an open-air bridge. The larger of the structures is used as a residence while the other is used as an art studio and guest room over a garage.

The glazed panels, central to the floating effect are also large, sliding doors that conceal themselves so that the ground floor appears to be open to the exterior courtyards, thus blurring the definition of interior and exterior spaces. A large 2-story chimney wall frames the rear of the courtyard while blocking the overlooking 2-story neighbours. The exterior fireplace at the second floor flanks an outdoor sleeping porch and seating area off of the perforated breezeway bridge. Ipe, and black steel are used throughout the house to complement the Syndecrete® prefabricated concrete panels.

Walls on the first floor are intentionally held from touching the ceiling of the second floor to allow for a clear line of site over neighbouring residences and giving the illusion that the second story is floating above the first floor. These clerestory windows also bathe the lower level in light. The mass of the second floor elevations is divided into sections of positive and negative spaces that reinforce the destabilisation of the wall plane. Some of the vertical slices are specific to selective views of nearby palm trees.

A central floating stair divides the spaces and leads to a usable roof deck framed by high solid parapet walls providing privacy and strategically edited views of the distant landscape.

A continuous skylight, that opens to serve as a shaft to facilitate stack effect ventilation, frames the stairs that float from the ceiling of the second story. The exterior walls of the second story are covered in a smooth, steel trowel, integrally pigmented, stucco. These are connected seamlessly to the interior ceiling of the first floor, their continuation internally to form one single mass, further emphasises the weight of the "floating" block above.


Slideshow


Plans

via: Many thanks to Christina at Studio EA

P&G’s Innovation Culture [del.icio.us]

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
Good case on how the idea of a 'Blue Ocean Strategy' can be applied: "The heart of a company’s business model should be game-changing innovation. This is not just the invention of new products and services, but the ability to systematically convert ideas into new offerings that alter the very context of the business."

100 Push ups : Week 3, 4 and 5!

00/00/0000, 00:00 | Design Sojourn
Wow! That was quick, according to the program, I should be now into my 6th and final week. The last week before the big 100 push-ups attempt! The reps in week 3 and 4 were getting really tough. I was having a lot of trouble getting through all the sets. [...]

saint-étienne international design biennale 2008

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

'club3' by rémy bardin, guillaume jounet - ENSA de paris-la-villette, part of 'habiter demain' exhibition

saint-étienne international design biennale 2008
at: cité du design site, saint-etienne
from: november 15th - november 30th, 2008

this year's saint-étienne international design biennale will be held at three main venues within the
cité du design site, the former saint-étienne weapons manufacturer. there will be a few main exhibitions including
'city eco lab' by john thackara and the 'sugoroku' exhibition by catherine beaugrand which will present
experiments which put humans at the heart of urban development. this year, there is the 'flight number ten'
exhibition will be taking a look at designers who have made their mark in the design world over the last ten years,
including ronan and erwan bouroullec. the biennale is an opportunity for designers from france and abroad
to present their latest designs to the public, using design to raise awareness to the current changes in society.


'le sommeilleur' by benoît , rest units at the mine museum, 2008, part of the 'habiter demain' exhibition


'l’îlot d’amaranthes' by emmanuel louisgrand, part of the 'city eco lab' exhibition - image © galerie roger tator lyon


'manger au travail - système pline' by julie bouillaut, part of the 'city eco lab' exhibition - image © véronque huygues


'robuDOG' by robosoft, 2008 - image © robosoft


'algues' by ronan and erwan bouroullec, installation at roubaix museum, 2004 - image © paul tahon

more
saint-etienne biennale: http://biennalesaint-etienne.citedudesign.com
cité du design: http://www.citedudesign.com

New Mexico EcoSteel House - interior finishes coming together

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
The work on the interior of the New Mexico EcoSteel House is progressing. Today we share more photos taken by the owner.



Click through the link below to see a photo browser with more images of the interior and the site.





Technorati Tags: , , , , ,

tokyo art beat t-shirts

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
tokyo art beat have released two new shirts for their 2008 fall collection.




'appenzell tyo' by so + ba

so+ba is alex sonderegger + susanna baer, are a swiss duo that have been working in tokyo
for more than 10 years. they created a design inspired by the traditional silhouetted paper cut-out
art from the swiss alpine region of “appenzell”. the design include scenes and symbols that populate
daily life in tokyo.




