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HOUSE kn by Kochi Architect's Studio

00/00/0000, 00:00 | FUTURE HOUSE NOW
Another Japanese wonder, HOUSE kn by Kochi Architect's Studio. Beautiful [sigh]. The floor plan is very nice and the outdoor space is wonderful.


Nice treatment of parking space too. My pet peeve is nice homes ruined by ugly attached garages and bad driveways. HOUSE kn gets it right.

Via the girl in the green dress. It's a wonderful design blog, so please do click over and take a look. You'll be delighted.

Image credit - Kochi Architect's Studio site.

Letters from Sweden - the foundation

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog

One issue we have not examined as we looked at the fabrication of houses in the factory is the foundation work that goes on in advance of the arrival of the house. The Swedes are using some innovative products for foundations as well, products that make there status quo houses much more energy efficient than ours here in the States.

New houses in Sweden are primarily built on slabs, partly because its expedient, but also because its naturally the best way to have in floor radiant heating. In a cold climate this is the only way to use a slab otherwise your slab will feel cold and uncomfortable. But a slab in a cold climate must be insulated from the elements or it will throw heat out its edges. There are typically two strategies to isolate your slab from the cold.

The first strategy is to make an insulation break between the slab and the foundation wall. This is typically done with a narrow insulation layer. In order to place this between the slab and wall the two structures have to be built in separate operations. First the wall, insulation break, and then the slab is poured inside the walls. Two steps.

The second strategy is to insulate the outside edge of the slab. This allows you to pour the slab and foundation wall in a single step, but you have to return and install insulation around the perimeter. Thats not the end of it though. This insulation is of course very vulnerable to damage. Its a soft material and it is right at grade, so it must be protected by something tough, usually the best choice is a cement board product. The insulation and protection board creates at best a second step.

Ok, what are the Swedes doing. First of all they are not building deep foundations. All buildings in cold climates should be founded on soils below the frost line. How do the Swedes avoid this then. I''ve not seen photos of their entire site prep sequence but they appear to be setting slabs on stone beds which may reach below frost, and prevent soil expansion if frozen. Furthermore they are building on slabs insulated at the perimeter which allows the radiant slab heating system to warm the earth below the center of the slab which prevents soils below the foundation from freezing and heaving. So suddenly they have eliminated the foundation wall and only need to build the slab on grade. A great savings in time, effort, and expense. Ok, but they still end up with the slab insulation issues described above. No. They use a foam formwork that forms the perimeter of the slab, and insulates it at the same time. And this foam formwork is coated with a tough cement finish coating that protects the foam and prevents it from being damaged. Even more important, its one step.

Laying out the slab - corner pieces are place first.

Ready for the pour, edge forms, wire mesh, plumbing, and heating loops all in place.

The slab poured. Once cured its ready to receive the prefab house.

Here is an example of a Swedish manufacturer of these foam forms:

Jakon Isolering

Previously:

Letters from Sweden - deliver and set

Letters from Sweden - plumbing the prefab

Letters from Sweden - wiring zen

Letters from Sweden - a windows tale

Letters from Sweden - panel building in Sweden vs the USA

Letters from Sweden - Europe is different, Sweden is not, sort of..

Letters from Sweden - land of modern, land of prefab

Letters from Sweden - conversations with an expatriate builder

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Wallpaper that Looks like a Stone Wall

00/00/0000, 00:00 | Freshome

Personally I know that I would like to have in my apartment a wall that looks like a stone wall, but how this is not possible you can still have this idea by using a wallpaper that looks like a stone wall. For those of you who like this idea, and are already thinking on how their apartment will look with this stone wallpaper you can buy the stone wall from Target.

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Wallpaper that Looks like a Stone Wall

Shubin + Donaldson Architects - Santa Barbara Riviera Residence

00/00/0000, 00:00 | Modern Residential Design

Shubin + Donaldson Architects

Santa Barbara Riviera Residence


Sun Filled in the Hills - Shubin + Donaldson Architects have created an ideal place to soak up sun and views in the Santa Barbara hills.



Client
Owners Geoffrey Moore and Genie Gable searched more than a year to find a site that met their exacting and almost-contradictory requirements.
- Moore (international businessman and writer who, when not travelling, splits his work time between a home office in Santa Barbara and a corporate office 85 miles south in Santa Monica) wanted a shaded, quiet office space filled with cutting-edge technology for global communication where he could write without distraction.
- Genie, his wife (principal of Genie Gable Interior Design, and a graduate of the Professional Design Program at UCLA, studied in the masters classes of Rose Tarlow) sought sun-filled spaces with unimpeded views of the nearby Pacific Ocean and, at night, the city lights of Santa Barbara.
The public rooms reflect her specialisation of modern design in modern homes.

Although by Santa Barbara standards the home is relatively compact (Moore and Gable are empty-nesters) no space is wasted. "We use every room every day," she says, "and never tire of the constantly changing light from the ocean to the south, the canyon to the east and the mountains to the north."



Program
This relatively small house (when compared to its neighbours) has all of the elements of a 5,000- or 6,000-square-foot house in a tidy, 3,200-square-foot package. The three-level home and two-car garage include open living/dining area, kitchen, master bedroom and bath, guest bedroom and bath, home gym, powder room, two home offices with office bath, outdoor dining area, outdoor lounge areas, lap pool, and 1,400 square feet of lower-level storage.

