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DMI Remix Conference Ning
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
Hey, DMI seems to slightly open up towards the social web! Something I’ve tried to convince them on a while ago ;-)
Therefore under the lead of Scott Lerman they’ve set up a Ning where you can socialize and get in touch with other Design Management professionals across the globe that like to hang out at DMI conferences once in a while. Well done, DMI!
So in case you’re planning to attend the annual DMI conference in early October 2008 you should definitively join. Otherwise for lurking and networking join as well at: JoIN the REMIX >>>
Recycled Magazine Mobiles by Frasier & Wing
00/00/0000, 00:00 | InhabitatWhen it comes to mobiles, everyone knows that they can make great nursery decorations and playthings for babies, but sophisticated, abstract mobiles can also function equally well as artsy decor for grownups. Such is the case with Frazier & Wing’s beautiful recycled magazine mobiles. Made from hundreds of paper cut-outs from old magazines, and strung in linear cascading forms, Frazier & Wing’s chandelier-esque mobiles make a stunning centerpiece for any room: nursery or grownup.
READ MORE AT INHABITOTS >
Building with Unbonded Pumice
00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
Dr. Owen Geiger and I have just found that a book published in 1990 in Germany, Building with Pumice, written by Klaus Grasser and Gernot Minke, describes experiments done in the 1970’s at the Research Laboratory for Experimental Building at Kassel Polytechnic College in Germany that have considerable bearing on the history of earthbag building. Most of the book is about the physical properties of pumice, how to obtain and process it, and how to make blocks or walls with pumice/cement, but the fifth and final chapter, titled “Building with Unbonded Pumice,” describes how they began to investigate the question of how natural building materials like sand and gravel could be used for building houses without the necessity of using binders. The use of fabric-packed bulk material was found to be a cost-efficient approach. They used pumice to pack in the bags, because it weighs less and has better thermal insulating properties than ordinary sand and gravel. Their first successful experiments were with corbeled dome shapes (an inverted catenary) which was obtained with the aid of a rotating vertical template mounted at the center of the structure.
1978, a prototype house using an earthquake-proof stacked-bag type of construction was built in Guatemala. They used cotton bags soaked in lime-wash to protect the material from rot and insects. When flattened, the bags measured roughly 8 X 10 cm. Vertical bamboo poles placed on both sides of the bags and interconnected with wire loops gave the stacked bags stability. The bamboo rods were fixed to the foundation and to the horizontal tie beam at the top.
Obviously the concept of constructing homes with fabric bags of mineral material predates Nader Khalili’s earliest experiments by many years, and I was certainly not the first to experiment with filling earthbags with pumice! The entire chapter is reproduced as an article at www.greenhomebuilding.com.
Are Methods The New Waterfall? at Experience Matters [del.icio.us]
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :Since we are at death... [Clipping]
10/31/2008, 17:30 | Land+Living: Modern Lifestyle + Design3030 House - light framing has begun
00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
Just a quick update with new photos in a browser after the link below.
Visit the 3030 House flickr group to see all of the photos forwarded by the owner.
Technorati Tags: 3030 House, ecosteel, modern design, modern house, prefab house
ART EXHIBITION: Degrees of Remove, Landscape and Affect
00/00/0000, 00:00 | Inhabitat
Landscape is a term that has possessed a variety of related definitions in the past. At Sculpture Center’s group exhibition, Degrees of Remove: Landscape and Affect, landscape is “as an interpreted notion of space.” The exhibit questions how perceptions of landscape have changed since technology has made it possible to engage in landscapes far removed from our physical locations– or if we can really engage in them at all. Curated by Sarina Basta and Fionn Meade, the exhibition will run until the end of this month and has a corresponding film series at Anthology Film Archives.
Building with Shipping Containers
00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
According to David Cross of www.sgblocks.com, "a container has 8000 lbs of steel which takes 8000 kwh of energy to melt down and make new beams etc... Our process of modifying that entire 8000 lbs of steel into a "higher and better use" only takes 400 kwh of electrical energy (or 5%). Granted it takes a bit more "muscle" but we call this Value-Cycling which we feel is that next step up from Re-cycling."