'huge tokyo mansion' by paramodel

paramodel are yasuhiko hayashi and yusuke nakano, an artist duo from eastern osaka formed in 2001.
for tokyo art beat they created a patchwork of apartment layout plans found in japanese real estate
agencies to create a huge fictional mansion that spells out the 3 kanji -  big, grand, tokyo.

more:
http://www.tokyoartbeat.com

'patchwork pavilion' and 'cave house' by DOMO arquitetos associados

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

at night, light shines through the exterior patterned blocks of the 'patchwork pavilion'

'patchwork pavilion' is a temporary art gallery designed by DOMO arquitetos associados. the structure was
originally built for the casa cor 2008, an exhibition for home textiles in brazil. the name of the pavilion is fitting,
as the exterior is constructed from a random combination of four different pre-cast concrete blocks whose
patterns have been inspired by embroidery pieces that originate in the northeast part of the country.
these concrete blocks were largely used in early modernist buildings in brazil, because of their ability to ventilate
and allow light to pass through the patterns, as well as for their low-cost and shape.


the four different patterned tiles create a graphic patchwork effect




'cave house'

DOMO arquitetos associados' 'cave house', was originally designed for a competition called 'luxury for all'
which explores the idea of luxury living which considers our sensorial experience with buildings and objects,
with an approach to sustainability. the structure aims to continue the flow of nature through the cave-like space.

more
DOMO arquitetos associados: http://www.domo.arq.br

F3 Arquitectos | House in Rupanco

00/00/0000, 00:00 | Modern Residential Design

F3 Arquitectos

House in Rupanco

Wooden Wonder - F3 Arquitectos - renowned for their timber architecture in Chile, have created this wonderful prefab retreat in 75 days! I question what more could be required of a modernistic cabin?


Many thanks to Plataforma Arquitectura for bringing us this fantastic residence in Southern Chile.

Translation / reword of original article by Carlos J Vial

Located in a remote area of Lake Rupanco, the commission responds to the request of a "summer house" or retreat, of sporadic use. Due to its complex, ever changing climate and geographical location, the plot made on site slow construction impossible.

The project consists of a single volume, with the layout distributed linearly, parallel to the lake views and shore. The site drops down a field to the shore below and northern sun.

A solid timber rear façade with a singular overlapped entrance, to the house, provides the necessary private secure barrier to the public road, becoming the main structural axis of the project. This wall in turn partially meets the requirements of security due to the prolonged periods when the house is uninhabited.

In contrast, once inside the interior, each room has a glazed wall facing the lake, creating a porous, and therefore vulnerable, façade. F3's solution being sliding wooden panels, clad in the same treated wood of the rear façade, that allow the owner to create a singular, completely airtight volume when leaving for the city.

As for the remote location and inclement weather that would hinder an on-site build - this was resolved by prefabricating many of the wall, floor and roof panels.

The Result
A beautiful, simple, elegant lakeside retreat. And to top it off, construction was completed in 75 days!!





Plans



Location: Lago Rupanco, X Region, Chile.
Arquitectos: F3 Arquitectos - Alejandro Dumay, Nicolás Fones, Francisco Vergara.
Size: 127 m2.
Materials: Treated wood, in prefab panels.
Completed: 2005.
via: Plataforma Arquitectura
& F3 Arquitectos


cnn gets carried away

11/05/2008, 15:49 | Influxinsights
It was funny on election night to see all the networks go over the top with their data visualizations and their sophisticated touch data screens. CNN took it to eleven with their holograms, at least we know Larry King still has a future.




Posted by Ed Cotton

tokyo design week 08: 'cellular automation' by ross lovegrove

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

'celluar automation origin of species 2'
image © designboom


as animals grow, their bone structures increase in size. they develop into the ultimate shaped forms,
being able to support the entire structure with just one fifth the mass of the whole. this is a study
of ross lovegrove's organic essentialism. in his work he analyzes the composition and structure of bones
and finds ways through modeling and structuring. for 'cellular automation' he created complex structures
experimenting with 3d software to create pieces that imitate nature. his work is on display as part of
the second nature exhibition at 21_21, tokyo, japan.


image © designboom


image © designboom


image © designboom


image © designboom


detail

more:
http://www.rosslovegrove.com

designboom article on ross lovegrove's organic essentialism

Herzog & de Meuron Tenerife Arts Space officially opens [Clipping]

11/05/2008, 16:25 | Land+Living: Modern Lifestyle + Design
"Herzog & de Meuron's Tenerife Arts Space (TEA) has been inaugurated in Santa Cruz de Tenerife in the Canary Islands." (via BD)

tokyo designers week 08: tukurite

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

kokuyo design group holds an annual workshop with student designers in japan called tukurite.
the workshop partners the student with in-house designers to create new product ideas for kokuyo.
products featured this year included jewelry, coasters, a tape measure and vases.


