'celluar automation origin of species 2'
image © designboom

as animals grow, their bone structures increase in size. they develop into the ultimate shaped forms,
being able to support the entire structure with just one fifth the mass of the whole. this is a study
of ross lovegrove's organic essentialism. in his work he analyzes the composition and structure of bones
and finds ways through modeling and structuring. for 'cellular automation' he created complex structures
experimenting with 3d software to create pieces that imitate nature. his work is on display as part of
the second nature exhibition at 21_21, tokyo, japan.


image © designboom


image © designboom


image © designboom


image © designboom


detail

more:
http://www.rosslovegrove.com

designboom article on ross lovegrove's organic essentialism

Pentagram's work on the new Quantum of Solace is a stunning example of design as key differentiator. The design is pure restraint and understatement, but is so clearly "on brand". The designers have resisted the temptation to draw on spy category cliches and instead have created something fresh and new. Kudos to the client for supporting a brave design.




Posted by Ed Cotton

The Arkansas Plat House will be making an appearance on HGTV's program Beyond the Box.



The episode covers several different house projects, but the Plat House no doubt is the segment described as "a couple who found almost everything used to build their home through Internet shopping."

The first airing of the show will be September 17, 2008 9:00 PM ET/PT with several other airings to follow. See the entire scheudle at the HGTV site.

And for anybody who did not see the link to the Plat House catalog page in the first line of this entry I'll give you another link right here:
CLICK HERE to go to the PLAT HOUSE catalog page!
In case you missed the sentence before this one, that link goes directly to the catalog page for the PLAT HOUSE, the one from TV!

Technorati Tags: house plans, modern design, modern house, Plat House

• Lines and Bubbles and Bars, Oh My! New Ways to Sift Data
  This articles very nicely supports the new concept of my latest course I will be offering in Design Management this fall: Business Modell Visualization.

  In my role as a Professor for Design Management I carefully monitor the development of skills design students show when they leave our faculty. Beside usually excellent hands-on skills in graphic, product, and communication design very often the graduates lack appropriate skills to integrate their thinking particularly into business contexts. However one of the most powerful skills design graduates (shal) have is to visualize their thinking and accordingly frame their ideas into powerful charts and illustrations that are easy to comprehend.

  This NYTimes article concisely explains what kind of new approaches, tools, and web applications are out there only to be discovered and used.

  (tags: data visualization design busines models business_models businessmodels education)

‘creative exchange’ is a new shared workspace complex designed by 5th studio in cambridge, england.
the project was publicly funded and designed for the area’s creative workers and innovators. the building
is designed as a studio not an office, with enough room for 14 different companies. the ground floor is
adaptable, making it suitable for meetings, exhibits and other events. the first and second floors house
the private workspaces. the architects left wide common areas on these floors to encourage cross
pollination. above all this is a ‘working garden’ to further encourage interaction. the building design was
also designed for optimal sustainability, using exposed concrete for thermal mass, natural ventilation
and cooling systems and large windows for minimal need for artificial lighting.

http://www.5thstudio.co.uk

park royal proposal by 5th studio









photography by tim soar

Modern farmhouse sounds like an oxymoron, but I've seen more than a few great looking modernist takes on the American homestead. One of my favorites is Farmhouse One, by the architecture firm of Durkee, Brown, Viveiros and Werenfels. It's a simple, traditionally inspired Rhode Island farmhouse with modern twists. Take a look.




And if you're in to modern farmhouses you'll also be pleased to know there's a great blog dedicated to the genre - the appropriately named Farmhouse Modern. It's definitely worth a look (I found it on the LiveModern Blog Directory, where Future House Now is also listed).

If you want to completely overdose on cool modern farmhouses, pick up the book Farm Houses: The New Style by Neill Heath. It features the houses I mentioned above, and many more, in 185 full color pages. Great book.



