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Best MoCo Objects This Week
11/17/2008, 23:19 | MoCo LocoThis week's picks:
+ Matali Crasset's interactive chandelier at matandme, "the light changes colour to the colour of the food [underneath]".
+ Studio Job's Industry collection at designboom, "a cabinet, a screen, a dresser, a table and a pedestal all inlayed with white dyed bird's eye maple and black dyed tulip tree veneer. The studio adapted this traditional woodworking technique using modern laser cutting technology. The pieces all feature intricate and thin patterns, achieving something not possible before.".
+ Asobi design studio's Plye Lamp for Intra Lighting at DesignEast, "The restrained use of bundles of lights offers the possibility of creating different spatial effects.".
+ Igor Pinigin's ANEMONA lamp at Behance, weighted at the bottom the "lamp can be freely rotated and tilted. Several lamps can be assembled into dynamic figures.".
+ Amélie Lachance, Alexandrine Lemaire, Christine Mongeau and Jackie Richardson Allume-moi lamp (light me up), a simple wooden block that transforms into an ambient lamp. Via TrendsNow and AEDII.
+ Patricia Urquiola launches the colorful polycarbonate Frilly chair for Kartell at designboom, "Urquiola wanted to create a fabric effect and incorporated pleats for her final design.". .
+ We Make Money Not Art interviews designers El Ultimo Grito, curators of the Nowhere/Now/Here show at LABoral on now until April 20, 2009.
+ Ronan and Erwan Bouroullec narrate a video of their design portfolio with insights on some of their best known works. The video is in French with English subtitles, click on the Quicktime icon on the lower left side. Via Dezain.
working class studio storage boxes
00/00/0000, 00:00 | Design*Sponge
i’ll always have a soft spot for anything coming from savannah. savannah is the first city, other than my hometown, where i really felt at home, and it’s also the city where we’ll be getting married next year. so i was happy to hear from jessica at working class studio (a program where students design work for sale) about these cute new fabric-covered storage boxes. i always need a pretty place to keep things in order so these might need to be in my tiny mini-office some day. the boxes will be available december 1st so click here to pick one up when they’re officially for sale.
MODERN DAYBEDS
00/00/0000, 00:00 | GAILE GUEVARA
MERIDIANI - belmondo dormeuse day bed available through SPENCER INTERIORS
Dimensions (86.47" x 34.25" x 30.7"H)
$4,772.00 CAD fabric category C
MAXALTO - #9950 Apta Collection day bed available through INFORM INTERIORS
Dimensions (78.75" x 29.5" x 25"H)
Pricing on this piece in fabric ranges from $4307 to $6164.
B&B and is net priced – which means the discount is already built in to the pricing.
CASSINA - MISS daybed available through ITALINTERIORS
DWR - Havana sofa bed available through DESIGN WITHIN REACH
Dimensions (88.5" x 39" 24.5" H Arm H 20.5" Seat H 13") $3,300 USD in oatmeal or brown.
Sourcing the perfect seating for home-office guests
MODERN Challenge: Dual-purpose design in single-room space.
When it comes to having an office / den that can also accommodate home visitors, there seems to be limited choices in comfort and style at an affordable value.
I'm working with a lovely couple of young professionals who have requested additional seating that can easily be converted into a bed in their office. When not being used as a guest room, the sofa bed could provide a place to sit down for casual business conversation while the other is sitting at the desk.
From what I’ve discovered, most pull-out sofa beds are rather uncomfortable. I also find it hard to convince a client to invest in a piece of furniture that is more gimmicky than functional. I always say that if you are choosing to add furniture to your collection, go for comfort and timeless style in small spaces.
MODERN Solution: Chaises and day beds that are classic, timeless, multi-functional (without the gimmicks), and most importantly – comfortable!
Letters from Sweden - the foundation
00/00/0000, 00:00 | LamiDesign Modern House Plan BlogOne issue we have not examined as we looked at the fabrication of houses in the factory is the foundation work that goes on in advance of the arrival of the house. The Swedes are using some innovative products for foundations as well, products that make there status quo houses much more energy efficient than ours here in the States.
