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3030 House - construction begins
00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
As we described it before, the 3030 House sits on a 30ft x 30ft plus porch footprint, just under 2000 sqft, 3 bedrooms, and a nice open plan living space. It includes a generous kitchen work space and upstairs a large master bathroom, and in the case of this first one a full basement as well. It will fit on narrow in-fill lots or in new compact communities, but its size also makes it a good candidate for a weekend home as well.
The foundation is already in and steel will being rising this week. Lets look at the plans, beneath the fold.
On the ground floor you enter very near to grade level. Here you have a short stair up to the ground floor, and the stair to the basement. To the side is a coat closet and a powder room. Up the short run of steps you land in the middle of the ground floor. To one side is the kitchen island, and the workspace which continues around the corner. To the other side is the dining area. The living room sits towards the front of the house. The open plan allows you to alter the proportion, or location of these rooms. For instance the dining area can be moved closer to the kitchen island and a second seating group added to the living area. If it was me, I'd get a Wilkhahn Confair table and move the dining area on a daily basis! A sheltered terrace is beyond with doors from both the dining side and the kitchen side. In the Maryland house since grade is sloping away this will have a set of steps to grade.
Up the stairs we come to a large landing. On this landing level is a small laundry area and the shared bathroom for bedrooms 2 & 3, At the top of the stairs there is a linen closet between the two bedrooms, and a wide set of doors to the master bedroom. The master has a walk-in closet and a large bathroom with shower and tub. Doors lead out to a balcony that extends the width of the house. Here is a section view where you can see the relationship of these landing levels.
The compact cubic proportion of the house is efficient with materials, and the floor plan is also efficient with space. The open plan makes it flexible, and gives the impression of being larger than its 1800 sqft would suggest. Into that space we have 3 bedrooms - enough for a family, but not too much to bite off for a first home. See the construction progress in the photo browser below. It starts with the demolition of the existing run-down house and shows excavation, and concrete work for the foundations and basement walls.
Technorati Tags: 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house, 3030 House
sneak peek: dolan geiman
00/00/0000, 00:00 | Design*Sponge
it won’t take you long to figure out that dolan geiman’s chicago place isn’t what we typically feature in our sneak peeks. but looking through his images and reading through his descriptions felt like i was unlocking a treasure chest full of great stories and memories into the world of dolan geiman. it’s funny to think about where everything we own comes from and the stories behind it. and it’s very clear from dolan’s work how his surroundings inspire him. be sure to click here for more full-sized images, with complete descriptions, and you can find more of his work here (psst…there’s a sale!) and his blog here with all sorts of fun stuff he has in the works. [thanks dolan and ali!] -anne
[Above: This is the area I refer to as “the waiting room”. This is where my pal Chris Nightengale, fashion photographer extraordinaire, does some of his shoots. The mint colored chest of drawers is entirely metal and was a gift from my friend Denny, who always has been a wonderful inspiration in my life. He lugged this heavy thing to me when I was down on my luck and living in an unheated rat-hole apartment in Virginia. Now it looks a little better, as does my luck. I found the globe in a dumpster in Charleston, South Caroline, and the artwork, Jazz Atlas (2008), is one of my collage constructions made from magazines I found in old farm houses. [Photo credit: David Schalliol]
Yours truly at work. . . This is the Art Machine. There is a long story behind the Art Machine, but essentially I made this out of old doors and found objects from a soon-to-be-demolished house I was living in when I first moved to Chicago. Hockshop refers to the name of my previous studio and gallery in the Pilsen neighborhood of Chicago. Under the moniker Hockshop, the Art Machine debuted in Chicago during a yacht-based art show organized by Bridge Magazine (now called Bridge Art Fair, they produce expositions in London, Miami, New York, and elsewhere). The top of the Art Machine is an old canvas tent that my granddad used when hunting in Canada and which I screenprinted with various images. The little squares of metal on the front are hand-cut signs I grabbed in a scrap yard in Stuarts Draft, Virginia. The little Panel Paintings, on the wall behind the Art Machine, are the staple of my art business. I make about 1000 of these things a year, out of recycled wood, recycled paint, and water-based silkscreen ink. This is my carnival area, I like to say, because the combination of the Art Machine and the Panel Paintings presents a nice sideshow feel. [Photo credit: David Schalliol]
This is a cabin-like installation just inside the front entrance of my studio. I created this out of salvaged wood, found billboards, and old signs I’ve found along the road driving to and from art fairs. The raw wood slats were given to me by my pals over at Circa Ceramics who were using them as shelving. I found the deer head while exploring an abandoned barn in Ohio. I saw one of the antlers sticking out of the floorboards. The rusted milk can was used by my dad when he milked cows as a kid. The old glass bottles adorning my bottle tree surfaced outside my warehouse building when the City dug up the cobblestone street in preparation for resurfacing the road. The green bucket is full of shotgun shells I gathered from a shooting range in southern Illinois. The buoys have been collected from various coastal towns including Key West, Cape Cod, and New Orleans. I grabbed the screen door from an abandoned general store in Virginia, and I bought the lentil above the door at a yard sale here in Chicago for only five dollars. I’ve started collecting green and greenish-blue boxes from abandoned warehouses here in Chicago. [Photo credit: David Schalliol]
