We received an envelope over the weekend with photos from one of our customers, somebody who had purchased plans but never corresponded about their progress. Much to our surprise their Plat House was complete and on the market as it was built as speculative project.



The house has been significantly modified for its site. The window arrangement has been altered and the floor plans also appears to have been changed, with the bay areas joined and some additional space added to the master bedroom.

The clerestory windows have been changed from a uniform window band into smaller windows at private spaces and larger windows at common areas of the house. The views from the living/dining/kitchen area show how nice this has turned out. They have a very cool italian kitchen, and some very nice light fixtures in the room which really looks like it has turned out well. Click through for more photos in a photo browser.




Serenbe
Redbone Construction

Technorati Tags: house plans, modern design, modern house, Plat House

More and more I find that simple, clear & intenlligently designed concepts are the most convincing ones in our world of increasingly plurivalent and confusing messages: I'll make it all white!

I attended the Natural Building Colloquium held this year at the Orella Ranch overlooking the Pacific Ocean near Santa Barbara, California, at the end of October. What a magnificent setting this was to spend a fine week of connecting with fellow enthusiasts of the natural building movement. About 70 attendees shared our insights, stories, passions, songs, poetry, cooking, concerns, and labor. I came away with gratitude for the opportunity to interact with such caring people, and with a renewed sense of confidence that we will manage to help forge a sustainable future.

This year’s Colloquium was organized by the Natural Building Network (www.naturalbuildingnetwork.org) and was hosted by Gunner Tautrim, who represents the sixth generation of this family living on this land since 1866. The accommodations were primitive, with only a small kitchen as enclosed space; the rest of the facilities were rustic pit privies, temporary solar shower stalls, temporary bamboo and tarp meeting spaces, and a nice lawn area. We brought tents for sleeping. All of this was happening with the grandeur of the Pacific coast as a backdrop, and the elemental simplicity and beauty combined to create an appropriate mood for contemplating the benefits of building naturally. After breakfast each morning we would gather in a big circle on the lawn to review the various options for the rest of the day and share other thoughts. Typically the mornings were devoted to work on a sturdy, permanent, multi-stalled toilet facility that was already framed with wood. Gunner wanted the walls and a surrounding fence to be finished with natural materials, and there were many volunteers who formed teams to accomplish this. Mostly, split bamboo or recycled fencing was used for a framework, over which cob and clay finishes were applied.

Lunchtime often featured tables where specific discussions would occur, having spontaneously been announced at the morning circle. The afternoons were reserved for many concurrent presentations or discussions, so there were always hard choices to make about what to attend. During the course of the week, over forty different topics were explored, in a variety of meeting places. These ranged from the use of materials (such as bamboo, cob, adobe, and lime) to more theoretical discussions about engineering, thermal properties, efficiency, and design. One of the most popular forums was about codes and ways of improving the acceptance of natural building techniques by building officials. I will be writing about this topic in more detail in a future blog post.

I shared one two-hour presentation about earthbag building around the world with a woman architect from Israel, who had brought plans for an earthbag residence that she was designing for a client there. First I talked about the history and development of this technique, and then profiled a number of projects that have been completed (see www.earthbagbuilding.com). After this introduction, the architect laid her plans on a table and we all discussed specific questions that she had about them. This was a great way to learn some of the basics of earthbag building, and then apply these concepts to a specific situation.
I was very pleased that a discussion was convened to explore the role that natural building can play in what was described as the “long emergency,” or the compounded effects of climate change, peak oil and other resource depletion, population pressures, and financial crises. Without this discussion I would have felt that we were negligent in addressing these most pressing issues. I plan to write another entire blog post about this.

After dinner (which was always delicious and usually vegetarian), we were treated to a variety of programs or entertainment that emanated from our group. Mostly these were slide or Power Point presentations, but one night was devoted to a talent show with lots of music and some stand-up comedy…great fun. I showed lots of pictures I took when in Jeddah, Saudi Arabia a couple of years ago where I had been invited to discuss sustainable architecture with the faculty and students at the King’s University (see www.greenhomebuilding.com/weblog for my essay about the situation there) .