New houses in Sweden are primarily built on slabs, partly because its expedient, but also because its naturally the best way to have in floor radiant heating. In a cold climate this is the only way to use a slab otherwise your slab will feel cold and uncomfortable. But a slab in a cold climate must be insulated from the elements or it will throw heat out its edges. There are typically two strategies to isolate your slab from the cold.
The first strategy is to make an insulation break between the slab and the foundation wall. This is typically done with a narrow insulation layer. In order to place this between the slab and wall the two structures have to be built in separate operations. First the wall, insulation break, and then the slab is poured inside the walls. Two steps.
The second strategy is to insulate the outside edge of the slab. This allows you to pour the slab and foundation wall in a single step, but you have to return and install insulation around the perimeter. Thats not the end of it though. This insulation is of course very vulnerable to damage. Its a soft material and it is right at grade, so it must be protected by something tough, usually the best choice is a cement board product. The insulation and protection board creates at best a second step.
Ok, what are the Swedes doing. First of all they are not building deep foundations. All buildings in cold climates should be founded on soils below the frost line. How do the Swedes avoid this then. I''ve not seen photos of their entire site prep sequence but they appear to be setting slabs on stone beds which may reach below frost, and prevent soil expansion if frozen. Furthermore they are building on slabs insulated at the perimeter which allows the radiant slab heating system to warm the earth below the center of the slab which prevents soils below the foundation from freezing and heaving. So suddenly they have eliminated the foundation wall and only need to build the slab on grade. A great savings in time, effort, and expense. Ok, but they still end up with the slab insulation issues described above. No. They use a foam formwork that forms the perimeter of the slab, and insulates it at the same time. And this foam formwork is coated with a tough cement finish coating that protects the foam and prevents it from being damaged. Even more important, its one step.
Laying out the slab - corner pieces are place first.
Ready for the pour, edge forms, wire mesh, plumbing, and heating loops all in place.
The slab poured. Once cured its ready to receive the prefab house.
Here is an example of a Swedish manufacturer of these foam forms:
Previously:
Letters from Sweden - deliver and set
Letters from Sweden - plumbing the prefab
Letters from Sweden - wiring zen
Letters from Sweden - a windows tale
Letters from Sweden - panel building in Sweden vs the USA
Letters from Sweden - Europe is different, Sweden is not, sort of..
Letters from Sweden - land of modern, land of prefab
Letters from Sweden - conversations with an expatriate builder
Technorati Tags: modern design, modern house, prefab house
weekly wrap up
00/00/0000, 00:00 | Design*Sponge
it’s been a great week here at d*s and i’m super excited for next week…because it’s the premier of the d*s and new york public library project! so please tune in on monday at 1pm for the launch of the first episode of our series! i’m so pleased with the results and can’t wait to share it all here. i’m filming the second episode on monday and we have a bonafide design celebrity joining us so stick around on monday to find out who that is! until then, here is a roundup of this week’s highlights. have a wonderful weekend! [above is a beautiful paper cut out from heather moore of skinny laminx. click here for more info]
- must read post(s) of the week: ugliest pillow contest- finalists and voting! and alyson fox’s gorgeous wedding
- regional roundups: austin regional roundup part 1, 2, and 3
- new sneak peeks: ruth shively, melissa mcclure’s LA loft, matte stephens’ portland home, dolan geiman’s studio
- new guide: doorstop roundup
- new diy projects: custom house of cards, kate’s ceramic planters, candy control
- new before & afters: andrea’s outdoor seating, barb’s wooden table, whitney’s ottoman, summer’s dresser
- furniture: schindlersalmeron stools
- paper: new morris & essex stationery, linda and harriett calendar
- artwork: john murphy collages, alexander girard prints
- textiles: japanese tea towels, fabric covered boxes
- misc: new coe and waito ceramics, things i’m loving- metallics, modern pet houses, crystal kluge monogram font, new jocelyn warner wallpaper, pattern show at olio united, gorgeous green interiors
- gift guides: we’re launching ours after thanksgiving but better living through design just launched a great gift guide. click here to check it out.
- new d*s guest blog: click here to check out sarah fox’s fantastic guest blog posts (including 4 diy projects!)
- recipes: in the kitchen with ditte isager (fruit meringue cake), sarah fox’s goat cheese pear tarts
F3 Arquitectos | House in Rupanco
00/00/0000, 00:00 | Modern Residential Design
Wooden Wonder - F3 Arquitectos - renowned for their timber architecture in Chile, have created this wonderful prefab retreat in 75 days! I question what more could be required of a modernistic cabin?
