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good is the new lifestyle choice

11/03/2008, 16:39 | Influxinsights
Good is now available as a lifestyle hotel choice.

"What does “good” mean to you? For some, the word may inspire visions of helping a homeless person find shelter for a night. Others may think of global warming and chant the mantra, “reduce, re-use, recycle.” Or, maybe your mission isn’t to save the world, and it simply connotes a positive fun attitude.

Joie de Vivre Hotels’ identity as a socially-conscious company inspired us to design this SOMA hotel with all these good intentions. From beds and headboards made from locally reclaimed wood to glow in the dark messages, our guests will discover that we are good with a lighthearted twist."

Is it smart to lead with Good or to build Good into everything you do?

Should Good be half-hearted?

Should Good by light-hearted?

Answers please on a postcard or in the comments section.





Posted by Ed Cotton

This Week At Art MoCo

11/21/2008, 07:40 | MoCo Loco

week_koleric.jpg
Adriean Koleric's Herd of AT-ATs is a salute to the designers of a toy that was truly a piece of art.

week_atlantis.jpg
The lost city of Atlantis could well be at the bottom of any body of water, if it is really made out of plastic containers, the way Gayle Chong Kwan sees it.

week_spy.jpg
Madrid's Spy lightens the urban panorama with his signature interventions.

week_exposito.jpg
Antlers are certainly not over. Not when they are on Alessandra Exposito's horses, at any rate.

week_scott.jpg
Si Scott's intricate pen and pencil drawings cover a wide range of themes. Shown above is part of a piece called Babel, in answer to a project on God.

More at Art MoCo.

Matthias Demacker's takeOff. Seating

11/19/2008, 14:41 | MoCo Loco

matthias_demacker_takeoff.jpg
Matthias Demacker of demackerdesign sent us some pictures of his newest projects; takeOff.series (above) is a seating collection for Ferlea featuring a geometrically shaped compact seat, lounge chair and sofa. "The frontal cuts give the seats a light, dynamic look and offer place for your feet while swiveling in the seat.". The extensible curvex.table after the jump is for Italy's Varaschin.

+ demacker-design.de

The Enertia House

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I recently got a query from one of the editors of Mother Earth News regarding a news story she had read in the New York Times. The writer, David Pogue, had been a judge in a contest sponsored by by the History Channel and the National Inventors Hall of Fame titled "Modern Marvels/Invent Now." A $25,000 prize was awarded to one amoung 25,000 contestants, and the winner was the Enertia House, which was invented by engineer and former log-home architect, Michael Sykes.

The Mother Earth News editor said that these homes had been featured in their magazine before. They essentially provide two wooden shells for the home, one inside the other. She said that there was no mention in the article about the cost per square foot. She was wondering what I thought about the concept from the standpoint of sustainable architecture.

Here is my response:

Double envelope house designs have been around for several decades and they definitely offer some benefits, as well as raise some questions. Any house that takes advantage of the geothermal properties of the ground will be doing its inhabitants and the earth a good turn. This can take the form of earth-sheltering in general, or some clever system of circulating air like the Enertia concept; coupled with sensible passive solar design, it is possible to approach a "zero energy" home.

The concerns about their system that I have are: The use of wood as the primary building material is not generally sustainable in this day of lost forests. With the double envelope design, you are practically building two houses to end up with one. Relying on wood as a thermal mass material compromises the potential thermal performance because wood does not serve this function nearly as well as traditional masonry thermal mass materials. So, I guess what I am saying is that a more sustainable and less costly design can be accomplished in more traditional ways.

Answering the same question, Paul Scheckel wrote, "At first glance, this looks a lot like sunspace design from the 70s (without the stone-filled basement to store heat) which overheated in the daytime and lost lots of heat at night. Consider also that this giant convection oven requires a temperature difference, which in this case is driven by the sun and the cool basement. A New England winter has precious little sun, so my heating system will drive the convective loop, increasing heat loss (in addition to the insulation-free envelope). I haven't heard too many people (ie: none) say that wood is bad for houses and better for biodiesel, but there are good arguments for not using so much material in a home. Does it work? I'd like to see one built in the northeast and see the resulting energy data, wherein the proof will lie."

Clark Snell of www.thinkgreenbuilding.com wrote, "I spent five minutes looking over the web site, so these comments are only based at looking at marketing materials, i.e. they may be inaccurate. Ditto what has been said so far. A couple more “red flags:”

  1. Solid wood envelope. They seem to be using the old “mass enhanced R-value” argument for why solid wood walls perform well thermally. I think it’s well established that this is true only in very specific climatic situations. Touting solid southern yellow pine walls in comparison to solid white pine walls is like saying a Chevy Suburban gets better gas mileage than a Hummer…that’s not really a useful statistic.
  2. Energy without oil. The presentation intimates that this is a completely passive design. For example, no heating system is mentioned. That simply isn’t credible for most climates using the technology they are describing.
  3. Passive means local. You simply can’t create a design that relies heavily on passive techniques and generalize it across climates. In my area where we have high humidity, I’d wonder about this convective loop through the attic and basement, for example.

I could go on. I’m a passive design freak, so I’m all for the basic concepts they are dealing with. However, I don’t see anything really new here, but see marketing claims touting what they are doing as a major breakthrough and “the answer”. That always makes me nervous."