Image credits - Durkee, Brown, Viveiros & Werenfels site, Amazon.com Listing

When I initially designed www.greenhomebuilding.com I intentionally avoided advocating the use of much wood in building, because of my concern for the health of our forests and their ecosystems, with all of the over-harvesting of timber that has occurred around the globe. There is also the fact that forests help sequester CO2 (a greenhouse gas) from the atmosphere.

This was a difficult choice for me, since my father was a wood worker and I grew up learning many of these skills; I love working with wood and I worked for years as a carpenter. It is certainly one of the most versatile of all building materials, and is a renewable resource, when harvested sensibly.

I have finally come to realize that building with wood (at least partially) can still be a sound ecological choice, which is particularly true in regions where forests have regenerated to the point that they can be harvested sustainably. This means that the trees are carefully monitored to make sure that the health and character of the forest is maintained; only certain trees are culled periodically, leaving the remaining trees to grow and contribute to a healthy ecosystem. It is possible to buy wood that has been certified by the Forest Stewardship Council (FSC), but if this means that you are buying wood shipped great distances, then this becomes a less ecological choice; use local materials!

Furthermore, with timber framing it is possible to use large wooden posts and beams in such a way as to create strong and versatile load-bearing structures, which can then be completed by either in-filling between the wooden structural members, or completely wrapping the timber frame structure with a variety of other materials (as is recommended in colder climates). Since this method of building has been recognized and approved by most code authorities, it is a way of approaching a natural building project that would otherwise be difficult for the authorities to sanction.

So I have now created a page about Timber Framing, greenhomebuilding.com/timber, with lots of media resources and informative links listed. I have also enlisted the gracious assistance of a preeminent timber framing specialist to answer questions from the public about this ancient art.

Will Beemer is a charter member and co-Executive Director of the Timber Framers Guild, and is owner of the Heartwood School for the Homebuilding Crafts in Washington, MA. For over 30 years, this school has been offering students a chance to improve their woodworking and timber framing skills. Will helps teach many courses at Heartwood and has been designing and building houses for over 35 years. He was a construction foreman at the Arcosanti project in Arizona, and design instructor at Cornell University. He has organized and taught building workshops around the world, including timber framing courses through the Guild and at Palomar College in San Diego, the North House Folk School and at the Colorado State University Mountain Campus. He has written for Fine Homebuilding, Joiner's Quarterly, and Timber Framing magazines.

You are invited to visit the new page about Timber Framing and to seek guidance about this art from Will Beemer.

Sovrappensiero's new project is about favorite objects from the past that live on in attics and basements, holding onto memories and stories. Grandmother's doilies become fossilized with dust from the cellar to take on a new form as Waiting, trivets that will bear witness to new stories. Missing is an old vase that is not longer in fashion, so long unused that no one even sees it anymore. Saving is the abat-jour that accompanies the user along the journey to finally stand as a trophy, protected under glass. Sovrappensiero reminds us that things relegated to the past can and will haunt us if they are of sentimental value.

+ sovrappensiero.com

alissa and carly at coe and waito have launched a beautiful new series of ceramics. their existing collections have been smash hits and i have a feeling these pieces will be welcomed with the same enthusiasm. i love their coral vase (above) and the sweet scalloped bowls below. they would both be perfect for holiday gifts and they’re all between $56- $200 so there’s something for everyone. click here to check out their new collection and place and order.

'light, light'
image © designboom

japanese company idesign created 'light, light' a table lamp that doesn't need a light bulb.
by using an electro luminescene sheet, produced by elfin as a light source they have created
this new type of lighting. it is also thin, lightweight and generates very little heat.


image © designboom


image © designboom



'light, light' illuminated

more:
http://www.elfin.jp

I just wanted to send a warm welcome to a dear colleague and friend, Tanya Schoenroth, who recently launched her new website. I'm looking forward to collaborating with an amazing talent in the coming year to help bring fresh new modern ideas to a growing market of sophisticated buyers and home owners. Like me a modern dog lover, we send our best to all of you for the holidays!