Each container measures 8 feet wide by 40 feet long by 9 feet tall. SG Blocks sells the finished structural systems (also called SG Blocks) for $9,000 to $11,000 per unit. The finished units have one or two walls removed and include the necessary support columns and beam enhancements.
According to KPFF Consulting, a structural engineering firm in St. Louis with extensive experience working with shipping containers, the units are stronger than conventional house framing because of their resistance to "lateral loads" -- those seen in hurricanes and earthquakes -- and because steel is basically welded to steel. The roof is strong enough to support the extra weight of a green roof — which has vegetation growing on it — if the owner should want it.
As for their energy efficiency, they claim that when the appropriate coatings are installed, the envelope reflects about 95 percent of outside radiation, resists the loss of interior heat, provides an excellent air infiltration barrier and does not allow water to migrate in.
One idea that has occurred to me is that this system might benefit from the use of SIP's (Structural Insulated Panels) for the roofs, rather that standard truss framing. SIP's are very well insulated, install quickly, and use much less wood than convention roofs.
Shipping containers are self-supporting with beams and stout, marine-grade plywood flooring already in place, thereby eliminating time and labor during the home-building process. Cross said construction costs are comparable to those in conventional building. Four to seven units are used in a typical home, he said.
Instead of nailing the siding they use "Super Therm", a ceramic paint made by Superior Products of Minnesota; it can be used as a paint, an adhesive, an insulator, a fireproofing material and an acoustic barrier. With this ceramic paint, they claim the insulation capacity is equal to a conventional house.
Adam Kalkin, of www.architectureandhygiene.com , has also become enamored with shipping containers as an architectural solution. The idea to do something with shipping containers came to Kalkin, a New Jersey resident, when driving to New York City, where he saw sky-high stacks of the unused cargo containers in the shipyards he passed.
"The cargo containers, with a life span of about 20 years when used for their original purpose, have an “infinite life span” when stationary and properly maintained," Kalkin says. “To me they are like a treasured antique: they may not be inherently valuable, but the history and the storytelling add value.”
Environmentalists have embraced the design, applauding the recycling inherent to Kalkin's designs. And advocates for affordable-housing like the design, since according to Kalkin, "the total cost of a house—between $150,000 and $175,000 after the buyer settles upon the various options—works out to be between $73 and $90 per square foot, about half the cost of the conventional $200 per square foot for reasonable quality, new construction in the Northeast.”
Kalkin has recently opened a factory—“a hangar at a little airport in New Jersey”—to manufacture Quik Houses. “There are a lot of elbows flying in this process, and this is the best way to protect the quality of the house, to keep the accounting transparent, and to make sure I am not unwittingly responsible for heinous crimes to the built environment.” Once the factory is fully functional, Kalkin plans to export many of his products, commenting that “the possibilities of working on a world scale are exciting.”
Twenty-one thousand containers hit American shores every day of the year. Containers can be shipped to the interior of the country via trains and trucks. Shipping containers are like Lego toys and the modules can be assembled in thousands of ways.
In general it is a good thing to recycle materials that otherwise have no further use for their intended purpose, and this is true here. As for whether one can make a comfortable house out of these metal boxes, the biggest question is: insulation...it is essential, but there are many ways to insulate these containers, so this is not a big concern. Another concern that many people would have is whether a metal box would have adverse health effects because of EMF (electro-magnetic frequencies) generation or propagation. Some people are sensitive to these while others are not.
There is no doubt that these containers can be used to fabricate very strong shells that would withstand substantial abuse from the ravages of nature.Greg La Vardera's Dream Will Come True!
00/00/0000, 00:00 | FUTURE HOUSE NOW
Via Materialicio.us (here and here).
Image credit - LamiDesign Modern House Plan Blog
Best MoCo Objects This Week
11/17/2008, 23:19 | MoCo LocoThis week's picks:

+ Matali Crasset's interactive chandelier at matandme, "the light changes colour to the colour of the food [underneath]".

+ Studio Job's Industry collection at designboom, "a cabinet, a screen, a dresser, a table and a pedestal all inlayed with white dyed bird's eye maple and black dyed tulip tree veneer. The studio adapted this traditional woodworking technique using modern laser cutting technology. The pieces all feature intricate and thin patterns, achieving something not possible before.".

+ Asobi design studio's Plye Lamp for Intra Lighting at DesignEast, "The restrained use of bundles of lights offers the possibility of creating different spatial effects.".

+ Igor Pinigin's ANEMONA lamp at Behance, weighted at the bottom the "lamp can be freely rotated and tilted. Several lamps can be assembled into dynamic figures.".

+ Amélie Lachance, Alexandrine Lemaire, Christine Mongeau and Jackie Richardson Allume-moi lamp (light me up), a simple wooden block that transforms into an ambient lamp. Via TrendsNow and AEDII.

+ Patricia Urquiola launches the colorful polycarbonate Frilly chair for Kartell at designboom, "Urquiola wanted to create a fabric effect and incorporated pleats for her final design.". .
+ We Make Money Not Art interviews designers El Ultimo Grito, curators of the Nowhere/Now/Here show at LABoral on now until April 20, 2009.

+ Ronan and Erwan Bouroullec narrate a video of their design portfolio with insights on some of their best known works. The video is in French with English subtitles, click on the Quicktime icon on the lower left side. Via Dezain.
WELCOME - TANYA SCHOENROTH
00/00/0000, 00:00 | GAILE GUEVARA
I just wanted to send a warm welcome to a dear colleague and friend, Tanya Schoenroth, who recently launched her new website. I'm looking forward to collaborating with an amazing talent in the coming year to help bring fresh new modern ideas to a growing market of sophisticated buyers and home owners. Like me a modern dog lover, we send our best to all of you for the holidays!
Frederico Zanelato - Casa Martins Siquiera
00/00/0000, 00:00 | Modern Residential Design
A True Weekend Retreat - Ferederico Zanelato's own house no doubt paved the way for the design of this marvellous family home near São Paulo. Maximising the slope of the plot, this house spreads living over three levels in three distinct zones.

Overview
The embracing the views of the Serra do Japi was the "be all" and "end all" of this build.
Frederico wanted a house that stimulates discussion, where spaces are integrated and connected to each other, as well as the surrounding plot. Conveniently the plot is well orientated to minimise the suns impact on the residence, and thus the requirements of air conditioning. Frederico's skills at minimising materials and specifying kept this build in economical proportions as well. Total construction cost $510US/m².
Lot
Located in a condominium between Jundiaí and Itupeva, 60km from São Paulo, 1000m², with a mild slope and a fantastic views of the Serra do Japi.
The client
A happy young couple with two children, a child and an adolescent and many friends. They wanted a home for the weekends, a place for unforgettable moments, for parties, to receive guests, relax and create. As an advertising director and businesswoman, respectively, the husband and wife team are usually based in São Paulo, and required a "retreat" from the hustle and bustle.
Following the topography of land and its geographical position, the house was designed in three blocks; intimate, social, and service, linked by an elongated circulation area of three distinct levels.
A single open plan wing for the living room, dining and kitchen is connected by a hallway to the rear block of two levels.
To the left of the hallway: two storeys and 4 bedrooms. To the right: the services/utility area and above, private office.
Access to the home is through a wooded avenue. The façade clearly indicates two blocks separated by a large panel of wood, the main door, which when opened, mimics the tree lined avenue. Up lighting is used to create sensations and justify the texture of materials in the entrance way.
Just inside the entrance are doors leading to two of the four bedrooms and stairs to the second level. Both levels overlooking the central courtyard or "birds square" as the owners refer to it. Wooden shutters afford shade and further privacy to these rooms, breaking the white façade nicely and distinguishing the two areas.
This courtyard receives morning sun and cross ventilation through strategic openings, making it a year round pleasant breakfast spot.
Passing the courtyard on your left as you head away from the entrance, you arrive at the social wing. Pleasantly shaded, overlooking the pool, a leisure area and further behind, views to the Sierra Japi.

Here, kitchen, dining and living room intertwine. It’s position between the "birds square" and the swimming pool area is strategic, for coexistence and as a buffer between the two zones: repose and action. The "birds square" works as a further filter between the social and private wings and creates an open intimate space.
The outdoor rooms, or BBQ area, is located in the largest free area of the plot. It too is open to those views that inspired the choice of the land: the Serra do Japi.