David Eisenberg, of www.dcat.net wrote, "After a skimming around their website, I see that they sell kits and their base prices don't include a lot of things - some of which are enumerated:

"Enertia Homes are sold as pre-cut, numbered kits varying in size from 1000-6000 square feet. The kit is a structural package that includes the timbers for the four exterior walls and the two interior walls (Energy WallsTM) which form the envelope, as well as the flashings, gasket, spline and fasteners to put the structure together. Also included are the beams for the upstairs floor system and the rafters for the roof structure. Doors, windows, flooring, and foam SIP roof panels are priced separately as per your blueprint and climate."

That's a pricey list of not includeds and notice they say nothing here and I saw nothing in my quick scan of the site about some really big and typical costs like excavation and foundations, below grade walls, or basement floor. They say this is a structural package but they don't mention all the things that are going to be extra that most people would expect in a house - plumbing, wiring, fixtures (electrical and plumbing), stove, etc. and especially that the solar PV and thermal water heating systems are not part of the package. It would be nice if they said right up front and clearly what they do and don't sell. And they should make it very clear that all the prices include only the factory labor, not the cost of actually assembling and finishing these structures.

But the biggest issue I have is that these are essentially double wall structures using an enormous amount of thick, milled lumber, which appears to use many times more wood than goes into a stick frame house. It would be interesting to see if they use more wood than a comparable log home. They'll likely be more energy efficient than a log home, but they'll use as much or more wood. Which raises all sorts of issues about the sustainability of this venture - beyond just the trees cut down - much bigger transportation, milling, probably kiln drying impacts as well. The concept is fine and likely works reasonably well in most climates. I'd need to see much more actual performance data and of course real cost data to be able to make any kind of realistic judgment of the viability of this concept as anything more than a niche market system. But between the costs which are going to be very high and the amount of materials going into one of these, calling it sustainable seems like a real stretch."

And finally, Jeff Judkoff of the National Renewable Energy Laboratory, wrote: "The concept of "Double Envelope" homes has been around since at least the 1970's. A number of them were built in the late 70's early 80's. Some variations of the concept were published in the Solar Home Book, by Bruce Anderson and Michael Riordan in 1976, Cheshire Books. Other publications in that time frame also showed the concept. The only truly new concept here is the notion that the resins in the wood behave as phase change storage materials. I have no idea if that is true, but I doubt it because the most common phase change is from a solid to a liquid, in which case the resins in their liquid phase would leak out creating a mess. That's not to rule out the possibility that some tree resins could go from a solid to semi-solid phase, or that they are encapsulated in the wood, I just don't know if they can, and would only be able to determine it through controlled scientific testing in a calorimetry chamber. Phase change storage can really be a big boost to the performance of many flavors of passively heated and cooled homes.

There are many ways to acheive highly efficient homes that more or less "heat and cool" themselves. Different approaches have different costs and will work better in some climates than in others. In Colorado, my lab, NREL, worked with Habitat for Humanity to create a net energy producing home. We used super insulation, passive solar tempering, ventilation heat recovery, engineered shading, solar hot water with a backup instantaneous water heater, compact flourescent lighting, and PV. We also have more than a years worth of detailed data to prove the performance of the home (it really was a net energy producer for the last year).

I saw no data to indicate how well the Enertia home actually performed from an energy perspective. Cost, energy performance, and comfort are the key criteria by which to evaluate such homes, and data is always better than arm waving, or catchy theories. Nothing beats the scientific method for objectively determining the value of an idea."

Blog Action Day

00/00/0000, 00:00 | FUTURE HOUSE NOW
Today is Blog Action Day, a single day for all bloggers to post about one important issue, the environment. Most people think that Future House Now is a green site. It isn't. My primary focus is interesting modern homes, particularly those that are in the realm of realistic affordability for real families. But having said that, I frequently post about "green homes," and today is a good day to clarify my views on the subject.

First of all, why do I often post about green homes, even when my site is not purely focused on green issues? Well, for starters, green makes a lot of practical sense. It's laughable how much emphasis we put on greening our cars when we spend way more energy in our houses. It should be obvious every week when we take out the trash that our homes are the epicenter of our consumption habits. And I care about my family's health. I want them to live in a safe household environment, not one that is riddled with toxins and allergens.

Second, green isn't that hard to do anymore. You don't have to live in an Earthship made of tires pounded full of dirt, and old aluminum cans to be green (though that's pretty cool if you ask me). You also don't have to be an eco-warrior living off the grid in Northern California, growing all your own food and living off $10,000 worth of yearly organic produce sales. I guess what I mean is that being "green" isn't really an extreme lifestyle choice, it's part of everyday life for everyday people all over the USA. We have to stop treating green as extreme. Frankly, I think that alienates more people than it attracts. That's why I try not to overplay my green views, just as I don't downplay them either. To me, the important thing is that we're all constantly raising our awareness and incorporating green practices in our lives one little step at a time.

There are so many good ways to green any home, any style, old or new, anywhere. How about more efficient appliances, compact fluorescent light bulbs, better insulation, and low-VOC paints? These are pretty easy things that can make a big difference. How about not using those toxic cleaners in your kitchen and bathroom? Use good ol' white vinegar - it works great and is non-toxic. Inexpensive too. And great technology is here, with real strides in renewable energy being made every day. The reasons for not taking advantage of better technology for greener homes are becoming fewer and fewer. We're pretty much at the point where going green isn't about making tough choices, it's about making smart choices. The difference now isn't as much about toughness as it is about awareness.