This is the back side of the entryway installation. This is where I feel most like a mad scientist. And yes, in case you’re wondering, there is a whiskey flask in the bottom drawer. I found the chair in an old farm house in North Carolina and screenprinted the back and seat myself. The desk was left in the basement of my last apartment and could kill an elephant if it fell on it. I had to use a truck jack and three retired football players to transport the desk when we moved into this space. The framed oil painting on the floor was hanging in my grandma’s den when I was a kid. She was trying to throw it out when I intercepted it. The red dolly in the corner I bartered from an old (semi) drunk barber for two six-packs of Old Style beer. I think he got the better deal, but at least it looks cool. I snagged the green metal hanging light from a warehouse here in Chicago. Above my desk is one of my inspiration clotheslines. I’ve found this is the best way for me to display various ideas and my notes to myself. The little white paintbrush holder sitting on my desk with the face on it is a ceramic mug made by my pal Ed Brownlee. Ed is about two pints away from being mistaken for a criminal, but he’s a damn good artist and has an enormous heart. [Photo credit: David Schalliol]
Our building has a green roof, which Ali helped plant, and this is where the plants were stored before they were given the outdoor penthouse suite. The equipment featured in the photo is one of our landlord’s lathes; he collects old, industrial machinery amongst other things.
This is my little shrine to Johnny Cash. On the day Johnny Cash passed away, I was getting ready for an opening at Unit B Gallery, formerly in Chicago and now in Austin. The work I was showing was loaded with connotations of death and resurrection and was called the Tombsigns of St Emmeline. The synchronicity of the event was really overwhelming and would have seemed spooky, except that I seem to attract energy like that and I am open to it. The week before I was eating pizza in St Louis and some kid was skateboarding nearby with a boom box and he was playing Johnny Cash’s last recording. When I asked him about it, he said he didn’t know it was Johnny Cash, and that he had just found the tape under a tree and liked the sound. I found the whiskey jug on the bottle tree in the dirt behind the warehouse. The butterflies are screenprinted on wood and were part of a spring window display for a local shoe store . . . I use one corner of the studio for staging photos, both for Etsy and for print brochures. The mantel was a gift from a T-shirt printer (48 Industries) in the building, a fellow scavenger. [Photo credit: David Schalliol]
Stuff I love: plastic dice, old painted nail, orange train ticket to California (1898), list of numbers in Spanish, green feed tag, hand-drawn family album for collage, Virginia text from a high school Math book cover. [Photo credit: David Schalliol]
In this entryway installation close-up, the fresh eggs (fresh eyes) sign was a studio warming gift passed on to me from my buddy, artist Michael Merck, who grabbed it from a little Mexican street cart. I found the paintbrush hanging on a hook in a bathroom of a warehouse I was occupying while living in Virginia. It’s the only paintbrush I own that’s never been used for painting. Below the brush is a catfish sinker I bought when I went fishing in Kentucky last year. The rooster painting, Dirt Road Series IX, is one of my own, silkscreen and acrylic on recycled wood available here. He’s a good pet and doesn’t eat food or make any noise. He just sits there lookin’ pretty. The books to the left of the rooster are my sketchbooks. I use old books for my sketchbooks, pasting ideas and collage materials into the existing pages, instead of buying new white-paged, sterile sketchbooks. I think it’s important to be surrounded by many different textures, so I started collecting the softballs over the past four or five years. Almost every time I make a trip down to a river, I find softballs stuck in leftover flood debris and so I started saving them in this locker room bin. If you like metal baskets like this one, you can find some here. The blue oar is a mystery. I found it one night in the middle of the road while I was driving through West Virginia. The strange part was that one end of the oar was tied to a tennis shoe. I kept the oar; the shoe didn’t fit, so I left it. Above the fresh eggs (fresh eyes) sign is a wooden gun I made from a piece of billboard I found in Indiana and then adorned with little metal objects from an old trade school parking lot. Finally, the rooster painting is sitting on an old hen crate, used by my granddad to take chickens to market. Ali won’t let me get chickens yet, but I’m working on it. [Photo credit: Kara Elliott-Ortega]
Included in this shot are an Ed Brownlee mug (paintbrush holder), comic book collage materials, old picture frames found in a barn in Kentucky, a bluebird collage in progress, and a couple print proofs. Used paint cans, thrift store mugs, and Quaker Oats bins are used to hold brushes, pens, and markers.[Photo credit: Kara Elliott-Ortega]
Davide Macullo & Marco Strozzi - House in Comano
00/00/0000, 00:00 | Modern Residential DesignDavide Macullo & Marco Strozzi
Hard covered book - This house by Davide Macullo appears an industrial bunker at first glance from curbside, yet opens up to the garden and to delight once inside.
