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Herzog & de Meuron Tenerife Arts Space officially opens [Clipping]

11/05/2008, 16:25 | Land+Living: Modern Lifestyle + Design
"Herzog & de Meuron's Tenerife Arts Space (TEA) has been inaugurated in Santa Cruz de Tenerife in the Canary Islands." (via BD)

'patchwork pavilion' and 'cave house' by DOMO arquitetos associados

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

at night, light shines through the exterior patterned blocks of the 'patchwork pavilion'

'patchwork pavilion' is a temporary art gallery designed by DOMO arquitetos associados. the structure was
originally built for the casa cor 2008, an exhibition for home textiles in brazil. the name of the pavilion is fitting,
as the exterior is constructed from a random combination of four different pre-cast concrete blocks whose
patterns have been inspired by embroidery pieces that originate in the northeast part of the country.
these concrete blocks were largely used in early modernist buildings in brazil, because of their ability to ventilate
and allow light to pass through the patterns, as well as for their low-cost and shape.


the four different patterned tiles create a graphic patchwork effect




'cave house'

DOMO arquitetos associados' 'cave house', was originally designed for a competition called 'luxury for all'
which explores the idea of luxury living which considers our sensorial experience with buildings and objects,
with an approach to sustainability. the structure aims to continue the flow of nature through the cave-like space.

more
DOMO arquitetos associados: http://www.domo.arq.br

Top 10 ish - Modern Residential Design - 1 year old

00/00/0000, 00:00 | Modern Residential Design

As Modern residential Design celebrates its belated birthday, I thought I bring you couple of Top 5s whilst preparing for the arrival of my second son.

Top 5 Posts on Modern Residential Design

And here's the traffic / commented / linked list of what you guys thought was coolist!

Arthur Casas - House in Iporanga

A true Tropical Jungle residential retreat. Minimalist, contrasting, yet befitting it's location.







Marcio Kogan - Laranjeiras House

My ideal beachside mansion, open plan, indoors and outdoors blurred, simple palette and spashes of colour.







Marcio Kogan - Mirindiba House

Amazing spans that defy gravity, cavity hidden doors, texture, colour and ahhh.







Melling:Morse Architects Ltd - Split Box

Hometown favourites from my university days, Melling:Morse are the masters of timber in New Zealand.









Arkhefield - Balaam House

Flow, privacy, segmentation of rest and action areas, scaled to fit with its neighbours and what links to exterior spaces.







Jonathan Segal - The Prospect

From the Paladin of affordable Modern Residential Design, I love seeing Jonathan mentoring others to create stylish buildings you can actually live in.





Top 5 Online Architecture Compatriots


Some of the guys that give me drive & motivation to keep hunting out cool modern design.
Many thanks for the links / diggs / stumbles / emails and support guys!!

Materialicio.us

www.materialicio.us





Contemporist

www.contemporist.com





Plataforma Arquitectura

www.plataformaarquitectura.cl





Arch Daily

www.archdaily.com





Arkinetia

www.arkinetia.com





Noticias Arquitectura

www.noticiasarquitectura.info





OK, 6, it was hard to make it so short.

Hope you enjoy - new residences coming soon!

Thanks to all my loyal followers too! New content coming soon I promise!

new: coe and waito

00/00/0000, 00:00 | Design*Sponge


alissa and carly at coe and waito have launched a beautiful new series of ceramics. their existing collections have been smash hits and i have a feeling these pieces will be welcomed with the same enthusiasm. i love their coral vase (above) and the sweet scalloped bowls below. they would both be perfect for holiday gifts and they’re all between $56- $200 so there’s something for everyone. click here to check out their new collection and place and order.


More drawing trials

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
Still playing around with trying to make the drawings for the Hus1 appear like they came out of a magazine from 1957.



which is a halftone filter run over a black and white image of the model. More variations below the fold.



maybe sunset yellow?



or working with an image that approximates an old blueprint


Technorati Tags: , , ,

MODERN HOMES - THE RANCHER

00/00/0000, 00:00 | GAILE GUEVARA
MOLTENI & CO my favorite house
When I first saw this image, a few descriptive words that came to mind sophisticated, timeless, calm, subtle, simple, modern, minimal ... This home showcased on Molteni & Co reminds me of why I love architectural interiors.  It is the detailing of such architectural interiors as this one that makes me love the beautiful subtelty of what we do as a profession.  For the sophisticated eye to appreciate a floating floor plate, flush drywall ceiling and floor details, recessed drapery tracks, frameless full height glazing, corner glass butt joints ... all breath taking.  If anyone knows who the architect is of this amazing home or the stylist who has reflected an interior that speaks a carefully selected refinement of finishes.  Some of my favorite designers work with this amazing company, to name a few of my favorites: the glove chair & clip bed by Patricia Urquiola, the 505 system by Lca Meda, the Less table by Jean Nouvel.  A must see showroom in Vancouver is Italinteriors where Molteni & Co, meets Unifor,  Dada Kitchens, Citterio, and Cassina
(For those with a furniture & dsign fetish - FYI - during my last visit to NYC, I was excited to hear that Molteni & Co. will be opening up a flagship store in Manhattan.) - love this company!
MOLTENI & CO - GLOVE chair by Patricia Urquiola 1
MOLTENI & CO - CLIP bed by Patricia Urquiola
MOLTENI & CO - LESS by Jean Nouvel