I like to show interesting modern homes, and some of them are not particularly green. But lots of them are, in lots of different ways. Some are green just because they are compact. Some are green because they have a broad sheltering roof and good insulation. Some are green becaues they make good use of recycled materials, or new materials like steel framing that will last a long, long time without a lot of costly maintenance, and that can be recycled someday if need be. Maybe they aren't all perfect, but we can learn something from them. My site is about ideas. Some of the good ideas I like to show are about environmentally friendly homes, and some of the ideas are about other things. They're not mutually exclusive. And we have to stop thinking in those terms. Green fits with modern because they are both about good design. Good design has logic, economy and beauty all rolled into one. I see green as a part of that, not a whole unto itself.

Don't get me wrong, I don't take green for granted. I accept green as a matter of fact. That's how it should be - a natural part of life, not a radical philosophy. I view the recent mainstreaming of green as a sign that we've finally turned the corner. It won't be long now before we build the momentum to make lasting positive change. The challenges are real, but humanity, in spite of itself, is a problem solving species. We can do it.

design is differentiation

11/14/2008, 17:27 | Influxinsights
Pentagram's work on the new Quantum of Solace is a stunning example of design as key differentiator. The design is pure restraint and understatement, but is so clearly "on brand". The designers have resisted the temptation to draw on spy category cliches and instead have created something fresh and new. Kudos to the client for supporting a brave design.


Penguin's Quantum of Solace Design

Posted by Ed Cotton

Strawboard Panels

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture

Strawboard building panels are a kind of structural insulated panel (SIP) designed to replace 2x4 stud and drywall construction for both interior and exterior walls, as well as provide load and non-bearing ceilings, roofing, doors, flooring, and prefabricated buildings. These environmental friendly, solid panels are made of all natural fibrous raw materials, mainly wheat and rice straw. The durable panels feature thermal and acoustic insulation as well as fire and termite resistance and are available for a variety of applications to speed up the construction processes. While these have been used in over 20 countries for more than 50 years, strawboard panels have only been introduced to the U.S. in the past few years.

Strawboard panels have a solid core of compressed wheat or rice straw. High pressure and temperatures forces the straw to release a natural resin that binds the fibers together. The compressed panels are then covered with either paper liners or OSB that is adhered to both sides with water based non-toxic glue. The standard panel measures 4 feet by 8 feet by 2-1/4 inches to 8 inches, weighing from 140 lbs. to 440 lbs. each. Custom panel sizes are available ranging from 3 feet to 12 feet long.

The panel's high density and low oxygen content does not support combustion. Since the panels do not contain added resins, alcohol, or other chemicals, no flammable vapors are produced. The panels have an R-value of between 3 and 25, depending on the composition and thickness. For permanent protection against insects and fungal decay and additional fire resistance, the boron compound polybor can be factory added to the core.

The product's workability is similar to wood as it can be sawn, drilled, routed, nailed, screwed, and glued. Lightweight wall attachments such as shelf brackets, picture frames, mirrors, and towel bars can be attached directly to the panel.

Since straw is a renewable by-product of wheat and rice production that becomes available annually, it takes less acreage (by about half) to build an equivalent house than with standard lumber, and which would then potentially preserve that forest for ecological habitat and CO2 sequestration.

See www.stramit-int.com/ for panels available in Europe and www.agriboard.com for panels available in the U.S.

cnn gets carried away

11/05/2008, 15:49 | Influxinsights
It was funny on election night to see all the networks go over the top with their data visualizations and their sophisticated touch data screens. CNN took it to eleven with their holograms, at least we know Larry King still has a future.




Posted by Ed Cotton

links for 2008-08-15

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
  • We all know the drill when it comes to meetings: Arrive prepared and in time, stick to the agenda, don't interrupt others and let them speak until they're finished … But we all do also know that we so often suck with these basic rules.

    Therefore I'd thought that it might be a good idea to have the basic rules written down. This is no matter of being a business or design manager. On the contrary maybe some more structure in discussions would very often help meetings on design, process, and aesthetics to be more effective … What are your experiences?

designboom contemporary: tadao ando retrospective exhibition

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

‘punta della dogana’ renovation, venice, italy
image © tadao ando architect & associates


'challenges: faithful to the basis' is an exhibition that attempts to give an overview of ando's 30 years
as an architect, focusing on the various types of ‘places’ he has designed over the years. 10 or so projects
undertaken in osaka, kobe, tokyo, venice, abu dhabi, mexico and bahrain which were completed under
different conditions, project durations, scales and programs are all featured in this retrospective exhibition.

 
‘punta della dogana’ renovation, venice, italy
image © designboom


see the designboom article:


tadao ando retrospective exhibition

MODERN FURNITURE: 2MODERN BLOG

00/00/0000, 00:00 | GAILE GUEVARA

I'm excited to be guest blogger for 2modern and share with readers design finds I come across while working on various projects, a growing collection of my favorite eye candy. There are many up and coming designers who are truly innovative in not only design, fabrication as well experimenting with fresh new materials and higher levels of impeccable quality. Here are a few of my furniture favorites:

MODERN FURNITURE - COOL SWIVEL CHAIRS (to see full article go to 2modern)

Luxy italy | big jim
31.5" wide x 32.28" high, seat height: 16.53"
for version with swivel auto return and polished aluminum base
$1,525.00 available through SPENCER INTERIORS

MODERN LOUNGE CHAIR re-inventing the bean bag chair


Available through Ligne Roset, Livingspace Interiors Vancouver

MODERN DAYBEDS - Frigerio Italy (to see full article go to 2modern)
Image
Image1
Frigerio Italy | cooper wings daybed 90 cm
35.43" x 59.84" x 26.77"/34.25" high, seat height: 13.77"
$5,685.00 in fabric Cat Lusso available through SPENCER INTERIORS

MODERN FURNITURE - SPAIN (to see full article go to 2modern)

VICCARBE holly day chair.jpg

The "holy day" lounge chair from Vicarbe Spain designed by Jean-Marie Massaud is the perfect modern alternative to the the commonly used Barcelona Chair.
(27.5"W x 30.3"D x 26.4"H) $2,179.00 CAD from Spencer Interiors.