Overview
Proving you shouldn't judge books by their cover, this house located in Comano, 5 km north of Lugano (Ticino), is set on the border between more traditional buildings up the hill and a new urbanised area on the plains below.
Layout
The construction stands on the lower part of a steep slope.
Consisting of three main rectangular units, each of which leads out onto a different level of the terraced plot.
The huge entrance porch, that serves also as covered car-park, is carved into the hill as a cave; leaving the upper volume as if “floating” in the green landscape. The void generated between the three main volumes, hosts the stairs that link the levels. Rather than full storeys between each, the stairway connects each level at a landing, half a floor apart, giving the feeling of walking on the natural slope of the land.
Bedrooms on the first floor, leave the second floor and a single covered porch to be bathed in sunlight from across the valley. Services and less used rooms are tucked away towards the read of the house, closer to the hillside.
Half a level down from the elevated covered porch, is the living room, which leads out to the pool and main terrace.
Further images below reveal how the light filterers through between the disjointed floors. The strong façade, sheltering the house from views, whist the stepped design, allows the outside and light to come in to each of the living rooms.
Plans
Architects: Davide Macullo & Marco Strozzi
Collaborators: Laura Perolini & Michele Alberio - Como - Italy, Margherita Pusterla - Varese – Italy
Completed: 2007
Engineer: Ideal Ingegno SA - Vezia - Switzerland
Physical engineer: Franco Semini - Lugano - Switzerland
Project manager: Ennio Magetti - Minusio - Switzerland
Photographers: Enrico Cano - Como - Italy & Pino Musi - Milano - Italy
via: Davide Macullo
Frederico Zanelato - Architect's Residence
00/00/0000, 00:00 | Modern Residential Design
Structured Strata - Layered up for optimum views, ventilation and privacy, Ferederico Zanelato's house in São Paulo is a quality residence at an economical price.
Overview
This architect’s house is what it should be, driven out of pure needs and the situation at hand, with clear intention. Frederico, with a Masters focus in economical design, is conscious about using materials wisely. Serving him well in the design of his own house, which apart from quality hard wearing flooring, uses well finished local materials to create a high class residence. Completed in 2005 and setting aside the cost of the plot, the house came in at under $400 US per square metre for construction! Far more impressive, considering that similar executions in São Paulo are quoted as $1200 US.
The plot is located in the Sierra Itapety, 54km from São Paulo, surrounded by a pool of Atlantic Forest, which drives the houses windows and openings, catching your eye from every corner.
The geographical position provided the strategic entry of light and ventilation. Large overhands and shading battens provide shelter from peak summer heat, and allow the air to cool in the shade before entering, traditional solutions within new design. The slope of the land also imposes on the distribution of the volumes, the zoning, the entrance and landscaping, thus completing the desired dialogue with the house’s surroundings.
Layout
The ground floor is occupied by the social area: living room, kitchen, guest bedroom and bathroom. With access to the front garden and full sun, this level is laid out by relative use of sunlight, with a bright and airy living area, and the guest bedroom snug at the rear.
The middle level: houses a covered car park and service area - come laundry and bathroom.
On top of the social area is a patio / garden, solarium with reflecting pond, and a wooden deck.
The intimate master bedroom and bath are housed in the final volume suspended above. Cloaked in shade providing battens, yet still with views out across the valley.
The materials chosen for the construction, simple and local to the region, establish a connection between the area and the owner’s way of life. The exterior, cleanly rendered in stucco, is livened up with a fantastic entrance way mural. The floor of white granite is broken by a carpet of pink sandstone that calls attention and directs to the main entry. Wet zones are covered with white granite chips and the ground floor exterior with large grade loose gravel. Useful for tropical storms and the winter floods common in São Paulo.
The views to the surrounding Atlantic forest, framed by white walls, form calming green curtains. Outside the master Bedroom, water, vital for life, reflects and intensified the surrounding green and the sky above. Features which embrace and justify Frederico’s choices of white, black, wood, stone and iron.