Many thanks to Plataforma Arquitectura for bringing us this fantastic residence in Southern Chile.
Translation / reword of original article by Carlos J Vial
Located in a remote area of Lake Rupanco, the commission responds to the request of a "summer house" or retreat, of sporadic use. Due to its complex, ever changing climate and geographical location, the plot made on site slow construction impossible.
The project consists of a single volume, with the layout distributed linearly, parallel to the lake views and shore. The site drops down a field to the shore below and northern sun.
A solid timber rear façade with a singular overlapped entrance, to the house, provides the necessary private secure barrier to the public road, becoming the main structural axis of the project. This wall in turn partially meets the requirements of security due to the prolonged periods when the house is uninhabited.
In contrast, once inside the interior, each room has a glazed wall facing the lake, creating a porous, and therefore vulnerable, façade. F3's solution being sliding wooden panels, clad in the same treated wood of the rear façade, that allow the owner to create a singular, completely airtight volume when leaving for the city.
As for the remote location and inclement weather that would hinder an on-site build - this was resolved by prefabricating many of the wall, floor and roof panels.
The Result
A beautiful, simple, elegant lakeside retreat. And to top it off, construction was completed in 75 days!!
Plans
Location: Lago Rupanco, X Region, Chile.
Arquitectos: F3 Arquitectos - Alejandro Dumay, Nicolás Fones, Francisco Vergara.
Size: 127 m2.
Materials: Treated wood, in prefab panels.
Completed: 2005.
via: Plataforma Arquitectura
& F3 Arquitectos
Steven Holl | Planar House
00/00/0000, 00:00 | Modern Residential Design
Desert Tilt Up Wonder - This Steven Holl designed residence in Paradise Valley, AZ, USA, uses raw Concrete and Corten Steel to create a great prefabricated home and art gallery for it's owner.
Overview
Designed to house a contemporary art collection, internally, the house sets out to be a blank canvas, not to distract from the works held within. The street façade blends into the desert greys, with the ageing steel fitting in perfectly.
Flourishes on the exterior are limited to the courtyard from where a ramp leads to a rooftop sculpture garden - a place of silence and reflection.
The rear, with overhands for shading, is the largest expanse of light giving glass. These sliding openings taking in views to the nearby Camelback Mountain.
Layout
The house is broken up into three functional areas. The garage and master bedroom, together with the library form the quiet zone at front of the house. To the rear are the dining and kitchen areas, located to soak up the views down to the mountain. A contemplative study joins these rooms at the rear, cool in summer no doubt as the doors to both the pool behind and rear yard would form a breeze-way of cooled air.
Between the two spaces lies the gallery and living area, a perfect space for the owner to enjoy the collection.
Similar natural cooling techniques are employed inside, with the overhead light shafts linking to cooling pools on the floor below, a technique which combined with minimal unshaded glass, would keep air con bills to a minimum.
Images
Plans
Google Location Paradise Valley, Phoenix, Arizona
Status completed 2005
Client Withheld
Architect: Steven Holl
Project Architect Martin Cox (Tim Bade - Schematic Design)
Floor Area 3320 sf
Project Team Robert Edmonds, Annette Goderbauer, Hideki Hirahara, Clark Manning
General Contractor(s) The Construction Zone
Structural Engineer(s) Rudow & Berry
Mechanical Engineer(s) Roy Otterbein
Civil Engineer(s) Fleet Fisher
Electrical Engineer(s) Associated Engineering
Landscape Architect(s) Steve Martino & Associates
Photos Bill Timmerman
via:Steven Holl
Shubin + Donaldson Architects - Urban Spa
00/00/0000, 00:00 | Modern Residential Design
Urban Spa - Shubin + Donaldson Architects have remodelled this house to soak up its Malibu shore front location. Sliding doors and windows allow the residence to be open plan or sectioned off at will. The site elements of the highway and beach challenged, and dispatched with charming results.
Program
The initial task was to renovate the original 1976 dwelling into a contemporary urban retreat, whilst adding some structural reinforcement. Bought in 2001 for it's location, the owners, together with the architects, went on to extensively remodel the house into an urban oasis. Concious efforts to negate the road behind and emphasise the beach in front are evident throughout.
