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Architect Stephen Kanner on Low-Income Housing and Green [Clipping]

10/30/2008, 11:07 | Land+Living: Modern Lifestyle + Design
Mr. Kanner speaks about his award-winning 26th Street low income housing project and about the importance of "green architecture." (via kcet)

MODERN VANCOUVER - GASTOWN PART I

00/00/0000, 00:00 | GAILE GUEVARA
INFORM INTERIORS, Gastown
Photography by Jonathan Cruz Photography
Geothermal building with a green roof - environmental details in addition to re-using, rebuilding and recreating an amazing interior space, Inform Interiors is a destination retail space and experience that every modern design enthusiast must see when visiting Vancouver.
INFORM INTERIORS, Gastown
Gastown is a cool and hip neighborhood filled with great little boutiques, restaurants and shops. None of the expected main stream big box stores ... rather a collection of unique retailers and eateries that set the tone of bringing upscale design to a the less obvious street scape. This little pocket of historic Vancouver offers a cutting edge to building character for the city. The cobblestone roads now meet a new wave of modern transformations which encompass the best of loft living and the design studios of creative minds behind recent face-lift exterior facades. Inform Interiors re-opened their showroom and will re-launch in spring'08 a new flagship B&B Italia and Boffi showroom in their previous location. (stay tuned - the Inform family is cleverly building local pedestrians and design lovers like me into modern addicts anxiously waiting for the big opening)
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
Images provided by Obakki
Architecture & Interiors by Mcfarlane Green + Biggar4
Historic Gastown is now the home to an A-list of must sees from a cool hip shop for modern mom and pops, visit Modern Kid which offers kid-friendly "easy on the eye" design for the modern novelist while fashion fronts like Obakki (tops as my favorite fashion retail interior for Vancouver) or Hunt & Gather bring a unique collection of one of a kind pieces made right in the store by costume designer atelier.

OBAKKI, Gastown

OBAKKI, Gastown
Images of Obakki above are through my eyes. Some of my favorite details include exposed concrete walls meeting seamlessly with polished concrete floors. The extension of corian meeting reclaimed fir to reverse beveled drywall details lit from behind to give a diffused wash of light to highlight the exposed brick walls. Love, love the architectural detailing. The interior reflects the quality and craftsmanship of the Obakki label right down to each detail.

ORGANIC ART: Katy Stone and Yvette Molina Paintings

00/00/0000, 00:00 | Inhabitat

tickling thicket, yvette molina, johansson projects, environmental art, environmental art san francisco, environmental art seattle

In the rush to create ultra-modern bamboo chairs, entertainment centers, desks, wallets, and other generally eco “stuff,” the pure beauty of natural forms is sometimes lost in modern design for industrialization. So it is blissfully refreshing to mentally reconnect with exhibit Tickling Thicket at Oakland Gallery, Johansson Projects, where artists Katy Stone and Yvette Molina use innovative painting techniques to create spellbinding, ethereal natural forms.

(more…)

ART EXHIBITION: Degrees of Remove, Landscape and Affect

00/00/0000, 00:00 | Inhabitat

sculpture center, degrees of remove, long island city art, landscape art

Landscape is a term that has possessed a variety of related definitions in the past. At Sculpture Center’s group exhibition, Degrees of Remove: Landscape and Affect, landscape is “as an interpreted notion of space.” The exhibit questions how perceptions of landscape have changed since technology has made it possible to engage in landscapes far removed from our physical locations– or if we can really engage in them at all. Curated by Sarina Basta and Fionn Meade, the exhibition will run until the end of this month and has a corresponding film series at Anthology Film Archives.

(more…)

PREFAB FRIDAY: The Spoorhouse

00/00/0000, 00:00 | Inhabitat

Spoorhouse, benno van noort, van noort designs, Winner of Lifecycle Building Challenge, lifecycle building competition, sustainable building, prefab homes, prefab house

We often see new home designs at Inhabitat that incorporate advanced technologies, reduce energy use and provide a healthy and safe living environment, but we really enjoy seeing home designs that have been vetted in competitions such as the Lifecycle Building Challenge. This annual competition, in its 2nd year and sponsored by well-known organizations such as the EPA, AIA, Building Reuse Association, Southface, and West Coast Green, is a challenge to design buildings with several points in mind: incorporate local building materials, consider the whole lifecycle of building materials, reduce the overall embodied energy and greenhouse gas emissions from materials, use innovative and creative strategies, and reduce environmental and economic costs. The 2008 winner of this contest for Best Residential Design was the Spoorhouse, by Benno van Noort of Van Noort Designs, LLC.

(more…)

MODERN VANCOUVER - part 2 (Life in Gastown)

00/00/0000, 00:00 | GAILE GUEVARA
Medula
Mandula
Medula
Photography by Evan Haveman
Interior of one of our favorite fashion designers 

I am inspired by Hajnalka's energy, a fashion model now designer sharing her dream of design in this beautiful shop off Abbott Street. "Fashion with soul and clothing that speaks one of a kind" - are my first thoughts walking into Mandula.  A beautiful boutique that reminded me of the sophisticated subtly of natural materials layered with unconventional detailing. It is the detailing of these clothes that caught my attention.  Love the creative and the beautiful fashionista behind these unique pieces.  From designer to clothing and presented in one of my favorite boutiques here in Gastown.