I complained the other day about not having seen anything really interesting in a while, and then my buddy Justin at Materialicio.us answers the call with this amazing find - the Stroh Haus by Swiss architect Felix Jerusalem. This home has several things going for it that really appeal to me. First, it has a simple, clean plan. Second, that green exterior is my favorite color. Third, I am fascinated with translucent panels, and the Stroh Haus uses them as exterior sheathing to groovy effect. Lastly, the house utilizes a really interesting type of construction material - straw pre-formed into structural elements. That's a slick approach that ought to have some legs.








Thanks Juzz!

Image credits - Stroh Haus site

it won’t take you long to figure out that dolan geiman’s chicago place isn’t what we typically feature in our sneak peeks. but looking through his images and reading through his descriptions felt like i was unlocking a treasure chest full of great stories and memories into the world of dolan geiman. it’s funny to think about where everything we own comes from and the stories behind it. and it’s very clear from dolan’s work how his surroundings inspire him. be sure to click here for more full-sized images, with complete descriptions, and you can find more of his work here (psst…there’s a sale!) and his blog here with all sorts of fun stuff he has in the works. [thanks dolan and ali!] -anne

[Above: This is the area I refer to as “the waiting room”.  This is where my pal Chris Nightengale, fashion photographer extraordinaire, does some of his shoots. The mint colored chest of drawers is entirely metal and was a gift from my friend Denny, who always has been a wonderful inspiration in my life. He lugged this heavy thing to me when I was down on my luck and living in an unheated rat-hole apartment in Virginia. Now it looks a little better, as does my luck.  I found the globe in a dumpster in Charleston, South Caroline, and the artwork, Jazz Atlas (2008), is one of my collage constructions made from magazines I found in old farm houses. [Photo credit: David Schalliol]

Yours truly at work. . . This is the Art Machine. There is a long story behind the Art Machine, but essentially I made this out of old doors and found objects from a soon-to-be-demolished house I was living in when I first moved to Chicago.  Hockshop refers to the name of my previous studio and gallery in the Pilsen neighborhood of Chicago. Under the moniker Hockshop, the Art Machine debuted in Chicago during a yacht-based art show organized by Bridge Magazine (now called Bridge Art Fair, they produce expositions in London, Miami, New York, and elsewhere). The top of the Art Machine is an old canvas tent that my granddad used when hunting in Canada and which I screenprinted with various images. The little squares of metal on the front are hand-cut signs I grabbed in a scrap yard in Stuarts Draft, Virginia. The little Panel Paintings, on the wall behind the Art Machine, are the staple of my art business. I make about 1000 of these things a year, out of recycled wood, recycled paint, and water-based silkscreen ink.  This is my carnival area, I like to say, because the combination of the Art Machine and the Panel Paintings presents a nice sideshow feel. [Photo credit: David Schalliol]

This is a cabin-like installation just inside the front entrance of my studio.  I created this out of salvaged wood, found billboards, and old signs I’ve found along the road driving to and from art fairs. The raw wood slats were given to me by my pals over at Circa Ceramics who were using them as shelving. I found the deer head while exploring an abandoned barn in Ohio. I saw one of the antlers sticking out of the floorboards. The rusted milk can was used by my dad when he milked cows as a kid. The old glass bottles adorning my bottle tree surfaced outside my warehouse building when the City dug up the cobblestone street in preparation for resurfacing the road. The green bucket is full of shotgun shells I gathered from a shooting range in southern Illinois. The buoys have been collected from various coastal towns including Key West, Cape Cod, and New Orleans. I grabbed the screen door from an abandoned general store in Virginia, and I bought the lentil above the door at a yard sale here in Chicago for only five dollars. I’ve started collecting green and greenish-blue boxes from abandoned warehouses here in Chicago. [Photo credit: David Schalliol]

