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“Flatshare” wins Electrolux Design Lab 2008

00/00/0000, 00:00 | Design Sojourn
I don’t really do this sort of thing often, but check out this worthy forehead slapping idea that really makes one say “why did I not think of that”? Stefan Buchberger, from the University of Applied Arts, Vienna, Austria, has been chosen winner of the Electrolux Design Lab 2008 competition for inventing Flatshare. Flatshare is a [...]

Pugh + Scarpa Atchitects | Solar Umbrella

00/00/0000, 00:00 | Modern Residential Design

Pugh + Scarpa Atchitects

Solar Umbrella

Model Rebuild - When remodelling their own residence Angela Brooks and Lawrence Scarpa could never have imagined the press and accolades that would be bestowed upon a build designed around their own very personal needs. Economical, solar powered, solar water heating, nearly off the power grid and with a fitting yet aesthetically contrasting extension. A rear extension that embraces the house's 1920's bungalow origins and pays homage to its design sake, the Paul Rudolph Umbrella House of 1953.



Overview and Plot
The lot, in Venice California, typical of the area, has two road frontages. This allowed the house's orientation to be flipped, the crux of this build. With the living area and kitchen behind now facing the larger rear garden, an additional bedroom was added upstairs, and the second bedroom converted to an office. Most of all, the flip orients the house to the southern sun allowing the sun's energy to be stored in the concrete eastern and western walls and floor.



Design
The extension has the majority of its glazing along the warmth facing southern wall, with northern glazing opening up for cross ventilation. The architects describe it as "global regionalism," Californian indoor outdoor flow, wrapped in modern technology using recycled and sustainable materials, offsetting the use of concrete with gains made through its thermal storing properties that lead to lower power bills. Overhangs regulate the sun in its strongest months and double glazing with a low-E film , framed in aluminium with thermal breaks, control the wind and indoor environment. To save on materials the solar panels themselves form the outer canopy and Solar Umbrella, shading the house. With the rear set up, insulation was blown into the walls and floors of the original wing and operable skylights in the kitchen and bathroom provide natural light and ventilation whilst maintaining privacy.

Upstairs


In winter, warmth is provided through radiant in-floor heating powered partly by one of three solar hot water panels. Two are used to pre-heat the domestic hot water before it gets to the gas-fired hot water heater and the other to heat the pool. These panels halved the gas use of the house which is now 2.5 times as big! As usual there was initial outlay for the solar water heaters and panels, which 10 years.

Living area extension


Although the double height extension sets the house apart from its neighbours, the fact that it is at the rear facing the alley, contrary to most of the houses on the block, mean its northern facing traditional façade, lets it fit in with the Joneses. The services are concealed up the side of the house, and a bike rack just inside the new front gate provides mobility to the nearby shops (apparently a novelty in the US).

Exterior


Well thought out landscaping incorporates gravel, to allow the plot to drain and prevent it from heating up like large paved areas do, and planting is drought tolerant, with species that appeal to the abundant hummingbirds in the area. The new pond and pool also help regulate the temperate and composting was also included as part of the landscape design.




Layout
A relatively simple layout provides for both open plan living and more intimate work and rest areas.
Downstairs the office, with access to the main street, sits beside the second bedroom and main bathroom on the eastern wall. The living room and kitchen take the southern and western walls respectively. As well as allowing heat to rise up and out the upstairs windows, the industrial like steel stairs link the downstairs area to the more private master bedroom with en-suite.

The Results
The house now provides an additional open plan living area ideal for the couple's son, connecting outdoor play and space indoors. The Solar Umbrella plays its dual role, keeping the house cool and shaded in summer and warm through its solar panel composition in winter. Utilitarian, the house is built to be lived in and enjoyed rather than as a show-piece 'typical' modern build. This to me is what makes this a home.

Plans




Name of Project: Solar Umbrella, Venice, California, USA
Architect: Pugh + Scarpa Architects
Completed: April 2005
Total project cost excluding land: US$390,000.00
Usage: 3 permanent occupants 105 hours/week, 15 visitors/week at 3 hrs per visit average.

Information courtesy of: Pugh + Scarpa Architects

saint-étienne international design biennale 2008

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

'club3' by rémy bardin, guillaume jounet - ENSA de paris-la-villette, part of 'habiter demain' exhibition

saint-étienne international design biennale 2008
at: cité du design site, saint-etienne
from: november 15th - november 30th, 2008

this year's saint-étienne international design biennale will be held at three main venues within the
cité du design site, the former saint-étienne weapons manufacturer. there will be a few main exhibitions including
'city eco lab' by john thackara and the 'sugoroku' exhibition by catherine beaugrand which will present
experiments which put humans at the heart of urban development. this year, there is the 'flight number ten'
exhibition will be taking a look at designers who have made their mark in the design world over the last ten years,
including ronan and erwan bouroullec. the biennale is an opportunity for designers from france and abroad
to present their latest designs to the public, using design to raise awareness to the current changes in society.