The Enertia House

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I recently got a query from one of the editors of Mother Earth News regarding a news story she had read in the New York Times. The writer, David Pogue, had been a judge in a contest sponsored by by the History Channel and the National Inventors Hall of Fame titled "Modern Marvels/Invent Now." A $25,000 prize was awarded to one amoung 25,000 contestants, and the winner was the Enertia House, which was invented by engineer and former log-home architect, Michael Sykes.

The Mother Earth News editor said that these homes had been featured in their magazine before. They essentially provide two wooden shells for the home, one inside the other. She said that there was no mention in the article about the cost per square foot. She was wondering what I thought about the concept from the standpoint of sustainable architecture.

Here is my response:

Double envelope house designs have been around for several decades and they definitely offer some benefits, as well as raise some questions. Any house that takes advantage of the geothermal properties of the ground will be doing its inhabitants and the earth a good turn. This can take the form of earth-sheltering in general, or some clever system of circulating air like the Enertia concept; coupled with sensible passive solar design, it is possible to approach a "zero energy" home.

The concerns about their system that I have are: The use of wood as the primary building material is not generally sustainable in this day of lost forests. With the double envelope design, you are practically building two houses to end up with one. Relying on wood as a thermal mass material compromises the potential thermal performance because wood does not serve this function nearly as well as traditional masonry thermal mass materials. So, I guess what I am saying is that a more sustainable and less costly design can be accomplished in more traditional ways.

Answering the same question, Paul Scheckel wrote, "At first glance, this looks a lot like sunspace design from the 70s (without the stone-filled basement to store heat) which overheated in the daytime and lost lots of heat at night. Consider also that this giant convection oven requires a temperature difference, which in this case is driven by the sun and the cool basement. A New England winter has precious little sun, so my heating system will drive the convective loop, increasing heat loss (in addition to the insulation-free envelope). I haven't heard too many people (ie: none) say that wood is bad for houses and better for biodiesel, but there are good arguments for not using so much material in a home. Does it work? I'd like to see one built in the northeast and see the resulting energy data, wherein the proof will lie."

Clark Snell of www.thinkgreenbuilding.com wrote, "I spent five minutes looking over the web site, so these comments are only based at looking at marketing materials, i.e. they may be inaccurate. Ditto what has been said so far. A couple more “red flags:”

  1. Solid wood envelope. They seem to be using the old “mass enhanced R-value” argument for why solid wood walls perform well thermally. I think it’s well established that this is true only in very specific climatic situations. Touting solid southern yellow pine walls in comparison to solid white pine walls is like saying a Chevy Suburban gets better gas mileage than a Hummer…that’s not really a useful statistic.
  2. Energy without oil. The presentation intimates that this is a completely passive design. For example, no heating system is mentioned. That simply isn’t credible for most climates using the technology they are describing.
  3. Passive means local. You simply can’t create a design that relies heavily on passive techniques and generalize it across climates. In my area where we have high humidity, I’d wonder about this convective loop through the attic and basement, for example.

I could go on. I’m a passive design freak, so I’m all for the basic concepts they are dealing with. However, I don’t see anything really new here, but see marketing claims touting what they are doing as a major breakthrough and “the answer”. That always makes me nervous."

David Eisenberg, of www.dcat.net wrote, "After a skimming around their website, I see that they sell kits and their base prices don't include a lot of things - some of which are enumerated:

"Enertia Homes are sold as pre-cut, numbered kits varying in size from 1000-6000 square feet. The kit is a structural package that includes the timbers for the four exterior walls and the two interior walls (Energy WallsTM) which form the envelope, as well as the flashings, gasket, spline and fasteners to put the structure together. Also included are the beams for the upstairs floor system and the rafters for the roof structure. Doors, windows, flooring, and foam SIP roof panels are priced separately as per your blueprint and climate."

That's a pricey list of not includeds and notice they say nothing here and I saw nothing in my quick scan of the site about some really big and typical costs like excavation and foundations, below grade walls, or basement floor. They say this is a structural package but they don't mention all the things that are going to be extra that most people would expect in a house - plumbing, wiring, fixtures (electrical and plumbing), stove, etc. and especially that the solar PV and thermal water heating systems are not part of the package. It would be nice if they said right up front and clearly what they do and don't sell. And they should make it very clear that all the prices include only the factory labor, not the cost of actually assembling and finishing these structures.