Plans
Architect: Frederico Zanelato
Completed: 2005
Costs: $400 US Per square metre
Images and information courtesy of: Frederico Zanelato
Shubin + Donaldson Architects - Santa Barbara Riviera Residence
00/00/0000, 00:00 | Modern Residential DesignSanta Barbara Riviera Residence
Sun Filled in the Hills - Shubin + Donaldson Architects have created an ideal place to soak up sun and views in the Santa Barbara hills.
Client
Owners Geoffrey Moore and Genie Gable searched more than a year to find a site that met their exacting and almost-contradictory requirements.
- Moore (international businessman and writer who, when not travelling, splits his work time between a home office in Santa Barbara and a corporate office 85 miles south in Santa Monica) wanted a shaded, quiet office space filled with cutting-edge technology for global communication where he could write without distraction.
- Genie, his wife (principal of Genie Gable Interior Design, and a graduate of the Professional Design Program at UCLA, studied in the masters classes of Rose Tarlow) sought sun-filled spaces with unimpeded views of the nearby Pacific Ocean and, at night, the city lights of Santa Barbara.
The public rooms reflect her specialisation of modern design in modern homes.
Although by Santa Barbara standards the home is relatively compact (Moore and Gable are empty-nesters) no space is wasted. "We use every room every day," she says, "and never tire of the constantly changing light from the ocean to the south, the canyon to the east and the mountains to the north."
Program
This relatively small house (when compared to its neighbours) has all of the elements of a 5,000- or 6,000-square-foot house in a tidy, 3,200-square-foot package. The three-level home and two-car garage include open living/dining area, kitchen, master bedroom and bath, guest bedroom and bath, home gym, powder room, two home offices with office bath, outdoor dining area, outdoor lounge areas, lap pool, and 1,400 square feet of lower-level storage.
Design
Hidden environmentally sustainable design - Though not immediately obvious, this house embraces several green design characteristics.
- The house layout is based on solar orientation, resulting in passive solar gains throughout the year.
- Photovoltaic power generates household electricity through a 2.8kw system (when power is not needed, it feeds back into the grid).
- A passive roof-top solar heating system provides for domestic hot water and a passive solar ground-level hot-water system is used to heat the pool.
- The natural flow of hot and cool air is fortified by the use of radiant hot-water floor heating and separate central air conditioning in the ceilings. - Although these systems are in place, they are rarely used because of the solar orientation of the home and the natural ventilation.
- The architects re-used the existing foundation and caissons. During construction, the existing house was taken apart piece-by-piece, with all usable elements donated to Habitat for Humanity.
- Other energy-saving systems include double-pane windows, UV-resistant glass, ample insulation, and energy-efficient appliances.
- Deep exterior overhangs are designed to provide shade in the summer, and let in sun during the winter.
Style
A dramatic glass canopy ceremoniously marks the entrance to the home, bisecting the ground-to-roof planes of glass that form sidelights and clerestories. Throughout the house, walls intersect with glass in a play of solidity and transparency. There is a certain efficiency of design in the layout, yet it provides all of the amenities so that the house looks and feels like a five-star private residential club. By taking up minimal space (what's absolutely necessary and no more) the house also takes up minimal resources.
A monumental feeling is emphasised by designing the house to constantly open up to the outdoors. A neutral colour scheme complements the colours of nature that comprise the predominant palette. An infinity pool just outside the living room leads the eye to the ocean and the Channel Islands beyond. Four separate terraces surround the house, continuing the indoor/outdoor feeling and accessibility.
Each room affords great vistas as well as stunning natural light throughout the day. Large windows create frames for nature. Floor-to-ceiling bookshelves complement the mahogany living room wall that houses an entertainment centre. Set into the wall, and surrounded by floor-to-ceiling glass, it acts as an extension of the outdoors. Doorways in general (even in the limestone-clad bathrooms) are taller than usual and lead the eye upward to be rewarded by either natural light or a beautiful vista. Dark walnut floors and softly minimalist furniture are sophisticated and inviting. Bedrooms and master bath look out to the ocean. The kitchen faces the hillside, emphasising how the house maintains a connection with nature.
Plans
Firm: Shubin + Donaldson Architects is a high-design architecture firm that specialises in developing livable environments. Headed by partners Russell Shubin, AIA, and Robin Donaldson, AIA, the firm tailors its projects (custom residential, office buildings and interiors, retail, hospitality, planning, and multi-family housing) with a refined sensitivity toward the land and context.