'le sommeilleur' by benoît , rest units at the mine museum, 2008, part of the 'habiter demain' exhibition


'l’îlot d’amaranthes' by emmanuel louisgrand, part of the 'city eco lab' exhibition - image © galerie roger tator lyon


'manger au travail - système pline' by julie bouillaut, part of the 'city eco lab' exhibition - image © véronque huygues


'robuDOG' by robosoft, 2008 - image © robosoft


'algues' by ronan and erwan bouroullec, installation at roubaix museum, 2004 - image © paul tahon

more
saint-etienne biennale: http://biennalesaint-etienne.citedudesign.com
cité du design: http://www.citedudesign.com

brands have nothing to learn from obama

11/13/2008, 16:41 | Influxinsights
Many writers are speculating that brands can learn a lot from Obama’s victory and that it was a triumph of branding, messaging and media understanding. Obviously tactics appear on the service to be easily repeatable, but without the context it's  meaningless.

Despite the grandiose plans brands have for themselves and their desire to create culture, they can never and will never single-handedly have the power to incite true social movements.

Brands however much they would like to be, aren’t human beings, they are products that try very hard to relate and understand us. They cater to our needs and wants, but are by their nature abstract and not made of flesh and blood. The credo of C21st marketers might be to become more human, but it’s a stretch and the entity of the corporation is always a more desirable, more defensible, more convenient and a safer place to be.

Obama succeeded because of the power of his human journey, his humanity, his chance to make history and his ability to connect. People aspired to the hope and change he stood for and trusted him to deliver it. They were voting for a person who provided them with the hope they wanted at the time; a promise that things could be better.

Timing is everything and Obama only needed to do this once and seize the moment. He had to find a way to position himself on November 4th, 2008 as the change that people were looking for. Brands unfortunately don’t have the luxury of the short window of time, they don’t have just one zeitgeist moment to seize, but a multitude, because they have to sell 24/7/365.

The best brands are undeniable in their power to help define us, but they are transient, disposable and easily replaced. They are things, not people and there are limits to the impact they have on the breadth of our lives and our futures.

However, once every four years two people contest for the right to become the most powerful person in the world. These candidates have the news media of the world reporting on them every second of the day, which means they dominate mind share. No brand could ever come close to this level of dominance.

When it comes to voting, we chose the human being that best represents the way we feel. Sometimes this feeling is one of ambivalence, because our lives are under control, but there are rare occasions, and this year was one, when we seek a leader who we want to lead us to better, brighter, future.  

Obama made history, he was the man chosen for the moment and lessons from his success are virtually impossible for brands to replicate.



Posted by Ed Cotton

Project Outrage

00/00/0000, 00:00 | FUTURE HOUSE NOW
Tired of uninspiring, consumptive, toxic homes? Tired of the traffic jams, ugly mini-malls, crowded burbs and urban sprawl? Then check out Project Outrage from Slow Home. Sign their online declaration. Join others in voicing your disdain for the bad development. It's a cool project, and if nothing else, a great example that people are finally realizing how bad our housing and community planning really is, and are standing up for better.

Earthbag Tube Forming Machine

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I recently got an email from Steve Cameron with the sketch shown below that he had drawn of a concept for filling and forming earthbag tubing into a uniform rectangular form on the wall being built.
Steve asked for any comments that I might have about this idea, so I wrote:

This is certainly an interesting idea, and a great drawing! I think that I understand your concept pretty well from the sketch. The squared bag shape would only retain that shape if the contents were solidified, as would happen with a soil/cement mix (which you specify); looser material would eventually force the bags into their more natural oval shape after the form were removed.

But then, I wonder, why bother with using the bag material at all? What you describe is pretty classic rammed earth with lifted forms, and there would be better adhesion with rammed earth directly upon rammed earth rather than with the bag material intervening.

If the purpose for forming the earthbags this way is mainly to reduce the work and material in plastering, I have to say that I don’t find the standard approach objectionable. All those crevasses between the bags give the plaster much better “tooth” than a smooth wall would, so there is an advantage to leaving these voids.

I should add, though, that the apparatus and concept is very clever, and shows great inventiveness; I suspect that it would actually function quite well as drawn.

I might mention that rammed earth is often formed with slip forms done in lifts of maybe 2 feet. The proper soil mix is 15-30% clay and the rest sand. Sometime a small amount (maybe 5%) of Portland cement is added as a stabilizer, but not always. This is one area where earthbags have an advantage, because you can get away with a larger variety of soil mixes.

Your suggested mix of 30% cement to 70% soil would be equivalent to a 3:7 mix of cement/sand concrete, which is very rich in cement! Standard soil cement mixes call for between 6 and 16% cement, depending on the specifics of the soil and the intended use.

Then Steve wrote back that the device was actually inspired by a photo he had seen on a site featuring the Natural Building Colloquium in Texas in 2007, which he redesigned to suit his own needs.

a chair for the times

11/07/2008, 11:05 | Influxinsights
The office work of today demands that people sit for hours in front of computer screens, which often has a negative impact on mind and body.

Herman Miller took a long hard look at these problems and designed a chair with a positive impact on health. It's amazing to see a company take such an ambitious and rigorous approach to understanding and solving the needs of its users.

"Embody lets your body move and keeps you well supported, because your mind works best when you move freely and stress is minimized on your muscles, bones, and tissues. Blood circulates better, heart rate goes down, more oxygen flows to the brain, and there is no distracting discomfort or physical constraint. That's critical in our idea economy where innovation drives success and people get paid for their thoughts and creativity."

Better health= Better ideas- Very smart and it makes a nice pitch to CEOs and CFOs.

To get there, Herman-Miller talked and involved dozens of experts in fields of vision, biomechanics, physical therapy and ergonomics. These experts shared insights and helped develop prototypes.

