If you find there is any copyright abuse, contact us as soon as possible, thanks.
obama and social media
11/05/2008, 18:32 | InfluxinsightsRecycled Houses
00/00/0000, 00:00 | Green Home Building and Sustainable ArchitectureA big truck tractor was towing this entire 1200 square foot house balanced on two huge steel I-beams and a bunch of wheeled dollies. Progress was slow but steady as it inexorably moved toward its next incarnation. Just that morning it had departed its original home where it had been seasonal housing for migrant workers.
The owners of this seeming mirage had searched for just the right orphaned house to adopt as their own, lovingly place it on a new foundation, and refurbish it. Many houses would not be suitable for such a trip; generally only well-built wooden structures can withstand the stress of such a move. This house had all the qualities they were looking for: charm, integrity, and affordability. The entire cost of the house and having it moved was $10,000.
By the time they have it completely fixed up with new plumbing and electric service, an insulated stucco exterior, new energy-efficient windows, a metal roof, a completely rebuilt front porch, all of the interior walls resurfaced, and miscellaneous repairs, they estimate that the total cost of the project will be about $50,000, including the land. Not bad for what in most regards will be as good as new!
Of course new is not what they wanted; they bought this early twentieth century house (it's actual date of construction is unknown) precisely because of its special vintage quality. It reminds one of the owners of the house his grandmother lived in, with 9 foot ceilings, three smallish bedrooms, tongue and grooved fir flooring, cast-iron radiators, built-in cabinets, drawers and even ironing board, and the intangible quality of a by-gone era. They plan to retain the original floor plan intact, only altering a walk-in closet to become the mechanical room and turning a room off the kitchen into a dining space.
The house made the entire trip with just a few places where the plaster cracked in one corner, which is easily repaired. This is one very solidly-built house, made from the sort of fir that no longer can be bought. There was only one place under the kitchen sink that had suffered leak-induced rot over many years; everything else is as straight and true as any carpenter would want.
Another late twentieth century vintage home of about 800 square feet came from property leased from the Federal government and the house needed to be moved. With local help, the buyer of this little home added an additional room onto the original to comply with the homeowners' association square foot minimum. She has thoroughly enjoyed the process of remaking this simple cabin into her charming home, imbued with the wonderful quirky qualities that spring from her fanciful mind.
Once a house is moved it must comply with current plumbing and electrical codes, so these elements were completely redone. Most of the windows were replaced with second hand units that gave her just the views that she wanted. The exterior was resurfaced with rough-sawn lap siding and a new metal roof was installed. The original interior plastic paneling was replaced with sheetrock, and decorated with lots of natural wood trim. The whole feeling of the place is one of lovingly crafted touches wherever the eye lands. The new owner says, “I would much rather live in something recycled than buying something brand new which has no character. I let this house come together…it just evolved!”
Creating new life for old or abandoned houses has got be one of the most sustainable ways of making habitation. This is the ultimate form of recycling, where most of the basic components of a house are utilized intact instead of being tossed into a landfill or burned. There is a tremendous savings in the embodied energy of the house (in both materials and labor), so that all that needs to be done is to repair and polish the original dwelling to create a whole new life for it. Hoorah for these people who have the vision and willingness to take on these projects!
German Design Management Forum: November 2008
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :Florian Weiss (no linking possible due to 100% flash on their end :-( over from our friends at PARK just dropped me a note sharing some closer information about the upcoming Design Management forum to be held (again) in Cologne in November this year. Chances are that you might meet me there physically as well ;-)
Interestingly the topic of Service Design (no link to the Wikipedia entry here as it seems to be reasonably promoting KISD and their stakeholders in the topic) seems to follow some sort of pig cycle as from my perspective it makes its way to the top 3 topics every now and then. Funnily enough my very own doctoral thesis that I’ve started back in 1998 dealt with Service Design and I’ve been investigating the mechanisms (usability) as well as benefits (usefulness) from investing into proper Web Based Service Design.
Needless to say that after the collapse of the Internet Bubble in early 200 nobody (in my specific case one insurance and a bank that funded my research at that time) was interested any longer in the topic so I’ve dropped it later on … In any case a quick Google search suggests that the topic is still up-to-date ;-)
After all a good (academic) resource to surf after is ‘Designing for Services‘ a project led by Lucy Kimbell in late 2006/2007. In contrast to other similar initiatives that are poorly documented this one shared insights and stuff via a blog and I greatly appreciate this!
—– snip —–
5th Design Management Forum at 07th & 08th November 2008 in Cologne
For businesses the customer satisfaction is a permanent challenge, because the wishes and demands of people grow continuously with the technical progress. Companies that pro-actively identify the interests of their customers open up new and profitable opportunities if they develop performance and service offerings that create good and pleasant experiences for the customer. Systematic and strategic management of service design helps the business to gain competitive advantages and to conquer new markets. Experts from the economy, who have gone new and innovative ways in the conception and design of experience worlds and services, present their knowledge and experience at the 5th Design Management Forum for further discussion.
This year lecturers from Germanwings (DE), Molecular (US), Aliagroup (UK & IN), Isobar (UK), Deutsche Bank (DE) and McDonald’s (DE) will provide corporate insights and present innovative approaches to Service Design Management.
Further information and application: http://www.design-management-forum.org
—– snip —–
MODERN FIREPLACE - SOLUS DECOR
00/00/0000, 00:00 | GAILE GUEVARA
Custom Concrete fireplace installation by Solus Decor, photography provided by Solus