Living in Historic Gastown has been a wonderful experience; it reminds us a bit of living in our favorite city, New York.  This community contains a mix of cool boutiques, great restaurants and a collection of creative studios which form some of my favorite sources of inspiration.

I think many have a false perception of Gastown and may consider it a somewhat undesirable less polished neighborhood.  The series of articles to follow, I plan to share with you this gem of a community. I live in a work live building called Koret Lofts - open concept suites where the only enclosed rooms are the storage room and the toilet room.  A modular white galley kitchen with a glass surround Duravit tub and open shower ... best of all, I feel lucky to have one of few suites with exposed concrete walls.  For those who in contrast live in small sub-divided boxes, there is something to be said to live in an open plan ... I am grateful to live in 1,000 sq.ft of open space.  

Once again - thank you to all the readers who send me their heart filled emails and to online networks who have asked me to join their team of writers. I plan to start writing again in collaboration with the people who value the sharing of resources and inspire individuals like myself to be an active part of making Vancouver a leader in modern design. Cheers to the days ahead of sharing what we love most - a passion for pushing the boundaries and believing we are an integral part to making a difference.





Matthias Demacker's takeOff. Seating

11/19/2008, 14:41 | MoCo Loco

matthias_demacker_takeoff.jpg
Matthias Demacker of demackerdesign sent us some pictures of his newest projects; takeOff.series (above) is a seating collection for Ferlea featuring a geometrically shaped compact seat, lounge chair and sofa. "The frontal cuts give the seats a light, dynamic look and offer place for your feet while swiveling in the seat.". The extensible curvex.table after the jump is for Italy's Varaschin.

+ demacker-design.de

Thank You Design Public!

00/00/0000, 00:00 | FUTURE HOUSE NOW
I just wanted to take a minute to share a little furniture shopping experience I had this week. I have two small children, Owen (5) and Parker Jane (3). P.J is way overdue on getting out of her crib, and Owen needs a bed frame to spruce up his room. We've been putting off a lot of other furniture purchases in order to save up and buy some nice beds for the kids. The time had finally come.

We wanted something modern and cool, and a little more substantial than a regular "kids bed." There are a lot of neat beds on the market but the modern offerings tend to be really pricey and are too often the kind of thing that will look silly in your kids' rooms by the time they're ten. My wife and I finally settled on a pair of these great-looking platform beds from TrueModern. They cost more than we wanted to pay, but were priced reasonably compared to a lot of other modern offerings on the market (many not as nice), and I think they look great, look well made, and will last the kids a long while.



Now, you can get these from a lot of places but for whatever reason we ordered ours from Design Public. I'd never bought anything from them before, but I'm one of those people who shops online a lot and it's not a really big deal for me to try a place completely new, even for a big purchase - throw caution to the wind, reckless abandon, all that jazz. I really don't recall why I picked them for my order.

So anyway, the beds get ordered, it takes about two weeks for them to ship, and then I get the call from the freight company who will deliver them. Long story short, there is a problem, possibly some confusion, and I am concerned about it. The problem was the freight company, not Design Public or TrueModern, but rather than tackle it solo I decide to call Design Public for help.

I must say, I was absolutely impressed by the extremely friendly and helpful response. I won't get into the details, but I thought that the Design Public staff went above and beyond the call of duty in helping me. I spoke to Jonathan, who was unfailingly courteous and diligent in his follow-up on my issue. I felt like they really cared, that I was valued as a customer, and that Design Public genuinely wanted to take care of me. It was really nice!

Like I said, I shop online a lot without giving it much thought. And I guess I've learned not to expect too much. But really, I thought Design Public were wonderful to deal with. If you want some really cool modern stuff, check out their site. It is loaded with amazing furniture, accessories, lighting, gifts, etc. - you name it. Very nice. It's a small company that's really living up to its mission. I was totally impressed.

Bravo and thanks!

Image credit - Design Public site

Slow Blogging Week

00/00/0000, 00:00 | Design Sojourn
With my vacation last week and a shorten week this week, I have been just too exhausted to update my blog. However, I have not been idle. I have been collecting lots of juicy design tips and thoughts. Not only that, I have been testing out the iPhone as a blogging tool. It’s not too [...]

links for 2008-05-31

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :

Busy Weeks

00/00/0000, 00:00 | Modern Residential Design

Apologies for the slow posts



Hello all,

Apologies for the recent slow in articles. I've had a few revelations in my day job and have had to work a little on this after hours. New articles are on their way though...


Nick

the financial sector's losses are enormous

11/12/2008, 15:51 | Influxinsights
"The financial sector’s total losses from the credit crisis are approaching $1,000bn after recent turmoil in the markets triggered a further drop in the value of mortgage-backed securities and other debt securities."