MODERN DAYBEDS - still sourcing (to see full article go to 2modern)

BENSEN sleeper sofa 1
40.5"D x 80.5"W in category C fabric, includes 3 back cushions40.5"D x 80.5"W in category C fabric, includes 3 back cushions. Still in the process of sourcing a modern daybed that is comfortable to sleep on, timeless in style and at of good value to meeting our budget . A great option is the modern clean lines of the "BENSEN sleeper sofa" designed by Niels Bensen and available through INFORM INTERIORS.

Trend: Digital Surfaces for the Blind

00/00/0000, 00:00 | CScout TrendBlog

Tactile surfaces are making technology and information much more accessible to people with visual handicaps

As a range of new interfaces and surfaces for digital devices are developed, it is becoming easier for visually impaired people to use devices sighted people take for granted. Tactile displays enable digital data to be felt rather than seen, making it easier for blind and partially sighted people to access the Internet, keep their credit card details secure, and take and archive pictures.

Cases

Touch Sight Camera

This Samsung design embosses 3D images on its flexible Braille display, turning images into a surface that can be felt. It also captures a few seconds of sound to accompany each picture, making them much easier to search and archive. Images can be shared online and downloaded to other Touch Sight cameras.

ReEnvision

Smooth touch-screen technology on debit card readers hinders visually impaired people by requiring them to give their PIN to the cashier. This design provides a low-cost solution, sitting flush on a debit card reader to provide tactile buttons.

Sentio

Although blind people can’t see, it doesn’t mean they don’t want to look good. This was Matthew Wagerfield’s approach when he incorporated tactile technology into this watch. The clock’s face features two seven-segment digital displays that rise 1mm above its surface, providing a tactile function for the blind and a visual spectacle for the sighted.

Saifu

Saifu is a tablet PC that uses a conceptual magnetized liquid material called magneclay. The oil based synthetic reacts to a magnetic charge, rearranging itself infinite numbers of times to display Braille or tactile 3D images in relief.


Trend Impact
These designs demonstrate many of the ways in which technology is making up for the difference in people’s abilities, leveling the playing field and making more activities and roles accessible to more parts of the population.

Of course, many of these technologies can provide benefits to sighted people. For example, a tactile surface could be applied to a bedside clock, enabling one half of a couple to find out what time it is without disturbing the other.

working class studio storage boxes

00/00/0000, 00:00 | Design*Sponge


i’ll always have a soft spot for anything coming from savannah. savannah is the first city, other than my hometown, where i really felt at home, and it’s also the city where we’ll be getting married next year. so i was happy to hear from jessica at working class studio (a program where students design work for sale) about these cute new fabric-covered storage boxes. i always need a pretty place to keep things in order so these might need to be in my tiny mini-office some day. the boxes will be available december 1st so click here to pick one up when they’re officially for sale.

holiday fair map

00/00/0000, 00:00 | Design*Sponge




these maps are by uk artist chris kenny. i think they are stunning. the detail blows me away. i made a google map with the fairs i covered this week (+ others that were mentioned in the comments and emails i received.) this map is open to be edited by anyone, so go ahead and add fairs from your area to it. (you need a google account to add fairs to the map but anyone can view it.)

i’d like to thank grace for having me here in this space. highlighting these fairs, artist’s & diy projects has been such a thrill. my aim in promoting these fairs has been to encourage people to check out their local holiday fairs for your gift buying needs. these events are really fun to attend. usually there is music, food, sometimes workshops, and of course truly unique holiday gifts. these tough economic times are forcing everyone to cut costs this holiday season. i believe supporting your local economy, and artists is always a good place to put your money + there are always some incredible deals to be had at these shows. this season if you’re in the chicago/milwaukee area i’ll be selling here, here, and here. stop by and say hi. i love meeting people at these fairs because i’m usually holed up in my studio all day chatting with my cat (no joke). for more info about what i do you can check out my shop, blog & flickr. happy holidays!

Ok Tray House - sneak peak inside

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
A shot of the corner of the living room today from the owners of the OK Tray House. They are moved in, but not unpacked, and they promise more photos to come once they are settled.



So what do we have here. Well open up the catalog page so you can look at the floor plan. This photo is taken from the living room, looking into the study. We can see a stone wall which is flanking the fireplace, and above it we can see the gridded window wall which sits above the fireplace. I'm real excited about that since it looks like they did a really great job with that. Out the window we can see more of that nicely stained siding. To the left we can see the front door and the entry vestibule. In the study we see the side windows, and a couple of modern chairs? Man after my own heart! And upstairs some cable rail, and a glimpse of the bedroom ceiling. It looks awesome - can't wait to see the rest of the house!