Design
Hidden environmentally sustainable design - Though not immediately obvious, this house embraces several green design characteristics.
  • The house layout is based on solar orientation, resulting in passive solar gains throughout the year.
  • Photovoltaic power generates household electricity through a 2.8kw system (when power is not needed, it feeds back into the grid).
  • A passive roof-top solar heating system provides for domestic hot water and a passive solar ground-level hot-water system is used to heat the pool.
  • The natural flow of hot and cool air is fortified by the use of radiant hot-water floor heating and separate central air conditioning in the ceilings. - Although these systems are in place, they are rarely used because of the solar orientation of the home and the natural ventilation.
  • The architects re-used the existing foundation and caissons. During construction, the existing house was taken apart piece-by-piece, with all usable elements donated to Habitat for Humanity.
  • Other energy-saving systems include double-pane windows, UV-resistant glass, ample insulation, and energy-efficient appliances.
  • Deep exterior overhangs are designed to provide shade in the summer, and let in sun during the winter.

Style
A dramatic glass canopy ceremoniously marks the entrance to the home, bisecting the ground-to-roof planes of glass that form sidelights and clerestories. Throughout the house, walls intersect with glass in a play of solidity and transparency. There is a certain efficiency of design in the layout, yet it provides all of the amenities so that the house looks and feels like a five-star private residential club. By taking up minimal space (what's absolutely necessary and no more) the house also takes up minimal resources.




A monumental feeling is emphasised by designing the house to constantly open up to the outdoors. A neutral colour scheme complements the colours of nature that comprise the predominant palette. An infinity pool just outside the living room leads the eye to the ocean and the Channel Islands beyond. Four separate terraces surround the house, continuing the indoor/outdoor feeling and accessibility.

Each room affords great vistas as well as stunning natural light throughout the day. Large windows create frames for nature. Floor-to-ceiling bookshelves complement the mahogany living room wall that houses an entertainment centre. Set into the wall, and surrounded by floor-to-ceiling glass, it acts as an extension of the outdoors. Doorways in general (even in the limestone-clad bathrooms) are taller than usual and lead the eye upward to be rewarded by either natural light or a beautiful vista. Dark walnut floors and softly minimalist furniture are sophisticated and inviting. Bedrooms and master bath look out to the ocean. The kitchen faces the hillside, emphasising how the house maintains a connection with nature.


Plans




Firm: Shubin + Donaldson Architects is a high-design architecture firm that specialises in developing livable environments. Headed by partners Russell Shubin, AIA, and Robin Donaldson, AIA, the firm tailors its projects (custom residential, office buildings and interiors, retail, hospitality, planning, and multi-family housing) with a refined sensitivity toward the land and context.


Architect: Shubin + Donaldson Architects - Robin Donaldson, AIA, Principal and Russell Shubin, AIA, Principal
Project Team: Nils Hammerbeck, Daniel Webber, Kelly Kish, Allison White, Josh Blumer, Alan McLeod, and David Van Hoy
Interiors: Genie Gable Interior Design
Contractor: Quillin Construction
Landscape: Lane Goodkind
Photos: Ciro Coelho
Article & Imagery: Courtesy - Taylor & Company (many thanks)

via: Taylor & Company


Bernardes + Jacobsen - CF Residence

00/00/0000, 00:00 | Modern Residential Design

Bernardes + Jacobsen

CF Residence

Steeling the show - Blessed with a great plot and open brief, a lightweight, transparent, horizontal building, was what the architects Thiago Bernardes and Paulo Jacobsen designed.



Overview & Plot
Located on a plot in the picturesque condominium Portogalo in Angra dos Reis, Rio de Janeiro, Paulo Jacobsen and Thiago Bernardes wanted to accommodate a large family retreat taking full advantage of the plot and its location. The challenge was how to minimise the buildings impact from roadside - difficult with such a large house.

Departing from traditional Brazilian wood or brick structures the house employs steel to span the vast openings that connect all rooms to the views below.



The svelte steel corner pillars provide minimal interruption to the open plan dining and living area of the ground floor. In summertime (almost constant in Angra dos Reis) the glass panels dividing this area up slide away to provide an enormous expanse of shade.

Half way up the façade, and providing elevated viewing to the bedrooms are two outdoor balconies of Peroba wood, these break up the stark white of the lower level and the surrounding steel structure. The wood is also used throughout the second level interior, and as a lining the the vast roof span.



Continuing to the roof level, tropical storms and heavy rain, common in the early part of the year in Rio de Janeiro are caught by large glass overhangs, which still let light through to the bedrooms. The glass also blurs the connection between the roof’s reflecting pool, paved with green ceramic tiles, imitating the colour of the inlet and sea beyond. The same applies to the pool on the terrace, which seems to fall into the sea. This camouflage, and the fact that the house is set into the hillside at the rear, reduces its size, as to the thin steel structures, elongating its horizontal structure. It’s only from below, backstroking in the pool that the house’s true size is revealed.




Layout
With the entire ground floor dedicated to the pool, dining and entertaining, the upper level provides the entrance and 4 bedrooms with en-suite bathrooms. Originally two giant bedrooms, the sets of two our housed either side of the atrium over the pool. As you enter the residence through its large dark wood doors, the bedrooms act as blinkers, focusing the view out to the water beyond.