Financial Times- November 12th



Posted by Ed Cotton

links for 2008-05-16

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :

Natural Building Colloquium, 2008

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I attended the Natural Building Colloquium held this year at the Orella Ranch overlooking the Pacific Ocean near Santa Barbara, California, at the end of October. What a magnificent setting this was to spend a fine week of connecting with fellow enthusiasts of the natural building movement. About 70 attendees shared our insights, stories, passions, songs, poetry, cooking, concerns, and labor. I came away with gratitude for the opportunity to interact with such caring people, and with a renewed sense of confidence that we will manage to help forge a sustainable future.

This year’s Colloquium was organized by the Natural Building Network (www.naturalbuildingnetwork.org) and was hosted by Gunner Tautrim, who represents the sixth generation of this family living on this land since 1866. The accommodations were primitive, with only a small kitchen as enclosed space; the rest of the facilities were rustic pit privies, temporary solar shower stalls, temporary bamboo and tarp meeting spaces, and a nice lawn area. We brought tents for sleeping. All of this was happening with the grandeur of the Pacific coast as a backdrop, and the elemental simplicity and beauty combined to create an appropriate mood for contemplating the benefits of building naturally. After breakfast each morning we would gather in a big circle on the lawn to review the various options for the rest of the day and share other thoughts. Typically the mornings were devoted to work on a sturdy, permanent, multi-stalled toilet facility that was already framed with wood. Gunner wanted the walls and a surrounding fence to be finished with natural materials, and there were many volunteers who formed teams to accomplish this. Mostly, split bamboo or recycled fencing was used for a framework, over which cob and clay finishes were applied.

Lunchtime often featured tables where specific discussions would occur, having spontaneously been announced at the morning circle. The afternoons were reserved for many concurrent presentations or discussions, so there were always hard choices to make about what to attend. During the course of the week, over forty different topics were explored, in a variety of meeting places. These ranged from the use of materials (such as bamboo, cob, adobe, and lime) to more theoretical discussions about engineering, thermal properties, efficiency, and design. One of the most popular forums was about codes and ways of improving the acceptance of natural building techniques by building officials. I will be writing about this topic in more detail in a future blog post.

I shared one two-hour presentation about earthbag building around the world with a woman architect from Israel, who had brought plans for an earthbag residence that she was designing for a client there. First I talked about the history and development of this technique, and then profiled a number of projects that have been completed (see www.earthbagbuilding.com). After this introduction, the architect laid her plans on a table and we all discussed specific questions that she had about them. This was a great way to learn some of the basics of earthbag building, and then apply these concepts to a specific situation.
I was very pleased that a discussion was convened to explore the role that natural building can play in what was described as the “long emergency,” or the compounded effects of climate change, peak oil and other resource depletion, population pressures, and financial crises. Without this discussion I would have felt that we were negligent in addressing these most pressing issues. I plan to write another entire blog post about this.

After dinner (which was always delicious and usually vegetarian), we were treated to a variety of programs or entertainment that emanated from our group. Mostly these were slide or Power Point presentations, but one night was devoted to a talent show with lots of music and some stand-up comedy…great fun. I showed lots of pictures I took when in Jeddah, Saudi Arabia a couple of years ago where I had been invited to discuss sustainable architecture with the faculty and students at the King’s University (see www.greenhomebuilding.com/weblog for my essay about the situation there) .

One morning, about half of us opted to attend a tour of historic adobe buildings in the heart of Santa Barbara. The earliest remnants date to the 1780’s when Spain authorized the construction of a presidio and the Santa Barbara Mission. Much of this early adobe construction was toppled during subsequent earthquakes, but recent reconstruction, using stabilized adobes, has returned the area to its original presence. I chatted (in Spanish) with the Guatemalan and Mexican crew who were making new adobe blocks for further repair work. On the return trip to the Orella Ranch, several of us made a detour to the nearby beach to dip our feet in the ocean.

One of the delights of this event was the participation of James from Zimbabwe, Africa. This very engaging fellow brought with him pictures of a lovely little thatched cob circular building that he and some friends had made. He also brought his large thumb piano to serenade us with African ballads. This was a reminder of the deep roots that natural building has from all corners of the world.

All together this week of camping out in this spectacular place and connecting with these dedicated and compassionate souls has left me feeling heartened that we will find ways to overcome the enormous obstacles that lay ahead.

On a very foggy night before we were to disperse the next morning, during our closing ceremony, we arranged ourselves in two large circles that faced each other. We (on the outer circle) were asked to assume the role of addressing our ancestors (on the inner circle) from some indefinite time in the future. When I did this I felt strangely like I was really speaking from the future. I told the young woman who was sitting across from me that I did not blame her for the difficulties that she and subsequent generations had endured. I said that the pattern was innocently established well before she was born. Industrialization was fashioned to improve life, not deteriorate it, and the consequences were not foreseen. And then I told her how much I appreciated the hard work she was doing to address and correct the mistakes of our ancestors. I said that because of the actions of her generation, we in the future were enjoying a simple and healthy life based on ecological balance, and that we owe her and many of her generation our gratitude for all that they did to make this possible. We then stood and embraced, the Future and the Present, for a moment of true compassion.