Design
The overall concept for this 2,900-square-foot beach-side modern house was to transform it into an urban spa-like retreat. The house is perched along Malibu’s Pacific Coast Highway, and features access to the beach at the back. Sheltering the house and providing a hard façade is the garage to the rear. As an area of transition between the street and beach, an interior entry courtyard behind the garage, laid with rectangular cement pavers and bordered by smooth river rock and tufted grasses, introduces the primary design element of the home — a seamless union between interior and exterior spaces. Through crisp linear architecture, a split level plan, and visual access throughout the house brings in the beach.
From the entry courtyard, a line of sight straight through the living room takes in the sea views. Dragging your attention away, to the left is a bay window type dining room, accented by a white grid of window panes and shadowed from the noon sun. This window grid is echoed by the geometric pattern of the cabinets and shelves that lead into the minimal kitchen. True to the open plan, the kitchen seamlessly overlooks the main living space, allowing distractions whilst cooking. 
The interior design palette of natural woods and limestone, white walls and fabrics, frosted and clear plate-glass creates a crisp and airy environment to appreciate the Pacific Ocean setting. A true Urban Spa,the elements were hand picked to portray the theme of air, light, and water.
Ground-floor living room and adjacent sitting room offer shadowed relief from the sunlit terraces beyond, with cooling white and dark wood tones in the furniture and materials. Double-paned windows, which open onto the first-level terrace, offer several ways for freedom, permitting unrestricted views onto the ocean while buffering sound (from the highway). 
The upstairs rooms continue the overall theme of air, light, and water with repeating materials and colours. The well-dressed master suite faces onto a second large terrace with pocket-glass doors that fold away, converting the stepped upper terrace into a sleeping porch reminiscent of designs by Schindler and Neutra (and last weeks post - David Hertz! [Image]).
For reclining on the teak chaises, billowing fabrics can be drawn above and alongside the terrace to shield the sun and wind.
With the clients goal being a boutique like retreat to entertain guests rather than as a reclusive beach getaway, opulent bright-white materials: Limestone and high gloss surfaces were used to give that crisp light filled feel. In fact, the owners found it too 'bling'. The house was cool crisp and far too full of light, with the white being overwhelming sometimes. Aware of this, Shubin + Donaldson had already incorporated exterior shutters and shades, which compensate in the southern facing rooms. Then in terms of layout, a simple North facing Media room was added with minimal windows at the rear, providing a further space to retreat in summer, and a little getaway for all. 
Openness and transformation are themes throughout and are most expressive in the master bath. Cool, ocean-blue frosted glass lines the walls and windows (that face another house on these sought-after lots). Behind the glass swing doors are the toilet and shower. Three layers of floor-to-ceiling glass form a translucent door that closes the space off from the bedroom, or opens it up to the master suite, porch, and Pacific Ocean beyond. Dark wenge wood - used throughout the house as an accent - encases the tub, vanity, and spacious closets. The rich brown colour gently contrasts with the limestone counters and floors. Double mirrors are placed on poles in front of the frosted glass, rather than set into a wall. To name-drop, the tub is designed by Philippe Starck.
![[Image]](http://lh6.ggpht.com/modresdesnick/SEbDmpgh_aI/AAAAAAAACP0/vKWwFnNv9cU/3.jpg){kind=link}
Layout
First level: living room, dining room, den area, terrace with beach access, powder room. Upper level: home office, guest room and bath, powder room, media room, and master suite with bathroom/walk-in closet, closet office, outdoor sleeping porch.
Plans
Architect: Shubin + Donaldson Architects - Robin Donaldson, AIA, Principal and Russell Shubin, AIA, Principal
Interiors: Audrey Alberts, interior design consultant
Commenced: 2001
Photos: Tom Bonner Photography
Article & Imagery: Courtesy - Taylor & Company (many thanks)
via: Taylor & Company
David Hertz - Studio EA - Floating Residence
00/00/0000, 00:00 | Modern Residential Design
Suspended Tetris - David Hertz has produced a number of fantastic residences and the Floating or Binder Residence in Venice, CA is no exception. It's paired back black minimalist play on volumes and floating separated masses intrigues.