A small seating area between allows you to contemplate, and perhaps acts as a formal arrival area. From here, “grand” staircases head both inside (left) to the living room, and outside (right) to the pool area (Bernardes + Jacobsen are renowned for impressive staircases).

The Result
Now complete in a 4 bedroom layout, this family retreat seems to have all one needs for a relaxing weekend. The thin steel structure and stretched horizontal roofline give it the appearance of a lightweight marque or stretched canvas roof. A seaside camp that mirrors the water beyond. Yet, from within, there is no doubt that this house is: permanent; modern and luxurious; and will provide a great weekend spot for years to come.



Plans



Architect/Designer:
Bernardes + Jacobsen

Client: Carlos Firme
Construction: February, 2001 – December, 2003
Materials: Steel structure, stone, wood, glass and Ceramic tiles
Built area: 1024m2
Plot: 2000m2

Information courtesy of: Bernardes + Jacobsen


4occhi glasses by giullo iacchetti at aspesi 1910 store

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
designer giulio iacchetti recently launched his '4occhi' collection of glasses at the newly opened
aspesi 1910 store in milan.



4occhi is a pair of glasses with four lenses that can be customized according to individual needs.
it can be both glasses and sunglasses, for near-sighted and far-sighted people.


image © studio foto iacchetti


aspesi 1910 store

more:
http://4occhi.it

Does Your Company Need a Chief Blogger? [del.icio.us]

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
This article reflects on a phenomenon I stumble across more and more. While for most companies the question of having a Chief Blogger is not 1st priority the fact to think about the impact of social media is very often neglected not only in the DM domain.

Building with Shipping Containers

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
An idea whose time seems to have arrived is the use of stockpiled shipping containers as modular units for building homes. Because of the balance of trade in the United States, these hefty steel boxes are piling up in ports around the country and posing a storage problem. Several architects and builders are taking advantage of this surplus to recycle the containers.

According to David Cross of www.sgblocks.com, "a container has 8000 lbs of steel which takes 8000 kwh of energy to melt down and make new beams etc... Our process of modifying that entire 8000 lbs of steel into a "higher and better use" only takes 400 kwh of electrical energy (or 5%). Granted it takes a bit more "muscle" but we call this Value-Cycling which we feel is that next step up from Re-cycling."

Each container measures 8 feet wide by 40 feet long by 9 feet tall. SG Blocks sells the finished structural systems (also called SG Blocks) for $9,000 to $11,000 per unit. The finished units have one or two walls removed and include the necessary support columns and beam enhancements.

According to KPFF Consulting, a structural engineering firm in St. Louis with extensive experience working with shipping containers, the units are stronger than conventional house framing because of their resistance to "lateral loads" -- those seen in hurricanes and earthquakes -- and because steel is basically welded to steel. The roof is strong enough to support the extra weight of a green roof — which has vegetation growing on it — if the owner should want it.

As for their energy efficiency, they claim that when the appropriate coatings are installed, the envelope reflects about 95 percent of outside radiation, resists the loss of interior heat, provides an excellent air infiltration barrier and does not allow water to migrate in.

One idea that has occurred to me is that this system might benefit from the use of SIP's (Structural Insulated Panels) for the roofs, rather that standard truss framing. SIP's are very well insulated, install quickly, and use much less wood than convention roofs.

Shipping containers are self-supporting with beams and stout, marine-grade plywood flooring already in place, thereby eliminating time and labor during the home-building process. Cross said construction costs are comparable to those in conventional building. Four to seven units are used in a typical home, he said.

Instead of nailing the siding they use "Super Therm", a ceramic paint made by Superior Products of Minnesota; it can be used as a paint, an adhesive, an insulator, a fireproofing material and an acoustic barrier. With this ceramic paint, they claim the insulation capacity is equal to a conventional house.

This finished house is virtually indistinguishable from conventional housing.

Adam Kalkin, of www.architectureandhygiene.com , has also become enamored with shipping containers as an architectural solution. The idea to do something with shipping containers came to Kalkin, a New Jersey resident, when driving to New York City, where he saw sky-high stacks of the unused cargo containers in the shipyards he passed.

"The cargo containers, with a life span of about 20 years when used for their original purpose, have an “infinite life span” when stationary and properly maintained," Kalkin says. “To me they are like a treasured antique: they may not be inherently valuable, but the history and the storytelling add value.”

Environmentalists have embraced the design, applauding the recycling inherent to Kalkin's designs. And advocates for affordable-housing like the design, since according to Kalkin, "the total cost of a house—between $150,000 and $175,000 after the buyer settles upon the various options—works out to be between $73 and $90 per square foot, about half the cost of the conventional $200 per square foot for reasonable quality, new construction in the Northeast.”

Kalkin has recently opened a factory—“a hangar at a little airport in New Jersey”—to manufacture Quik Houses. “There are a lot of elbows flying in this process, and this is the best way to protect the quality of the house, to keep the accounting transparent, and to make sure I am not unwittingly responsible for heinous crimes to the built environment.” Once the factory is fully functional, Kalkin plans to export many of his products, commenting that “the possibilities of working on a world scale are exciting.”