Half way to the second level bedrooms, the circulation area opens to a roof deck over the living area. Used as a mini-golf course, the deck is also the only access to the owners workshop and hidden office, which is above the service wing.
The choice of materials was defined according to the function of each area obeying the basic rules of environmental comfort and wishes of this family.
The Result
A house zoned into three distinct areas, each buffered from the other by the outdoors that allows for private retreat or very social entertaining.

Plans



Architect: Frederico Zanelato
Co-authors: Marcelo Miua and Fernanda Kano
Student: Regina Sesoko
Structures: Vagner Garcia de Oliveira
Photos: Bebete Viégas
Completed: 2007
Costs: $510 US/m²
Information courtesy of: Frederico Zanelato
New Mexico EcoSteel House - more done than not
00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
Look below the fold for a photo browser with more interior shots.
Technorati Tags: 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house
MODERN INTERIOR DESIGNER - PATRICIA GRAY
00/00/0000, 00:00 | GAILE GUEVARA



In my recent efforts to get back to blogging, Patricia's personal blog (at the top of a growing list of favorite design blogs) has renewed by own personal blogging energy. Here I share with you my interview with Patricia on her design views.
Interior Designer: Patricia Gray
Company: Patricia Gray Inc
Specialty: Interior Design, Furniture & Product Design, Project Management
Started: 1982
Background: Kwantlen College / Parsons School of Design - Paris, France
Current Location: Vancouver BC
INTERVIEW
- Out of all the cities in the world, why do you choose to work in Vancouver?
I was raised in Vancouver. It is my home.
- With respect to your work, what is it that you feel makes you successful? unique?
I feel successful when my clients fall in love with their homes. Unique when I am using my own designs not someone else’s.
- How do you like to approach design?
I like to start on the interior architecture of the space. I make sure the envelope is right then add in the furnishings, artwork and accessories.
- What inspires you?
I am inspired by beauty in all forms.
- What inspires your work?
My work is inspired by clients who have faith in the creative process and want me to design something that is unique for them.
- Who inspires you?
I am inspired by Albert Hadley, Michal Taylor who have been my Mentors since Design School and who I consider to be great Interior Design Icons, and recently I am inspired by Michael S. Smith for his brillance in interpreting the past in fresh and modern ways.
- What do you dislike and wish you could change about design in Vancouver? pet peeve?
I think we live in one of the greatest cities in North America. We have a contemporary, cosmopolitan design genre here that is totally unique to us. The only thing that I long for is to have more design resources available here.
- If there was one thing about your industry that you do that you could change, what would it be? ex. an interior, building, a product, process
I would change the way that Interior Designers are perceived. In European countries they celebrate Interior Designers and Architects and honor them for the contributions they are making.
- What do you feel you are contributing to the industry that is innovative and progressive?
I try to create designs for clients that are not trendy or fleeting, but that are unique and specifaclly suited to the architecture and to their specific life style requirements. That takes a lot of faith on the part of the clients and a willingness to follow through on all the details. I am very dedicated to Smart Design, Eco, Green and & Envioronmentally Friendly practices.
- Describe what your desk looks like (cluttered, heaps of magazines, bottle of Tylenol, etc.)
All that is on my desk is my laptop and the files that I am working on that day, and always fresh flowers.
- What do you need from your work environment in order to be productive?
Beauty, inspiring music, and my bulletin board where I post all my inspirations.
- Do you have a pet, what kind?
I have a 4 ½ lb Yorkshire Terrier named Nicole. She comes to work with me everyday and has her own business card: VP of Security. She is best VP of Security we have ever had. She guards the front door ferociously against couriers.
Thank You Patricia for sharing a little more about you. It is such a privilege to have personal insight from the talent behind the amazing designs we admire. To read more about Patricia , here are links to more interviews by some of the blogs I admire: Frankie of life in a venti cup and Vanessa of Turquise LA for LAapartmenttherapy
links for 2008-05-31
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :-
Some links to workshops and seminars the Hong Kong Design Centre will be offering in London in June; just in case you’re around the corner.
-
While not directly related to Design Management I do think that when it comes to user involvement in the design process the social web will for sure emerge as an additional source of insight. Interestingly only a few DM experts did get it so far!
-
Some challenging questions and ideas on if and how methods in design (if not in management at all) are both enriching the ‘process experience’ while still allowing for ‘creativity’? This reminds me on the paradox between logic and creativity from de Wit.
Dutch Design Week 2008 Wrap Up
11/19/2008, 09:08 | MoCo Loco
Dutch Design Week is a faint memory by now, but we had some images left to show you. Our thanks go out to Huibert van Muilwijk for his coverage. A few more designs that merit mention are the Bye-Bye Bulb by Studio Mango, Corona by Frans Schrofer and new work from by Krejci. Along with some examples of 3D rendering, there was also some Ikea hacking by Platform 21. There was furniture from Werner Neumann and Onze Studio and the handy Toss game table by Luc van Hoeckel and Teun Fleskens. Bloomming showed their rings, as well as the Clock Delay, so now we must be patient again for time to pass until next year's show.
Davide Macullo & Marco Strozzi - House in Comano
00/00/0000, 00:00 | Modern Residential DesignDavide Macullo & Marco Strozzi