Overview
The project is located on a small, 37 foot wide lot on a pedestrian only street in Venice, CA. Rather than create one solid object, David followed his residential design signature of two, two story units. The upper levels of the units seeming to float above minimal tilt up concrete walls and pillars of the lower levels. The two upper levels being attached by an open-air bridge. The larger of the structures is used as a residence while the other is used as an art studio and guest room over a garage.
The glazed panels, central to the floating effect are also large, sliding doors that conceal themselves so that the ground floor appears to be open to the exterior courtyards, thus blurring the definition of interior and exterior spaces. A large 2-story chimney wall frames the rear of the courtyard while blocking the overlooking 2-story neighbours. The exterior fireplace at the second floor flanks an outdoor sleeping porch and seating area off of the perforated breezeway bridge. Ipe, and black steel are used throughout the house to complement the Syndecrete® prefabricated concrete panels.
Walls on the first floor are intentionally held from touching the ceiling of the second floor to allow for a clear line of site over neighbouring residences and giving the illusion that the second story is floating above the first floor. These clerestory windows also bathe the lower level in light. The mass of the second floor elevations is divided into sections of positive and negative spaces that reinforce the destabilisation of the wall plane. Some of the vertical slices are specific to selective views of nearby palm trees.
A central floating stair divides the spaces and leads to a usable roof deck framed by high solid parapet walls providing privacy and strategically edited views of the distant landscape.
A continuous skylight, that opens to serve as a shaft to facilitate stack effect ventilation, frames the stairs that float from the ceiling of the second story. The exterior walls of the second story are covered in a smooth, steel trowel, integrally pigmented, stucco. These are connected seamlessly to the interior ceiling of the first floor, their continuation internally to form one single mass, further emphasises the weight of the "floating" block above.
Slideshow
Plans
MODERN FURNITURE: 2MODERN BLOG
00/00/0000, 00:00 | GAILE GUEVARA
MODERN FURNITURE - COOL SWIVEL CHAIRS (to see full article go to 2modern)
Luxy italy | big jim
31.5" wide x 32.28" high, seat height: 16.53"
for version with swivel auto return and polished aluminum base
$1,525.00 available through SPENCER INTERIORS
MODERN LOUNGE CHAIR re-inventing the bean bag chair
Available through Ligne Roset, Livingspace Interiors Vancouver
MODERN DAYBEDS - Frigerio Italy (to see full article go to 2modern)
Frigerio Italy | cooper wings daybed 90 cm
35.43" x 59.84" x 26.77"/34.25" high, seat height: 13.77"
$5,685.00 in fabric Cat Lusso available through SPENCER INTERIORS
MODERN FURNITURE - SPAIN (to see full article go to 2modern)
The "holy day" lounge chair from Vicarbe Spain designed by Jean-Marie Massaud is the perfect modern alternative to the the commonly used Barcelona Chair.
(27.5"W x 30.3"D x 26.4"H) $2,179.00 CAD from Spencer Interiors.
MODERN DAYBEDS - still sourcing (to see full article go to 2modern)
40.5"D x 80.5"W in category C fabric, includes 3 back cushions40.5"D x 80.5"W in category C fabric, includes 3 back cushions. Still in the process of sourcing a modern daybed that is comfortable to sleep on, timeless in style and at of good value to meeting our budget . A great option is the modern clean lines of the "BENSEN sleeper sofa" designed by Niels Bensen and available through INFORM INTERIORS.
MODERN OUTDOOR FURNITURE - PART 1
00/00/0000, 00:00 | GAILE GUEVARA
Building with Shipping Containers
00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
According to David Cross of www.sgblocks.com, "a container has 8000 lbs of steel which takes 8000 kwh of energy to melt down and make new beams etc... Our process of modifying that entire 8000 lbs of steel into a "higher and better use" only takes 400 kwh of electrical energy (or 5%). Granted it takes a bit more "muscle" but we call this Value-Cycling which we feel is that next step up from Re-cycling."
Each container measures 8 feet wide by 40 feet long by 9 feet tall. SG Blocks sells the finished structural systems (also called SG Blocks) for $9,000 to $11,000 per unit. The finished units have one or two walls removed and include the necessary support columns and beam enhancements.