But the biggest issue I have is that these are essentially double wall structures using an enormous amount of thick, milled lumber, which appears to use many times more wood than goes into a stick frame house. It would be interesting to see if they use more wood than a comparable log home. They'll likely be more energy efficient than a log home, but they'll use as much or more wood. Which raises all sorts of issues about the sustainability of this venture - beyond just the trees cut down - much bigger transportation, milling, probably kiln drying impacts as well. The concept is fine and likely works reasonably well in most climates. I'd need to see much more actual performance data and of course real cost data to be able to make any kind of realistic judgment of the viability of this concept as anything more than a niche market system. But between the costs which are going to be very high and the amount of materials going into one of these, calling it sustainable seems like a real stretch."

And finally, Jeff Judkoff of the National Renewable Energy Laboratory, wrote: "The concept of "Double Envelope" homes has been around since at least the 1970's. A number of them were built in the late 70's early 80's. Some variations of the concept were published in the Solar Home Book, by Bruce Anderson and Michael Riordan in 1976, Cheshire Books. Other publications in that time frame also showed the concept. The only truly new concept here is the notion that the resins in the wood behave as phase change storage materials. I have no idea if that is true, but I doubt it because the most common phase change is from a solid to a liquid, in which case the resins in their liquid phase would leak out creating a mess. That's not to rule out the possibility that some tree resins could go from a solid to semi-solid phase, or that they are encapsulated in the wood, I just don't know if they can, and would only be able to determine it through controlled scientific testing in a calorimetry chamber. Phase change storage can really be a big boost to the performance of many flavors of passively heated and cooled homes.

There are many ways to acheive highly efficient homes that more or less "heat and cool" themselves. Different approaches have different costs and will work better in some climates than in others. In Colorado, my lab, NREL, worked with Habitat for Humanity to create a net energy producing home. We used super insulation, passive solar tempering, ventilation heat recovery, engineered shading, solar hot water with a backup instantaneous water heater, compact flourescent lighting, and PV. We also have more than a years worth of detailed data to prove the performance of the home (it really was a net energy producer for the last year).

I saw no data to indicate how well the Enertia home actually performed from an energy perspective. Cost, energy performance, and comfort are the key criteria by which to evaluate such homes, and data is always better than arm waving, or catchy theories. Nothing beats the scientific method for objectively determining the value of an idea."

‘creative exchange’ by 5th studio

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


‘creative exchange’ is a new shared workspace complex designed by 5th studio in cambridge, england.
the project was publicly funded and designed for the area’s creative workers and innovators. the building
is designed as a studio not an office, with enough room for 14 different companies. the ground floor is
adaptable, making it suitable for meetings, exhibits and other events. the first and second floors house
the private workspaces. the architects left wide common areas on these floors to encourage cross
pollination. above all this is a ‘working garden’ to further encourage interaction. the building design was
also designed for optimal sustainability, using exposed concrete for thermal mass, natural ventilation
and cooling systems and large windows for minimal need for artificial lighting.

http://www.5thstudio.co.uk

more
park royal proposal by 5th studio









photography by tim soar

Greg La Vardera's Dream Will Come True!

00/00/0000, 00:00 | FUTURE HOUSE NOW
Finally, someone is building Greg La Vardera's intriguing Porch House plan. I always pictured this house in my home state, Michigan, as a summer camp on a lake up north, but this one is being built in Texas! It sounds like a neat project, one with some nice green touches, and the possible addition of a Plat House down the road. Nice.



Via Materialicio.us (here and here).

Image credit - LamiDesign Modern House Plan Blog

Two Things Design Experts Do That Novices Don’t [del.icio.us]

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
Great (link) pointer and according analysis from Victor on the way designers both senior as well as novices work.

saint-étienne international design biennale 2008

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

'club3' by rémy bardin, guillaume jounet - ENSA de paris-la-villette, part of 'habiter demain' exhibition

saint-étienne international design biennale 2008
at: cité du design site, saint-etienne
from: november 15th - november 30th, 2008

this year's saint-étienne international design biennale will be held at three main venues within the
cité du design site, the former saint-étienne weapons manufacturer. there will be a few main exhibitions including
'city eco lab' by john thackara and the 'sugoroku' exhibition by catherine beaugrand which will present
experiments which put humans at the heart of urban development. this year, there is the 'flight number ten'
exhibition will be taking a look at designers who have made their mark in the design world over the last ten years,
including ronan and erwan bouroullec. the biennale is an opportunity for designers from france and abroad
to present their latest designs to the public, using design to raise awareness to the current changes in society.


'le sommeilleur' by benoît , rest units at the mine museum, 2008, part of the 'habiter demain' exhibition


'l’îlot d’amaranthes' by emmanuel louisgrand, part of the 'city eco lab' exhibition - image © galerie roger tator lyon


'manger au travail - système pline' by julie bouillaut, part of the 'city eco lab' exhibition - image © véronque huygues


'robuDOG' by robosoft, 2008 - image © robosoft


'algues' by ronan and erwan bouroullec, installation at roubaix museum, 2004 - image © paul tahon

more
saint-etienne biennale: http://biennalesaint-etienne.citedudesign.com
cité du design: http://www.citedudesign.com

designboom contemporary: tadao ando retrospective exhibition

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

‘punta della dogana’ renovation, venice, italy
image © tadao ando architect & associates


'challenges: faithful to the basis' is an exhibition that attempts to give an overview of ando's 30 years
as an architect, focusing on the various types of ‘places’ he has designed over the years. 10 or so projects
undertaken in osaka, kobe, tokyo, venice, abu dhabi, mexico and bahrain which were completed under
different conditions, project durations, scales and programs are all featured in this retrospective exhibition.