This is the back side of the entryway installation.  This is where I feel most like a mad scientist. And yes, in case you’re wondering, there is a whiskey flask in the bottom drawer. I found the chair in an old farm house in North Carolina and screenprinted the back and seat myself. The desk was left in the basement of my last apartment and could kill an elephant if it fell on it. I had to use a truck jack and three retired football players to transport the desk when we moved into this space. The framed oil painting on the floor was hanging in my grandma’s den when I was a kid. She was trying to throw it out when I intercepted it.  The red dolly in the corner I bartered from an old (semi) drunk barber for two six-packs of Old Style beer. I think he got the better deal, but at least it looks cool. I snagged the green metal hanging light from a warehouse here in Chicago. Above my desk is one of my inspiration clotheslines. I’ve found this is the best way for me to display various ideas and my notes to myself. The little white paintbrush holder sitting on my desk with the face on it is a ceramic mug made by my pal Ed Brownlee. Ed is about two pints away from being mistaken for a criminal, but he’s a damn good artist and has an enormous heart. [Photo credit: David Schalliol]

Our building has a green roof, which Ali helped plant, and this is where the plants were stored before they were given the outdoor penthouse suite. The equipment featured in the photo is one of our landlord’s lathes; he collects old, industrial machinery amongst other things.

This is my little shrine to Johnny Cash. On the day Johnny Cash passed away, I was getting ready for an opening at Unit B Gallery, formerly in Chicago and now in Austin. The work I was showing was loaded with connotations of death and resurrection and was called the Tombsigns of St Emmeline. The synchronicity of the event was really overwhelming and would have seemed spooky, except that I seem to attract energy like that and I am open to it. The week before I was eating pizza in St Louis and some kid was skateboarding nearby with a boom box and he was playing Johnny Cash’s last recording. When I asked him about it, he said he didn’t know it was Johnny Cash, and that he had just found the tape under a tree and liked the sound. I found the whiskey jug on the bottle tree in the dirt behind the warehouse. The butterflies are screenprinted on wood and were part of a spring window display for a local shoe store . . . I use one corner of the studio for staging photos, both for Etsy and for print brochures. The mantel was a gift from a T-shirt printer (48 Industries) in the building, a fellow scavenger. [Photo credit: David Schalliol]

Stuff I love: plastic dice, old painted nail, orange train ticket to California (1898), list of numbers in Spanish, green feed tag, hand-drawn family album for collage, Virginia text from a high school Math book cover. [Photo credit: David Schalliol]

In this entryway installation close-up, the fresh eggs (fresh eyes) sign was a studio warming gift passed on to me from my buddy, artist Michael Merck, who grabbed it from a little Mexican street cart.  I found the paintbrush hanging on a hook in a bathroom of a warehouse I was occupying while living in Virginia. It’s the only paintbrush I own that’s never been used for painting.  Below the brush is a catfish sinker I bought when I went fishing in Kentucky last year.  The rooster painting, Dirt Road Series IX, is one of my own, silkscreen and acrylic on recycled wood available here. He’s a good pet and doesn’t eat food or make any noise.  He just sits there lookin’ pretty. The books to the left of the rooster are my sketchbooks.  I use old books for my sketchbooks, pasting ideas and collage materials into the existing pages, instead of buying new white-paged, sterile sketchbooks. I think it’s important to be surrounded by many different textures, so I started collecting the softballs over the past four or five years. Almost every time I make a trip down to a river, I find softballs stuck in leftover flood debris and so I started saving them in this locker room bin. If you like metal baskets like this one, you can find some here. The blue oar is a mystery. I found it one night in the middle of the road while I was driving through West Virginia. The strange part was that one end of the oar was tied to a tennis shoe.  I kept the oar; the shoe didn’t fit, so I left it. Above the fresh eggs (fresh eyes) sign is a wooden gun I made from a piece of billboard I found in Indiana and then adorned with little metal objects from an old trade school parking lot. Finally, the rooster painting is sitting on an old hen crate, used by my granddad to take chickens to market. Ali won’t let me get chickens yet, but I’m working on it. [Photo credit: Kara Elliott-Ortega]

Included in this shot are an Ed Brownlee mug (paintbrush holder), comic book collage materials, old picture frames found in a barn in Kentucky, a bluebird collage in progress, and a couple print proofs. Used paint cans, thrift store mugs, and Quaker Oats bins are used to hold brushes, pens, and markers.[Photo credit: Kara Elliott-Ortega]

Books are very important to me. I'm one of those people who would rather sit at home reading than go to a party. I get lost in stories, and read coffee table books over and over again, scanning pictures repeatedly to glean every last detail. Books are good friends. They deserve good homes.