'instant pinhole jewelry' by sasaki taku
image © designboom



'instant pinhole jewelry' by sasaki taku
image © designboom

'messanger', tape measure by yamamoto ai
image © designboom


'message coaster' by aihara sakiko
image © designboom



'sikisi craft' by okada kazuto
image © designboom



'sikisi craft' by okada kazuto
image © designboom


more:
http://www.kokuyo.co.jp

see turukite at tokyo designers week 2007

3030 House - waiting for the steel erector

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
The next step for the 3030 EcoSteel House is to assemble the steel framework, but the owner is waiting in line right now. Plenty of other tasks to do in the meantime however. And us, we've had a request to see what the front of the house looks like, so a new image of the model is posted as well.



This illustration shows a different color scheme than the previous images.

On site they applied a void filling top coating to the foundation wall and ground it smooth. This creates a mottled patina on the concrete surface which looks pretty cool.



The rest of the crew is sanding reclaimed oak barn boards which will become the ceiling of the ground floor.



Tune into the 3030 House flickr group to see all of the photos forwarded by the owner.

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ORGANIC ART: Katy Stone and Yvette Molina Paintings

00/00/0000, 00:00 | Inhabitat

tickling thicket, yvette molina, johansson projects, environmental art, environmental art san francisco, environmental art seattle

In the rush to create ultra-modern bamboo chairs, entertainment centers, desks, wallets, and other generally eco “stuff,” the pure beauty of natural forms is sometimes lost in modern design for industrialization. So it is blissfully refreshing to mentally reconnect with exhibit Tickling Thicket at Oakland Gallery, Johansson Projects, where artists Katy Stone and Yvette Molina use innovative painting techniques to create spellbinding, ethereal natural forms.

(more…)

links for 2008-05-16

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :

Slide Show of Earthbag Building Projects

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I am very pleased to announce that there is now an extensive slide show of earthbag building projects up at www.earthbagbuilding.com. I spent several days selecting the best photos that I could find and formatting them to fluidly present a marvelous array of architectural styles and approaches to building with earthbags. There are already over sixty images assembled, and I expect to continue to enlarge the library over time.

The pictures are labeled so that if any of them attract further attention, the more detailed description of the project can be found on the projects page.

The pace of the slide show is controlled by the viewer by clicking on arrow buttons below the images, so one can browse as casually as one likes. This is a great way to become familiar with some of what is being created with earthbags. The photos depict both works in progress and completed projects.

So sit back and enjoy the show!

The Enertia House

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I recently got a query from one of the editors of Mother Earth News regarding a news story she had read in the New York Times. The writer, David Pogue, had been a judge in a contest sponsored by by the History Channel and the National Inventors Hall of Fame titled "Modern Marvels/Invent Now." A $25,000 prize was awarded to one amoung 25,000 contestants, and the winner was the Enertia House, which was invented by engineer and former log-home architect, Michael Sykes.

The Mother Earth News editor said that these homes had been featured in their magazine before. They essentially provide two wooden shells for the home, one inside the other. She said that there was no mention in the article about the cost per square foot. She was wondering what I thought about the concept from the standpoint of sustainable architecture.

Here is my response:

Double envelope house designs have been around for several decades and they definitely offer some benefits, as well as raise some questions. Any house that takes advantage of the geothermal properties of the ground will be doing its inhabitants and the earth a good turn. This can take the form of earth-sheltering in general, or some clever system of circulating air like the Enertia concept; coupled with sensible passive solar design, it is possible to approach a "zero energy" home.

The concerns about their system that I have are: The use of wood as the primary building material is not generally sustainable in this day of lost forests. With the double envelope design, you are practically building two houses to end up with one. Relying on wood as a thermal mass material compromises the potential thermal performance because wood does not serve this function nearly as well as traditional masonry thermal mass materials. So, I guess what I am saying is that a more sustainable and less costly design can be accomplished in more traditional ways.

Answering the same question, Paul Scheckel wrote, "At first glance, this looks a lot like sunspace design from the 70s (without the stone-filled basement to store heat) which overheated in the daytime and lost lots of heat at night. Consider also that this giant convection oven requires a temperature difference, which in this case is driven by the sun and the cool basement. A New England winter has precious little sun, so my heating system will drive the convective loop, increasing heat loss (in addition to the insulation-free envelope). I haven't heard too many people (ie: none) say that wood is bad for houses and better for biodiesel, but there are good arguments for not using so much material in a home. Does it work? I'd like to see one built in the northeast and see the resulting energy data, wherein the proof will lie."