To see more of my pictures taken at this event go to flickr.com/photos/kellyhart.

MODERN INTERIOR DESIGN - AVROKO

00/00/0000, 00:00 | GAILE GUEVARA




Finley Residence

Architecture & Interiors by: Avroko
Location: New York, USA
Specialty: Restaurants, Hotels, Residential, Convept Development, Furniture
Project Highlights: Sapa, Quality Meats, European Union, Park Avenue Summer
Interior Photography: Avroko

It is a pleasant surprise to find out that one of my favorite New York based interior design firms Avroko who specializes in restaurant design, also has some great examples of residential interiors. Above are some images of their residential work. During my last visit in New York I had the treat and privilege to enjoy 3 fabulous meals in three amazing restaurants Sapa, Quality Meats and European Union. To read more about their work, check out a great blog article of images from my blog friend Andrew of BuildBlog or you can view collection of my favorite Avroko designs - see my slideshow.


Park Avenue Summer

A Designer’s Secret Weapon: Active Listening

00/00/0000, 00:00 | Design Sojourn
Image Source: Listen to ME! One of the key skills I noticed great designers have is the ability to engage in Active Listening. I was lucky. I managed to pick up this skill 6-7 years ago in a training seminar and it has been vital in helping my access situations quickly, make good decisions, [...]

Franco Marino Cagnina's STC Livebox

11/19/2008, 15:06 | MoCo Loco

stc_livebox_vase_router.jpg
Franco Marino Cagnina's Livebox router design for Saudi Telecom looks like vase and acts like a router. Says Franco, "STC was in need of a unique router design that would provoke a positive emotional response. The STC Router successfully bridges the gap between lifestyle and technology with it's flower vase functionality. Wireless internet, Voice over IP, land line telephone and wired DSL are all incorporated into this elegant device.". A quick look at Franco's portfolio revealed a few more innovative designs.

+ cagninadesign.com

My Thoughts on Greg La Vardera's "Our Re-Modern Movement - The Tipping Point?"

00/00/0000, 00:00 | FUTURE HOUSE NOW
I got really fired up this morning after I read a great post in architect Greg La Vardera's blog. In "Our Remodern Movement - the tipping point?" Greg suggests that now might finally be the time for modernist homes to find a place in the mainstream. I really hope so. I see the momentum. And I believe in "tipping points." I know exactly what the tipping point was for me personally, the one thing that got me really excited about modern homes. I picked up a copy of Dwell at the newsstand for the first time, the April/May 2005 issue with Charlie Lazor's Flatpak house on the cover.

I had always been interested in homes. I always dreamed of something better and more exciting than the standard fare of suburban cul-de-sacs, though I wasn't totally hooked on modern yet. But when I saw this cover, with a real family in a cool-ass house, it was like a lightning bolt. I can't tell you how badly I'd like to live in a Flatpak. It's one of the top three contenders for me. It just fits me and my family so perfectly. When the time finally comes to really build a new home I will be giving them a call to talk.

It's funny though, how "weird" most people think modernist homes are. My mother said "you want to live in a white box?" with a look on her face that was pure disbelief. Talking houses with some neighbors I could detect their nervous smiles when I mentioned concrete and steel, as in "uh, okay, sure, as long as it's not next door to my house." And look at the real estate markets. That's all you need to know. You don't see a lot of developers building modernist spec homes. Just pick up a real estate magazine and thumb through it for a minute. How many cool modernist homes will you find in the listings. Maybe one or two in a hundred page book. And they're mostly really big, expensive houses, probably built in the eighties after watching too many episodes of Miami Vice. Good, simple, modern homes for real families are hard to come by. Your best bet is a fifties ranch. Even those are a minority in the market compared to the grand total of everything else.

But I think Greg is right. This is the right time. Dwell has been so successful that some other similar publications have started to appear. Blogs like mine are popping up like daisies. Sarah Susanka's "Not So Big House" movement has a lot of followers (because it makes a lot of sense). Or consider John Brown's Slow Home Movement. And green is suddenly king. People finally realize that their choices have a real impact. Now is definitely the time of Less is More, and modernism fits that bill perfectly.

Probably the biggest helper in all of this, in my opinion, is going to be the bursting of the real estate bubble. I say that for one simple reason: it will make people change their view as to what their home really is - a home to live in and not an investment to make a fortune off of. I really believe that people won't/can't build what they really want because they are too hung up on resale value and growing massive equity. I don't know if this attitude caused the housing bubble or vice versa, but either way they combine to create an effect where the resultant high cost of housing distorts our views, closes our minds to new ideas, prices lots of people out of the market for a good home, and places too much power in the hands of developers, not in the hands of consumers where it should be. And so, here we are. With the bubble busting and home prices correcting I think we may also see home buyers making very different decisions about what they want to live in. I know this is the case for my wife and I, and I hope, at least, that this is the case for others.

It's definitely time for America to focus its attention on things like better homes, greener communities, reliable energy, even better communications technology, education and health care. These are the things that make up the infrastructure of this country. We won't have to worry about foreign threats for long if we allow ourselves to fall apart from the inside.