 
‘punta della dogana’ renovation, venice, italy
image © designboom


see the designboom article:


tadao ando retrospective exhibition

MODERN VANCOUVER - GASTOWN PART I

00/00/0000, 00:00 | GAILE GUEVARA
INFORM INTERIORS, Gastown
Photography by Jonathan Cruz Photography
Geothermal building with a green roof - environmental details in addition to re-using, rebuilding and recreating an amazing interior space, Inform Interiors is a destination retail space and experience that every modern design enthusiast must see when visiting Vancouver.
INFORM INTERIORS, Gastown
Gastown is a cool and hip neighborhood filled with great little boutiques, restaurants and shops. None of the expected main stream big box stores ... rather a collection of unique retailers and eateries that set the tone of bringing upscale design to a the less obvious street scape. This little pocket of historic Vancouver offers a cutting edge to building character for the city. The cobblestone roads now meet a new wave of modern transformations which encompass the best of loft living and the design studios of creative minds behind recent face-lift exterior facades. Inform Interiors re-opened their showroom and will re-launch in spring'08 a new flagship B&B Italia and Boffi showroom in their previous location. (stay tuned - the Inform family is cleverly building local pedestrians and design lovers like me into modern addicts anxiously waiting for the big opening)
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
Images provided by Obakki
Architecture & Interiors by Mcfarlane Green + Biggar4
Historic Gastown is now the home to an A-list of must sees from a cool hip shop for modern mom and pops, visit Modern Kid which offers kid-friendly "easy on the eye" design for the modern novelist while fashion fronts like Obakki (tops as my favorite fashion retail interior for Vancouver) or Hunt & Gather bring a unique collection of one of a kind pieces made right in the store by costume designer atelier.

OBAKKI, Gastown

OBAKKI, Gastown
Images of Obakki above are through my eyes. Some of my favorite details include exposed concrete walls meeting seamlessly with polished concrete floors. The extension of corian meeting reclaimed fir to reverse beveled drywall details lit from behind to give a diffused wash of light to highlight the exposed brick walls. Love, love the architectural detailing. The interior reflects the quality and craftsmanship of the Obakki label right down to each detail.

Bernardes + Jacobsen - CF Residence

00/00/0000, 00:00 | Modern Residential Design

Bernardes + Jacobsen

CF Residence

Steeling the show - Blessed with a great plot and open brief, a lightweight, transparent, horizontal building, was what the architects Thiago Bernardes and Paulo Jacobsen designed.



Overview & Plot
Located on a plot in the picturesque condominium Portogalo in Angra dos Reis, Rio de Janeiro, Paulo Jacobsen and Thiago Bernardes wanted to accommodate a large family retreat taking full advantage of the plot and its location. The challenge was how to minimise the buildings impact from roadside - difficult with such a large house.

Departing from traditional Brazilian wood or brick structures the house employs steel to span the vast openings that connect all rooms to the views below.



The svelte steel corner pillars provide minimal interruption to the open plan dining and living area of the ground floor. In summertime (almost constant in Angra dos Reis) the glass panels dividing this area up slide away to provide an enormous expanse of shade.

Half way up the façade, and providing elevated viewing to the bedrooms are two outdoor balconies of Peroba wood, these break up the stark white of the lower level and the surrounding steel structure. The wood is also used throughout the second level interior, and as a lining the the vast roof span.



Continuing to the roof level, tropical storms and heavy rain, common in the early part of the year in Rio de Janeiro are caught by large glass overhangs, which still let light through to the bedrooms. The glass also blurs the connection between the roof’s reflecting pool, paved with green ceramic tiles, imitating the colour of the inlet and sea beyond. The same applies to the pool on the terrace, which seems to fall into the sea. This camouflage, and the fact that the house is set into the hillside at the rear, reduces its size, as to the thin steel structures, elongating its horizontal structure. It’s only from below, backstroking in the pool that the house’s true size is revealed.




Layout
With the entire ground floor dedicated to the pool, dining and entertaining, the upper level provides the entrance and 4 bedrooms with en-suite bathrooms. Originally two giant bedrooms, the sets of two our housed either side of the atrium over the pool. As you enter the residence through its large dark wood doors, the bedrooms act as blinkers, focusing the view out to the water beyond.

A small seating area between allows you to contemplate, and perhaps acts as a formal arrival area. From here, “grand” staircases head both inside (left) to the living room, and outside (right) to the pool area (Bernardes + Jacobsen are renowned for impressive staircases).