Clark Snell of www.thinkgreenbuilding.com wrote, "I spent five minutes looking over the web site, so these comments are only based at looking at marketing materials, i.e. they may be inaccurate. Ditto what has been said so far. A couple more “red flags:”

  1. Solid wood envelope. They seem to be using the old “mass enhanced R-value” argument for why solid wood walls perform well thermally. I think it’s well established that this is true only in very specific climatic situations. Touting solid southern yellow pine walls in comparison to solid white pine walls is like saying a Chevy Suburban gets better gas mileage than a Hummer…that’s not really a useful statistic.
  2. Energy without oil. The presentation intimates that this is a completely passive design. For example, no heating system is mentioned. That simply isn’t credible for most climates using the technology they are describing.
  3. Passive means local. You simply can’t create a design that relies heavily on passive techniques and generalize it across climates. In my area where we have high humidity, I’d wonder about this convective loop through the attic and basement, for example.

I could go on. I’m a passive design freak, so I’m all for the basic concepts they are dealing with. However, I don’t see anything really new here, but see marketing claims touting what they are doing as a major breakthrough and “the answer”. That always makes me nervous."

David Eisenberg, of www.dcat.net wrote, "After a skimming around their website, I see that they sell kits and their base prices don't include a lot of things - some of which are enumerated:

"Enertia Homes are sold as pre-cut, numbered kits varying in size from 1000-6000 square feet. The kit is a structural package that includes the timbers for the four exterior walls and the two interior walls (Energy WallsTM) which form the envelope, as well as the flashings, gasket, spline and fasteners to put the structure together. Also included are the beams for the upstairs floor system and the rafters for the roof structure. Doors, windows, flooring, and foam SIP roof panels are priced separately as per your blueprint and climate."

That's a pricey list of not includeds and notice they say nothing here and I saw nothing in my quick scan of the site about some really big and typical costs like excavation and foundations, below grade walls, or basement floor. They say this is a structural package but they don't mention all the things that are going to be extra that most people would expect in a house - plumbing, wiring, fixtures (electrical and plumbing), stove, etc. and especially that the solar PV and thermal water heating systems are not part of the package. It would be nice if they said right up front and clearly what they do and don't sell. And they should make it very clear that all the prices include only the factory labor, not the cost of actually assembling and finishing these structures.

But the biggest issue I have is that these are essentially double wall structures using an enormous amount of thick, milled lumber, which appears to use many times more wood than goes into a stick frame house. It would be interesting to see if they use more wood than a comparable log home. They'll likely be more energy efficient than a log home, but they'll use as much or more wood. Which raises all sorts of issues about the sustainability of this venture - beyond just the trees cut down - much bigger transportation, milling, probably kiln drying impacts as well. The concept is fine and likely works reasonably well in most climates. I'd need to see much more actual performance data and of course real cost data to be able to make any kind of realistic judgment of the viability of this concept as anything more than a niche market system. But between the costs which are going to be very high and the amount of materials going into one of these, calling it sustainable seems like a real stretch."

And finally, Jeff Judkoff of the National Renewable Energy Laboratory, wrote: "The concept of "Double Envelope" homes has been around since at least the 1970's. A number of them were built in the late 70's early 80's. Some variations of the concept were published in the Solar Home Book, by Bruce Anderson and Michael Riordan in 1976, Cheshire Books. Other publications in that time frame also showed the concept. The only truly new concept here is the notion that the resins in the wood behave as phase change storage materials. I have no idea if that is true, but I doubt it because the most common phase change is from a solid to a liquid, in which case the resins in their liquid phase would leak out creating a mess. That's not to rule out the possibility that some tree resins could go from a solid to semi-solid phase, or that they are encapsulated in the wood, I just don't know if they can, and would only be able to determine it through controlled scientific testing in a calorimetry chamber. Phase change storage can really be a big boost to the performance of many flavors of passively heated and cooled homes.

There are many ways to acheive highly efficient homes that more or less "heat and cool" themselves. Different approaches have different costs and will work better in some climates than in others. In Colorado, my lab, NREL, worked with Habitat for Humanity to create a net energy producing home. We used super insulation, passive solar tempering, ventilation heat recovery, engineered shading, solar hot water with a backup instantaneous water heater, compact flourescent lighting, and PV. We also have more than a years worth of detailed data to prove the performance of the home (it really was a net energy producer for the last year).

I saw no data to indicate how well the Enertia home actually performed from an energy perspective. Cost, energy performance, and comfort are the key criteria by which to evaluate such homes, and data is always better than arm waving, or catchy theories. Nothing beats the scientific method for objectively determining the value of an idea."

obama almost breaks the internet

11/05/2008, 15:23 | Influxinsights
Data from Akamai shows that Obama become the new number 1 new story in internet traffic volume since records began (2005).