Emobdy Chair from Herman Miller

Of course, the Embody is ahead of the curve environmentally, containing 45% recycled materials, no PVC and is 95% recylable.




Posted by Ed Cotton

Ok Tray House - sneak peak inside

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
A shot of the corner of the living room today from the owners of the OK Tray House. They are moved in, but not unpacked, and they promise more photos to come once they are settled.



So what do we have here. Well open up the catalog page so you can look at the floor plan. This photo is taken from the living room, looking into the study. We can see a stone wall which is flanking the fireplace, and above it we can see the gridded window wall which sits above the fireplace. I'm real excited about that since it looks like they did a really great job with that. Out the window we can see more of that nicely stained siding. To the left we can see the front door and the entry vestibule. In the study we see the side windows, and a couple of modern chairs? Man after my own heart! And upstairs some cable rail, and a glimpse of the bedroom ceiling. It looks awesome - can't wait to see the rest of the house!

And don't forget the flickr set of photos of this project from start to finish.

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3030 House - steel framing goes up

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
The steel framing for the 3030 EcoSteel House has been set up and we have a few photos back from the owner/builder showing the progress.



Here we see the frame set up to the second floor, and first and second floor joists in place. The roof framing has just begun.



Here it appears the entire main framing system is in place, including the roof purlins. Next will be the light gage wall framing to infill the exterior walls and frame out the window and door openings.



Here we see the recycled barn siding that we saw in an earlier post being installed as the first floor ceiling. The bar joists will be exposed, painted, but more or less as we see them here. The barn planks are going directly over the joists, and plywood floor deck will go down over the planks, and then finish flooring. I love the way this looks. The contrast between the industrial truss joists and the rustic planks is just great.

Tune into the 3030 House flickr group to see all of the photos forwarded by the owner.

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Yet another Plat House surfaces - Serenbe, GA

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
We received an envelope over the weekend with photos from one of our customers, somebody who had purchased plans but never corresponded about their progress. Much to our surprise their Plat House was complete and on the market as it was built as speculative project.



The house has been significantly modified for its site. The window arrangement has been altered and the floor plans also appears to have been changed, with the bay areas joined and some additional space added to the master bedroom.

The clerestory windows have been changed from a uniform window band into smaller windows at private spaces and larger windows at common areas of the house. The views from the living/dining/kitchen area show how nice this has turned out. They have a very cool italian kitchen, and some very nice light fixtures in the room which really looks like it has turned out well. Click through for more photos in a photo browser.




Serenbe
Redbone Construction

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Shubin + Donaldson Architects - Urban Spa

00/00/0000, 00:00 | Modern Residential Design

Shubin + Donaldson Architects

Urban Spa

Urban Spa - Shubin + Donaldson Architects have remodelled this house to soak up its Malibu shore front location. Sliding doors and windows allow the residence to be open plan or sectioned off at will. The site elements of the highway and beach challenged, and dispatched with charming results.




Program
The initial task was to renovate the original 1976 dwelling into a contemporary urban retreat, whilst adding some structural reinforcement. Bought in 2001 for it's location, the owners, together with the architects, went on to extensively remodel the house into an urban oasis. Concious efforts to negate the road behind and emphasise the beach in front are evident throughout.

Design
The overall concept for this 2,900-square-foot beach-side modern house was to transform it into an urban spa-like retreat. The house is perched along Malibu’s Pacific Coast Highway, and features access to the beach at the back. Sheltering the house and providing a hard façade is the garage to the rear. As an area of transition between the street and beach, an interior entry courtyard behind the garage, laid with rectangular cement pavers and bordered by smooth river rock and tufted grasses, introduces the primary design element of the home — a seamless union between interior and exterior spaces. Through crisp linear architecture, a split level plan, and visual access throughout the house brings in the beach.

From the entry courtyard, a line of sight straight through the living room takes in the sea views. Dragging your attention away, to the left is a bay window type dining room, accented by a white grid of window panes and shadowed from the noon sun. This window grid is echoed by the geometric pattern of the cabinets and shelves that lead into the minimal kitchen. True to the open plan, the kitchen seamlessly overlooks the main living space, allowing distractions whilst cooking.



The interior design palette of natural woods and limestone, white walls and fabrics, frosted and clear plate-glass creates a crisp and airy environment to appreciate the Pacific Ocean setting. A true Urban Spa,the elements were hand picked to portray the theme of air, light, and water.

Ground-floor living room and adjacent sitting room offer shadowed relief from the sunlit terraces beyond, with cooling white and dark wood tones in the furniture and materials. Double-paned windows, which open onto the first-level terrace, offer several ways for freedom, permitting unrestricted views onto the ocean while buffering sound (from the highway).



The upstairs rooms continue the overall theme of air, light, and water with repeating materials and colours. The well-dressed master suite faces onto a second large terrace with pocket-glass doors that fold away, converting the stepped upper terrace into a sleeping porch reminiscent of designs by Schindler and Neutra (and last weeks post - David Hertz! [Image]).
For reclining on the teak chaises, billowing fabrics can be drawn above and alongside the terrace to shield the sun and wind.

With the clients goal being a boutique like retreat to entertain guests rather than as a reclusive beach getaway, opulent bright-white materials: Limestone and high gloss surfaces were used to give that crisp light filled feel. In fact, the owners found it too 'bling'. The house was cool crisp and far too full of light, with the white being overwhelming sometimes. Aware of this, Shubin + Donaldson had already incorporated exterior shutters and shades, which compensate in the southern facing rooms. Then in terms of layout, a simple North facing Media room was added with minimal windows at the rear, providing a further space to retreat in summer, and a little getaway for all.