According to KPFF Consulting, a structural engineering firm in St. Louis with extensive experience working with shipping containers, the units are stronger than conventional house framing because of their resistance to "lateral loads" -- those seen in hurricanes and earthquakes -- and because steel is basically welded to steel. The roof is strong enough to support the extra weight of a green roof — which has vegetation growing on it — if the owner should want it.
As for their energy efficiency, they claim that when the appropriate coatings are installed, the envelope reflects about 95 percent of outside radiation, resists the loss of interior heat, provides an excellent air infiltration barrier and does not allow water to migrate in.
One idea that has occurred to me is that this system might benefit from the use of SIP's (Structural Insulated Panels) for the roofs, rather that standard truss framing. SIP's are very well insulated, install quickly, and use much less wood than convention roofs.
Shipping containers are self-supporting with beams and stout, marine-grade plywood flooring already in place, thereby eliminating time and labor during the home-building process. Cross said construction costs are comparable to those in conventional building. Four to seven units are used in a typical home, he said.
Instead of nailing the siding they use "Super Therm", a ceramic paint made by Superior Products of Minnesota; it can be used as a paint, an adhesive, an insulator, a fireproofing material and an acoustic barrier. With this ceramic paint, they claim the insulation capacity is equal to a conventional house.
This finished house is virtually indistinguishable from conventional housing.
Adam Kalkin, of www.architectureandhygiene.com , has also become enamored with shipping containers as an architectural solution. The idea to do something with shipping containers came to Kalkin, a New Jersey resident, when driving to New York City, where he saw sky-high stacks of the unused cargo containers in the shipyards he passed.
"The cargo containers, with a life span of about 20 years when used for their original purpose, have an “infinite life span” when stationary and properly maintained," Kalkin says. “To me they are like a treasured antique: they may not be inherently valuable, but the history and the storytelling add value.”
Environmentalists have embraced the design, applauding the recycling inherent to Kalkin's designs. And advocates for affordable-housing like the design, since according to Kalkin, "the total cost of a house—between $150,000 and $175,000 after the buyer settles upon the various options—works out to be between $73 and $90 per square foot, about half the cost of the conventional $200 per square foot for reasonable quality, new construction in the Northeast.”
Kalkin has recently opened a factory—“a hangar at a little airport in New Jersey”—to manufacture Quik Houses. “There are a lot of elbows flying in this process, and this is the best way to protect the quality of the house, to keep the accounting transparent, and to make sure I am not unwittingly responsible for heinous crimes to the built environment.” Once the factory is fully functional, Kalkin plans to export many of his products, commenting that “the possibilities of working on a world scale are exciting.”
Twenty-one thousand containers hit American shores every day of the year. Containers can be shipped to the interior of the country via trains and trucks. Shipping containers are like Lego toys and the modules can be assembled in thousands of ways.
In general it is a good thing to recycle materials that otherwise have no further use for their intended purpose, and this is true here. As for whether one can make a comfortable house out of these metal boxes, the biggest question is: insulation...it is essential, but there are many ways to insulate these containers, so this is not a big concern. Another concern that many people would have is whether a metal box would have adverse health effects because of EMF (electro-magnetic frequencies) generation or propagation. Some people are sensitive to these while others are not.
There is no doubt that these containers can be used to fabricate very strong shells that would withstand substantial abuse from the ravages of nature.Strawboard Panels
00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
Strawboard building panels are a kind of structural insulated panel (SIP) designed to replace 2x4 stud and drywall construction for both interior and exterior walls, as well as provide load and non-bearing ceilings, roofing, doors, flooring, and prefabricated buildings. These environmental friendly, solid panels are made of all natural fibrous raw materials, mainly wheat and rice straw. The durable panels feature thermal and acoustic insulation as well as fire and termite resistance and are available for a variety of applications to speed up the construction processes. While these have been used in over 20 countries for more than 50 years, strawboard panels have only been introduced to the U.S. in the past few years.
Strawboard panels have a solid core of compressed wheat or rice straw. High pressure and temperatures forces the straw to release a natural resin that binds the fibers together. The compressed panels are then covered with either paper liners or OSB that is adhered to both sides with water based non-toxic glue. The standard panel measures 4 feet by 8 feet by 2-1/4 inches to 8 inches, weighing from 140 lbs. to 440 lbs. each. Custom panel sizes are available ranging from 3 feet to 12 feet long.