And don't forget the flickr set of photos of this project from start to finish.

Technorati Tags: , , ,

Nader Khalili Died

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
The Father of Earthbag Building, Nader Khalili, died peacefully, surrounded by his family, a couple of days ago. He was 71 years old.

Here is part of a letter sent out by his family to former students:

“The flames that ignited him in life and the quest that brought each of you to Cal-Earth to learn from him have touched all of us and led us on this path….the right path……. for arts, humanity and the environment. His work and words have inspired us and his spirit is powerfully alive in every work and word, building and echo that your enthusiastic and loving hands have helped to create for this world.

His soul imbues every grain of sand and every memory contained in Cal-Earth, which expresses so much of his personal life of the last 17 years. And your works, like seeds have been growing and flourishing in every corner of the world…”

Born as an Iranian, Nader lived most of his life in the United States, gaining an architectural degree. He worked on the design of high-rise buildings and taught architecture in Southern California. In 1991 he founded Cal-Earth (the California Institute of Earth Art and Architecture) based in the desert region of Hesperia , California. From this center, he taught classes and workshops on the use of both bricks and bags to fashion domes, arches, vaults, and irregular shapes. These forms sprang from his early exposure to Middle Eastern architecture.

The earthbag concept evolved from attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter. This concept was later refined to include stretching barbed wire between the courses of bags to help stabilize the structure. Nader never referred to this building technique as earthbag building; he preferred to call it “Super Adobe,” referring to the fact that he generally filled the bags (or long tubes) with an adobe soil mix.

In 1999 Nader was issued a U.S. Patent for his Super Adobe technique and he subsequently tried to require contractual arrangements for its use. At this point, however, he had been publicizing the idea for so long it was not an enforcable patent, and few would comply with his request.

This fact points to the complex nature of Nader’s personality. He truly loved humanity and the arts, and was an eloquent and passionate speaker. He often said that his ideas were a gift to humanity and he hoped they would provide shelter for the poor and disadvantaged. At the same time, he wanted to control the economic potential of his invention, and he pursued this vigorously.

Nader was the author of several books, including Ceramic Houses and Earth Architecture: How to Build Your Own, about literally making ceramic houses, and Sidewalks on the Moon, an autobiography. He also wrote several books about the the mystic poetry of Rumi. Interestingly, he never really wrote a book about his Super Adobe invention, allowing others to take the lead in doing this.

With the passing of Nader Khalili we have come to a point where his ideas and work can truly become universal. All of us who explore the potential of the earthbag concept and expand on its possibilities can help further his vision for bettering the world. We owe a great debt to this truly inspired individual. May he rest in peace!

tokyo art beat t-shirts

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
tokyo art beat have released two new shirts for their 2008 fall collection.




'appenzell tyo' by so + ba

so+ba is alex sonderegger + susanna baer, are a swiss duo that have been working in tokyo
for more than 10 years. they created a design inspired by the traditional silhouetted paper cut-out
art from the swiss alpine region of “appenzell”. the design include scenes and symbols that populate
daily life in tokyo.




'huge tokyo mansion' by paramodel

paramodel are yasuhiko hayashi and yusuke nakano, an artist duo from eastern osaka formed in 2001.
for tokyo art beat they created a patchwork of apartment layout plans found in japanese real estate
agencies to create a huge fictional mansion that spells out the 3 kanji -  big, grand, tokyo.

more:
http://www.tokyoartbeat.com

Building with Shipping Containers

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
An idea whose time seems to have arrived is the use of stockpiled shipping containers as modular units for building homes. Because of the balance of trade in the United States, these hefty steel boxes are piling up in ports around the country and posing a storage problem. Several architects and builders are taking advantage of this surplus to recycle the containers.

According to David Cross of www.sgblocks.com, "a container has 8000 lbs of steel which takes 8000 kwh of energy to melt down and make new beams etc... Our process of modifying that entire 8000 lbs of steel into a "higher and better use" only takes 400 kwh of electrical energy (or 5%). Granted it takes a bit more "muscle" but we call this Value-Cycling which we feel is that next step up from Re-cycling."

Each container measures 8 feet wide by 40 feet long by 9 feet tall. SG Blocks sells the finished structural systems (also called SG Blocks) for $9,000 to $11,000 per unit. The finished units have one or two walls removed and include the necessary support columns and beam enhancements.

According to KPFF Consulting, a structural engineering firm in St. Louis with extensive experience working with shipping containers, the units are stronger than conventional house framing because of their resistance to "lateral loads" -- those seen in hurricanes and earthquakes -- and because steel is basically welded to steel. The roof is strong enough to support the extra weight of a green roof — which has vegetation growing on it — if the owner should want it.

As for their energy efficiency, they claim that when the appropriate coatings are installed, the envelope reflects about 95 percent of outside radiation, resists the loss of interior heat, provides an excellent air infiltration barrier and does not allow water to migrate in.

One idea that has occurred to me is that this system might benefit from the use of SIP's (Structural Insulated Panels) for the roofs, rather that standard truss framing. SIP's are very well insulated, install quickly, and use much less wood than convention roofs.

Shipping containers are self-supporting with beams and stout, marine-grade plywood flooring already in place, thereby eliminating time and labor during the home-building process. Cross said construction costs are comparable to those in conventional building. Four to seven units are used in a typical home, he said.