Openness and transformation are themes throughout and are most expressive in the master bath. Cool, ocean-blue frosted glass lines the walls and windows (that face another house on these sought-after lots). Behind the glass swing doors are the toilet and shower. Three layers of floor-to-ceiling glass form a translucent door that closes the space off from the bedroom, or opens it up to the master suite, porch, and Pacific Ocean beyond. Dark wenge wood - used throughout the house as an accent - encases the tub, vanity, and spacious closets. The rich brown colour gently contrasts with the limestone counters and floors. Double mirrors are placed on poles in front of the frosted glass, rather than set into a wall. To name-drop, the tub is designed by Philippe Starck.



Layout
First level: living room, dining room, den area, terrace with beach access, powder room. Upper level: home office, guest room and bath, powder room, media room, and master suite with bathroom/walk-in closet, closet office, outdoor sleeping porch.

Plans


Architect: Shubin + Donaldson Architects - Robin Donaldson, AIA, Principal and Russell Shubin, AIA, Principal
Interiors: Audrey Alberts, interior design consultant
Commenced: 2001
Photos: Tom Bonner Photography
Article & Imagery: Courtesy - Taylor & Company (many thanks)

via: Taylor & Company

Recycled Houses

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
Awhile ago I was driving down one of our main local roads and noticed a house in the middle of it. I didn't remember a house being there and thought that I was seeing a strange mirage. The closer I got, the more real it appeared, until I was forced to slow down and drive around the thing, at which point there was no doubt about its authenticity.

A big truck tractor was towing this entire 1200 square foot house balanced on two huge steel I-beams and a bunch of wheeled dollies. Progress was slow but steady as it inexorably moved toward its next incarnation. Just that morning it had departed its original home where it had been seasonal housing for migrant workers.

The owners of this seeming mirage had searched for just the right orphaned house to adopt as their own, lovingly place it on a new foundation, and refurbish it. Many houses would not be suitable for such a trip; generally only well-built wooden structures can withstand the stress of such a move. This house had all the qualities they were looking for: charm, integrity, and affordability. The entire cost of the house and having it moved was $10,000.

By the time they have it completely fixed up with new plumbing and electric service, an insulated stucco exterior, new energy-efficient windows, a metal roof, a completely rebuilt front porch, all of the interior walls resurfaced, and miscellaneous repairs, they estimate that the total cost of the project will be about $50,000, including the land. Not bad for what in most regards will be as good as new!

Of course new is not what they wanted; they bought this early twentieth century house (it's actual date of construction is unknown) precisely because of its special vintage quality. It reminds one of the owners of the house his grandmother lived in, with 9 foot ceilings, three smallish bedrooms, tongue and grooved fir flooring, cast-iron radiators, built-in cabinets, drawers and even ironing board, and the intangible quality of a by-gone era. They plan to retain the original floor plan intact, only altering a walk-in closet to become the mechanical room and turning a room off the kitchen into a dining space.

The house made the entire trip with just a few places where the plaster cracked in one corner, which is easily repaired. This is one very solidly-built house, made from the sort of fir that no longer can be bought. There was only one place under the kitchen sink that had suffered leak-induced rot over many years; everything else is as straight and true as any carpenter would want.

Another late twentieth century vintage home of about 800 square feet came from property leased from the Federal government and the house needed to be moved. With local help, the buyer of this little home added an additional room onto the original to comply with the homeowners' association square foot minimum. She has thoroughly enjoyed the process of remaking this simple cabin into her charming home, imbued with the wonderful quirky qualities that spring from her fanciful mind.

Once a house is moved it must comply with current plumbing and electrical codes, so these elements were completely redone. Most of the windows were replaced with second hand units that gave her just the views that she wanted. The exterior was resurfaced with rough-sawn lap siding and a new metal roof was installed. The original interior plastic paneling was replaced with sheetrock, and decorated with lots of natural wood trim. The whole feeling of the place is one of lovingly crafted touches wherever the eye lands. The new owner says, “I would much rather live in something recycled than buying something brand new which has no character. I let this house come together…it just evolved!”

Creating new life for old or abandoned houses has got be one of the most sustainable ways of making habitation. This is the ultimate form of recycling, where most of the basic components of a house are utilized intact instead of being tossed into a landfill or burned. There is a tremendous savings in the embodied energy of the house (in both materials and labor), so that all that needs to be done is to repair and polish the original dwelling to create a whole new life for it. Hoorah for these people who have the vision and willingness to take on these projects!

MINI PREFAB: Modern Architecture for Tots

00/00/0000, 00:00 | Inhabitat

ryan grey smith, modern playshed, modern prefab, prefab for kids, prefab playhouse, green house for kids, kids playhouse

If you’re a fan of modern prefab architecture and you’re raising rugrats, now you can get your little ones on the prefab mod action with the Mini Modern Prefab Playshed. Part Case-Study home, part play-house, the Mini Modern Prefab proves that kid’s design can be fun and sophisticated at the same time. Architect Ryan Grey Smith, known for his adult-sized Modern-Shed is bringing prefab to preschoolers with his Modern Play Shed, a smaller but no-less awesome version of his original design. Better than any treehouse or playhouse we’ve ever seen, it comes fully loaded with a sloped shed roof, dutch doors, 12 windows, and more.