"Block" Concrete surround display at Solus Decor Studio on 3rd

Concrete tile collection featured at current showroom location at 1445 Powell Street

New "Quadra" profile, a seamless single cast concrete surround that can be floor or wall mounted. I'm excited to see the collaboration between Solus Decor and Inform Interiors showcase this new concrete profile at the new Inform Interiors showroom located in Gastown.

in the kitchen with: ditte isager
00/00/0000, 00:00 | Design*Sponge
On my recent trip to London for the Design Festival, I did not limit my search for aesthetics to home interiors and accessories. I stopped in a bookstore and checked in on some British cookbooks that are easier to find in the UK than in the US like Tamasin Day-Lewis, Leith’s Cooking School series, and the new Gordon Ramsay Cooking for Friends. Ditte Isager is the photographer who shot Gordon Ramsay’s new book, and I will admit that the photos sold the book. I am so enchanted by Ditte’s work, that I keep the book on my bedside table to look at before going to sleep so I’ll have nice dreams! Ditte’s signature photographic style is unmistakable and totally addictive. Her recipe for a fruit meringue cake looks fancy but is simple to make. Don’t be afraid of meringue! It will be your new friend! Click here for the full recipe or just click “read more” below. -Kristina

About Ditte: Ditte Isager was born and raised in Copenhagen. She was educated at Danish technical school of photography and Schiller studio and is now living in NYC. Specialized in interiors, travel, and food, her clients include Gourmet, Traveler, Domino, Martha Stewart, Gordon Ramsey, Fritz Hansen, to name a few.
Fruit Meringue Cake
Meringues
2 egg whites
1/2 teaspoon vinegar
½ cup sugar
For topping:
whip cream
fruit or berries, whatever you feel like
1. Whip the egg whites, vinegar and sugar for around 5 min to it is thick and shiny.
2. Put a little bit of flour on baking paper and make a circle around 20 cm in diameter with the whipped egg whites.
3. Bake it at 305 degrees (F) for around an hour to it is crisp, turn off the oven and leave the meringues there until it is cold.
4. Whip the cream, you can add some berries to the cream too, and decorate the cake with whipped cream and berries
Why Ditte chose this recipe: This is my favorite cake soooooo easy and so delicious! I always make it for birthdays, dessert when friends come over for dinner ………any occasion.
Images are 4×5 polaroids taken with a Linhoff camera.
Recycled Magazine Mobiles by Frasier & Wing
00/00/0000, 00:00 | InhabitatWhen it comes to mobiles, everyone knows that they can make great nursery decorations and playthings for babies, but sophisticated, abstract mobiles can also function equally well as artsy decor for grownups. Such is the case with Frazier & Wing’s beautiful recycled magazine mobiles. Made from hundreds of paper cut-outs from old magazines, and strung in linear cascading forms, Frazier & Wing’s chandelier-esque mobiles make a stunning centerpiece for any room: nursery or grownup.
READ MORE AT INHABITOTS >
Is there a Designer in the (Mo)House?
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :I should share some snippets from last Friday when I’ve joined several of my peers in The Hague, NL. However please allow for some digesting of my impressions and thoughts! I will write a follow up for sure ;-)
After all what we’ve touched in our panel discussion as well as during the ‘after show’ talks has been (amongst others) the question how to best enter the ‘Design Management Sphere’. From regular email conversations as well as face2face talks this seems to be an urgent question in particular for fresh (design) graduates.
What I usually respond (and this is not meant as ‘fobbing off’) is that independent from their focus of study (let it be design or business administration just to name the two most dominant ones) graduates should try to gain as many and rich experiences in their field of profession as possible. This enables them to comprehensively explore the pros and cons of the field and will help them to render more precisely which domain of the Design Management sphere they are most interested in: Digital, Brand, Corporate, Industrial, Consumer, Services, just to name a few.
Ultimately and this is what I truly believe in: Design Management to a large degree is to a large degree nurtured by the application of (for sure!) cross-disciplinary experiences and skills that tend to rather grow over time. This does however not mean that undergraduate BA & MA programmes in Design Management are not useful. This is however a different discussion to be discussed at another time.
So, for those of you who are seeking for these cross-disciplinary experiences delivered in a highly condensed format you might want to have a look at the MoHo Website. Here’s a snippet from their vision statement:
“Innovation is hampered by a myriad of factors in today’s globalised world. The lack of communication between knowledge centers such as engineering, marketing and design in companies, creates distortions and miscomprehensions between people that heavily penalize the innovation process.
These problems are further amplified if economic reality is brought into the picture. Too many products have been ‘invented’ in the past with little or no potential for economic success. ‘Inventors’ very easily forget the importance of market reality.”
Unfortunately I haven’t been aware of this initiative and hopefully they will share some of the findings publicly soon!
Side note:
These are the facts & figures of the event I do miss more designers here for sure:
# 7 days in Palo Alto
# June 1 - June 8
# 1 house
# 16 partners
# 15 endorsements
# 15 engineering students
# 3 design students
# 15 business students
# 10 social entrepreneurs
# 10 artists
# 5 venture capitalists
# 2 design professors
# 3 business professors
Arkhefield - Couran Point House
00/00/0000, 00:00 | Modern Residential Design
Island retreat - The team at Arkhefield bring us one of their latest residential wonders in form of a simple, low maintenance, sustainable living volume which can be enjoyed all year round. The motives behind the design - maximising space and privacy - are attacked head on, as are the isolation and harsh climatic conditions on the island with basic low maintenance materials. The resulting simplistic structure, appears as a coastal tree, with its roof-line shaped by the strong winds and elements. Elements from which it can hunker down further, shelter, isolate and reorientate the use of external spaces.