Hard covered book - This house by Davide Macullo appears an industrial bunker at first glance from curbside, yet opens up to the garden and to delight once inside.

Overview
Proving you shouldn't judge books by their cover, this house located in Comano, 5 km north of Lugano (Ticino), is set on the border between more traditional buildings up the hill and a new urbanised area on the plains below.

Layout
The construction stands on the lower part of a steep slope.
Consisting of three main rectangular units, each of which leads out onto a different level of the terraced plot.
The huge entrance porch, that serves also as covered car-park, is carved into the hill as a cave; leaving the upper volume as if “floating” in the green landscape. The void generated between the three main volumes, hosts the stairs that link the levels. Rather than full storeys between each, the stairway connects each level at a landing, half a floor apart, giving the feeling of walking on the natural slope of the land.

Bedrooms on the first floor, leave the second floor and a single covered porch to be bathed in sunlight from across the valley. Services and less used rooms are tucked away towards the read of the house, closer to the hillside.

Half a level down from the elevated covered porch, is the living room, which leads out to the pool and main terrace.

Further images below reveal how the light filterers through between the disjointed floors. The strong façade, sheltering the house from views, whist the stepped design, allows the outside and light to come in to each of the living rooms.

Plans


Architects: Davide Macullo & Marco Strozzi
Collaborators: Laura Perolini & Michele Alberio - Como - Italy, Margherita Pusterla - Varese – Italy
Completed: 2007
Engineer: Ideal Ingegno SA - Vezia - Switzerland
Physical engineer: Franco Semini - Lugano - Switzerland
Project manager: Ennio Magetti - Minusio - Switzerland
Photographers: Enrico Cano - Como - Italy & Pino Musi - Milano - Italy
via: Davide Macullo
Modern Farmhouse
00/00/0000, 00:00 | FUTURE HOUSE NOW

And if you're in to modern farmhouses you'll also be pleased to know there's a great blog dedicated to the genre - the appropriately named Farmhouse Modern. It's definitely worth a look (I found it on the LiveModern Blog Directory, where Future House Now is also listed).
If you want to completely overdose on cool modern farmhouses, pick up the book Farm Houses: The New Style by Neill Heath. It features the houses I mentioned above, and many more, in 185 full color pages. Great book.

Image credits - Durkee, Brown, Viveiros & Werenfels site, Amazon.com Listing
MODERN FURNITURE: 2MODERN BLOG
00/00/0000, 00:00 | GAILE GUEVARA
MODERN FURNITURE - COOL SWIVEL CHAIRS (to see full article go to 2modern)

Luxy italy | big jim
31.5" wide x 32.28" high, seat height: 16.53"
for version with swivel auto return and polished aluminum base
$1,525.00 available through SPENCER INTERIORS
MODERN LOUNGE CHAIR re-inventing the bean bag chair


Available through Ligne Roset, Livingspace Interiors Vancouver
MODERN DAYBEDS - Frigerio Italy (to see full article go to 2modern)


Frigerio Italy | cooper wings daybed 90 cm
35.43" x 59.84" x 26.77"/34.25" high, seat height: 13.77"
$5,685.00 in fabric Cat Lusso available through SPENCER INTERIORS
MODERN FURNITURE - SPAIN (to see full article go to 2modern)
The "holy day" lounge chair from Vicarbe Spain designed by Jean-Marie Massaud is the perfect modern alternative to the the commonly used Barcelona Chair.
(27.5"W x 30.3"D x 26.4"H) $2,179.00 CAD from Spencer Interiors.
MODERN DAYBEDS - still sourcing (to see full article go to 2modern)