Architect: Shubin + Donaldson Architects - Robin Donaldson, AIA, Principal and Russell Shubin, AIA, Principal
Project Team: Nils Hammerbeck, Daniel Webber, Kelly Kish, Allison White, Josh Blumer, Alan McLeod, and David Van Hoy
Interiors: Genie Gable Interior Design
Contractor: Quillin Construction
Landscape: Lane Goodkind
Photos: Ciro Coelho
Article & Imagery: Courtesy - Taylor & Company (many thanks)
via: Taylor & Company
Drew Mandel Design - 83A Marlborough Ave
00/00/0000, 00:00 | Modern Residential Design
Infill house on a 13ft wide plot, becomes feature residence of the street - Drew Mandel has used every inch of this brownfield (ex 1 car garage & garden) site to create his ideal residence. Influences of Frank Lloyd Wright and Rudolph Schindler eminent in the residence's façade lead to elegant use of wood detailing for the interior.
Overview
Drew, an up and coming Canadian architect snapped up an “interesting” plot, that his colleague at MacLennan Jaunkalns Miller Architects, David Miller had on offer. Setting out to create his debut "big time" design, Drew won a number of awards in Toronto and Canada. The house is an impressive example of modern infill, coming in at a modest $182 per ft2.
The Lot
Miller and his architect wife, Amy Falkner, had obtained a minor variance allowing them to build to the very edges of the property line without the usual margin of grass or ground cover. (It's only because the houses on each side are set back from the lot line that there is any space at all between the Mandel-Cooper house and its neighbours.) To support development, the municipality had allowed a substantial increase in the floor space, from 908 to more than 1,280 square feet above ground.
Their relatives labelled the plot a bowling lane, Mandel and his wife like to think of it as a lane each.
Design
Focusing on commercial design at work, Drew’s evening efforts on his own house pulled from his designs of multiplexes, community centres, libraries and banks. The main Achilles heel of the plot, the extended walls down either side of the property, led Drew to (as he sometimes reflects) to overcompensate with house glass panels at either end and a large light well at the centre of the build. I disagree; the house is fantastically bright and airy.
Breaking the house away from other designs out there and I believe linking it to his favoured FLW and Rudolf, is the use of patchwork glass rather than a large expanse of industrial like uniform façade. A cute modernist take on the Juliet balcony protrudes from the master bedroom, breaking the rear wall further and allows great views down to the meticulously landscaped garden, that complements the house so well. Adding to the functionality of the glass façade, a large central panel pivots to allow bigger pieces of furniture to be hoisted in.
Bringing in that industrial design know-how resolved the issue of construction methods too. Such a narrow tall design refused traditional frame design used in residential projects, meaning an industrial to balloon framing technique was adopted. Steel supports for the entire 38-foot length of the walls were put up first, and then the floors were locked in afterwards.
Further industrial features of the house include the two ramps from the entrance of the house to the living room and from the master bedroom to the second bedroom, a comfortable alternative to stairs.
Layout
From the semi-subterranean guest room at the front of the house you head south up the ramp to the living room, then north up five stairs to the dining room-kitchen floor, then south again up the house's only full flight of stairs to the master bedroom and bathroom. Finally, completing the layout you head north, up the second ramp to the second bedroom.
The Result
Drew and Denise have blown their relatives away. Despite the restricting plot they've created a house that through it's high ceilings, skylights and maximum glazing at both ends is a bright, spacious and airy home.
Plans
Architect/Designer: Drew Mandel Design
Client: Denise Cooper & Drew Mandel
Completed: 2007
Structural: Blackwell Engineering Ltd. (David Bowick)
Builder: T. Fijalkowski & Associates
Site Plan Approval: David Miller & Amy Falkner
Lot:13' x 115' or 1560 ft2
Costs: $182 per ft2
Information courtesy of: Drew Mandel Design
Bernardes + Jacobsen - CF Residence
00/00/0000, 00:00 | Modern Residential Design
Steeling the show - Blessed with a great plot and open brief, a lightweight, transparent, horizontal building, was what the architects Thiago Bernardes and Paulo Jacobsen designed.
Overview & Plot
Located on a plot in the picturesque condominium Portogalo in Angra dos Reis, Rio de Janeiro, Paulo Jacobsen and Thiago Bernardes wanted to accommodate a large family retreat taking full advantage of the plot and its location. The challenge was how to minimise the buildings impact from roadside - difficult with such a large house.
Departing from traditional Brazilian wood or brick structures the house employs steel to span the vast openings that connect all rooms to the views below.
The svelte steel corner pillars provide minimal interruption to the open plan dining and living area of the ground floor. In summertime (almost constant in Angra dos Reis) the glass panels dividing this area up slide away to provide an enormous expanse of shade.