Twenty-one thousand containers hit American shores every day of the year. Containers can be shipped to the interior of the country via trains and trucks. Shipping containers are like Lego toys and the modules can be assembled in thousands of ways.

In general it is a good thing to recycle materials that otherwise have no further use for their intended purpose, and this is true here. As for whether one can make a comfortable house out of these metal boxes, the biggest question is: insulation...it is essential, but there are many ways to insulate these containers, so this is not a big concern. Another concern that many people would have is whether a metal box would have adverse health effects because of EMF (electro-magnetic frequencies) generation or propagation. Some people are sensitive to these while others are not.

There is no doubt that these containers can be used to fabricate very strong shells that would withstand substantial abuse from the ravages of nature.

links for 2008-09-02

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
  • For more than a year the use of illustrations in order to ideate and visualize innovation both in products and services has been part of my Design Management seminars.

    While preparing for the international version of this seminar in Lucerne/CH in November this year together with my colleague Erik over from http://www.zilverinnovation.com I've been happily stumbling across Google's announcement to release a new G-branded browser built from scratch. However it wouldn't be Google if they would have chosen the ordinary road of explaining innovation with plain fact sheets. Instead they've chosen the format of a 'Comic' in order to illustrate the new approach and rich features of the web browser.

    Thanks to Scott McCloud I do now have a new (and better) example of great use of illustrations for business purposes.

Trend: Digital Surfaces for the Blind

00/00/0000, 00:00 | CScout TrendBlog

Tactile surfaces are making technology and information much more accessible to people with visual handicaps

As a range of new interfaces and surfaces for digital devices are developed, it is becoming easier for visually impaired people to use devices sighted people take for granted. Tactile displays enable digital data to be felt rather than seen, making it easier for blind and partially sighted people to access the Internet, keep their credit card details secure, and take and archive pictures.

Cases

Touch Sight Camera

This Samsung design embosses 3D images on its flexible Braille display, turning images into a surface that can be felt. It also captures a few seconds of sound to accompany each picture, making them much easier to search and archive. Images can be shared online and downloaded to other Touch Sight cameras.

ReEnvision

Smooth touch-screen technology on debit card readers hinders visually impaired people by requiring them to give their PIN to the cashier. This design provides a low-cost solution, sitting flush on a debit card reader to provide tactile buttons.

Sentio

Although blind people can’t see, it doesn’t mean they don’t want to look good. This was Matthew Wagerfield’s approach when he incorporated tactile technology into this watch. The clock’s face features two seven-segment digital displays that rise 1mm above its surface, providing a tactile function for the blind and a visual spectacle for the sighted.

Saifu

Saifu is a tablet PC that uses a conceptual magnetized liquid material called magneclay. The oil based synthetic reacts to a magnetic charge, rearranging itself infinite numbers of times to display Braille or tactile 3D images in relief.


Trend Impact
These designs demonstrate many of the ways in which technology is making up for the difference in people’s abilities, leveling the playing field and making more activities and roles accessible to more parts of the population.

Of course, many of these technologies can provide benefits to sighted people. For example, a tactile surface could be applied to a bedside clock, enabling one half of a couple to find out what time it is without disturbing the other.

MODERN ARCHITECTURE + DESIGN - VANCOUVER

00/00/0000, 00:00 | GAILE GUEVARA




To view the complete inspiration images see slideshow

Architecture & Interiors by: Omar Arbell
Location: Vancouver, Canada
Specialty: residential and commercial renovations to custom furniture and landscapes
Project Highlights: Renovations of Penthouse Suite, Vancouver + Inform Interiors + Salt Tasting Bar
Interior Photography: Michael Boland Photography
(be sure to check out Micheal Boland's work, he has an amazing portfolio of capturing modern architecture and interiors)
Getting back to blogging, I look back at the past year and am proud of  Vancouver for the increase of modern design projects, it's a slow start but great to see that modern aesthetic is starting to be recognized more and more every day. An architect I have long admired is Omar Arbel. After seeing the transformation of a penthouse renovation, the opening of the cool Salt Tasting Bar, the renovation of the new Inform Interiors showroom - I'm speechless. It's inspiring to come across Omar's work being featured in more and more design articles to also experiencing installations of his designs like the Bocci Lights. A beautiful choice of light fixture hung throughout STK in the meatpacking district in New York.

To gain a "behind the scenes" insight into the building of a cool new interior in Vancouver, check out the blog story behind Salt where Sean shares the inspiration of combining the design talent of Omar Arbel with the details of local furniture designers like Brent Comber. Got to love learning more about the design & food lovers joining the blogging community.

Greg La Vardera's Dream Will Come True!

00/00/0000, 00:00 | FUTURE HOUSE NOW
Finally, someone is building Greg La Vardera's intriguing Porch House plan. I always pictured this house in my home state, Michigan, as a summer camp on a lake up north, but this one is being built in Texas! It sounds like a neat project, one with some nice green touches, and the possible addition of a Plat House down the road. Nice.



Via Materialicio.us (here and here).