One morning, about half of us opted to attend a tour of historic adobe buildings in the heart of Santa Barbara. The earliest remnants date to the 1780’s when Spain authorized the construction of a presidio and the Santa Barbara Mission. Much of this early adobe construction was toppled during subsequent earthquakes, but recent reconstruction, using stabilized adobes, has returned the area to its original presence. I chatted (in Spanish) with the Guatemalan and Mexican crew who were making new adobe blocks for further repair work. On the return trip to the Orella Ranch, several of us made a detour to the nearby beach to dip our feet in the ocean.

One of the delights of this event was the participation of James from Zimbabwe, Africa. This very engaging fellow brought with him pictures of a lovely little thatched cob circular building that he and some friends had made. He also brought his large thumb piano to serenade us with African ballads. This was a reminder of the deep roots that natural building has from all corners of the world.

All together this week of camping out in this spectacular place and connecting with these dedicated and compassionate souls has left me feeling heartened that we will find ways to overcome the enormous obstacles that lay ahead.

On a very foggy night before we were to disperse the next morning, during our closing ceremony, we arranged ourselves in two large circles that faced each other. We (on the outer circle) were asked to assume the role of addressing our ancestors (on the inner circle) from some indefinite time in the future. When I did this I felt strangely like I was really speaking from the future. I told the young woman who was sitting across from me that I did not blame her for the difficulties that she and subsequent generations had endured. I said that the pattern was innocently established well before she was born. Industrialization was fashioned to improve life, not deteriorate it, and the consequences were not foreseen. And then I told her how much I appreciated the hard work she was doing to address and correct the mistakes of our ancestors. I said that because of the actions of her generation, we in the future were enjoying a simple and healthy life based on ecological balance, and that we owe her and many of her generation our gratitude for all that they did to make this possible. We then stood and embraced, the Future and the Present, for a moment of true compassion.

To see more of my pictures taken at this event go to flickr.com/photos/kellyhart.

I just wanted to take a minute to share a little furniture shopping experience I had this week. I have two small children, Owen (5) and Parker Jane (3). P.J is way overdue on getting out of her crib, and Owen needs a bed frame to spruce up his room. We've been putting off a lot of other furniture purchases in order to save up and buy some nice beds for the kids. The time had finally come.

We wanted something modern and cool, and a little more substantial than a regular "kids bed." There are a lot of neat beds on the market but the modern offerings tend to be really pricey and are too often the kind of thing that will look silly in your kids' rooms by the time they're ten. My wife and I finally settled on a pair of these great-looking platform beds from TrueModern. They cost more than we wanted to pay, but were priced reasonably compared to a lot of other modern offerings on the market (many not as nice), and I think they look great, look well made, and will last the kids a long while.



Now, you can get these from a lot of places but for whatever reason we ordered ours from Design Public. I'd never bought anything from them before, but I'm one of those people who shops online a lot and it's not a really big deal for me to try a place completely new, even for a big purchase - throw caution to the wind, reckless abandon, all that jazz. I really don't recall why I picked them for my order.

So anyway, the beds get ordered, it takes about two weeks for them to ship, and then I get the call from the freight company who will deliver them. Long story short, there is a problem, possibly some confusion, and I am concerned about it. The problem was the freight company, not Design Public or TrueModern, but rather than tackle it solo I decide to call Design Public for help.

I must say, I was absolutely impressed by the extremely friendly and helpful response. I won't get into the details, but I thought that the Design Public staff went above and beyond the call of duty in helping me. I spoke to Jonathan, who was unfailingly courteous and diligent in his follow-up on my issue. I felt like they really cared, that I was valued as a customer, and that Design Public genuinely wanted to take care of me. It was really nice!