This whole country is at a tipping point, or near one. Modern homes are just a tiny, tiny part of that. We can choose a better way to live without giving up all the really great things we already enjoy.

Better living through design. Work smarter, not harder. Find the holistic solutions.

We can do it.

4occhi glasses by giullo iacchetti at aspesi 1910 store

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
designer giulio iacchetti recently launched his '4occhi' collection of glasses at the newly opened
aspesi 1910 store in milan.



4occhi is a pair of glasses with four lenses that can be customized according to individual needs.
it can be both glasses and sunglasses, for near-sighted and far-sighted people.


image © studio foto iacchetti


aspesi 1910 store

more:
http://4occhi.it

Hus1 - moving towards design prints

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
Just a glimpse of the site model for the Hus1 taking shape.


Technorati Tags: , , ,

Shubin + Donaldson Architects - Santa Barbara Riviera Residence

00/00/0000, 00:00 | Modern Residential Design

Shubin + Donaldson Architects

Santa Barbara Riviera Residence


Sun Filled in the Hills - Shubin + Donaldson Architects have created an ideal place to soak up sun and views in the Santa Barbara hills.



Client
Owners Geoffrey Moore and Genie Gable searched more than a year to find a site that met their exacting and almost-contradictory requirements.
- Moore (international businessman and writer who, when not travelling, splits his work time between a home office in Santa Barbara and a corporate office 85 miles south in Santa Monica) wanted a shaded, quiet office space filled with cutting-edge technology for global communication where he could write without distraction.
- Genie, his wife (principal of Genie Gable Interior Design, and a graduate of the Professional Design Program at UCLA, studied in the masters classes of Rose Tarlow) sought sun-filled spaces with unimpeded views of the nearby Pacific Ocean and, at night, the city lights of Santa Barbara.
The public rooms reflect her specialisation of modern design in modern homes.

Although by Santa Barbara standards the home is relatively compact (Moore and Gable are empty-nesters) no space is wasted. "We use every room every day," she says, "and never tire of the constantly changing light from the ocean to the south, the canyon to the east and the mountains to the north."



Program
This relatively small house (when compared to its neighbours) has all of the elements of a 5,000- or 6,000-square-foot house in a tidy, 3,200-square-foot package. The three-level home and two-car garage include open living/dining area, kitchen, master bedroom and bath, guest bedroom and bath, home gym, powder room, two home offices with office bath, outdoor dining area, outdoor lounge areas, lap pool, and 1,400 square feet of lower-level storage.

Design
Hidden environmentally sustainable design - Though not immediately obvious, this house embraces several green design characteristics.
  • The house layout is based on solar orientation, resulting in passive solar gains throughout the year.
  • Photovoltaic power generates household electricity through a 2.8kw system (when power is not needed, it feeds back into the grid).
  • A passive roof-top solar heating system provides for domestic hot water and a passive solar ground-level hot-water system is used to heat the pool.
  • The natural flow of hot and cool air is fortified by the use of radiant hot-water floor heating and separate central air conditioning in the ceilings. - Although these systems are in place, they are rarely used because of the solar orientation of the home and the natural ventilation.
  • The architects re-used the existing foundation and caissons. During construction, the existing house was taken apart piece-by-piece, with all usable elements donated to Habitat for Humanity.
  • Other energy-saving systems include double-pane windows, UV-resistant glass, ample insulation, and energy-efficient appliances.
  • Deep exterior overhangs are designed to provide shade in the summer, and let in sun during the winter.

Style
A dramatic glass canopy ceremoniously marks the entrance to the home, bisecting the ground-to-roof planes of glass that form sidelights and clerestories. Throughout the house, walls intersect with glass in a play of solidity and transparency. There is a certain efficiency of design in the layout, yet it provides all of the amenities so that the house looks and feels like a five-star private residential club. By taking up minimal space (what's absolutely necessary and no more) the house also takes up minimal resources.




A monumental feeling is emphasised by designing the house to constantly open up to the outdoors. A neutral colour scheme complements the colours of nature that comprise the predominant palette. An infinity pool just outside the living room leads the eye to the ocean and the Channel Islands beyond. Four separate terraces surround the house, continuing the indoor/outdoor feeling and accessibility.

Each room affords great vistas as well as stunning natural light throughout the day. Large windows create frames for nature. Floor-to-ceiling bookshelves complement the mahogany living room wall that houses an entertainment centre. Set into the wall, and surrounded by floor-to-ceiling glass, it acts as an extension of the outdoors. Doorways in general (even in the limestone-clad bathrooms) are taller than usual and lead the eye upward to be rewarded by either natural light or a beautiful vista. Dark walnut floors and softly minimalist furniture are sophisticated and inviting. Bedrooms and master bath look out to the ocean. The kitchen faces the hillside, emphasising how the house maintains a connection with nature.


Plans




Firm: Shubin + Donaldson Architects is a high-design architecture firm that specialises in developing livable environments. Headed by partners Russell Shubin, AIA, and Robin Donaldson, AIA, the firm tailors its projects (custom residential, office buildings and interiors, retail, hospitality, planning, and multi-family housing) with a refined sensitivity toward the land and context.