The Result
Now complete in a 4 bedroom layout, this family retreat seems to have all one needs for a relaxing weekend. The thin steel structure and stretched horizontal roofline give it the appearance of a lightweight marque or stretched canvas roof. A seaside camp that mirrors the water beyond. Yet, from within, there is no doubt that this house is: permanent; modern and luxurious; and will provide a great weekend spot for years to come.



Plans



Architect/Designer:
Bernardes + Jacobsen

Client: Carlos Firme
Construction: February, 2001 – December, 2003
Materials: Steel structure, stone, wood, glass and Ceramic tiles
Built area: 1024m2
Plot: 2000m2

Information courtesy of: Bernardes + Jacobsen


Adobe Photoshop Print Ad: “as real as it gets”

00/00/0000, 00:00 | Design Sojourn
“As real as it gets” by advertising firm, Bates 141 Jakarta. A very clever representation of, I dare say, one of our design software’s most recognizable user interface. Even the tag line is great. I love it! Check out their production process and the full size (obviously photoshopped) final print image on their [...]

Slussen in Stockholm by BIG and NOD

00/00/0000, 00:00 | David Report

The collaboration between BIG Architects of Copenhagen, Denmark, and NOD Landscape Architects of Stockholm, Sweden, provides not only a solution to Slussen, one of Scandinavia’s busiest intersections but most importantly privileges the pedestrian and cyclist.
When the Stockholm City Council invited BIG and NOD to act as design consultants on Slussen, the direction given was to create a proposal that reconnects the historic Gamla Stan with Södermalm. Understanding the long legacy of previous attempts to solve Slussen’s traffic chaos, the team set out to create a single form within which the different modes of traffic are layered. The proposal touches the waters surrounding Gamla Stan and slowly terrace up using ascending and descending ramps to create a new, coherent area focusing on providing an attractive and functional setting for both movement and rest.

Currently considered inaccessible to pedestrians and cyclists, Slussen is a black hole in the heart of Stockholm. It is no wonder then that Danish-Swedish collaboration has made sure to offer cyclists as well as pedestrians easy access to and through the area. The proposal turns Slussen into an urban recreational area assuring easy movement for the citizens and tourists of Stockholm. Slussen will gain a whole new kind of urban space unlike any other in the world, where artwork, a summer’s midnight stroll and outdoor theatre can cohabitate with the need to move cars, buses, trains, metro, and boats. The strength of Slussen lies in its continual and varied movement which the proposed ramped landscape only underscores. The heavy traffic of cars and buses is carefully immersed under the rising hillside. Suddenly due to the submersed traffic, large areas have been freed and are made attractive to the entire city to enjoy. As a result, new opportunities for urban life are created.

The basic traffic system has already been developed by Nyrens Arkitektkontor as part of an architectural competition, with soft traffic and a public program on the top and with heavy traffic at ground floor level, storing away boats, buses, metro, cars and trains. But instead of separating the different levels, connected only by stairs and elevators in a traditional way, we propose to integrate all public, accessible areas around Slussen by interweaving the levels using descending and ascending ramps as this will allow people to move freely between the levels.

Pedestrian zones are designed to connect the already existing promenades and road crossings, and all areas of the new Slussen are as such accessible to pedestrians. The bicycle lanes follow the road as well as the promenade along the waterfront, and are pulled away only where the curvy bays of the new Slussen are created to leave space for pedestrians to enjoy the waterfront.

Today Slussen does not take advantage of its rising topography. Seeking to utilize its unique setting the proposal uses the terraced hillside to house kiosks, shops, and tourist information stands accessible through the network of ramps. In this way, a new and active urban area is created. In addition to the landscaped contours and pathways characterising BIG and NOD’s proposal, the dispersion of light has been instrumental in developing the site and the various levels. By day, natural light will pierce through circle shaped skylights into the lower levels. By night, the skylights will be illuminated from below. The expression will thus vary from dusk till dawn, from season to season and depending on the weather. This dynamic process and the continual hum of traffic will serve as the backdrop to a new urban form and regenerate life into the surrounding neighbourhoods.

There is an animation showing the complete program as well. I will put it up in a separate post as well.

Ping Intressant.se

Andra bloggar om: , , , , ,

Ok Tray House - sneak peak inside

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
A shot of the corner of the living room today from the owners of the OK Tray House. They are moved in, but not unpacked, and they promise more photos to come once they are settled.



So what do we have here. Well open up the catalog page so you can look at the floor plan. This photo is taken from the living room, looking into the study. We can see a stone wall which is flanking the fireplace, and above it we can see the gridded window wall which sits above the fireplace. I'm real excited about that since it looks like they did a really great job with that. Out the window we can see more of that nicely stained siding. To the left we can see the front door and the entry vestibule. In the study we see the side windows, and a couple of modern chairs? Man after my own heart! And upstairs some cable rail, and a glimpse of the bedroom ceiling. It looks awesome - can't wait to see the rest of the house!