Obama beat out a mix of celebrity deaths and sporting events to claim the number one spot.


newspeaks

Posted by Ed Cotton

Earthbag Building in Haiti

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I spent several hours working on this project page: http://earthbagbuilding.com/projects/haiti.htm

I think it really is one of the best yet, because it shows the entire project from foundation to finish work on a simple home that would appeal to most people around the world; it was created by poor Haitians who had no prior experience; and it was done in a manner that I could easily recommend for others to follow. I think this really shows how earthbag building can really work for people throughout the world.

The house itself is a simple design (with some interest because it is an L shape) and was accomplished without any buttresses. Once finished it is nearly indistinguishable from their customary cement block homes, except that the walls are thicker...and it will be more comfortable to live in I am sure.

This home was built at Pwoje Espwa in Southern Haiti, where Father Marc has dedicated his life to serving and helping suffering children. This project not only houses over 700 children, but has an agricultural project, three schools, carpentry and masonry facilities, and an arts and crafts program. They have many ideas to help the Haitian economy and people living there. Because they are a non-profit, and are continuously struggling with funding, I encourage you to visit their website (www.freethekids.org) and consider making a donation to their cause.

Recycled Magazine Mobiles by Frasier & Wing

00/00/0000, 00:00 | Inhabitat

frazier and wing mobiles, recycled design, eco mobiles, recycled paper mobiles, frazier and wing, frazier mobiles, frazierandwing, green mobiles, recycled mobiles

When it comes to mobiles, everyone knows that they can make great nursery decorations and playthings for babies, but sophisticated, abstract mobiles can also function equally well as artsy decor for grownups. Such is the case with Frazier & Wing’s beautiful recycled magazine mobiles. Made from hundreds of paper cut-outs from old magazines, and strung in linear cascading forms, Frazier & Wing’s chandelier-esque mobiles make a stunning centerpiece for any room: nursery or grownup.

READ MORE AT INHABITOTS >

MINI PREFAB: Modern Architecture for Tots

00/00/0000, 00:00 | Inhabitat

ryan grey smith, modern playshed, modern prefab, prefab for kids, prefab playhouse, green house for kids, kids playhouse

If you’re a fan of modern prefab architecture and you’re raising rugrats, now you can get your little ones on the prefab mod action with the Mini Modern Prefab Playshed. Part Case-Study home, part play-house, the Mini Modern Prefab proves that kid’s design can be fun and sophisticated at the same time. Architect Ryan Grey Smith, known for his adult-sized Modern-Shed is bringing prefab to preschoolers with his Modern Play Shed, a smaller but no-less awesome version of his original design. Better than any treehouse or playhouse we’ve ever seen, it comes fully loaded with a sloped shed roof, dutch doors, 12 windows, and more.

READ MORE AT INHABITOTS >

Building with Shipping Containers

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
An idea whose time seems to have arrived is the use of stockpiled shipping containers as modular units for building homes. Because of the balance of trade in the United States, these hefty steel boxes are piling up in ports around the country and posing a storage problem. Several architects and builders are taking advantage of this surplus to recycle the containers.

According to David Cross of www.sgblocks.com, "a container has 8000 lbs of steel which takes 8000 kwh of energy to melt down and make new beams etc... Our process of modifying that entire 8000 lbs of steel into a "higher and better use" only takes 400 kwh of electrical energy (or 5%). Granted it takes a bit more "muscle" but we call this Value-Cycling which we feel is that next step up from Re-cycling."

Each container measures 8 feet wide by 40 feet long by 9 feet tall. SG Blocks sells the finished structural systems (also called SG Blocks) for $9,000 to $11,000 per unit. The finished units have one or two walls removed and include the necessary support columns and beam enhancements.

According to KPFF Consulting, a structural engineering firm in St. Louis with extensive experience working with shipping containers, the units are stronger than conventional house framing because of their resistance to "lateral loads" -- those seen in hurricanes and earthquakes -- and because steel is basically welded to steel. The roof is strong enough to support the extra weight of a green roof — which has vegetation growing on it — if the owner should want it.

As for their energy efficiency, they claim that when the appropriate coatings are installed, the envelope reflects about 95 percent of outside radiation, resists the loss of interior heat, provides an excellent air infiltration barrier and does not allow water to migrate in.

One idea that has occurred to me is that this system might benefit from the use of SIP's (Structural Insulated Panels) for the roofs, rather that standard truss framing. SIP's are very well insulated, install quickly, and use much less wood than convention roofs.

Shipping containers are self-supporting with beams and stout, marine-grade plywood flooring already in place, thereby eliminating time and labor during the home-building process. Cross said construction costs are comparable to those in conventional building. Four to seven units are used in a typical home, he said.