Image credit - LamiDesign Modern House Plan Blog

PREFAB FRIDAY: The Spoorhouse

00/00/0000, 00:00 | Inhabitat

Spoorhouse, benno van noort, van noort designs, Winner of Lifecycle Building Challenge, lifecycle building competition, sustainable building, prefab homes, prefab house

We often see new home designs at Inhabitat that incorporate advanced technologies, reduce energy use and provide a healthy and safe living environment, but we really enjoy seeing home designs that have been vetted in competitions such as the Lifecycle Building Challenge. This annual competition, in its 2nd year and sponsored by well-known organizations such as the EPA, AIA, Building Reuse Association, Southface, and West Coast Green, is a challenge to design buildings with several points in mind: incorporate local building materials, consider the whole lifecycle of building materials, reduce the overall embodied energy and greenhouse gas emissions from materials, use innovative and creative strategies, and reduce environmental and economic costs. The 2008 winner of this contest for Best Residential Design was the Spoorhouse, by Benno van Noort of Van Noort Designs, LLC.

(more…)

Studio di Architettura Marco Castelletti - Casa del Masso

00/00/0000, 00:00 | Modern Residential Design

Studio di Architettura Marco Castelletti

Casa del Masso


Razionalismo Comasco - A near vertical site in Como, with stunning views, let Marco Castelletti nod to local Italian architecture of the thirties, whilst bringing his clients a modernist house, proportioned and segmented with precision.


Overview

"At the end of 2002 the clients approached us to design the house.
They wanted to build this new house next to their one, in the garden facing the lake, and they were after something typically razionalismo comasco, architecture of the thirties driven by architect Giuseppe Terragni. So they chose the project that best met their expectations, ours. The project's main idea gave the name to the building: casa del masso." Marco Castelletti.
The house, set on a steep slope above the street, can be clearly seen across the lake.
The building stands by the side of the client's old house designed by engineer Luciano Trolli in 1955, and it takes advantage of a little tract of flat land, as does the original residence.
The house is linked to the street by a long flight of steps which wind along the slope and down to the house, which is organised over two floors.


Layout
The composition is based on the intersection of two volumes:
The first - facing the lake, is an horizontal structure supported by pilotis houseing all the living and bedrooms.
The second - is vertical holding the staicase and the services rooms.

On the first floor the living room crosses the house and is directly connected with the slope behind. Here the presence of a erratic boulder, in italian language "masso" (here is where the name of the house comes), protrudes into the dwelling as the characterising element of the space, so that it seems that the house is anchored to the slope at this point.
The boulder can be seen through the glass floor of the living room.


From the parking area you reach the main entrance via a flight of steps or an elevator running on the side of the garden.
After reaching the main entrance a footpath covered by a overhanging volume introduces a little hall where you can see the landscape and the monuments of the city.
From here, a large staircase takes you to an atrium with the large glass window which frames the erratic boulder. The internal layout of the main dwelling faces the kitchen, the living room and some other rooms towards the lake, while bathrooms, services and the laundry are put towards the slope.

The materials used to build the house enhance the volumetric composition and the difference between the horizontal volume, suspended and completely covered by white marble dust plaster, and the vertical covered with a natural stone called Iragna, laid down in horizontal layers with different length and thickness.

The same stone was used for the external pavements, the main entrance staircase and the terrace floor on the highest level.

The large windows are divided in sliding parts with electrical rolling shutters made of aluminium.

Solar exposure is optimised wit hteh building orientated with its largest windows and rooms to the south, and services and bathrooms facing north.

ResultsThe clients were really satisfied of the project and followed all the phases of the building that, because of the particular nature of the steep land, involved many challenges.
The crane to build the house was placed on the slope with an helicopter used to transport heavy weights. None the less, the house was completed in seventeen months, from May 2003 to December 2004, as stipulated.


Slideshow








Architect Marco Castelletti Architetto
Short Biography
Marco Castelletti, born in 1958, graduaded from the Facolty of Architecture in Genova on 1983.
In 1994, 1999, 2001, 2003 and 2005 was awarded the architecture’ s award “Magistri Comacini” for works carried out in Provincia of Como and in 2004 the international award AR+D for emerging architecture in London.
In the spring of 2005 he was invited to give a lecture at the Royal Institute of British Architects in London.
He won many competitions for urban renewals in north Italy, as the upgrading of the Trieste waterfront, and from 1998 he has been invited to international competitions.

Project location Como Italy
Client private owners
Architectural design by Studio di Architettura Marco Castelletti
Interior design by Studio di Architettura Marco Castelletti
Landscape design by Studio di Architettura Marco Castelletti
Structural design by Ingeneer. Vittorio Montanini
HVAC design by Ingeneer. Vittorio Montanini
Lighting design by. Zumtobel
Main Contractor Impresa Biacchi s.a.s. – Plesio (Co)
Landscape contractor Impresa Biacchi s.a.s. – Plesio (Co)
Site Area 3000 sq/mt
Built up area 200 sq/mt
Budget 750.000,00 euro
Cost per sq. metre 1.800,00 euro
Google Location

Plans



via: Studio di Architettura Marco Castelletti


Drew Mandel Design - 83A Marlborough Ave

00/00/0000, 00:00 | Modern Residential Design

Drew Mandel Design

83A Marlborough Ave


Infill house on a 13ft wide plot, becomes feature residence of the street - Drew Mandel has used every inch of this brownfield (ex 1 car garage & garden) site to create his ideal residence. Influences of Frank Lloyd Wright and Rudolph Schindler eminent in the residence's façade lead to elegant use of wood detailing for the interior.