And don't forget the flickr set of photos of this project from start to finish.

Technorati Tags: , , ,

Trend: DIY Communities

00/00/0000, 00:00 | CScout TrendBlog

Recent years have seen a flourishing of organizations that gather people with common interests participate in do-it-yourself activities

In a reaction to the digital age, creative people are finding ways to build community in the real world to share knowledge, projects, and ideas. People are looking to the Internet to find outlets for active creativity, rather than merely passive entertainment or consumption.

Cases


The Make Lounge


North London’s Make Lounge brings arts and crafts into the 21st century. One-off workshops are delivered in a branded “drop-in” environment, attracting those looking to dabble in activities such as millinery, jewelery making, or knitting.

The School of Life

Located close to some of London’s top universities, The School of Life makes adult education accessible and cool. Opened in September 2008, the space features a shop that sells books, art, courses, vacation packages, and consultancy to those seeking intellectual adventure. Beneath the shop is an underground classroom that hosts regular courses across five central themes - work, play, family, politics and love.





Maker Fair

Dubbed “Woodstock for inventors,” Maker Fair is a two-day event for people who love to make things themselves. Everything from arts and crafts to engineering and science, sustainable design, food, and music are represented. The event is no small job for organizers Make Magazine and Crafts Magazine: the last Maker Fair attracted 65,000 people.

Trend Impact
Although the Internet may provide us with instant, free information, we still thrive on real-world human interactions. Creative people are going online to connect people with common offline interests.

Recycled Magazine Mobiles by Frasier & Wing

00/00/0000, 00:00 | Inhabitat

frazier and wing mobiles, recycled design, eco mobiles, recycled paper mobiles, frazier and wing, frazier mobiles, frazierandwing, green mobiles, recycled mobiles

When it comes to mobiles, everyone knows that they can make great nursery decorations and playthings for babies, but sophisticated, abstract mobiles can also function equally well as artsy decor for grownups. Such is the case with Frazier & Wing’s beautiful recycled magazine mobiles. Made from hundreds of paper cut-outs from old magazines, and strung in linear cascading forms, Frazier & Wing’s chandelier-esque mobiles make a stunning centerpiece for any room: nursery or grownup.

READ MORE AT INHABITOTS >

Fort Knox by Sietze Kalkwijk

11/17/2008, 11:29 | MoCo Loco

fort_knox_sietze_kalkwijk.jpg
Fort Knox is a single bottle wine rack in gold by Sietze Kalkwijk. The five-kilo rack is simple and stately rather than relying on ornamentation to signal its decadence. Each one is numbered by hand.

+ kalkwijk.com

Oil Dependency

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture

Having just finished reading “A Declaration of Energy Independence: How Freedom from Foreign Oil Can Improve National Security, Our Economy and the Environment,” by Jay Hakes, my mind is spinning with all of the issues that this brings up. Hakes was the head of the Energy Information Administration at the U.S. Department of Energy during the Clinton administration, so he knows a fair amount about the topic.

He makes a pretty good case that not only will shaking the U.S. reliance on foreign oil help in all of these ways, but that it is possible. He points out that after measures put into action after the oil shortages in the 1970’s, the U. S. actually did cut its reliance on foreign oil by half…for a short while. This was accomplished through a combination of government resolve to solve the crisis and the public’s willingness to adopt some simple conservation measures. People actually did drive less and at slower speeds; they turned down their thermostats in the winter and up in the summer; they began to install solar water heaters.

Of course times have changed, and now we are painfully aware of the costs that we face from not having continued to boldly deal with these issues. The true cost and burden of our reliance on oil (not just foreign oil) will be paid by future generations. There is little doubt that the Iraq War is a battle for control of oil resources, for which we are paying dearly in dollars, blood, and tarnished reputation. There is little doubt that global climate change, fanned by our burning of fossil fuels is wreaking havoc with rising sea levels, loss of crops, loss of biodiversity, and increasing severity of storms.

Hakes points out that because of the time lag that often occurs between when tough mitigating measures are adopted and when their effects are noticed, there is frequently little resolve among politicians to act because unpopular measures usually don’t bring votes, especially if voters don’t see positive results.

It has taken a few centuries for us to get into this mess. For over 99% of the time that Homo sapiens has been roaming earth, we have done just fine without burning fossil fuel. Even during the great leap into agriculture from hunting and gathering, we relied solely on our labor, with the help of a few beasts of burden. Then, as ecologist William Catton writes, “Homo sapiens attained a kind of superhumanity by learning to convert the heat energy from fire into mechanical energy by means of various engines.” This discovery has jettisoned humanity into the industrial age, and we have comfortably settled into this new way of life, congratulating ourselves on our modern ways.

Now, with the peaking of fossil fuel supplies and increasing world-wide demand, there is only one direction for the price of oil to go: up. With spiraling prices, all aspects of our economy will be affected. The cost of living in this modern world will continue to increase.