Architect: Shubin + Donaldson Architects - Robin Donaldson, AIA, Principal and Russell Shubin, AIA, Principal
Project Team: Nils Hammerbeck, Daniel Webber, Kelly Kish, Allison White, Josh Blumer, Alan McLeod, and David Van Hoy
Interiors: Genie Gable Interior Design
Contractor: Quillin Construction
Landscape: Lane Goodkind
Photos: Ciro Coelho
Article & Imagery: Courtesy - Taylor & Company (many thanks)

via: Taylor & Company


3030 House - steel framing goes up

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
The steel framing for the 3030 EcoSteel House has been set up and we have a few photos back from the owner/builder showing the progress.



Here we see the frame set up to the second floor, and first and second floor joists in place. The roof framing has just begun.



Here it appears the entire main framing system is in place, including the roof purlins. Next will be the light gage wall framing to infill the exterior walls and frame out the window and door openings.



Here we see the recycled barn siding that we saw in an earlier post being installed as the first floor ceiling. The bar joists will be exposed, painted, but more or less as we see them here. The barn planks are going directly over the joists, and plywood floor deck will go down over the planks, and then finish flooring. I love the way this looks. The contrast between the industrial truss joists and the rustic planks is just great.

Tune into the 3030 House flickr group to see all of the photos forwarded by the owner.

Technorati Tags: , , , ,

Global Warming Media

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
Every year I update all of the listings for media at www.greenhomebuilding.com and I am doing that now. Last year when I got to the topic of our environment and books about global warming I was astounded to notice that nearly half of the new titles were nay-sayers trying to cast doubt in the public perception of the issue. Most of these writers were associated with conservative think tanks or corporate interests.

As you might imagine there are many new books written about global warming and its consequences; I noticed over twenty five that were published in 2007. This time, the ratio of nay-sayers has diminished to about a quarter of the volume. I take this as an encouraging trend, in that the real science and public perception are obviously coming closer together. To see a listing of some of new media see this page.

The Enertia House

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I recently got a query from one of the editors of Mother Earth News regarding a news story she had read in the New York Times. The writer, David Pogue, had been a judge in a contest sponsored by by the History Channel and the National Inventors Hall of Fame titled "Modern Marvels/Invent Now." A $25,000 prize was awarded to one amoung 25,000 contestants, and the winner was the Enertia House, which was invented by engineer and former log-home architect, Michael Sykes.

The Mother Earth News editor said that these homes had been featured in their magazine before. They essentially provide two wooden shells for the home, one inside the other. She said that there was no mention in the article about the cost per square foot. She was wondering what I thought about the concept from the standpoint of sustainable architecture.

Here is my response:

Double envelope house designs have been around for several decades and they definitely offer some benefits, as well as raise some questions. Any house that takes advantage of the geothermal properties of the ground will be doing its inhabitants and the earth a good turn. This can take the form of earth-sheltering in general, or some clever system of circulating air like the Enertia concept; coupled with sensible passive solar design, it is possible to approach a "zero energy" home.

The concerns about their system that I have are: The use of wood as the primary building material is not generally sustainable in this day of lost forests. With the double envelope design, you are practically building two houses to end up with one. Relying on wood as a thermal mass material compromises the potential thermal performance because wood does not serve this function nearly as well as traditional masonry thermal mass materials. So, I guess what I am saying is that a more sustainable and less costly design can be accomplished in more traditional ways.

Answering the same question, Paul Scheckel wrote, "At first glance, this looks a lot like sunspace design from the 70s (without the stone-filled basement to store heat) which overheated in the daytime and lost lots of heat at night. Consider also that this giant convection oven requires a temperature difference, which in this case is driven by the sun and the cool basement. A New England winter has precious little sun, so my heating system will drive the convective loop, increasing heat loss (in addition to the insulation-free envelope). I haven't heard too many people (ie: none) say that wood is bad for houses and better for biodiesel, but there are good arguments for not using so much material in a home. Does it work? I'd like to see one built in the northeast and see the resulting energy data, wherein the proof will lie."

Clark Snell of www.thinkgreenbuilding.com wrote, "I spent five minutes looking over the web site, so these comments are only based at looking at marketing materials, i.e. they may be inaccurate. Ditto what has been said so far. A couple more “red flags:”

  1. Solid wood envelope. They seem to be using the old “mass enhanced R-value” argument for why solid wood walls perform well thermally. I think it’s well established that this is true only in very specific climatic situations. Touting solid southern yellow pine walls in comparison to solid white pine walls is like saying a Chevy Suburban gets better gas mileage than a Hummer…that’s not really a useful statistic.
  2. Energy without oil. The presentation intimates that this is a completely passive design. For example, no heating system is mentioned. That simply isn’t credible for most climates using the technology they are describing.
  3. Passive means local. You simply can’t create a design that relies heavily on passive techniques and generalize it across climates. In my area where we have high humidity, I’d wonder about this convective loop through the attic and basement, for example.