Instead of nailing the siding they use "Super Therm", a ceramic paint made by Superior Products of Minnesota; it can be used as a paint, an adhesive, an insulator, a fireproofing material and an acoustic barrier. With this ceramic paint, they claim the insulation capacity is equal to a conventional house.

This finished house is virtually indistinguishable from conventional housing.

Adam Kalkin, of www.architectureandhygiene.com , has also become enamored with shipping containers as an architectural solution. The idea to do something with shipping containers came to Kalkin, a New Jersey resident, when driving to New York City, where he saw sky-high stacks of the unused cargo containers in the shipyards he passed.

"The cargo containers, with a life span of about 20 years when used for their original purpose, have an “infinite life span” when stationary and properly maintained," Kalkin says. “To me they are like a treasured antique: they may not be inherently valuable, but the history and the storytelling add value.”

Environmentalists have embraced the design, applauding the recycling inherent to Kalkin's designs. And advocates for affordable-housing like the design, since according to Kalkin, "the total cost of a house—between $150,000 and $175,000 after the buyer settles upon the various options—works out to be between $73 and $90 per square foot, about half the cost of the conventional $200 per square foot for reasonable quality, new construction in the Northeast.”

Kalkin has recently opened a factory—“a hangar at a little airport in New Jersey”—to manufacture Quik Houses. “There are a lot of elbows flying in this process, and this is the best way to protect the quality of the house, to keep the accounting transparent, and to make sure I am not unwittingly responsible for heinous crimes to the built environment.” Once the factory is fully functional, Kalkin plans to export many of his products, commenting that “the possibilities of working on a world scale are exciting.”

Twenty-one thousand containers hit American shores every day of the year. Containers can be shipped to the interior of the country via trains and trucks. Shipping containers are like Lego toys and the modules can be assembled in thousands of ways.

In general it is a good thing to recycle materials that otherwise have no further use for their intended purpose, and this is true here. As for whether one can make a comfortable house out of these metal boxes, the biggest question is: insulation...it is essential, but there are many ways to insulate these containers, so this is not a big concern. Another concern that many people would have is whether a metal box would have adverse health effects because of EMF (electro-magnetic frequencies) generation or propagation. Some people are sensitive to these while others are not.

There is no doubt that these containers can be used to fabricate very strong shells that would withstand substantial abuse from the ravages of nature.

4occhi glasses by giullo iacchetti at aspesi 1910 store

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
designer giulio iacchetti recently launched his '4occhi' collection of glasses at the newly opened
aspesi 1910 store in milan.



4occhi is a pair of glasses with four lenses that can be customized according to individual needs.
it can be both glasses and sunglasses, for near-sighted and far-sighted people.


image © studio foto iacchetti


aspesi 1910 store

more:
http://4occhi.it

IS IT GREEN?: ZipCar

00/00/0000, 00:00 | Inhabitat

is it green, zipcar interview, car sharing program, public transportation, sustainable transportation, hybrid car, prius, carpooling

One of the great perpetrators of the United States’ wastefulness is urban sprawl, which leads to SOV (single occupancy vehicle) disorder. Many Americans drive to work, and we usually don’t carpool. Beyond driving to work, we use our cars for other things – soccer practice, forgotten items at the grocery store, and trips across our giant country. It doesn’t need to be that way. If we could break ourselves of this habit of hyper-convenience, we could have better bike lanes, rail, and bus systems. Or we could share our cars. Zipcar is an innovative car sharing service that prides itself upon its convenience and accessibility. We recently caught up with Zipcar spokesperson Lesley Neadel to ask a few questions about the company’s green cred.

(more…)

sumika projects by sou fujimoto, toyo ito, terunobu fujimori and taira nishizawa

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


tokyo gas co., ltd., is japan's largest supplier of natural gas for both residential and business consumption.
for their 'sumika project', they teamed up with japanese architects toyo ito, sou fujimoto, terunobu fujimori
and taira nishizawa. each of the architects are responsible for designing a built structure on the project site.
the concept behind sumika is to provide new residential units, buildings and a main pavilion that will use gas
as their main source of energy.

the main pavilion is a communal space that is meant to bring people together, to gather and interact with
one another. with the increasing amount of people living in apartments in urban areas, homes have become
uniform and monotonous. the aim of the sukima project is to provide more primitive, free and prosperous housing
which connects to nature and awakens the five senses.




sou fujimoto and toyo ito


terunobu fujimori and taira nishizawa


by sou fujimoto


by toyo ito


by terunobu fujimori


by taira nishizawa

more
sumika project: http://kenchiku.tokyo-gas.co.jp/sumika_project
tokyo gas co., ltd.: www.tokyo-gas.co.jp

Nicholas Burns - Johanna Beach House

00/00/0000, 00:00 | Modern Residential Design

Nicholas Burns

Johanna Beach House


Thinking Globally | Acting Locally - Nicholas Burns has taken this "green" addage and designed a modern residential retreat that: incorporates international ideas, templates low impact construction, has relatively minimal impact on the environment and embraces this spectacular plot.