Half way up the façade, and providing elevated viewing to the bedrooms are two outdoor balconies of Peroba wood, these break up the stark white of the lower level and the surrounding steel structure. The wood is also used throughout the second level interior, and as a lining the the vast roof span.
Continuing to the roof level, tropical storms and heavy rain, common in the early part of the year in Rio de Janeiro are caught by large glass overhangs, which still let light through to the bedrooms. The glass also blurs the connection between the roof’s reflecting pool, paved with green ceramic tiles, imitating the colour of the inlet and sea beyond. The same applies to the pool on the terrace, which seems to fall into the sea. This camouflage, and the fact that the house is set into the hillside at the rear, reduces its size, as to the thin steel structures, elongating its horizontal structure. It’s only from below, backstroking in the pool that the house’s true size is revealed.
Layout
With the entire ground floor dedicated to the pool, dining and entertaining, the upper level provides the entrance and 4 bedrooms with en-suite bathrooms. Originally two giant bedrooms, the sets of two our housed either side of the atrium over the pool. As you enter the residence through its large dark wood doors, the bedrooms act as blinkers, focusing the view out to the water beyond.
A small seating area between allows you to contemplate, and perhaps acts as a formal arrival area. From here, “grand” staircases head both inside (left) to the living room, and outside (right) to the pool area (Bernardes + Jacobsen are renowned for impressive staircases).
The Result
Now complete in a 4 bedroom layout, this family retreat seems to have all one needs for a relaxing weekend. The thin steel structure and stretched horizontal roofline give it the appearance of a lightweight marque or stretched canvas roof. A seaside camp that mirrors the water beyond. Yet, from within, there is no doubt that this house is: permanent; modern and luxurious; and will provide a great weekend spot for years to come.
Plans
Architect/Designer:
Bernardes + Jacobsen
Client: Carlos Firme
Construction: February, 2001 – December, 2003
Materials: Steel structure, stone, wood, glass and Ceramic tiles
Built area: 1024m2
Plot: 2000m2
Information courtesy of: Bernardes + Jacobsen
OJMR Architects | Fritz Residence
00/00/0000, 00:00 | Modern Residential Design
L Shaped Simplicity - Wrapped around a cooling pool with ample shade and expansive living areas, this Jay M. Reynolds residence in Palm Springs, combines two simple volumes to create a modernistic whole.
Name of Project: Fritz Residence, Palm Desert, California Information courtesy of: OJMR Architects and Taylor & Company (many thanks)
Site
The house is located on a flat, irregularly shaped lot at the end of a cul-de-sac. The neighbourhood contains a variety of styles and references to the preferred typical suburban desert subdivision architecture.
Program
Mew single-family residence including kitchen, dining area, living room, office, three bedrooms, and two-and-one-half bathrooms.
Design
The house is designed for a retired couple with the need for guest bedroom suites and a large communal space for the living, dining, and kitchen areas.
To achieve a feeling of "simplicity" within conventional means, it was decided that planning and construction must be straight-forward and the character of the house reflect a strategy of enclosure and openness focused towards the main outdoor space. Two simple volumes are connected together to define a corner with one wing containing the guest bedrooms, and the other containing the master suite. The two wings are connected at the main living, dining, and kitchen space.
Hallways are located along the east and south sides of the two wings and help to define the laterally spaced rooms, which can be closed off from the circulation zone with large sliding walls. The rooms all access the outdoor pool/courtyard space from large sliding glass walls.
Plans
Architect: The Office of J.M. Reynolds Architects, Los Angeles
Jay M. Reynolds, AIA, principal
Built area: 2,600 square-feet
Completed: 2003
Budget: US$650,000
Materials: Exposed concrete block walls, natural stone veneer walls, plaster over wood framing, concrete floors, walnut cabinetry, Gascogne Blue limestone floors in bathrooms, translucent glass panels, Montauk Black marble counters in kitchen, Venetino White marble countertops in bathroom and on kitchen island.
Photos: Ciro Coelho
Pugh + Scarpa Atchitects | Solar Umbrella
00/00/0000, 00:00 | Modern Residential Design
Model Rebuild - When remodelling their own residence Angela Brooks and Lawrence Scarpa could never have imagined the press and accolades that would be bestowed upon a build designed around their own very personal needs. Economical, solar powered, solar water heating, nearly off the power grid and with a fitting yet aesthetically contrasting extension. A rear extension that embraces the house's 1920's bungalow origins and pays homage to its design sake, the Paul Rudolph Umbrella House of 1953.