Instead of nailing the siding they use "Super Therm", a ceramic paint made by Superior Products of Minnesota; it can be used as a paint, an adhesive, an insulator, a fireproofing material and an acoustic barrier. With this ceramic paint, they claim the insulation capacity is equal to a conventional house.

This finished house is virtually indistinguishable from conventional housing.

Adam Kalkin, of www.architectureandhygiene.com , has also become enamored with shipping containers as an architectural solution. The idea to do something with shipping containers came to Kalkin, a New Jersey resident, when driving to New York City, where he saw sky-high stacks of the unused cargo containers in the shipyards he passed.

"The cargo containers, with a life span of about 20 years when used for their original purpose, have an “infinite life span” when stationary and properly maintained," Kalkin says. “To me they are like a treasured antique: they may not be inherently valuable, but the history and the storytelling add value.”

Environmentalists have embraced the design, applauding the recycling inherent to Kalkin's designs. And advocates for affordable-housing like the design, since according to Kalkin, "the total cost of a house—between $150,000 and $175,000 after the buyer settles upon the various options—works out to be between $73 and $90 per square foot, about half the cost of the conventional $200 per square foot for reasonable quality, new construction in the Northeast.”

Kalkin has recently opened a factory—“a hangar at a little airport in New Jersey”—to manufacture Quik Houses. “There are a lot of elbows flying in this process, and this is the best way to protect the quality of the house, to keep the accounting transparent, and to make sure I am not unwittingly responsible for heinous crimes to the built environment.” Once the factory is fully functional, Kalkin plans to export many of his products, commenting that “the possibilities of working on a world scale are exciting.”

Twenty-one thousand containers hit American shores every day of the year. Containers can be shipped to the interior of the country via trains and trucks. Shipping containers are like Lego toys and the modules can be assembled in thousands of ways.

In general it is a good thing to recycle materials that otherwise have no further use for their intended purpose, and this is true here. As for whether one can make a comfortable house out of these metal boxes, the biggest question is: insulation...it is essential, but there are many ways to insulate these containers, so this is not a big concern. Another concern that many people would have is whether a metal box would have adverse health effects because of EMF (electro-magnetic frequencies) generation or propagation. Some people are sensitive to these while others are not.

There is no doubt that these containers can be used to fabricate very strong shells that would withstand substantial abuse from the ravages of nature.

duras ambient fukuoka store by sinato

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

thin L-shaped walls are used to divide up the interior of the store

duras ambient fukuoka is an apparel shop designed by sinato. located in fukuoka, japan, the store is situated
in a corner lot of a building. the interior is made up of five L-shaped walls which nest within one another.
these dividing structures are used as displays and are randomly distanced, forming both wide and narrow
two-way paths within the store.


entrance to the store which is situated in the corner of a building


the distances between the walls are done at random, various sized pathways


a view inbetween the walls




a model of the L-shaped wall formations

more
sinato: http://www.sinato.jp

Freewheelin way to go

00/00/0000, 00:00 | David Report

The Freewheelin story.

Bike sharing was a hit when launched in Paris in 2007. It was cheap, convenient and eco-friendly. End of story? Not so fast. A U.S. health insurer changed the game and wrote a new story. Humana promotes its business agenda - lower health care costs - through a state-of-the-art bike sharing program tested during the 2008 U.S. political party conventions in Denver and St. Paul.

Freewheelin promotes its social and business agenda through communication - made possible by wireless/mobile and social networking technology. When you ride a Feewheelin bike, wireless networks track your mileage and calories burned. Social networking tools help individuals track their personal successes and, by calculating reduced carbon emmisions, their contributions to the shared health and wellness of their community and the planet.

Andra bloggar om: , , , ,

Modern Farmhouse

00/00/0000, 00:00 | FUTURE HOUSE NOW
Modern farmhouse sounds like an oxymoron, but I've seen more than a few great looking modernist takes on the American homestead. One of my favorites is Farmhouse One, by the architecture firm of Durkee, Brown, Viveiros and Werenfels. It's a simple, traditionally inspired Rhode Island farmhouse with modern twists. Take a look.




And if you're in to modern farmhouses you'll also be pleased to know there's a great blog dedicated to the genre - the appropriately named Farmhouse Modern. It's definitely worth a look (I found it on the LiveModern Blog Directory, where Future House Now is also listed).

If you want to completely overdose on cool modern farmhouses, pick up the book Farm Houses: The New Style by Neill Heath. It features the houses I mentioned above, and many more, in 185 full color pages. Great book.



Image credits - Durkee, Brown, Viveiros & Werenfels site, Amazon.com Listing

New Mexico EcoSteel House - ready to move in

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
This is it! There are only a few items left to complete and correct in the New Mexico EcoSteel House. The owner has their CO and is moving in. They sent along one last round of photos of the empty house taken with a very wide angle fish-eye lens.



More of the photos in a photo browser after the click-through.



So this is it. Perhaps we will see some photos of the place with furniture, but this project is coming to a close. Its been very exciting to see it come together, and the owner has been very generous with their photos. Our thanks to them for sharing their house with us, and you our readers.


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360 Winnett: It Looks Flat, But It's Not

11/17/2008, 09:24 | MoCo Loco

winnett3_nov17.jpg
We've obviously shied away from a traditionally pitched roof, however one common misconception about the house is that the roof is flat. While it definitely appears that way from the ground, it actually slopes away from the structure at around 2 degrees. We've had quite a lot of rain over the last few days, but other than a little frost (and the snow that was falling from the sky) it was essentially bone dry up there.