Overview
Drew, an up and coming Canadian architect snapped up an “interesting” plot, that his colleague at MacLennan Jaunkalns Miller Architects, David Miller had on offer. Setting out to create his debut "big time" design, Drew won a number of awards in Toronto and Canada. The house is an impressive example of modern infill, coming in at a modest $182 per ft2.

The Lot
Miller and his architect wife, Amy Falkner, had obtained a minor variance allowing them to build to the very edges of the property line without the usual margin of grass or ground cover. (It's only because the houses on each side are set back from the lot line that there is any space at all between the Mandel-Cooper house and its neighbours.) To support development, the municipality had allowed a substantial increase in the floor space, from 908 to more than 1,280 square feet above ground.
Their relatives labelled the plot a bowling lane, Mandel and his wife like to think of it as a lane each.


Design
Focusing on commercial design at work, Drew’s evening efforts on his own house pulled from his designs of multiplexes, community centres, libraries and banks. The main Achilles heel of the plot, the extended walls down either side of the property, led Drew to (as he sometimes reflects) to overcompensate with house glass panels at either end and a large light well at the centre of the build. I disagree; the house is fantastically bright and airy.



Breaking the house away from other designs out there and I believe linking it to his favoured FLW and Rudolf, is the use of patchwork glass rather than a large expanse of industrial like uniform façade. A cute modernist take on the Juliet balcony protrudes from the master bedroom, breaking the rear wall further and allows great views down to the meticulously landscaped garden, that complements the house so well. Adding to the functionality of the glass façade, a large central panel pivots to allow bigger pieces of furniture to be hoisted in.



Bringing in that industrial design know-how resolved the issue of construction methods too. Such a narrow tall design refused traditional frame design used in residential projects, meaning an industrial to balloon framing technique was adopted. Steel supports for the entire 38-foot length of the walls were put up first, and then the floors were locked in afterwards.

Further industrial features of the house include the two ramps from the entrance of the house to the living room and from the master bedroom to the second bedroom, a comfortable alternative to stairs.





Layout
From the semi-subterranean guest room at the front of the house you head south up the ramp to the living room, then north up five stairs to the dining room-kitchen floor, then south again up the house's only full flight of stairs to the master bedroom and bathroom. Finally, completing the layout you head north, up the second ramp to the second bedroom.

The Result
Drew and Denise have blown their relatives away. Despite the restricting plot they've created a house that through it's high ceilings, skylights and maximum glazing at both ends is a bright, spacious and airy home.


Plans





Architect/Designer: Drew Mandel Design
Client: Denise Cooper & Drew Mandel
Completed: 2007
Structural: Blackwell Engineering Ltd. (David Bowick)
Builder: T. Fijalkowski & Associates
Site Plan Approval: David Miller & Amy Falkner
Lot:13' x 115' or 1560 ft2
Costs: $182 per ft2



Information courtesy of: Drew Mandel Design


'soil lamp' by marieke staps

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


marieke staps is dutch product designer who is the creator of the ‘soil lamp’. unlike most lights, staps’
uses free and environmentally friendly energy sourced from mud. the metabolism of biological life
produces enough electricity to burn the led light on the top. by adding a touch of water to the base of
the lamp, the natural life force in the dirt conducts electricity through copper and zinc, powering the
small bulb.

http://www.mariekestaps.nl



via make

MODERN FIREPLACE - SOLUS DECOR

00/00/0000, 00:00 | GAILE GUEVARA

Custom Concrete fireplace installation by Solus Decor, photography provided by Solus

"Block" Concrete surround display at Solus Decor Studio on 3rd
It feels like just yesterday that I first met Khai Foo and Brad Carpenter at their studio on 3rd off Main street in Vancouver, BC. A modest exterior entrance led to palette of sophisticated and refined concrete finishes. Four years ago, large format tiles had just started to be introduced to the residential market and Solus was already in production with a line of 12" x 24" floor tiles, showcased in their showroom in a perfect shade of charcoal. Examples of elegant fireplace mantels featured a new updated look to traditional crown profiles using simplified and well thought out use of scale and proportions. Also in their showroom - custom door surrounds for a dramatic entryway to a wine cellar. It's inspiring to see that within the last few years, Solus Decor has built a business model based on quality product and a belief in bringing excellent service to a growing market of sophisticated Vancouver buyers, as well international markets. A recent visit to Solus Decor's new location offered a sneak peek at behind the scenes efforts that go into each product from design process to careful production and packaging, Solus Decor is one of my favorite success stories and the best part is they are a great team to work with. To read more and view an inside story on Solus, see our collaborated effort at MODERN 604.COM where we feature all of Vancouver's talent and modern resources.

Concrete tile collection featured at current showroom location at 1445 Powell Street

New "Quadra" profile, a seamless single cast concrete surround that can be floor or wall mounted. I'm excited to see the collaboration between Solus Decor and Inform Interiors showcase this new concrete profile at the new Inform Interiors showroom located in Gastown.

California's Green Building Code

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
California has adopted the nation's first statewide green-building standards, which will become mandatory in 2010. The new California Green Buildings Standards Code requires builders to reduce energy use by 15 to 30 percent beyond current standards and use more recycled materials. Some of the code will be mandatory, while other parts are just suggested. This is a significant recognition that energy and resource conservation is essential for the welfare of state residents, and hopefully this officially sanctioned consciousness will spread to other states.