The panel's high density and low oxygen content does not support combustion. Since the panels do not contain added resins, alcohol, or other chemicals, no flammable vapors are produced. The panels have an R-value of between 3 and 25, depending on the composition and thickness. For permanent protection against insects and fungal decay and additional fire resistance, the boron compound polybor can be factory added to the core.
The product's workability is similar to wood as it can be sawn, drilled, routed, nailed, screwed, and glued. Lightweight wall attachments such as shelf brackets, picture frames, mirrors, and towel bars can be attached directly to the panel.
Since straw is a renewable by-product of wheat and rice production that becomes available annually, it takes less acreage (by about half) to build an equivalent house than with standard lumber, and which would then potentially preserve that forest for ecological habitat and CO2 sequestration.
See www.stramit-int.com/ for panels available in Europe and www.agriboard.com for panels available in the U.S.
The Billboard Earthbag Project
00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
The designers say: “Because most conventional sandbags are fabricated from polypropylene, they are very vulnerable to UV rays and quickly begin to deteriorate when exposed to the sun. Consequently, earthbag shelters need to be plastered to maintain their durability during extended use.The Billboard Earthbag Project envisions using billboard vinyl as an alternative material for earthbags. Polyvinylchloride (PVC) or vinyl, a virtually indestructible, UV-resistant material that cannot be incinerated because of the toxic gases it would emit, represents a substantial portion of the PVC in the world’s overburdened landfills. Because of its durability and imperviousness to the sun and other elements, billboard PVC is an ideal material for reuse.” “The reuse of billboard vinyl in earthbag construction mitigates the impact of global warming in two ways. Transforming this landfill-bound material into another useful product helps lessen landfill overflow worldwide. It also eliminates the need to protect earthbags from UV rays, resulting in more robust emergency shelters that can be used longer to lessen the human suffering caused by natural disasters.”
“As a visual concept, each billboard shelter stands as a symbolic gesture of sustainability. Beyond its environmental benefits, the strategy of reusing billboard vinyl visually recontextualizes the nature of billboards, which are symbols of mass consumerism and a pervasive form of visual pollution in our world. This concept does not seek to generate imagery, but instead appropriates existing commercial imagery as a metaphor for global recycling and reuse. Assembled together into a shelter, the earthbags create a dynamic and vibrant pattern of collaged images and text from around the world, dramatically suggesting a unified, international gesture of sustainability, hope, and humanitarianism.”
According to the jurors, they "were intrigued by this project as an example of ‘cradle-to-cradle’ design pertinent to the signage industry. Utilizing intrinsic qualities of billboard PVC—UV resistant and near indestructible—this concept proposes the creation of dwellings from recycled material and imagery. The idea takes the recycling of billboards, street banners, and print graphics—already employed by art museums in the creation of second-use products—to another level. Truly inventive!"
This all sounds pretty good, and might well work if the billboard material were cut and sewn into bags. One obvious disadvantage of the idea is that since PVC is toxic when burned, this would present a potential hazard to the occupants, but of course this is true of many modern building materials. PVC poses a great risk in building fires, as it releases deadly gases long before it ignites, such as hydrogen chloride which turns to hydrochloric acid when inhaled. As it burns it releases yet more toxic dioxins. Additionally, vinyl does outgas highly toxic VOCs over time. Fortunately most of this danger would have passed with the use of recycled signs, but this could also be an issue.
Building with Unbonded Pumice
00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
Dr. Owen Geiger and I have just found that a book published in 1990 in Germany, Building with Pumice, written by Klaus Grasser and Gernot Minke, describes experiments done in the 1970’s at the Research Laboratory for Experimental Building at Kassel Polytechnic College in Germany that have considerable bearing on the history of earthbag building. Most of the book is about the physical properties of pumice, how to obtain and process it, and how to make blocks or walls with pumice/cement, but the fifth and final chapter, titled “Building with Unbonded Pumice,” describes how they began to investigate the question of how natural building materials like sand and gravel could be used for building houses without the necessity of using binders. The use of fabric-packed bulk material was found to be a cost-efficient approach. They used pumice to pack in the bags, because it weighs less and has better thermal insulating properties than ordinary sand and gravel. Their first successful experiments were with corbeled dome shapes (an inverted catenary) which was obtained with the aid of a rotating vertical template mounted at the center of the structure.