+ 360winnett.com

News: Mission Future 2008 - Accomplished

00/00/0000, 00:00 | CScout TrendBlog

On September 8, 2008 at the Ars Electronica digital media festival in Linz, Austria, 170 people from fields spanning business, culture, arts and technology gathered at Mission Future to explore the power and potential of open innovation and collaboration. Under the theme „We’re Open“, participants spent the day immersed in presentations, panels, interviews, breakout sessions, Future Slams, a Future Hunt, music and interactive art.

Over 25 speakers lead discussion, sharing their expertise and opinions on topics including the future of intellectual property, open source, crowd-funding, social networking, the future of creation, open community, open business and open arts. Over the coming weeks and months we’ll be posting video clippings and summaries of Mission Future 2008 sessions on the Mission Future website, so visit http://missionfuture.trendpool.com/ to find out what went on.

An enormous amount of gratitude is due to all the speakers for sharing their foresights and insights with us, and equally sincere thanks go to our participants, whose contributions were key to the success of the day, to Ars Electronica Linz for their support in realizing this first major undertaking of Mission Future, and to our sponsors, the Berlin School of Creative Leadership, Weingüter Retzer Land, Art Directors Club, Red Bull, Carpe Diem, Linz 09, Indigo, Der Standard, Linz Tourism, Groupile and rebell.tv.

Building on the success of the 2008 event, the goals for Mission Future 2009 are now far loftier. We intend to receive speakers of the same high calibre as those we were privileged to hear this year, to tap into the knowledge and experience of participants to even greater effect, and to further advance Mission Future’s initiative to create tomorrow’s economy.

(Photo: Oswald Schröder, Elizabeth Stark and Joichi Ito discuss the future of intellectual property. Credit: Ars Elelctronica)

Hus1 goes live - Design Prints available now.

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
After a few weeks of preliminary images the work is finally done and the 0860 Hus1 design is now live on the catalog site. Design Prints are done and available via the ordering buttons on the catalog page.



The Hus1 is also the first design of our new collection, called the Blueprints Collection which will focus on mid-century inspired home designs. You can read a little bit more about the new collection on the Plans page of our site, and on the new Blueprints Collection page.

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MODERN ARCHITECT - NIGEL PARISH

00/00/0000, 00:00 | GAILE GUEVARA


Architecture & Interiors by: SPLYCE
Location: Vancouver, Canada
Specialty: residential and commercial renovations to custom furniture and landscapes
Project Highlights: Renovations of West2nd and West 7th private residences
Interior Photography: Michael Boland Photography

The great thing about blogging is that I have gained such a great sense of community, meeting so many amazing talents from all corners of the world and also reconnecting with the local design scene. Earlier this year I was honoured to read a kind comment from one of Vancouver's most talented architects, Nigel Parish of SPLYCE. I came across his work last year while sourcing images for modern west coast architecture. Over the past months, I have been lucky enough to learn more about Nigel's work and approach to both architecture and interiors. You can see through his work the merging of the structure and interior volumes of space holds a strong relationship and is seamless. I admire his keen sense of attention to construction details in exploring natural materials in flush exterior cladding and the combining of economical yet quality materials.


Here is an example of his work shown in the West 2nd renovation project on a 1,200 sq.ft. 1950s apartment. Love the detailing of the hardware and open staircase using laminated glass treads. Another favorite of mine is the West 7th Penthouse renovation, where his attention to details is well executed through the design of a multi-functional built-in that cleverly includes a movable cantilevered worktop.



His bio reads "The fascination with craft and how things are made is reflected in all of Nigel's work by an acute attention to detail on every scale. From the broader conceptual organization of spaces to the finer detailing and selection of finishes, Nigel strives to apply meaning and purpose to all design elements. Design decisions based on the specific and unique parameters of each project, such as site conditions, budget constraints and client's wishes, always take precedent over style and popular trends. The results are objects and spaces infused with meaning and lasting beauty." - this is well represented in his work. Stay tuned for the soon to come feature magazine articles on his recently completed home renovations in West Vancouver. Excellent examples of icon additions to Vancouver's collection of modern westcoast homes.

To see more of Nigel's work, see slideshow

Designers must Develop Critical Insight

00/00/0000, 00:00 | Design Sojourn
Image source: Insight One of the key factors I noticed in any successful product and/or design, was that the product’s designer had some kind of critical insight. It is this “ah-hah!”, this “Wow!”, this “Eureka” moment that can turn any design into a great one. It gives meaning to a product’s form, its function or even [...]

Shubin + Donaldson Architects - Santa Barbara Riviera Residence

00/00/0000, 00:00 | Modern Residential Design

Shubin + Donaldson Architects

Santa Barbara Riviera Residence


Sun Filled in the Hills - Shubin + Donaldson Architects have created an ideal place to soak up sun and views in the Santa Barbara hills.



Client
Owners Geoffrey Moore and Genie Gable searched more than a year to find a site that met their exacting and almost-contradictory requirements.
- Moore (international businessman and writer who, when not travelling, splits his work time between a home office in Santa Barbara and a corporate office 85 miles south in Santa Monica) wanted a shaded, quiet office space filled with cutting-edge technology for global communication where he could write without distraction.
- Genie, his wife (principal of Genie Gable Interior Design, and a graduate of the Professional Design Program at UCLA, studied in the masters classes of Rose Tarlow) sought sun-filled spaces with unimpeded views of the nearby Pacific Ocean and, at night, the city lights of Santa Barbara.
The public rooms reflect her specialisation of modern design in modern homes.