But this simple fact may ultimately be our salvation, because economics will force us to find alternative ways of living, and these will inevitably lead us to cleaner, renewable forms of energy. The inexorable laws of economics will eventually force us to address these thorny issues, even when politicians and an unwilling public dig in their heels to avoid change. It will cost too much to do otherwise!

Of course we can choose to cushion the blow of economic and climatic upheaval by making wise decisions now. We can invest in renewable energy now. We can drive cleaner, more fuel efficient cars now. We can walk. We can grow more of our own food. We can make our homes more energy efficient. We can buy only what we really need. We can do all of these things…and we will be much healthier for it!

MINI PREFAB: Modern Architecture for Tots

00/00/0000, 00:00 | Inhabitat

ryan grey smith, modern playshed, modern prefab, prefab for kids, prefab playhouse, green house for kids, kids playhouse

If you’re a fan of modern prefab architecture and you’re raising rugrats, now you can get your little ones on the prefab mod action with the Mini Modern Prefab Playshed. Part Case-Study home, part play-house, the Mini Modern Prefab proves that kid’s design can be fun and sophisticated at the same time. Architect Ryan Grey Smith, known for his adult-sized Modern-Shed is bringing prefab to preschoolers with his Modern Play Shed, a smaller but no-less awesome version of his original design. Better than any treehouse or playhouse we’ve ever seen, it comes fully loaded with a sloped shed roof, dutch doors, 12 windows, and more.

READ MORE AT INHABITOTS >

MacGabhann Architects - Tuath na Mara Residence

00/00/0000, 00:00 | Modern Residential Design

MacGabhann Architects

Tuath na Mara Residence

Armoured Longboat - Standing vigilant over a northern Fjord in Ireland, the Tuath na Mara Residence, by MacGabhann Architects appears solid as a rock. Zinc clad for resilience, the low slung house blends seamlessly into the heather-covered rocky landscape, its own seams, echoing the strata of surrounding rocks. Contrasting a well hunkered core, the roof line warps and twists upwards like wonderful grey weathered seaweed, revealing the surrounding views to the living areas.



Overview
The project's focus around the specifics of the site and putting the personal and particular experiences above the powerful and the public, seeks to create a mood which is meditative instead of tensing or relaxing.

The site is hidden from the public road and is accessed from high ground on the landward side where the first experience is of an elevated view of the site and the sea beyond. Therefore the importance of the roof, or fifth façade, dictated a metal zinc cladding which is suitable for both walls and roof. Said façade, mimicking the seaweed found on the shores beyond. The anthracite colour of the zinc makes the building camouflage itself into the heather landscape.



The roof of both living areas is flipped and directed in opposite directions and towards particular points in the landscape and sunlight. Both living areas are fully glazed, thus embracing nature and developing a conversation with it. By way of contrast the sloped slit windows of the bedrooms act as a counter point to the absolute horizontal of the ocean horizon.

In order to emphasise the fact that the owners were embarking on a holiday each time they entered the house, the step and entry ramp at the front door is disconnected from the building thus making the visitor step over a gap not unlike stepping from the static platform onto a passing train. Thus a physical step from the day to day life into this adventurous house.

Layout
The plan form was inspired by the traditional narrow cottage and is orientated towards warm southern sun. It contains three sleeping cells and auxiliary spaces in the middle with two living areas, one at each end, connected by a library. Glazing is relative to the function of the rooms, with the centre bedrooms and auxiliary spaces horizontally glazed with small landscape framing windows, while the end living areas are wide open to the surrounding views.

The roof rain water is drained by way of gargoyles making one aware of the elements even in the lightest of showers, thus reinforcing the connection between inhabitant and nature.



Client's Comments

For us, ‘Tuath na Mara’ is wonderfully paradoxical: profoundly contextual and strikingly free-floating.

It is contextual in two senses: Firstly it speaks to the built experience of both our families, being the width of a house on the west coast that has been in the family for generations, and having the name and some of the shape of a house built by a Scottish grandparent (‘Tuath na Mara’ equally well in Scots and Irish Gaelic). Secondly it is rooted in the Donegal landscape, or more precisely in the inter-tidal seascape with which it shares its colour and, very nearly, its location. From the sea, it is virtually invisible.

But it is also free-floating, both in the way it sculpts light internally, and in the way its design is part of a cosmopolitan architectural conversation that is above national boundaries. This global-local interchange marks it out as capable of belonging only to the 21st century.


Results
MacGabhann Architects have made, as the client describes, a wonderful modern escape. With integrated reference to vernacular buildings and the landscape, without compromising aesthetics and impressive modern design, I'm confident that this is not the last we'll hear from them in great residential design.