I could go on. I’m a passive design freak, so I’m all for the basic concepts they are dealing with. However, I don’t see anything really new here, but see marketing claims touting what they are doing as a major breakthrough and “the answer”. That always makes me nervous."

David Eisenberg, of www.dcat.net wrote, "After a skimming around their website, I see that they sell kits and their base prices don't include a lot of things - some of which are enumerated:

"Enertia Homes are sold as pre-cut, numbered kits varying in size from 1000-6000 square feet. The kit is a structural package that includes the timbers for the four exterior walls and the two interior walls (Energy WallsTM) which form the envelope, as well as the flashings, gasket, spline and fasteners to put the structure together. Also included are the beams for the upstairs floor system and the rafters for the roof structure. Doors, windows, flooring, and foam SIP roof panels are priced separately as per your blueprint and climate."

That's a pricey list of not includeds and notice they say nothing here and I saw nothing in my quick scan of the site about some really big and typical costs like excavation and foundations, below grade walls, or basement floor. They say this is a structural package but they don't mention all the things that are going to be extra that most people would expect in a house - plumbing, wiring, fixtures (electrical and plumbing), stove, etc. and especially that the solar PV and thermal water heating systems are not part of the package. It would be nice if they said right up front and clearly what they do and don't sell. And they should make it very clear that all the prices include only the factory labor, not the cost of actually assembling and finishing these structures.

But the biggest issue I have is that these are essentially double wall structures using an enormous amount of thick, milled lumber, which appears to use many times more wood than goes into a stick frame house. It would be interesting to see if they use more wood than a comparable log home. They'll likely be more energy efficient than a log home, but they'll use as much or more wood. Which raises all sorts of issues about the sustainability of this venture - beyond just the trees cut down - much bigger transportation, milling, probably kiln drying impacts as well. The concept is fine and likely works reasonably well in most climates. I'd need to see much more actual performance data and of course real cost data to be able to make any kind of realistic judgment of the viability of this concept as anything more than a niche market system. But between the costs which are going to be very high and the amount of materials going into one of these, calling it sustainable seems like a real stretch."

And finally, Jeff Judkoff of the National Renewable Energy Laboratory, wrote: "The concept of "Double Envelope" homes has been around since at least the 1970's. A number of them were built in the late 70's early 80's. Some variations of the concept were published in the Solar Home Book, by Bruce Anderson and Michael Riordan in 1976, Cheshire Books. Other publications in that time frame also showed the concept. The only truly new concept here is the notion that the resins in the wood behave as phase change storage materials. I have no idea if that is true, but I doubt it because the most common phase change is from a solid to a liquid, in which case the resins in their liquid phase would leak out creating a mess. That's not to rule out the possibility that some tree resins could go from a solid to semi-solid phase, or that they are encapsulated in the wood, I just don't know if they can, and would only be able to determine it through controlled scientific testing in a calorimetry chamber. Phase change storage can really be a big boost to the performance of many flavors of passively heated and cooled homes.

There are many ways to acheive highly efficient homes that more or less "heat and cool" themselves. Different approaches have different costs and will work better in some climates than in others. In Colorado, my lab, NREL, worked with Habitat for Humanity to create a net energy producing home. We used super insulation, passive solar tempering, ventilation heat recovery, engineered shading, solar hot water with a backup instantaneous water heater, compact flourescent lighting, and PV. We also have more than a years worth of detailed data to prove the performance of the home (it really was a net energy producer for the last year).

I saw no data to indicate how well the Enertia home actually performed from an energy perspective. Cost, energy performance, and comfort are the key criteria by which to evaluate such homes, and data is always better than arm waving, or catchy theories. Nothing beats the scientific method for objectively determining the value of an idea."

MODERN ARCHITECT - VANCOUVER

00/00/0000, 00:00 | GAILE GUEVARA
PETER CARDEW 1175 Sutton Place, West Vancouver 12
PETER CARDEW 1175 Sutton Place, West Vancouver
A great example of modern residential design is the LeBlanc House which was the recipient of a 2007 Special Jury Award from the Architectural Institute of British Columbia.

Client: Jean Claude LeBlanc
Architect: Peter Cardew, David Scott, Angie Jim
Structural: Rob Smith
Contractor: John Mason and Associates; Peter Montgomery, Highliner Construction
Groun Floor Area: 2,961 ft2
Completion: December 2006
PETER CARDEW 1175 Sutton Place, West Vancouver 11
PETER CARDEW 1175 Sutton Place, West Vancouver 10
PETER CARDEW 1175 Sutton Place, West Vancouver 6
PETER CARDEW 1175 Sutton Place, West Vancouver 3
This house is now on the market, a perfect home for the sophisticated Vancouverite who appreciates a modern minimalist interior with the influence of west coast materials. To read more about this property visit realtor Jason Soprovich's website.

I love this beautifully executed renovation by Vancouver based design team Peter Cardew Architects. The interior has a sophisticated restraint of materials combining polished concrete floors, natural stone and a signature of BC architects - the subtle layer of maple seen in flush panel millwork. Each interior space is filled with natural light filtering through full height glazing throughout the home.