READ MORE AT INHABITOTS >

My Take On Design Leadership

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :

Design LeadershipAgain one of these posts I would have wished to have written myself ;-) Anyway I’ve skim read Kevin McCullagh’s posting on the Core77 Design Blog just before leaving to The Hague last week. Fortunately Kathryn Best reminded me on Kevin’s posting after my return a week ago!

What I like about Kevin’s post is his approach to assemble a sort of list of patterns he has observed when it comes to describing the term we love so much these days: ‘Design Leadership’. What I like in particular about ‘pattern recognition’ in general and this is also a reason why I like Kathryn’s book on Design Management is that it is not aiming for categories and definitions academia is looking after like: ‘right-wrong’, ‘good-bad’ or ‘truth’ in general.

While I will give my very own definition or better ‘description’ of the term later on I’d like to point to the four questions that have triggered Kevin’s article:

1.) What makes a design leader?

2.) Do they have to be designers?

3.) Who is leading whom?

4.) And to where exactly?

A point where I do disagree with him is clearly addressing question 2 as I don’t think that ‘Design Leaders’ necessarily need to be designers themselves. Let me try to explain this by referring back to the photo (or collage) I’ve assembled and which you see in the upper left corner. The picture in the lower right corner is taken from Kathryn’s book and illustrates quite well the three areas of responsibility of a Design Leader, a Design Manager and a Designer as those people in organisations who ‘Define a Vision’, ‘Manage the Process’ and ‘Create the Content’.

While on one hand I think that this ‘classification’ is helpful for better understanding the very often unclear terms I do think that on the other hand they are too discrete. Apparently a Designer or Design Manager can only remain in their category and won’t be able to embrace all of them at the same time. In contrast according to my understanding of a ‘Good Designer’ she/he must be able to address all those levels in order to ‘thoughtfully design’.

Therefore and in order to make the model more flexible I’d want to refer to one of the originators of the term ‘Design Thinking’ namely Roger Martin. You see his latest book ‘The Opposable Mind’ pictured in the upper left corner of the collage. Then replace ‘Design Leader’ with ‘Design Thinker’ and let ‘Design Leadership’ embrace all three functions ‘Design Thinking, Design Management and Design’ and you have a more flexible framework that communicates the key message: “Only if you’re good at all disciplines: ‘Thinking, Managing and Designing’ you are a ‘Design Leader’!

Design Leadership FrameworkAccordingly this perspective also implies that one person will have a hard time to act as a ‘Design Leader’ since this would imply that all functions would need to be addressed by her/him alone. Even though for example the success of Apple Computer these days might appear as the single effort of Steve Jobs it is for sure the joint effort of many more (needless to mention Jonathan Ive).

Furthermore I do think that it is somehow anachronistic to believe that (in the competitive business landscape of these days) that individuals are still able to dominate; even though I admit that we tend to have a fascination for these sort of ’single heroes’.

Instead ‘Design Leadership’ according to my perspective above recognises that it is something that needs to be achieved collaboratively as a joint team effort of various ’specialists’. So the answer to Kevin’s question No. 2 definitely is: No, because only teams as I’ve described them above can effectively handle various functions from several disciplines with ‘Design Thinkers’ as the category most likely to embrace people from non-design disciplines.

What do you think? Is this something Kathryn/We shall adopt for the future?

Building with Unbonded Pumice

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
Dr. Owen Geiger and I have just found that a book published in 1990 in Germany, Building with Pumice, written by Klaus Grasser and Gernot Minke, describes experiments done in the 1970’s at the Research Laboratory for Experimental Building at Kassel Polytechnic College in Germany that have considerable bearing on the history of earthbag building.

Most of the book is about the physical properties of pumice, how to obtain and process it, and how to make blocks or walls with pumice/cement, but the fifth and final chapter, titled “Building with Unbonded Pumice,” describes how they began to investigate the question of how natural building materials like sand and gravel could be used for building houses without the necessity of using binders. The use of fabric-packed bulk material was found to be a cost-efficient approach. They used pumice to pack in the bags, because it weighs less and has better thermal insulating properties than ordinary sand and gravel. Their first successful experiments were with corbeled dome shapes (an inverted catenary) which was obtained with the aid of a rotating vertical template mounted at the center of the structure.

1978, a prototype house using an earthquake-proof stacked-bag type of construction was built in Guatemala. They used cotton bags soaked in lime-wash to protect the material from rot and insects. When flattened, the bags measured roughly 8 X 10 cm. Vertical bamboo poles placed on both sides of the bags and interconnected with wire loops gave the stacked bags stability. The bamboo rods were fixed to the foundation and to the horizontal tie beam at the top.

Obviously the concept of constructing homes with fabric bags of mineral material predates Nader Khalili’s earliest experiments by many years, and I was certainly not the first to experiment with filling earthbags with pumice! The entire chapter is reproduced as an article at www.greenhomebuilding.com.

Meetings suck, but they don't have to [del.icio.us]

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
We all know the drill when it comes to meetings: Arrive prepared and in time, stick to the agenda, don't interrupt others and let them speak until they're finished ... But we all do also know that we so often suck with these basic rules. Therefore I'd thought that it might be a good idea to have the basic rules written down. This is no matter of being a business or design manager. On the contrary maybe some more structure in discussions would very often help meetings on design, process, and aesthetics to be more effective ... What are your experiences?