Plans


Project: Tuath Na Mara
Architect: MacGabhann Architects
Team Credits: Tarla MacGabhann, Antoin MacGabhann, Niels Merschbrock & Barry Maguire
Completed: 2006-2007
Awards: Royal Institute of Architects of Ireland, Public Choice Award
Best house 2008 Royal Institute of Architects of Ireland, Irish Architecture Awards 2008
Photographic Credits: Dennis Gilbert - VIEW Pictures

via: MacGabhann Architects

'diamond' turntable designed for woman

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


while the mp3 is the leading music format, there is still a passionate collection of vinyl record collectors
out there. while not all of these collectors are professional dj’s, a large majority are men. and while most
contemporary turntables are designed for men, the ‘diamond’ turntable by scheu ananlog is designed
for woman. the sleek design combines a curvy form and frosty record holder in a very non-traditional
turntable. while the main model comes in a very feminine pink, it is also available in black and wood grain.
despite the 3,900 euro price tag, there may even be a few guys waiting in line to buy one.

http://www.ladylikescheu.com







via luxist

the university of exeter forum project by wilkinson eyre architects

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


the university of exeter has selected wilkinson eyre architects to build their forum project. the new building
will be the centrepiece of the school’s streatham campus. the studio’s proposal works with the site’s
natural features of their hilly campus by creating a green corridor connecting the interior to the exterior.
the structure’s main feature is an undulating gridshell roof, which covers the new students spaces and
orthogonal buildings. wilkinson eyre architects’ director, stafford critchlow said, ‘our proposals seek to
create a new arrival point for the university. the sequence of spaces relate closely to the campus
landscape, establishing a new architectural language which is less about placing objects within this
landscape and more about an organic response to it.’ design work will begin immediately, with completion
anticipated by 2012.

http://www.wilkinsoneyre.com




Since we are at death... [Clipping]

10/31/2008, 17:30 | Land+Living: Modern Lifestyle + Design
What the heck. It's Halloween, and we might as well cover a few more architects in the fatality department. Enjoy! (via land+living)

I Like It, I Actually Like It

00/00/0000, 00:00 | FUTURE HOUSE NOW
This is the first coffee table I've seen in ages that I actually like. Pretty cool, though not cheap at $3,500.


Via Inspire Me, Now!

duras ambient fukuoka store by sinato

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

thin L-shaped walls are used to divide up the interior of the store

duras ambient fukuoka is an apparel shop designed by sinato. located in fukuoka, japan, the store is situated
in a corner lot of a building. the interior is made up of five L-shaped walls which nest within one another.
these dividing structures are used as displays and are randomly distanced, forming both wide and narrow
two-way paths within the store.


entrance to the store which is situated in the corner of a building


the distances between the walls are done at random, various sized pathways


a view inbetween the walls




a model of the L-shaped wall formations

more
sinato: http://www.sinato.jp

Podcast: Social Media in European and US Companies

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :

The TrueTalk Blog: Podcast: Social Media in European and US Companies - Mozilla Firefox (Build 2008040413)While I’m at it (see my previous posting on my recent activities) I’d thought you might also be interested in a recent conversation on the use of social media in European and US corporations (MP3 file ~ 48MB) I’ve had with Tom Guarriello from the “True Talk Blog” (iTunes here).

I’m following Tom’s blog for more than a year now and I’m intrigued by the breadth, but at the same time depth of his postings ranging from Politics, Business over Design & Fashion, to Social Media.

However what fascinates me most is his playful yet still professional use of social media like audio and video sharing. accordingly Tom is creating regular video and audio podcasts on various topics on a regular basis.

On Monday this week we’ve been able to realise a long planned podcast on ‘Social Media in European and US Companies’ based on our practical and theoretical expertise. And as hoped and expected it has been fun and inspirational.

As a side effect again I’ve recognised that listening to your own musings after the recording has been done is a ‘Point of Truth (POT) experience. From this particular recording and on a meta level I’ve learned that I can still improve the scope I usually frame my thoughts in. As a non native speaker (& writer) I always want to make sure that my ideas reach the audience in the right (not to say ‘perfect’) way ;-) Unfortunately this sometimes goes to the disadvantage of coming to the point in a concise fashion say ‘delayed’. So some way to go ;-)

Anyway while (for sure ;-) we did not fully answer the question why in particular organisations with strong brands and fashion brands in particular have difficulties to articulate themselves on the web beyond their brand image we’ve identified several strategic areas that are worth digging deeper into.

After all what surprised me indeed has been Tom’s feedback that US companies are far less ahead of using the social web compared to European companies as I’ve imagined. A question that popped up and that attracted my attention as well has been: How much do Social Technologies affect the corporate as well as brand culture once an organisation has ‘dared’ to enter this field of communication? Any insights from you readers are more than welcome!

In any case have fun listening to our conversation and drop me a comment or email on what you’ve thought while listening :-)

wire jewelry by ines schwotzer

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


ines schwotzer is a jewelry and accessory designer who lives and works in the small town of feilitzsch,
germany. she has worked as a freelance designer since 1995, creating her own pieces and working for
the likes of fashion house chanel. many of her works are done in stainless steel using non-tradition
technique she learned through textile background. using thin wire, schwotzer weaves and braids the
metal to create delicate works that contrast the coldness of the material.

http://www.schwotzer-design.de