1978, a prototype house using an earthquake-proof stacked-bag type of construction was built in Guatemala. They used cotton bags soaked in lime-wash to protect the material from rot and insects. When flattened, the bags measured roughly 8 X 10 cm. Vertical bamboo poles placed on both sides of the bags and interconnected with wire loops gave the stacked bags stability. The bamboo rods were fixed to the foundation and to the horizontal tie beam at the top.
Obviously the concept of constructing homes with fabric bags of mineral material predates Nader Khalili’s earliest experiments by many years, and I was certainly not the first to experiment with filling earthbags with pumice! The entire chapter is reproduced as an article at www.greenhomebuilding.com.
new fabrica shop in bologna, italy
00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
the lounge and bookshop areas of bologna's new fabrica store
after seven years of being located on via rizzoli, the bologna fabrica features shop has moved to another
historical part of city's centre at strada maggiore. designed by fabrica's young designers, valentina carretta
and sam baron, the atmosphere is low-tech and uses elements which are typically associated with
the construction industry: wooden boxes, concrete quarterdecks, pallets and electrical devices, alongside
other furnishings. the walls are decorated with hand-drawn graphics by marta teixeira.
wooden palettes are used to display products, with interactive clock by tomonaga tokuyama right
designboom snapshots: fabrica at milan design week 2008
sam baron: http://sambaron.blogspot.com
tokyo design week 08: rie yagura at claska hotel
00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
yagura uses the handle from a foose ball table as a handle for a wall lamp
image © designboom
this year was the claska hotel's first year participating in design tide tokyo. selected designers were invited to
design guest rooms for the claska as part of the event, including rie yagura. she presented a collection of
furniture designs, focusing on lighting. she takes mundane objects that are significant to her, assembling them in
different ways. through her work she integrates aspects of western culture with her native japanese heritage.
bottles typically used to hold household chemicals or cleaners are now transformed into bases for table lamps
image © designboom
the form of a detergent bottle used as a lamp base
image © designboom
using fabric, rie creates lampshades which look like drooping flowers
image © designboom
delicate fabrics are used as lamp shades
image © designboom
the warm glow from within the fabric lampshade
image © designboom
drawing from the form of a high tension insulator, rie produces indoor lamps
image © designboom
worms of lint-like material are intertwined and pressed together to form a stool
image © designboom
more
rie yagura: http://www.mademoiselle-y.com
claska hotel: http://www.claska.com
design tide tokyo: http://www.designtide.jp
design miami, florida 08: al-sabahart & design collection
00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
'swivel chair' by bokja, sixties furniture upholstered in embroidered vintage fabric from tajikistan - image © bokja
al-sabah art & design collection is a contemporary gallery which is scheduled to open its doors in dubai in early
spring of 2009. the gallery is the result of a recent partnership agreement between DIFC (dubai international
financial centre) and founder of the luxury retail emporium villa moda, sheikh majed al-sabah from kuwait.
the mission of the gallery is to promote the craftsmanship of the middle east. sheikh majed al-sabah wants to
encourage local governments to take more responsibility in preserving their cultural heritage.
before the gallery is even completed, it will preview its collection at this year's design miami 2008 from
december 1st - 8th with an exhibition entitled 'ALEF'. the name of the exhibition refers to the first letter of the
arabic alphabet 'a', but also acts as a symbolic name to mark the gallery's first show. 'ALEF' will highlight the
work of two lebanese designers, huda baroudi and maria hibri of bokja. the duo is known for their use of
vintage furniture, embroidered in fabrics originating from the east. also on show will be the work of dutch
product designer, pieke bergmans, who works in porcelain, plastic and glass. he will be creating a series
of pieces using traditional syrian mother-of-pearl inlaid antique pieces of furniture. for the gallery's official opening
in 2009, new works by studio job, maarten baas, marcel wanders and jaime hayon, who have created limited
edition pieces with local artisans, will be revealed
'swivel talia' by bokja, vintage furniture upholstered in a combination of vintage lakii from central asia together with
suzani (decorative textile) and new fabric - image © dina debbas
'crystal virus' by pieke bergmans, blown glass vase
al-sabah art and design collection: http://www.alsabahcollection.com