Our local 18karat recently highlighted their collection Gemma Spring/Summer 2008 in this perfect setting, a refreshing combination of earthy natural accessories and vessels. One of my favorite sources of inspiration is to look through 18 Karat's award winning styling and imagery. Photographs below 18 Karat.

PETER CARDEW interior 7.jpg
PETER CARDEW interior 2.jpg
PETER CARDEW interior
PETER CARDEW interior 4.jpg
PETER CARDEW interior 6.jpg

MODERN HOMES - MAJORCA + SINGAPORE + LONDON

00/00/0000, 00:00 | GAILE GUEVARA

Images provided by SHOOTFACTORY
View the complete inspiration library of images as a slideshow

Thanks to amazing blogs out there like one of my new favorites by Justin Anthony of materialicious he shares with readers his amazing sources on residential architecture, design, craftsmanship, materials and products. An excellent resource. Featured on one of his articles is an amazing company SHOOTFACTORY based out of the UK. "shootfactory is a full-service location agency, representing UK and international properties, studios and venues for TV, film, photo shoots, product launches and events. With over ten years’ international experience in our respective arenas of photography, styling, location management and production, we are committed to providing our location owners and clients with the best service, advice and support." Shootfactory is great option for clients to consider to turn their vacation properties into a source of income while not in use.

Here are a few examples of the many amazing interiors Shootfactory features. My top cities for modern inspiration MALORCA + SINGAPORE + LONDON.

MAJORCA - "Modern lifestyle studio in SE Mallorca (Majorca). Superb daylight. Open plan. Internal and external studio spaces. Props and lighting."







SINGAPORE - "Spread over 3600 sq ft, the indoors and outdoors merge seamlessly in this open plan apartment. Custom made furniture by the designer mingles with modern classics, industrial materials with soft textures."




LONDON - "Striking architect designed and photographer owned timber house. Bright and minimalist rooms with large expanse of glass. Stylish diner-kitchen room with outside space. Parking. Loading gates." The amazing architecture of David Adjaye





Davide Macullo | House in Ticino

00/00/0000, 00:00 | Modern Residential Design

Davide Macullo

House in Ticino

X marks the spot - Davide Macullo takes full advantage of this stunning foothill plot. Embedding and hiding the services and garage of the residence into the hillside, lets the main living areas sit above and soak up the views.


Overview
Located in one of sunniest place in southern Switzerland, the house is characterised by small monolithic volumes following the natural slope of the land and is surrounded by nature. The landscape seems to "flow" through these volumes and become protected courtyards of green. The construction is enhanced by an entrance "cave" surrounded by the green and following slope of the plot. The house continues up the slope in an organic and fluent sequence of spaces, related to each other and stretched out to embrace the surrounding nature. This typology aims at offering an alternative to the "box-shaped" construction on the hills that seem to proliferate the area, building without respect for the environment.



Design
Apart from the concrete foundations required on the sloping site (and perhaps the excavation, which one could argue against, for its ability to hide some of the build), the whole construction has been realised according to sustainable principles and with bio-ecological materials in mind.



Wood and copper are unusual materials when one thinks of high end glamorous construction. In this build, these undervalued materials come to life due to their sustainable features. The wonderful texture of the copper mesh, brings the façade to life.



Construction
A double envelope contains and protects the interior spaces. The internal envelope is built with the STEKO® wood-bricks, a constructive technology which adds further structural rigidity and modular uniformity to the renowned sustainable nature of wood. The Steko® system, utilised even in the internal partitions, is fully recyclable and reduces the time spent on site, with a corresponding reduction in noise, dust, site traffic and other environmental nuisances.



The external skin is made of a recyclable copper screen, that protects the wooden internal envelope, further regulating internal temperatures.



Layout
With the garage hidden below grade, out under the front lawn, the rest of the house is spread over two levels. The kitchen and services area on one and the main living and sleeping areas at ground level.



Plans


Architect: Davide Macullo
Collaborators: Laura Perolini, Michele Alberio & Margherita Pusterla
Completed: 2007
Engineer: Andreotti & Partners - Locarno, Switzerland
Physical engineer: Franco Semini - Lugano, Switzerland
Project manager: Ennio Magetti - Minusio, Switzerland
Structure: Foundations - reinforced concrete; Walls - STEKO® wooden bricks; Cladding - TECU Classic & TECU Net
Photographer: Enrico Cano - Como - Italy

via: Davide Macullo

Building with Shipping Containers

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
An idea whose time seems to have arrived is the use of stockpiled shipping containers as modular units for building homes. Because of the balance of trade in the United States, these hefty steel boxes are piling up in ports around the country and posing a storage problem. Several architects and builders are taking advantage of this surplus to recycle the containers.

According to David Cross of www.sgblocks.com, "a container has 8000 lbs of steel which takes 8000 kwh of energy to melt down and make new beams etc... Our process of modifying that entire 8000 lbs of steel into a "higher and better use" only takes 400 kwh of electrical energy (or 5%). Granted it takes a bit more "muscle" but we call this Value-Cycling which we feel