These new codes include basic passive solar mandates: "When site and location permit, orient the building with the long sides facing north and south. Provide exterior shade for south-facing windows during the peak cooling season. Provide vertical shading against direct solar gain and glare due to low altitude sun angles for east- and west-facing windows."

For renewable energy, the codes says, "Use on-site renewable energy sources such as solar, wind, geothermal, low-impact hydro, biomass and bio-gas for at least 1% of the electric power."

For water conservation, the code says, "A schedule of plumbing fixtures and fixture fittings will reduce the overall use of potable water within the building by 20%, and provide water efficient landscape irrigation design that reduces by 50% the use of potable water beyond the initial requirements for plant installation and establishment."

"Each building shall further reduce the generation of wastewater by one of the following methods: The installation of water-conserving fixtures (water closets, urinals) or utilizing non-potable water systems (captured rainwater, graywater, and municipally treated wastewater
(recycled water)."

For materials to be specified for construction, the following is mandated:
  • Select building materials or products for permanent installation on the project that have been harvested or manufactured in California or within 500 miles of the project site.
  • Select bio-based building materials and products made from solid wood, engineered wood, bamboo, wool, cotton, cork, straw, natural fibers, products made from crops (soy-based, corn-based) and other bio-based materials with at least 50% bio-based content.
  • Employ wood-based materials and products comprising at least 50% of a major building component, such as framing, flooring, or millwork, which are certified by one of five listed sustainably harvested certification programs.
  • Use materials made from plants harvested within a ten-year cycle for at least 2.5% of total materials value, based on estimated cost.
  • Use salvaged, refurbished, refinished, or reused materials for a minimum of 5% of the total value, based on estimated cost of materials on the project.
  • Use materials, equivalent in performance to virgin materials, with post-consumer or preconsumer recycled content value (RCV) for a minimum of 10% of the total value, based on estimated cost of materials on the project.
  • Use cement and concrete made with recycled products, fly ash, raw or calcined natural pozzolan, blast furnace slag (as a lightweight aggregate) .
  • Select materials for longevity and minimal deterioration under conditions of use.
  • Select materials that require little, if any, finishing.
  • Select materials that can be re-used or recycled at the end of their service life in the project.
  • Select materials assemblies based on life cycle assessment of their embodied energy and/or green house gas emission potentials.
"Provide readily accessible areas that serve the entire building and are identified for the depositing, storage, and collection of non-hazardous materials for recycling, including (at a minimum) paper, corrugated cardboard, glass, plastics and metals."

Environmental and health-related items establish specific limits on VOC emission of materials used within the structure, as well as regulate ventilation, CO2 emissions, tobacco smoke, lighting, outside views, and noise transmission.

Additional recommended measures include:
  • If feasible, disassemble existing buildings instead of demolishing to allow reuse or recycling of building materials.
  • Utilize a Frost-Protected Shallow Foundation.
  • Use pre-manufactured floor and roof systems to eliminate solid sawn lumber whenever possible.
The code also identifies site improvements including bicycle storage and designated parking spots for low-emissions vehicles.

I have been advocating most of these measures at www.greenhomebuilding.com for many years now, and it is heartening to see them being officially sanctioned. This is a far-reaching and well-considered attempt by California legislators to establish requisites for living sustainably. If there are going to be building codes, they might as well be green! Yeah California!

Write wry & win a Ballistic Rose

11/20/2008, 10:55 | MoCo Loco

scentless_violence.jpg
ballistic_rose_citizen.jpg




One of 13 entries to date... write wry & win a Ballistic Rose for your permanent collection here.

Building with Unbonded Pumice

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
Dr. Owen Geiger and I have just found that a book published in 1990 in Germany, Building with Pumice, written by Klaus Grasser and Gernot Minke, describes experiments done in the 1970’s at the Research Laboratory for Experimental Building at Kassel Polytechnic College in Germany that have considerable bearing on the history of earthbag building.

Most of the book is about the physical properties of pumice, how to obtain and process it, and how to make blocks or walls with pumice/cement, but the fifth and final chapter, titled “Building with Unbonded Pumice,” describes how they began to investigate the question of how natural building materials like sand and gravel could be used for building houses without the necessity of using binders. The use of fabric-packed bulk material was found to be a cost-efficient approach. They used pumice to pack in the bags, because it weighs less and has better thermal insulating properties than ordinary sand and gravel. Their first successful experiments were with corbeled dome shapes (an inverted catenary) which was obtained with the aid of a rotating vertical template mounted at the center of the structure.

1978, a prototype house using an earthquake-proof stacked-bag type of construction was built in Guatemala. They used cotton bags soaked in lime-wash to protect the material from rot and insects. When flattened, the bags measured roughly 8 X 10 cm. Vertical bamboo poles placed on both sides of the bags and interconnected with wire loops gave the stacked bags stability. The bamboo rods were fixed to the foundation and to the horizontal tie beam at the top.

Obviously the concept of constructing homes with fabric bags of mineral material predates Nader Khalili’s earliest experiments by many years, and I was certainly not the first to experiment with filling earthbags with pumice! The entire chapter is reproduced as an article at www.greenhomebuilding.com.

links for 2008-08-11 [delicious.com]

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :

Dear Blog: Happy 5th Anniversary!