Using Earthbags as Ceiling Insulation

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
Dr. Owen Geiger and I have collaborated on a new article posted at earthbagbuilding.com that describes how to use earthbags filled with various natural insulating materials to insulate ceilings or roofs.
There seems to be a general lack of interesting ceiling options using sustainable building materials. For instance, when touring otherwise beautiful straw bale homes one often sees sheetrock covering conventional industrial insulation. Instead of using fiberglass batts or even manufactured cotton batts to insulate a roof, it is possible to use earthbags that are filled with a variety of insulating materials. These materials include rice hulls, crushed volcanic rock (such as scoria), vermiculite and perlite.

The insulating value of these ranges from about R-2 to R-3, so they are quite effective, and can also be quite inexpensive to install.

This article also describes how one might use mats made of natural fibers to cover and finish these earthbag ceilings.

Suspended ceilings, as described in this article, have a number of benefits. They conceal the roof structure, plumbing, venting and electrical wiring, as well as improve acoustics and insulation. And they can also greatly enhance the ambiance or hominess of a room.

Matthias Demacker's takeOff. Seating

11/19/2008, 14:41 | MoCo Loco

matthias_demacker_takeoff.jpg
Matthias Demacker of demackerdesign sent us some pictures of his newest projects; takeOff.series (above) is a seating collection for Ferlea featuring a geometrically shaped compact seat, lounge chair and sofa. "The frontal cuts give the seats a light, dynamic look and offer place for your feet while swiveling in the seat.". The extensible curvex.table after the jump is for Italy's Varaschin.

+ demacker-design.de

duras ambient fukuoka store by sinato

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

thin L-shaped walls are used to divide up the interior of the store

duras ambient fukuoka is an apparel shop designed by sinato. located in fukuoka, japan, the store is situated
in a corner lot of a building. the interior is made up of five L-shaped walls which nest within one another.
these dividing structures are used as displays and are randomly distanced, forming both wide and narrow
two-way paths within the store.


entrance to the store which is situated in the corner of a building


the distances between the walls are done at random, various sized pathways


a view inbetween the walls




a model of the L-shaped wall formations

more
sinato: http://www.sinato.jp

P&G’s Innovation Culture [del.icio.us]

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
Good case on how the idea of a 'Blue Ocean Strategy' can be applied: "The heart of a company’s business model should be game-changing innovation. This is not just the invention of new products and services, but the ability to systematically convert ideas into new offerings that alter the very context of the business."

the financial sector's losses are enormous

11/12/2008, 15:51 | Influxinsights
"The financial sector’s total losses from the credit crisis are approaching $1,000bn after recent turmoil in the markets triggered a further drop in the value of mortgage-backed securities and other debt securities."

Financial Times- November 12th



Posted by Ed Cotton

karim rashid at instituto tomie ohtake, sao paulo

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


karim rashid - art and design in a global world
at: instituto tomie ohtake, sao paulo
from: october 24th, 2008 - january 4th, 2009

on now at the instituto tomie ohtake, sao paulo is the first solo exhibition of designer karim rashid in brazil.
it is the institute's hope that by showcasing rashid's work, they will generate a discussion about the aspects
of contemporary design and its impact on daily life. upon entrance into the exhibition you are greeted by a large
painting-like, computer graphic, 300 square metres in size which acts as a backdrop to the furniture on display.
this virtual component within the exhibition gives visitors the opportunity to encounter the designer as a
life-size avatar, playing between reality and the artificial, something which is prominent in rashid's work.

the exhibition is an international cooperation with munich's design museum, die neue sammlung. it is curated by
german art historian and critic dr. albrecht bangert in collaboration with brazilian-born designer and architect
camila tariki of karim rashid's new york studio and organized by instituto tomie ohtake. most of the pieces on
show are from the munich collection.











related
designboom interview

karim rashid
karim rashid at milan design week 2008

more
karim rashid: http://www.karimrashid.com
rashid global: http://www.rashidglobal.net
instituto tomie ohtake: http://www.institutotomieohtake.org.br
die neue sammlung: http://www.die-neue-sammlung.de

Davide Macullo | House in Ticino

00/00/0000, 00:00 | Modern Residential Design

Davide Macullo

House in Ticino

X marks the spot - Davide Macullo takes full advantage of this stunning foothill plot. Embedding and hiding the services and garage of the residence into the hillside, lets the main living areas sit above and soak up the views.


Overview
Located in one of sunniest place in southern Switzerland, the house is characterised by small monolithic volumes following the natural slope of the land and is surrounded by nature. The landscape seems to "flow" through these volumes and become protected courtyards of green. The construction is enhanced by an entrance "cave" surrounded by the green and following slope of the plot. The house continues up the slope in an organic and fluent sequence of spaces, related to each other and stretched out to embrace the surrounding nature. This typology aims at offering an alternative to the "box-shaped" construction on the hills that seem to proliferate the area, building without respect for the environment.



Design
Apart from the concrete foundations required on the sloping site (and perhaps the excavation, which one could argue against, for its ability to hide some of the build), the whole construction has been realised according to sustainable principles and with bio-ecological materials in mind.



Wood and copper are unusual materials when one thinks of high end glamorous construction. In this build, these undervalued materials come to life due to their sustainable features. The wonderful texture of the copper mesh, brings the façade to life.