The Maison de Verre in Paris (via NY Times via rolu|dsgn). This house is absolutely brilliant.



The Upcher house by Bates Masi Architects (via DO Research). Beautiful.



Mill Valley Straw Bale Residence by Arkin Tilt Architects - the entire main inner wall is one great bookshelf and art gallery.

at night, light shines through the exterior patterned blocks of the 'patchwork pavilion'

'patchwork pavilion' is a temporary art gallery designed by DOMO arquitetos associados. the structure was
originally built for the casa cor 2008, an exhibition for home textiles in brazil. the name of the pavilion is fitting,
as the exterior is constructed from a random combination of four different pre-cast concrete blocks whose
patterns have been inspired by embroidery pieces that originate in the northeast part of the country.
these concrete blocks were largely used in early modernist buildings in brazil, because of their ability to ventilate
and allow light to pass through the patterns, as well as for their low-cost and shape.


the four different patterned tiles create a graphic patchwork effect




'cave house'

DOMO arquitetos associados' 'cave house', was originally designed for a competition called 'luxury for all'
which explores the idea of luxury living which considers our sensorial experience with buildings and objects,
with an approach to sustainability. the structure aims to continue the flow of nature through the cave-like space.

DOMO arquitetos associados: http://www.domo.arq.br

Last time I wrote about Stefan’s book and how I bought one. Here he is again, in a short blurb on TED, where he runs through some of the things he has learn in his life so far. Oh, a kind person has compiled what Stefan has learn in a nice little cheat sheet that [...]

For the January issue of Dazed & Confused, the magazine asked everyone under 18 and living in the UK to get in touch with an idea for an article about what it means to be young and British today. With the idea landing on homepages from Myspace to Channel 4, the inboxes at Dazed & Confused soon started to buckle under the strain… so, they thought they asked the readers to do the cover as well.

All of the fashion for this issue was shot over three days by designer Hedi Slimane, on a portfolio of British youth street-cast from various locations around London. You can now download a Dazed cover template and three of Hedi’s images. If you want to use one (or all) of them, go for it – they’re yours to do with as you like. You can do what you want with the images or use a completely different image of your own, that’s fine, too. The idea is to get an attractive and revealing Dazed cover that says something about what it’s like to be young and British today. If you’re from a different country, you’re welcome to take part and just make a cover about what it’s like to be young today in your country.

If you are under 18 send all entries (JPEG format, ideally) to stephen.ll@dazedgroup.com by Thursday November 20th and be sure to include your name, age and where you live. Happy designing.

Ping Intressant.se

Andra bloggar om: media, mode, fotografi, hedi slimane

these maps are by uk artist chris kenny. i think they are stunning. the detail blows me away. i made a google map with the fairs i covered this week (+ others that were mentioned in the comments and emails i received.) this map is open to be edited by anyone, so go ahead and add fairs from your area to it. (you need a google account to add fairs to the map but anyone can view it.)

i’d like to thank grace for having me here in this space. highlighting these fairs, artist’s & diy projects has been such a thrill. my aim in promoting these fairs has been to encourage people to check out their local holiday fairs for your gift buying needs. these events are really fun to attend. usually there is music, food, sometimes workshops, and of course truly unique holiday gifts. these tough economic times are forcing everyone to cut costs this holiday season. i believe supporting your local economy, and artists is always a good place to put your money + there are always some incredible deals to be had at these shows. this season if you’re in the chicago/milwaukee area i’ll be selling here, here, and here. stop by and say hi. i love meeting people at these fairs because i’m usually holed up in my studio all day chatting with my cat (no joke). for more info about what i do you can check out my shop, blog & flickr. happy holidays!