The Johanna residence sits a few kilometres off the Great Ocean Road in Victoria, Australia, up a bush track leading to a gravel turnaround. This porous parking area is the first step into Nicholas's realm of environmentally concious design, allowing the water to soak through in a semi un-constructed area, combats erosion far better than a concrete slab.

Constructed of rammed earth taken in part from the surrounding area the house self regulates in temperature for all but the coldest of days. A super insulated wood burning fire in the centre of the living area tops up on the few days that it is required, whilst for most of the year the 300mm walls and thick floor store daytime heat for night time release. Carefully judged overhangs and windows, shade the rooms from peak summer heat, and allow cooling air to pass.

Arriving at the house you play out a mini script that depicts the notion of a holiday home. A getaway, a release from the constrictive day-to-day life we lead in the city.

Leaving your car you head towards a strong rear wall. From this angle the house appears a small bank or cliff, solid and permanent, with stripes of layers in the rammed earth walls creating cliff like strata. Nearing the house, a courtyard leads you in to a "Burns" play on space and dimensions.



As if entering a cinema through the back corridor, the short courtyard, with its imposing 300mm thick rammed earth walls, contracts to a single passageway and heads to the front door.



The constricting nature of the entrance has you prepared to duck your head and don a helmet and caving lamp. Yet as you pass the front door and round the partitioning wall, you're released into a panorama of views out across Johanna beach and along the coastline. About ten minutes later, you'll realise you're in a wonderful open plan living / dining room.





Nicholas Burns has an affinity for the architecture of Tadao Ando, which he studied for years, admiring as I do, his self taught designs.

Hidden in full view throughout the design of this residence are homages to Ando. Tadao's designs, based of the Tatami mat, 900mm x 1800mm, are all divisible by this measure, leading to a hidden, calming simplicity. Nicholas's dimension is 600mm "so everything has an inherent logic in the space, making it unobtrusive.” Simply furnished, the house allows you to focus on it's surrounds.



Layout
A slight twist on a single plane design, the two bedroom wings are set back from the living area to allow 180 degree views. This also allows a raised courtyard to be placed behind the living area. A sheltered area from winds heading up hillside, it also provides an area for BBQs and outdoor dining.
All but one of the four bedrooms soak in the views and sunsets, the fourth, a more reserved room, is windowed to the rear and surrounding bush, an ideal room for private contemplation.


Plan



About Nicholas Burns

In the 1990s, Burns left his architecture studies in South Australia to pursue a self-education in philosophy and building crafts, a la Tadao Ando. In 2000, he moved to Singapore, where he is still based, travelling from there through Europe, India, China, South-East Asia and Japan. I think Nicholas's practice really focuses on balancing the three way split, design, clients desires and the environment in which the build sits.

As part of all initial concepts and drafts, Nicholas's practice now encourages all of their clients to offset the carbon footprint of the build with United Nations-Certified carbon credits.
The environment is a strong stakeholder. But as you can see, in no way at the expense of fantastic design.

via: Nicholas Burns
Related Articles: http://materialicio.us/2008/01/15/johana-beach-house-nicholas-burns/
http://www.pushpullbar.com/forums//showthread.php?t=5990


MODERN INSPIRATION

00/00/0000, 00:00 | GAILE GUEVARA

To see complete inspiration library for MODERN WHITE view slide show
Today is a special October 12 - I share with you a MODERN INSPIRATION DEDICATION in honor of today's birthday. The birthday of a talented designer, artist, visonary, spirit and loving friend DONNA TOPPINGS.
Looking back ... I attribute my learned love for modern minimal interiors and architecture to our days of working together and brainstorming for projects ... that excitement of opening the pages of beautiful books or magazines, and like twins at birth, the synchronized - oohs and aahs would follow. If we didn't say the exact same comment of excitement at the same time, there was always at least one of us thinking as the other is saying "look at the detail - LOVE IT". For those who aren't design junkies and cannot relate ... basically a PASSION for MODERN DESIGN is as addicting as that glass of wine you may be drinking as you read this or for others as you inhale that smoke or wolf down that block of cheese - that immediate sigh of bliss. It is that synergy or excitement and energy that inspires designers like me to be grateful for moments like those. Pure LOVE of appreciating all that is beautiful and visually articulate in its execution. I attribute my love and detailed eye to years of appreciating the laughs, cries, excitement, pop corn evenings, power walks, sushi dinners over lengthly design chats and talks. The experience of learning through eyes of someone you admire and respect helps motivate one to learn and crave more. Thank you DONNA for reminding me on your special day the moments in life that take your breath away, make you smile, make you cry and make you love - the beauty of seeing from within. MODERN DESIGN and INTERIORS isn't just about the aesthetics, is is a lifestyle, a process of embrassing and appreciating the experience of that moment.