Overview
The house offers a stark contrast to the predominant low shacks by the way that it expresses and celebrates volume, simplicity of form and its ability to manage/manipulate the external environment. The house appears to be inspirational amongst the community with many new houses currently under construction on the island being designed and sited in a similar manner.

The house is a simple extruded profile with its form being solely dictated by town planning constraints. Height, setback and roof pitch essentially created the volumetric section which was extruded to the road and waterfront boundary, then set back to maximize the enclosed space. The house breaks out onto the terraced waterfront on the east, for summer fun and to an enclosed "winter courtyard" on the west. The relatively closed north and south façades retain privacy from the adjacent blocks, and shelter from strong summer sun. 
Design
The isolation of the site put a premium on the construction cost as all materials and skilled labour had to be barged out to the island. These constraints created unique challenges and encouraged a rethink to heavy/bulky build elements that couldn't be barged out to the site. Environmentally Sustainable Design principles of orientation and sitting along with use of solar, gas, rainwater harvesting, bamboo cladding/screening and a thermally efficient monolithic floor slab were all core ideas behind the build.
Layout
The house is split in half down the centre of its length with a large double volume "communal" living space on the north and a 2 level "private" core, comprising of bedrooms and service zones, on the south. The interplay between the two halves of the house creates a sense of inclusion and encourages interaction between family and guests whilst still enabling privacy and seclusion.
Our clients desire to recreate a "Bahaman" styled beach cottage with shingled, pitched, roof and quaint shuttered windows made for a challenging brief. They wanted the house to take them back to the memorable vacations they had spent in exotic locations. Through exploration and development it became evident that decoration and themed architecture may enable brief relapses into the bygone but that intelligent design and the creation of flexible spaces stimulated communal interaction, which was what really recreated that relaxed holiday atmosphere they were seeking. They are extremely happy and are enjoying there "Contemporary Bahaman" cottage which they have aptly named "the shed" out on Stradbrooke Island.
Results
The team at Arkhefield have managed to strip back this brief to the real essence of what the client was after. Conviviality and family togetherness were the clients true request and the flexibility of the hoses and its communal spaces are what makes the house such a wonderful island retreat.
Plans

Architect: Arkhefield [AF employees] - Director, Andrew Gutteridge
Project/Design Architect: Simon Wynn
Project Team: Justin Boland, Julie Tomaszewski
Building Surveyor: Bennett & Francis
Construction completed: July 2006
Hydraulic: BRW Enterprises
Interior Designer: Arkhefield
Landscape: JW Concepts
Lighting: Arkhefield
Structural: McVeigh Consulting Engineers / Steel House Frames Australia
Structure and Frame: Steel House Frames Australia
Builder: Clarke Construction (Kelwyn Cassidy, Steven Parker)
Gross floor area: 355 m2
Project cost per square metre: Client wishes this to be kept confidential
Photography: Scott Burrows
via: Arkhefield
MODERN CONCRETE - SOLUS DECOR
00/00/0000, 00:00 | GAILE GUEVARA
Concrete "Firebowl" - $4,200.00 CAD with fire
Solus Handcast Concrete Decor Goes “Outdoor” For Spring - (thanks Lindsey for the info!)
Solus Decor Inc, a Vancouver, Canada-based firm that designs and manufactures precast concrete home decor products, has been creating fireplace mantels, tiles, site furnishings and custom pieces since 1997. This spring, Solus is launching a new collection of planters, vessels and site furnishings under the banner “Solus Outdoor.” The line is highlighted by an outdoor fire feature called the Hemi Firebowl, and the Grate Bench, a 2007 selection for New York’s Haute Green, “the best in sustainable design for the contemporary home”.