Name of Project: Solar Umbrella, Venice, California, USA Information courtesy of: Pugh + Scarpa Architects
Overview and Plot
The lot, in Venice California, typical of the area, has two road frontages. This allowed the house's orientation to be flipped, the crux of this build. With the living area and kitchen behind now facing the larger rear garden, an additional bedroom was added upstairs, and the second bedroom converted to an office. Most of all, the flip orients the house to the southern sun allowing the sun's energy to be stored in the concrete eastern and western walls and floor. 
Design
The extension has the majority of its glazing along the warmth facing southern wall, with northern glazing opening up for cross ventilation. The architects describe it as "global regionalism," Californian indoor outdoor flow, wrapped in modern technology using recycled and sustainable materials, offsetting the use of concrete with gains made through its thermal storing properties that lead to lower power bills. Overhangs regulate the sun in its strongest months and double glazing with a low-E film , framed in aluminium with thermal breaks, control the wind and indoor environment. To save on materials the solar panels themselves form the outer canopy and Solar Umbrella, shading the house. With the rear set up, insulation was blown into the walls and floors of the original wing and operable skylights in the kitchen and bathroom provide natural light and ventilation whilst maintaining privacy.
Upstairs
In winter, warmth is provided through radiant in-floor heating powered partly by one of three solar hot water panels. Two are used to pre-heat the domestic hot water before it gets to the gas-fired hot water heater and the other to heat the pool. These panels halved the gas use of the house which is now 2.5 times as big! As usual there was initial outlay for the solar water heaters and panels, which 10 years.
Living area extension
Although the double height extension sets the house apart from its neighbours, the fact that it is at the rear facing the alley, contrary to most of the houses on the block, mean its northern facing traditional façade, lets it fit in with the Joneses. The services are concealed up the side of the house, and a bike rack just inside the new front gate provides mobility to the nearby shops (apparently a novelty in the US).
Exterior
Well thought out landscaping incorporates gravel, to allow the plot to drain and prevent it from heating up like large paved areas do, and planting is drought tolerant, with species that appeal to the abundant hummingbirds in the area. The new pond and pool also help regulate the temperate and composting was also included as part of the landscape design.
Layout
A relatively simple layout provides for both open plan living and more intimate work and rest areas.
Downstairs the office, with access to the main street, sits beside the second bedroom and main bathroom on the eastern wall. The living room and kitchen take the southern and western walls respectively. As well as allowing heat to rise up and out the upstairs windows, the industrial like steel stairs link the downstairs area to the more private master bedroom with en-suite.
The Results
The house now provides an additional open plan living area ideal for the couple's son, connecting outdoor play and space indoors. The Solar Umbrella plays its dual role, keeping the house cool and shaded in summer and warm through its solar panel composition in winter. Utilitarian, the house is built to be lived in and enjoyed rather than as a show-piece 'typical' modern build. This to me is what makes this a home.
Plans
Architect: Pugh + Scarpa Architects
Completed: April 2005
Total project cost excluding land: US$390,000.00
Usage: 3 permanent occupants 105 hours/week, 15 visitors/week at 3 hrs per visit average.
Alvaro Ramírez y Clarisa Elton | House in Buchupureo
00/00/0000, 00:00 | Modern Residential DesignAlvaro Ramírez y Clarisa Elton
Cliffhanger - Alvaro Ramírez and Clarisa Elton - are the authors of their own weekend retreat on the central Chile coastline. Great residential design, propped on stilts, with minimal environmental impact.
{Reworked article from Plataforma Arqutectura Author:David Basulto [tricky]}
This great house is located on a remote coastal trail in central-south Chile, in Buchupureo, VIII región del Bío-Bío. When I lived in Concepción, the capital of the region, we'd surf here. The waves were fantastic, rolling into all the bays around this area. Getting there was difficult and the water was freezing (pushed up from the Antarctic), but the untouched waves, scenery and beaches were, and are still, amazing!
The project was developed in dialogue with its environment, both through the materials used for creating the volumes, as well as how these are implemented and placed on the site.
The house is supported on a steep slope through piles, which lessen the intervention/excavation of the plot's soil, allowing in turn, the free passage of water.
The cabin is divided into three functional spaces, relating to the three requirements of a holiday house. A bedroom with bathroom; a space for entertaining and guests - being with the kitchen; and a terrace, linking the other two spaces and providing spot for those spectacular views. All spaces seeking panoramic view towards the Pacific Ocean. The terrace serves as the lobby space, an intermediate space, as it is located between two interior spaces, providing protection against the wind and and as a place to embrace the ocean.
The structural elements of the house are left visible, giving form to the shape of the house. The structure, external and internal elements, are all created from local wood (the equivalent of Radiata pine), yet treated differently depending on their role. For the pillar structures and beams pieces of 4 "x6" 2 "x6" and 2 "x5" were used. All were treated to give them protection against moisture.