Although by Santa Barbara standards the home is relatively compact (Moore and Gable are empty-nesters) no space is wasted. "We use every room every day," she says, "and never tire of the constantly changing light from the ocean to the south, the canyon to the east and the mountains to the north."



Program
This relatively small house (when compared to its neighbours) has all of the elements of a 5,000- or 6,000-square-foot house in a tidy, 3,200-square-foot package. The three-level home and two-car garage include open living/dining area, kitchen, master bedroom and bath, guest bedroom and bath, home gym, powder room, two home offices with office bath, outdoor dining area, outdoor lounge areas, lap pool, and 1,400 square feet of lower-level storage.

Design
Hidden environmentally sustainable design - Though not immediately obvious, this house embraces several green design characteristics.
  • The house layout is based on solar orientation, resulting in passive solar gains throughout the year.
  • Photovoltaic power generates household electricity through a 2.8kw system (when power is not needed, it feeds back into the grid).
  • A passive roof-top solar heating system provides for domestic hot water and a passive solar ground-level hot-water system is used to heat the pool.
  • The natural flow of hot and cool air is fortified by the use of radiant hot-water floor heating and separate central air conditioning in the ceilings. - Although these systems are in place, they are rarely used because of the solar orientation of the home and the natural ventilation.
  • The architects re-used the existing foundation and caissons. During construction, the existing house was taken apart piece-by-piece, with all usable elements donated to Habitat for Humanity.
  • Other energy-saving systems include double-pane windows, UV-resistant glass, ample insulation, and energy-efficient appliances.
  • Deep exterior overhangs are designed to provide shade in the summer, and let in sun during the winter.

Style
A dramatic glass canopy ceremoniously marks the entrance to the home, bisecting the ground-to-roof planes of glass that form sidelights and clerestories. Throughout the house, walls intersect with glass in a play of solidity and transparency. There is a certain efficiency of design in the layout, yet it provides all of the amenities so that the house looks and feels like a five-star private residential club. By taking up minimal space (what's absolutely necessary and no more) the house also takes up minimal resources.




A monumental feeling is emphasised by designing the house to constantly open up to the outdoors. A neutral colour scheme complements the colours of nature that comprise the predominant palette. An infinity pool just outside the living room leads the eye to the ocean and the Channel Islands beyond. Four separate terraces surround the house, continuing the indoor/outdoor feeling and accessibility.

Each room affords great vistas as well as stunning natural light throughout the day. Large windows create frames for nature. Floor-to-ceiling bookshelves complement the mahogany living room wall that houses an entertainment centre. Set into the wall, and surrounded by floor-to-ceiling glass, it acts as an extension of the outdoors. Doorways in general (even in the limestone-clad bathrooms) are taller than usual and lead the eye upward to be rewarded by either natural light or a beautiful vista. Dark walnut floors and softly minimalist furniture are sophisticated and inviting. Bedrooms and master bath look out to the ocean. The kitchen faces the hillside, emphasising how the house maintains a connection with nature.


Plans




Firm: Shubin + Donaldson Architects is a high-design architecture firm that specialises in developing livable environments. Headed by partners Russell Shubin, AIA, and Robin Donaldson, AIA, the firm tailors its projects (custom residential, office buildings and interiors, retail, hospitality, planning, and multi-family housing) with a refined sensitivity toward the land and context.


Architect: Shubin + Donaldson Architects - Robin Donaldson, AIA, Principal and Russell Shubin, AIA, Principal
Project Team: Nils Hammerbeck, Daniel Webber, Kelly Kish, Allison White, Josh Blumer, Alan McLeod, and David Van Hoy
Interiors: Genie Gable Interior Design
Contractor: Quillin Construction
Landscape: Lane Goodkind
Photos: Ciro Coelho
Article & Imagery: Courtesy - Taylor & Company (many thanks)

via: Taylor & Company


Tom Kundig's Sublime House - "The Brain"

00/00/0000, 00:00 | FUTURE HOUSE NOW
On Saturday I was hanging around the architecture section of my local Barnes & Noble, looking for something new. I found a nice book on houses by Tom Kundig of Olson Sundberg Kundig Allen Architects. I also just caught this post on Shedworking covering several of the firm's brilliant cabin-like houses.


I resisted buying the book, though I'd really like to have it. It's very nice and Kundig's work is amazing. The house on the cover, Chicken Point Cabin, has been shown everywhere, and for good reason. It's pretty spectacular, and that giant, tilting window and the unusual mechanical folly for opening it are sublime.


Visiting the OSKA site, I found that the house I liked most wasn't one of the groovy cabins I'd spotted in a lot of the blogs and architecture mags. I was taken by the "The Brain," a fascinating concrete monolith built for a filmmaker.



"The form is essentially a cast-in-place concrete box, intended to be a strong yet neutral background that provides complete flexibility to adapt the space at will." - OSKA site

That's wonderful. I love the way the house rests on its site, half hidden, with creeping vines growing all over it. I hate big ugly garages hanging off the side of a house, parasitic, distorting proportions, so I was delighted to see this house with the garages tucked neatly underneath, buried into the slope of the landscape. No yard either - excellent!



The austere concrete exterior belies a more playful space inside: wonderful bookshelves (just look at 'em!), interesting lighting, a fireman's pole, and an amusing custom staircase.