Like I said, I shop online a lot without giving it much thought. And I guess I've learned not to expect too much. But really, I thought Design Public were wonderful to deal with. If you want some really cool modern stuff, check out their site. It is loaded with amazing furniture, accessories, lighting, gifts, etc. - you name it. Very nice. It's a small company that's really living up to its mission. I was totally impressed.

Bravo and thanks!

Image credit - Design Public site

• People and their cars now and then
  This is for sure somehow off-topic, but nevertheless I’d thought that the range of pictures tell a rich story both on great, timeless automotive design as well as on the (mostly) men driving them. My personal favourite definitively is the Alfa Romeo.
  (tags: automotive creativity history gallery photos inspiration cars photography)

To see complete inspiration library for MODERN WHITE view slide show
Today is a special October 12 - I share with you a MODERN INSPIRATION DEDICATION in honor of today's birthday. The birthday of a talented designer, artist, visonary, spirit and loving friend DONNA TOPPINGS.

You know I'm a huge fan of Japanese modernist houses. This one is genius.

'Penguin House' (aka Skin House Project #2) by Yasuhiro Yamashita of Atelier Tekuto.

Via the girl in the green dress

We are pleased to announce a new promotion for November and December of 2008 - Order Design Prints in Nov or Dec 08 and receive double your Design Prints back on your qualifying Construction Print Order in 2009. Its our Kick the Crisis promotion and this is how it works:

Anybody who buys Design Prints in November or December 2008 will be eligible for a rebate equal to twice the value of the Design Prints if they order the corresponding Construction Prints before the end of 2009. So if you purchase a set of Small Design Prints in November for $100, and purchase Construction Prints in 2009 your prints will come with a rebate of $200. If you buy regular Design Prints for $200 and follow up with a Construction Print purchase in 09 they will come with a rebate for $400. Its double your design prints back! I hope that's not too confusing, its really quite simple. If you are kicking around the idea of building in 2009 or even 2010 or 11 then make sure you order Design Prints for the house you want in November or December 08 and purchase your Construction Prints by the end of 2009 to earn the rebate.

Jump over to our site to read the details. Well, actually we just copied all the details from our site and posted them here, but you should go and read the fine print on the offer.

Kick the Crisis Promotion

Technorati Tags: modern house

Architecture & Interiors by: SPLYCE
Location: Vancouver, Canada
Specialty: residential and commercial renovations to custom furniture and landscapes
Project Highlights: Renovations of West2nd and West 7th private residences
Interior Photography: Michael Boland Photography

The great thing about blogging is that I have gained such a great sense of community, meeting so many amazing talents from all corners of the world and also reconnecting with the local design scene. Earlier this year I was honoured to read a kind comment from one of Vancouver's most talented architects, Nigel Parish of SPLYCE. I came across his work last year while sourcing images for modern west coast architecture. Over the past months, I have been lucky enough to learn more about Nigel's work and approach to both architecture and interiors. You can see through his work the merging of the structure and interior volumes of space holds a strong relationship and is seamless. I admire his keen sense of attention to construction details in exploring natural materials in flush exterior cladding and the combining of economical yet quality materials.


To see more of Nigel's work, see slideshow

Well, in contrast to the usual news that happiness is THE key to a better living I found that this article share some interesting sources on quite the contrary. Similarly have you ever thought about how our world would look/feel like if everything is 'designed' well? For me this triggers quite a few follow up questions like: How about Design's role as 'styling' then in contrast to 'Design' as a source for innovation? And re-phrasing Naish's words: 'Bad Design is the driver of human endeavour'! What do you think?

kokuyo design group holds an annual workshop with student designers in japan called tukurite.
the workshop partners the student with in-house designers to create new product ideas for kokuyo.
products featured this year included jewelry, coasters, a tape measure and vases.


'instant pinhole jewelry' by sasaki taku
image © designboom