40.5"D x 80.5"W in category C fabric, includes 3 back cushions40.5"D x 80.5"W in category C fabric, includes 3 back cushions. Still in the process of sourcing a modern daybed that is comfortable to sleep on, timeless in style and at of good value to meeting our budget . A great option is the modern clean lines of the "BENSEN sleeper sofa" designed by Niels Bensen and available through INFORM INTERIORS.
Event: CScout at the PSFK Conference Asia
00/00/0000, 00:00 | CScout TrendBlog
It’s confirmed! CScout Japan will be taking part in the PSFK Conference Asia in Singapore on October 10th. We’ll be on a forum on “Asian Youth Trends” moderated by Ian Stewart of MTV along with other Asian trend professionals from around Asia, and trying our best to tie together what is indeed a highly variable geographic and cultural area.

Read an interview with CScout’s Michael Keferl in preparation for the conference: PSFK Conference Asia Speaker Michael Keferl
Also representing the Tokyo beat will be architect Mark Dytham of Klein-Dytham and PechaKucha fame, and Daryl Arnold of Profero.
If you’re in Singapore, or are able to come, contact us and we’ll meet up.
MODERN OUTDOOR FURNITURE - PART 1
00/00/0000, 00:00 | GAILE GUEVARA




Industrial Design and The Branding Mad Men
00/00/0000, 00:00 | Design SojournPanel Moderation on Design Management in The Hague
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
From regular checking the logfiles of this blog I know that quite a few visitors come from The Netherlands.
So, as some sort of semi-shameless self promotion your might want to notice that I will be moderating a panel with Design Management experts from Europe at INHOLLAND University, The Hague, NL tomorrow.
The panel discussion is embedded in the inauguration ceremony of Brigitte Wolf who will be officially assigned the role of formally heading the Centre for Applied Research in Brand, Reputation and Design Management (CBRD) placed within INHOLLAND University.
Beside the fact that I always love to travel to the NL I’m also looking forward to meeting some friends and colleagues both on the panel as well as among the guests. So on the panel amongst others are Kathryn Best author of the most recent book on Design Management and Jos van der Zwaal a long term friend back from the days when we’ve co-developed the first European continental Master in Design Management at INHOLLAND.
For sure my business colleagues Erik Roscam Abbing & Christa van Gessel from ZilverInnovation will also attend as guests. Hopefully Joris Funcke will also be there as well as Jaap van der Grinten. I haven’t met both of them for some perceived ages ;-).
For closer information click on the thumbnail picture in the top left corner above. In case you’re from the NL and would like to attend still try to contact INHOLLAND. Chances are that they will kindly grant access.
My Take On Design Leadership
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
Again one of these posts I would have wished to have written myself ;-) Anyway I’ve skim read Kevin McCullagh’s posting on the Core77 Design Blog just before leaving to The Hague last week. Fortunately Kathryn Best reminded me on Kevin’s posting after my return a week ago!
What I like about Kevin’s post is his approach to assemble a sort of list of patterns he has observed when it comes to describing the term we love so much these days: ‘Design Leadership’. What I like in particular about ‘pattern recognition’ in general and this is also a reason why I like Kathryn’s book on Design Management is that it is not aiming for categories and definitions academia is looking after like: ‘right-wrong’, ‘good-bad’ or ‘truth’ in general.
While I will give my very own definition or better ‘description’ of the term later on I’d like to point to the four questions that have triggered Kevin’s article:
1.) What makes a design leader?
2.) Do they have to be designers?
3.) Who is leading whom?
4.) And to where exactly?
A point where I do disagree with him is clearly addressing question 2 as I don’t think that ‘Design Leaders’ necessarily need to be designers themselves. Let me try to explain this by referring back to the photo (or collage) I’ve assembled and which you see in the upper left corner. The picture in the lower right corner is taken from Kathryn’s book and illustrates quite well the three areas of responsibility of a Design Leader, a Design Manager and a Designer as those people in organisations who ‘Define a Vision’, ‘Manage the Process’ and ‘Create the Content’.
While on one hand I think that this ‘classification’ is helpful for better understanding the very often unclear terms I do think that on the other hand they are too discrete. Apparently a Designer or Design Manager can only remain in their category and won’t be able to embrace all of them at the same time. In contrast according to my understanding of a ‘Good Designer’ she/he must be able to address all those levels in order to ‘thoughtfully design’.
Therefore and in order to make the model more flexible I’d want to refer to one of the originators of the term ‘Design Thinking’ namely Roger Martin. You see his latest book ‘The Opposable Mind’ pictured in the upper left corner of the collage. Then replace ‘Design Leader’ with ‘Design Thinker’ and let ‘Design Leadership’ embrace all three functions ‘Design Thinking, Design Management and Design’ and you have a more flexible framework that communicates the key message: “Only if you’re good at all disciplines: ‘Thinking, Managing and Designing’ you are a ‘Design Leader’!
Accordingly this perspective also implies that one person will have a hard time to act as a ‘Design Leader’ since this would imply that all functions would need to be addressed by her/him alone. Even though for example the success of Apple Computer these days might appear as the single effort of Steve Jobs it is for sure the joint effort of many more (needless to mention Jonathan Ive).
Furthermore I do think that it is somehow anachronistic to believe that (in the competitive business landscape of these days) that individuals are still able to dominate; even though I admit that we tend to have a fascination for these sort of ’single heroes’.
Instead ‘Design Leadership’ according to my perspective above recognises that it is something that needs to be achieved collaboratively as a joint team effort of various ’specialists’. So the answer to Kevin’s question No. 2 definitely is: No, because only teams as I’ve described them above can effectively handle various functions from several disciplines with ‘Design Thinkers’ as the category most likely to embrace people from non-design disciplines.
What do you think? Is this something Kathryn/We shall adopt for the future?
People and their cars now and then [del.icio.us]
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :MODERN HOME - 2008 living the dream
00/00/0000, 00:00 | GAILE GUEVARA