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :

Celebrating 5 Years Of Blogging :-)As the summer vacation period is starting soon I’d thought I celebrate and share the 5th anniversary of this blog a little bit earlier than scheduled with you. If you have a closer look at the ‘Full Archive’ section of this blog you will notice that e very first posting is dated 29. July 2003! Wow ;-)

After all in the very first posting (still written in small caption only; huhu fancy ;-) I’ll give credit to Lawrence Lee (back in 1997) who inspired me to do a regular publishing service on the web for the Design Management community as well.

However if I carefully remember how it all started I must admit that it has been more or less a technical coincidence that ‘Vol. 2: design-management.de‘ emerged: I’ve simply played around the other day with a piece of software called ‘Movable Type‘ and after a long night’s playing I succeeded to have this software installed on my hosted webserver. And most important: It worked ‘Hello World‘ :-)

From there the whole thing slowly developed into a tool for making my life as a teacher & lecturer for Design Management far easier. And still today many people ask me what to read or surf and ever since it simply takes a URL to point them to this blog and hopefully address their question in one or the other posting.

For sure the blog also emerged into a means to brand myself and raise my voice in the mist. What I’ve also learned however was that the often advertised ‘conversation‘ for most of us bloggers is a sort of ‘myth’ ;-( the blogosphere is not too different from the rest of the web and people on the web (as in real life) rather like to ‘lurk‘ than to ‘invest’ in a conversation. However please do not misunderstand this as a negative criticism, on the contrary: It’s not! It is simply helpful to keep this fact in mind in times of demotivation when you wish someone would clap on your shoulder and tell you how brilliant your postings are ;-) So yes, blogging also taught me to remain humble and appreciate & respect the fact that people are visiting this blog and spend their precious time on reading my musings.

So some of you might be interested in who else and how many are visiting this blog. Well that’s hard to measure for several reasons. While the web provider statistics report visitor numbers between 35.000 - 40.000 per month (personally I love that number ;-) Google Analytics reports some 100+ quality visitors per day on average (which is still fine for a niche topic I think). Visitors tend to come from across the globe and I think Tibet or Nepal belong to the very few countries that haven’t been logged yet ;-) The majority comes from the US as well as Western Europe, but this varies also depending on the country/institution where I’ve lectured last ;-) After all an interesting side note is the fact that more visitors come from Asia (China, India, and South Korea at the lead) as well as the Far East like Saudi Arabia for example!

So the fact that visitor numbers increased from 10/month in July 2003 to more than 10×10 per day is a good motivation to continue. However one of the key moments that made me think was at a DMI conference back in 2006. While sitting at lunch with a bunch of Design Management professionals both from academia and practice one commonly acknowledged ‘authority’ (at least by the grey hair community mostly in the academic domain) asked me: “Why do you waste your time writing for free on this blog?”. My spontaneous reply has been: “Do I also ask you: ‘Why do you waste your time writing Books?’” Needless to say that the quality of our relation ever since has decreased slightly ;-) After all I’ve learned to live with that.

Let me close this posting with a short anecdote that is linked to the picture above: For the recent inauguration in The Hague the panel members have been kindly offered the opportunity to display any book or paper they have written on a table in the reception hall. Since most of my writing on Design Management has taken place on the web (blog postings as well as guest comments on other blogs) and not on paper I’ve had a hard time to raise attention in the concert of publications on the table. Therefore my (graphic design) wife has been so kind to make a display for me that triggers visitor’s attention and points to this blog (have you noticed the ‘laurel wreath’ she has made ;-). While I can’t prove a correlation I can confirm that visitor numbers have increased slightly for the last couple of weeks ;-)

So, thanks for accompanying me over the last 5 years and I hope you hang out with me virtually or physically from time to time! Feel free to spread the information that there is a blog out there on Design Management and drop me a note whenever you like to: blog (at) design-management.de. Thanks!

Blog Action Day 2008 - Poverty (and Design)

00/00/0000, 00:00 | Design Sojourn
October 15, is Blog Action Day 2008! This is where bloggers from around the world get together to talk about a common theme or topic. This year’s topic is about Poverty, and as Design Sojourn is a design blog, it will be about Poverty and Design. I’ve decided to do something different, rather than [...]

Clinton Murray - Gunyah Residence

00/00/0000, 00:00 | Modern Residential Design

Clinton Murray

Gunyah Residence


Solid as a rock - A challenging section on Gunyah beach in Bundeena, forced Clinton Murray to rethink the vernacular (perhaps simple) Australian beach side house and create a resilient coastal retreat. Built to last forever.


Overview
Huge boulders throughout the cliff side, would have made slapping a wooden prefab house on the top of the plot the easiest option. Choosing instead to hide the house well down the plot near the breaking shoreline, posed challenges, yet rewarded both the architect and owners with stunning results. It also appeased the planning officials and nearby residents.

"The linear site is divided midway by a massive rock face, defining two distinct levels. The natural, sheltered enclave at the base of the rock face is where we believed the building belonged."

Tucked into the hillside, the copper clad roof has set out to weather itself in the ocean green shade of the bay beyond, further minimising the impact of the building for neighbours above.

Combined with the weathered copper is the solid base of the house. The ground floor living structure, of textured off-form concrete made with horizontal board forms, gives the i