For interior cladding, ¾" x 4" pine are used,brushed, without any treatment. Finally for the external cladding 1" x 4", painted with carbolineum.
The tectonics of the project establish a close relationship with the local architecture, using wood and 'laja' stone, materials predominant in the area (most of the fences in the area are built with laja stone and mud, as well as many old house floors).
The structure of the roof is wood and in its V design, it detaches itself from the wall structures at both the front and rear of the house. This letting light into the interior,generating a feeling of spaciousness. Laja, the stone used to cover and protect the roof, was thought of as an element of both cultural adaptation (local architecture) and natural (landscape elements), blending the building into the rocky shores below. Conversely the view up from the beach sees the timber framework match the colours of the cliff face, the house's home.
Images
Plans
Google Maps Location: Buchupureo, VIII Región, Chile
Designed: September 2005
Constructed: December 2005 - February 2006
Architects: Alvaro Ramírez, Clarisa Elton
Builder: Ruperto Vera
Structural Engineer: Alvaro Ramirez
Owners: Alvaro Ramirez + Clarisa Elton
Total cost: $7.050.000 (US$15.000)
Constructed Area: 55m2
Images: Carlos Ferrer + Alvaro Ramirez + Clarisa Elton
via:Plataforma Arquitectura
& Alvaro Ramirez + Clarisa Elton
David Hertz - Studio EA | McKinley Residence
00/00/0000, 00:00 | Modern Residential Design
Green Alchemist's Residential Compound - The McKinley Residence is David Hertz's live in laboratory for modern - environmentally friendly - residential design. Converting common elements into green design, it's feature packed. The house is a true testament to David's commitment to the cause and to top it off forms a homely modern residence, showcasing practical design elements, fine tailored for a young family.
Aimed at "spreading the word", the Studio of Environmental Architecture is David Hertz's latest venture, leading the way in Eco friendly design and sharing what he's learnt both through his residential work and his own house. Many thanks to the team at Studio EA for the details on this house.
Overview
Designed as a new house when Venice was till a rough neighbourhood the house presents a relatively strong/protective façade at street level and uses enclosed balconies to extend the upper levels and take full advantage of sea breezes.
The house consisted of two pavilions connected by a bridge, and was already cutting edge (environmentally) through its use of Syndecrete®, which contains about 41% percent recycled content and is twice as light, with twice the compressive strength, of normal concrete. Syndecrete® is David's own development and one of many featured in the residence.
It is now a compound made up of four discrete two-story buildings linked by three enclosed bridges that all face onto the courtyard.
Style "Balinese Modern"
Working it through
There was only one snag in the whole process. David is staunchly in favour of green design, the mere fact of adding that much space nagged at him. "There's no getting around the fact," he says, "that on a purely ecological level, 4,400 square feet is a lot of house by most of the world's standards."
His solution was to make the house the greenest house of its size he'd ever seen. Hertz used this house as a case study for green building techniques. An array of 20 solar collector panels on the roof help generate about 70 percent of the home’s electricity needs, and other sections of the roof are given over to flat-plate collectors that provide hot water to the water heater, which then sends it into a radiant heating system in the concrete floors.
I've no beef with the results, David's family expanded and so has his residence, the house is all used and as much as we battle with the urges, who wouldn't want their own compound like this. David's innovative materials and willingness to push for a more environmentally sound house is exemplary.
The materials used were chosen carefully to support environmental sustainability and the design intent. Recycled and FSC certified sustainable woods such as Ipe, Mahogany, and Fir, are used throughout the house to complement the Syndecrete®.
The Syndecrete® acts inside the house as a kind of “solar sink” for passive solar energy transfer, storing up the sun’s warmth during the day, and thus keeping it from overheating the interior, and then slowly releasing that heat during the night. Syndecrete® flooring was chosen for several reasons; it eliminates mold and dust caused by carpet, requires less maintenance, and is more environmentally sensitive than carpet, wood, or other floor finishes.
In order to maintain excellent indoor air quality, David used zero VOC paint, and eliminated a forced air system and carpeted floors, and with them mould and dust.
Another bonus of these materials is the resultant durability and functionality of the house. Its for living in. Rather than begin a minimalist box (don't get me wrong they have their place) the house portrays both David's design innovations, but also the family's efforts, endeavours, favourite drawings, posters, toys, etc. And it's a tough house.
You can see here one of my favourite shots showing the utilitarian nature of the house, and how its designed for a family.
Yup, David's hosing it down, an ability that's now on the list for my house. You can also see that playful design feature to let the ki