My 12" powerbook, black moleskin with notes for the day, a hot cup of lady gray tea in my favorite double walled glass and 3 books of inspiration on architecture details, an architectural firm I admire and an amazing topography book



BOOK #1 - TOPOGRAPHY23, The Annual of the Type Directors Club
This is when I know I am a total design geek when I judge a book by it's cover. I love the white glossy slightly transparent cover with minimal type. In reading more about the art of topography and finding inspiration for various projects this year, I highly recommend this book for those who have an appreciation for image, branding, packaging, and a fetish for fonts and layouts. My favorite quote "It has been said that typography is the architecture of the printed word because it makes thoughts visible and understandable. As there are manifold ways of laying out a building, there are - nowadays more than ever - varied ways of formulating the typo/graphics of a book, a brochure, a poster, or any media in which print is used" - Klaus Schmidt.

BOOK #2 - MAK ARCHITECTS
While I love white, I also love black! I love the matte black cover with black edged pages revealing full sized images bleeding off the page to examples of perspective sketches, concepts, and bubble diagrams.
We often refer to the design icons of our past when searching for inspiration. How great is it to see our present day design professionals have their work published and setting the tone for high caliber architecture and interiors. Multi-disciplinary firm Mak Architects shares with readers their process as a dynamic team who's synergy of a young talents give each client a unique solution vs. the traditional mind set of working with an architect for their "inhouse" style.
-"Working in architecture is characterised by participating in may processes: from planning to construction, from dream to reality from work to play. Throughout the process many things can influence and shape the intended goal. MAK Architects understand 'process' as fluid and open, their body of work cannot be defined as a monograph or a mere representation of process. Compiled in this book, the MAK approach comes across as both conventional and playful intone and is marked by a strong desire to engage with how environments can become meaningful for the user. MAK's body of work is reflective of how architecture is produced within the service economy of global city. Their unique position within the design world is evinced by the complex contemporary urban projects presented here. This book is a recording of the evolution of an architectural practice through the progression of many authors and users, and is essential to anyone interested in current architectural developments." - Phaidon Press
BOOK #3 - DETAILS IN CONTEMPORARY RESIDENTIAL ARCHITECTURE by Virginia Mcleod, Laurence King Publications