Trend: Digital Surfaces for the Blind

00/00/0000, 00:00 | CScout TrendBlog

Tactile surfaces are making technology and information much more accessible to people with visual handicaps

As a range of new interfaces and surfaces for digital devices are developed, it is becoming easier for visually impaired people to use devices sighted people take for granted. Tactile displays enable digital data to be felt rather than seen, making it easier for blind and partially sighted people to access the Internet, keep their credit card details secure, and take and archive pictures.

Cases

Touch Sight Camera

This Samsung design embosses 3D images on its flexible Braille display, turning images into a surface that can be felt. It also captures a few seconds of sound to accompany each picture, making them much easier to search and archive. Images can be shared online and downloaded to other Touch Sight cameras.

ReEnvision

Smooth touch-screen technology on debit card readers hinders visually impaired people by requiring them to give their PIN to the cashier. This design provides a low-cost solution, sitting flush on a debit card reader to provide tactile buttons.

Sentio

Although blind people can’t see, it doesn’t mean they don’t want to look good. This was Matthew Wagerfield’s approach when he incorporated tactile technology into this watch. The clock’s face features two seven-segment digital displays that rise 1mm above its surface, providing a tactile function for the blind and a visual spectacle for the sighted.

Saifu

Saifu is a tablet PC that uses a conceptual magnetized liquid material called magneclay. The oil based synthetic reacts to a magnetic charge, rearranging itself infinite numbers of times to display Braille or tactile 3D images in relief.


Trend Impact
These designs demonstrate many of the ways in which technology is making up for the difference in people’s abilities, leveling the playing field and making more activities and roles accessible to more parts of the population.

Of course, many of these technologies can provide benefits to sighted people. For example, a tactile surface could be applied to a bedside clock, enabling one half of a couple to find out what time it is without disturbing the other.

sneak peek: dolan geiman

00/00/0000, 00:00 | Design*Sponge


it won’t take you long to figure out that dolan geiman’s chicago place isn’t what we typically feature in our sneak peeks. but looking through his images and reading through his descriptions felt like i was unlocking a treasure chest full of great stories and memories into the world of dolan geiman. it’s funny to think about where everything we own comes from and the stories behind it. and it’s very clear from dolan’s work how his surroundings inspire him. be sure to click here for more full-sized images, with complete descriptions, and you can find more of his work here (psst…there’s a sale!) and his blog here with all sorts of fun stuff he has in the works. [thanks dolan and ali!] -anne

[Above: This is the area I refer to as “the waiting room”.  This is where my pal Chris Nightengale, fashion photographer extraordinaire, does some of his shoots. The mint colored chest of drawers is entirely metal and was a gift from my friend Denny, who always has been a wonderful inspiration in my life. He lugged this heavy thing to me when I was down on my luck and living in an unheated rat-hole apartment in Virginia. Now it looks a little better, as does my luck.  I found the globe in a dumpster in Charleston, South Caroline, and the artwork, Jazz Atlas (2008), is one of my collage constructions made from magazines I found in old farm houses. [Photo credit: David Schalliol]



Yours truly at work. . . This is the Art Machine. There is a long story behind the Art Machine, but essentially I made this out of old doors and found objects from a soon-to-be-demolished house I was living in when I first moved to Chicago.  Hockshop refers to the name of my previous studio and gallery in the Pilsen neighborhood of Chicago. Under the moniker Hockshop, the Art Machine debuted in Chicago during a yacht-based art show organized by Bridge Magazine (now called Bridge Art Fair, they produce expositions in London, Miami, New York, and elsewhere). The top of the Art Machine is an old canvas tent that my granddad used when hunting in Canada and which I screenprinted with various images. The little squares of metal on the front are hand-cut signs I grabbed in a scrap yard in Stuarts Draft, Virginia. The little Panel Paintings, on the wall behind the Art Machine, are the staple of my art business. I make about 1000 of these things a year, out of recycled wood, recycled paint, and water-based silkscreen ink.  This is my carnival area, I like to say, because the combination of the Art Machine and the Panel Paintings presents a nice sideshow feel. [Photo credit: David Schalliol]



This is a cabin-like installation just inside the front entrance of my studio.  I created this out of salvaged wood, found billboards, and old s