Construction
A double envelope contains and protects the interior spaces. The internal envelope is built with the STEKO® wood-bricks, a constructive technology which adds further structural rigidity and modular uniformity to the renowned sustainable nature of wood. The Steko® system, utilised even in the internal partitions, is fully recyclable and reduces the time spent on site, with a corresponding reduction in noise, dust, site traffic and other environmental nuisances.



The external skin is made of a recyclable copper screen, that protects the wooden internal envelope, further regulating internal temperatures.



Layout
With the garage hidden below grade, out under the front lawn, the rest of the house is spread over two levels. The kitchen and services area on one and the main living and sleeping areas at ground level.



Plans


Architect: Davide Macullo
Collaborators: Laura Perolini, Michele Alberio & Margherita Pusterla
Completed: 2007
Engineer: Andreotti & Partners - Locarno, Switzerland
Physical engineer: Franco Semini - Lugano, Switzerland
Project manager: Ennio Magetti - Minusio, Switzerland
Structure: Foundations - reinforced concrete; Walls - STEKO® wooden bricks; Cladding - TECU Classic & TECU Net
Photographer: Enrico Cano - Como - Italy

via: Davide Macullo

Sage Modular House - 2 years in, revisiting a ground breaking house

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
A real treat today. I just received an email from Sara and David Sage, the owners of a modular house I helped them design back in 2004. They have been in the house for about 2 years now, and they are well moved in and at home. They shared many pictures of the house which I'm posting here.



A panoramic view of the Sage home interior.



Sara and David's big goal for this house was to bring it in for $100 a square foot, no small task in the expensive Los Angeles county construction market. But they had a plan, to do copious research on their own, to get the most value out of every consultant they used, and every vendor and contractor they engaged, they resolved to build the house modular, to source their modules from a market with much lower labor cost in Utah, and to complete a good deal of the work themselves as sweat equity. It was their dream to have a modern house and I must say they succeeded on every count. From finding the best materials and vendors, to researching planting material and submitting their own landscape plan for permitting, Sara and David did it all and tracked it in detail in their blog on LiveModern.com. It was a tremendous inspiration and people cheered for them every step of the way. Its hard to know how many other people they inspired to dig their heels in and pursue their own dream of a modern house.



When the work was done, well, almost done, and the smoke had cleared I believe Sara calculated that their cost worked out to about 114$/sqft. This was pretty remarkable at a time when there were literally dozens of prefab house start-ups trying to get traction. The lament was how everything was costing much more than expected, and much more than hoped. In that milieu of dashed hopes Sara and David fought and struggled to make their house happen at a cost that was a pipe dream for the rest of the market.



The house is a reasonable 1400 sqft, 3 bedrooms, with an open kitchen, living/dining, family room space, it really is a wonderful plan that lives much larger than it appears on paper. The modular units in different colors tell the prefab story. You should be able to orient yourself to the photos using the plan. The house site is unusual in that the back yard of the house is really at the side, so the front porch wraps around to the side, and that is the main back yard like space. The rear and other side have proximity to neighbors, more like a house typically has at the sides.
My favorite thing about the design is the three spaces you see in the photos - the kitchen, living/dining, and family room are each small square rooms that overlap at their corners, each space well defined, and very open to one another. It really walks the tightrope between open plan and discrete rooms. David and Sara brought a rough version of this floor plan to the table when they hired me, so they deserve the credit for its design, my role being more to refine, and adapt it to division into modules, and to resolve the plan into the 3d massing and window placement. It was truly a collaboration of the best kind. More photos in the browser below.




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Architect Stephen Kanner on Low-Income Housing and Green [Clipping]

10/30/2008, 11:07 | Land+Living: Modern Lifestyle + Design
Mr. Kanner speaks about his award-winning 26th Street low income housing project and about the importance of "green architecture." (via kcet)

john hodgman's inspiration

11/11/2008, 09:48 | Influxinsights
John Hodgman was in San Francisco yesterday evening at a fund raising event for 826 Valencia.

He was on superb form, so much so, that interviewer Dave Eggers could barely get a word in, let alone a question. Hodgman talked about the pleasures of his new found fame that included sharing first class aircraft cabins with the likes of Peter Berg and Rachel Hunter. He also told the crowd that George Plimpton (former editor of The Paris Review) had been his inspiration from an early age. In fact, it was Plimpton's ad campaign for Intellivision video games that persuaded Hodgman that being the "PC" was the right thing to do.

Here's Plimpton selling video game systems.




Hodgman also played a couple of his political attack ads aimed at friends, people who had let him down and hotels. Here's the one attacking is friend, Johnathan Coulton for his cat sitting skills.
via videosift.com

Posted by Ed Cotton

Oil Dependency

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture

Having just finished reading “A Declaration of Energy Independence: How Freedom from Foreign Oil Can Improve National Security, Our Economy and the Environment,” by Jay Hakes, my mind is spinning with all of the issues that this brings up. Hakes was the head of the Energy Information Administration at the U.S. Department of Energy during the Clinton administration, so he knows a fair amount about the topic.

He makes a pretty good case that not only will shaking the U.S. reliance on foreign oil help in all of these ways, but that it is possible. He points out that after measures put into action after the oil shortages in the 1970’s, the U. S. actually did cut its reliance on foreign oil by half…for a short while. This was accomplished through a combination of government resolve to solve the crisis and the public’s willingness to adopt some simple conservation measures. People actually did drive less and at slower speeds; they turned down their thermostats in the winter and up in the summer; they began to install solar water heaters.