Concrete "Hemi Bowl" - $1,800.00 CAD
The Outdoor line was created as a response to a dearth in modern four-season outdoor furnishings and is the result of four years of experimentation and refinement. All the pieces in the collection are cast in high performance concrete: formulations that are up to five times stronger and more durable than typical concrete. This state-of-the-art material gives the pieces their uniquely contemporary look and also allows them to withstand harsh Canadian winters without “weathering ugly.” Unlike other materials used for outdoor furniture, high-performance concrete requires no maintenance and is not adversely affected by UV rays and dampness.

The Litha - Plank Bench $1,800 CAD

The Litha - Grate Bench $2,200 CAD
The benches and planters in the collection utilize Solus’ Litho, an ultra high-performance concrete with a compressive strength in excess of 20,000 psi (140 MPa+). This has allowed the Solus design team to push the boundaries of what was previously possible, with pieces that are unexpectedly thin and detailing that is refined crispness. Further, all pieces in the Outdoor line employ post-industrial recycled content in their formulations which not only helps to reduce the environmental impact of the products, but also enhances the concrete’s performance characteristics.
The spring line-up includes the Hemi Firebowl, Box Planters in two sizes, the multi-use Hemi 36 vessel, and two modern garden benches. All are available in a range of architectural colours and can be shipped across North America. The Solus Outdoor collection will be displayed at IDS West at the Vancouver Convention and Exhibition Centre, May 19-22, 2008, Booth 705.
Solus Decor was founded in 1997 in a small garage in North Vancouver by two Fine Arts graduates from the University of British Columbia. Solus continues to manufacture all of its products in Vancouver, but has grown into a 15,000 square foot facility and showroom with a dedicated 18-person staff.


The Box Planters:
Trough $1,100.00 CAD or Cube $400.00 CAD
Find out more at SOLUS DECOR. If you would like more information on this topic, or to schedule an interview with Khai Foo, please contact Solus at 604.255.2472, toll-free at 1.877.255.3146 or email: khai.foo@solusdecor.com
new fabrica shop in bologna, italy
00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
the lounge and bookshop areas of bologna's new fabrica store
after seven years of being located on via rizzoli, the bologna fabrica features shop has moved to another
historical part of city's centre at strada maggiore. designed by fabrica's young designers, valentina carretta
and sam baron, the atmosphere is low-tech and uses elements which are typically associated with
the construction industry: wooden boxes, concrete quarterdecks, pallets and electrical devices, alongside
other furnishings. the walls are decorated with hand-drawn graphics by marta teixeira.

wooden palettes are used to display products, with interactive clock by tomonaga tokuyama right
designboom snapshots: fabrica at milan design week 2008
sam baron: http://sambaron.blogspot.com
design miami, florida 08: al-sabahart & design collection
00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
'swivel chair' by bokja, sixties furniture upholstered in embroidered vintage fabric from tajikistan - image © bokja
al-sabah art & design collection is a contemporary gallery which is scheduled to open its doors in dubai in early
spring of 2009. the gallery is the result of a recent partnership agreement between DIFC (dubai international
financial centre) and founder of the luxury retail emporium villa moda, sheikh majed al-sabah from kuwait.
the mission of the gallery is to promote the craftsmanship of the middle east. sheikh majed al-sabah wants to
encourage local governments to take more responsibility in preserving their cultural heritage.
before the gallery is even completed, it will preview its collection at this year's design miami 2008 from
december 1st - 8th with an exhibition entitled 'ALEF'. the name of the exhibition refers to the first letter of the
arabic alphabet 'a', but also acts as a symbolic name to mark the gallery's first show. 'ALEF' will highlight the
work of two lebanese designers, huda baroudi and maria hibri of bokja. the duo is known for their use of
vintage furniture, embroidered in fabrics originating from the east. also on show will be the work of dutch
product designer, pieke bergmans, who works in porcelain, plastic and glass. he will be creating a series
of pieces using traditional syrian mother-of-pearl inlaid antique pieces of furniture. for the gallery's official opening
in 2009, new works by studio job, maarten baas, marcel wanders and jaime hayon, who have created limited
edition pieces with local artisans, will be revealed

'swivel talia' by bokja, vintage furniture upholstered in a combination of vintage lakii from central asia together with
suzani (decorative textile) and new fabric - image © dina debbas

'crystal virus' by pieke bergmans, blown glass vase
al-sabah art and design collection: http://www.alsabahcollection.com