This is one of the designs that originated from the design phase of the suburban house project.



I have to confess that I find the space really interesting, but no doubt it won't be for everybody.

Technorati Tags: house plans, modern design, modern house

Karrie Jacobs has been writing a series of articles for Metropolitan Home magazine, all under the theme of "How We Live". In the October 08 issue she wrote about our house plans.

We've not seen the issue yet, only this scan from friend Jeff "jake" Jacobs.



Karrie is a thoughtful observer and commenter on design and one of my favorite design writers. It was the questions that she posed as founding editor of Dwell, about why it was not possible to go out and buy a modern home that inspired me to create this collection of house plans way back at the start. Its really an honor to have it come full circle, to be interviewed by her about the house plans and the whole journey.

Technorati Tags: house plans, modern design, modern house

It was funny on election night to see all the networks go over the top with their data visualizations and their sophisticated touch data screens. CNN took it to eleven with their holograms, at least we know Larry King still has a future.




Posted by Ed Cotton

Tired of uninspiring, consumptive, toxic homes? Tired of the traffic jams, ugly mini-malls, crowded burbs and urban sprawl? Then check out Project Outrage from Slow Home. Sign their online declaration. Join others in voicing your disdain for the bad development. It's a cool project, and if nothing else, a great example that people are finally realizing how bad our housing and community planning really is, and are standing up for better.

ines schwotzer is a jewelry and accessory designer who lives and works in the small town of feilitzsch,
germany. she has worked as a freelance designer since 1995, creating her own pieces and working for
the likes of fashion house chanel. many of her works are done in stainless steel using non-tradition
technique she learned through textile background. using thin wire, schwotzer weaves and braids the
metal to create delicate works that contrast the coldness of the material.

http://www.schwotzer-design.de

John Hodgman was in San Francisco yesterday evening at a fund raising event for 826 Valencia.

He was on superb form, so much so, that interviewer Dave Eggers could barely get a word in, let alone a question. Hodgman talked about the pleasures of his new found fame that included sharing first class aircraft cabins with the likes of Peter Berg and Rachel Hunter. He also told the crowd that George Plimpton (former editor of The Paris Review) had been his inspiration from an early age. In fact, it was Plimpton's ad campaign for Intellivision video games that persuaded Hodgman that being the "PC" was the right thing to do.

Here's Plimpton selling video game systems.




Hodgman also played a couple of his political attack ads aimed at friends, people who had let him down and hotels. Here's the one attacking is friend, Johnathan Coulton for his cat sitting skills.
via videosift.com

Posted by Ed Cotton

From regular checking the logfiles of this blog I know that quite a few visitors come from The Netherlands.

So, as some sort of semi-shameless self promotion your might want to notice that I will be moderating a panel with Design Management experts from Europe at INHOLLAND University, The Hague, NL tomorrow.

The panel discussion is embedded in the inauguration ceremony of Brigitte Wolf who will be officially assigned the role of formally heading the Centre for Applied Research in Brand, Reputation and Design Management (CBRD) placed within INHOLLAND University.

Beside the fact that I always love to travel to the NL I’m also looking forward to meeting some friends and colleagues both on the panel as well as among the guests. So on the panel amongst others are Kathryn Best author of the most recent book on Design Management and Jos van der Zwaal a long term friend back from the days when we’ve co-developed the first European continental Master in Design Management at INHOLLAND.

For sure my business colleagues Erik Roscam Abbing & Christa van Gessel from ZilverInnovation will also attend as guests. Hopefully Joris Funcke will also be there as well as Jaap van der Grinten. I haven’t met both of them for some perceived ages ;-).

For closer information click on the thumbnail picture in the top left corner above. In case you’re from the NL and would like to attend still try to contact INHOLLAND. Chances are that they will kindly grant access.

Great (link) pointer and according analysis from Victor on the way designers both senior as well as novices work.