Of course times have changed, and now we are painfully aware of the costs that we face from not having continued to boldly deal with these issues. The true cost and burden of our reliance on oil (not just foreign oil) will be paid by future generations. There is little doubt that the Iraq War is a battle for control of oil resources, for which we are paying dearly in dollars, blood, and tarnished reputation. There is little doubt that global climate change, fanned by our burning of fossil fuels is wreaking havoc with rising sea levels, loss of crops, loss of biodiversity, and increasing severity of storms.

Hakes points out that because of the time lag that often occurs between when tough mitigating measures are adopted and when their effects are noticed, there is frequently little resolve among politicians to act because unpopular measures usually don’t bring votes, especially if voters don’t see positive results.

It has taken a few centuries for us to get into this mess. For over 99% of the time that Homo sapiens has been roaming earth, we have done just fine without burning fossil fuel. Even during the great leap into agriculture from hunting and gathering, we relied solely on our labor, with the help of a few beasts of burden. Then, as ecologist William Catton writes, “Homo sapiens attained a kind of superhumanity by learning to convert the heat energy from fire into mechanical energy by means of various engines.” This discovery has jettisoned humanity into the industrial age, and we have comfortably settled into this new way of life, congratulating ourselves on our modern ways.

Now, with the peaking of fossil fuel supplies and increasing world-wide demand, there is only one direction for the price of oil to go: up. With spiraling prices, all aspects of our economy will be affected. The cost of living in this modern world will continue to increase.

But this simple fact may ultimately be our salvation, because economics will force us to find alternative ways of living, and these will inevitably lead us to cleaner, renewable forms of energy. The inexorable laws of economics will eventually force us to address these thorny issues, even when politicians and an unwilling public dig in their heels to avoid change. It will cost too much to do otherwise!

Of course we can choose to cushion the blow of economic and climatic upheaval by making wise decisions now. We can invest in renewable energy now. We can drive cleaner, more fuel efficient cars now. We can walk. We can grow more of our own food. We can make our homes more energy efficient. We can buy only what we really need. We can do all of these things…and we will be much healthier for it!

Metropolitan Home article by Karrie Jacobs

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
Karrie Jacobs has been writing a series of articles for Metropolitan Home magazine, all under the theme of "How We Live". In the October 08 issue she wrote about our house plans.

We've not seen the issue yet, only this scan from friend Jeff "jake" Jacobs.



Karrie is a thoughtful observer and commenter on design and one of my favorite design writers. It was the questions that she posed as founding editor of Dwell, about why it was not possible to go out and buy a modern home that inspired me to create this collection of house plans way back at the start. Its really an honor to have it come full circle, to be interviewed by her about the house plans and the whole journey.

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Drew Mandel Design - 83A Marlborough Ave

00/00/0000, 00:00 | Modern Residential Design

Drew Mandel Design

83A Marlborough Ave


Infill house on a 13ft wide plot, becomes feature residence of the street - Drew Mandel has used every inch of this brownfield (ex 1 car garage & garden) site to create his ideal residence. Influences of Frank Lloyd Wright and Rudolph Schindler eminent in the residence's façade lead to elegant use of wood detailing for the interior.



Overview
Drew, an up and coming Canadian architect snapped up an “interesting” plot, that his colleague at MacLennan Jaunkalns Miller Architects, David Miller had on offer. Setting out to create his debut "big time" design, Drew won a number of awards in Toronto and Canada. The house is an impressive example of modern infill, coming in at a modest $182 per ft2.

The Lot
Miller and his architect wife, Amy Falkner, had obtained a minor variance allowing them to build to the very edges of the property line without the usual margin of grass or ground cover. (It's only because the houses on each side are set back from the lot line that there is any space at all between the Mandel-Cooper house and its neighbours.) To support development, the municipality had allowed a substantial increase in the floor space, from 908 to more than 1,280 square feet above ground.
Their relatives labelled the plot a bowling lane, Mandel and his wife like to think of it as a lane each.


Design
Focusing on commercial design at work, Drew’s evening efforts on his own house pulled from his designs of multiplexes, community centres, libraries and banks. The main Achilles heel of the plot, the extended walls down either side of the property, led Drew to (as he sometimes reflects) to overcompensate with house glass panels at either end and a large light well at the centre of the build. I disagree; the house is fantastically bright and airy.



Breaking the house away from other designs out there and I believe linking it to his favoured FLW and Rudolf, is the use of patchwork glass rather than a large expanse of industrial like uniform façade. A cute modernist take on the Juliet balcony protrudes from the master bedroom, breaking the rear wall further and allows great views down to the meticulously landscaped garden, that complements the house so well. Adding to the functionality of the glass façade, a large central panel pivots to allow bigger pieces of furniture to be hoisted in.



Bringing in that industrial design know-how resolved the issue of construction methods too. Such a narrow tall design refused traditional frame design used in residential projects, meaning an industrial to balloon framing technique was adopted. Steel supports for the entire 38-foot length of the walls were put up first, and then the floors were locked in afterwards.

Further industrial features of the house include the two ramps from the entrance of the house to the living room and from the master bedroom to the second bedroom, a comfortable alternative to stairs.