• Design Research Conference 2008, IIT Institute of Design; Chicago
  One of a few conferences I've never been to so far is the IIT Design Research Conference held each year in Chicago the home of IIT (Illinois Institute of Technology). Unlike many other conference organizers they are releasing the conference videos quite shortly after the conference has ended and that's what I've appreciated over the last years. While very often the selection of speakers tends to be the outcome of buddy networking there are from time to time some good talks available to be found in the archives.

  Pretty much the same counts for their other conference they are hosting each year the 'IIT Insitute of Design Strategy Conference' to be found here: http://snipurl.com/iitstrategy [trex_id_iit_edu]

  (tags: conferences conference design research IIT designresearch 2008 strategy&design)

'swivel chair' by bokja, sixties furniture upholstered in embroidered vintage fabric from tajikistan - image © bokja

al-sabah art & design collection is a contemporary gallery which is scheduled to open its doors in dubai in early
spring of 2009. the gallery is the result of a recent partnership agreement between DIFC (dubai international
financial centre) and founder of the luxury retail emporium villa moda, sheikh majed al-sabah from kuwait.
the mission of the gallery is to promote the craftsmanship of the middle east. sheikh majed al-sabah wants to
encourage local governments to take more responsibility in preserving their cultural heritage.

before the gallery is even completed, it will preview its collection at this year's design miami 2008 from
december 1st - 8th with an exhibition entitled 'ALEF'. the name of the exhibition refers to the first letter of the
arabic alphabet 'a', but also acts as a symbolic name to mark the gallery's first show. 'ALEF' will highlight the
work of two lebanese designers, huda baroudi and maria hibri of bokja. the duo is known for their use of
vintage furniture, embroidered in fabrics originating from the east. also on show will be the work of dutch
product designer, pieke bergmans, who works in porcelain, plastic and glass. he will be creating a series
of pieces using traditional syrian mother-of-pearl inlaid antique pieces of furniture. for the gallery's official opening
in 2009, new works by studio job, maarten baas, marcel wanders and jaime hayon, who have created limited
edition pieces with local artisans, will be revealed


'swivel talia' by bokja, vintage furniture upholstered in a combination of vintage lakii from central asia together with
suzani (decorative textile) and new fabric - image © dina debbas


'crystal virus' by pieke bergmans, blown glass vase

designboom snapshots design miami 2007

design miami: http://www.designmiami.com
al-sabah art and design collection: http://www.alsabahcollection.com

Girls Walker has announced the beginning of the search for the next Miss Tokyo Girls Collection, the finale event for the now famous biannual real fashion festival. This is the ultimate opportunity for a would-be reader model, not only to grace the pages of one’s favorite magazine, but to actually join the stage with top teen fashion icons.

Unlike traditional pageants, where the winner is selected by a panel of expert judges, Miss TGC is eventually chosen from a panel of peers: the girls in the audience who can vote with their mobile phones.

For the original post and the latest reviews of other Japanese trends please visit our CScout Japanese blog.

The Father of Earthbag Building, Nader Khalili, died peacefully, surrounded by his family, a couple of days ago. He was 71 years old.

Here is part of a letter sent out by his family to former students:

“The flames that ignited him in life and the quest that brought each of you to Cal-Earth to learn from him have touched all of us and led us on this path….the right path……. for arts, humanity and the environment. His work and words have inspired us and his spirit is powerfully alive in every work and word, building and echo that your enthusiastic and loving hands have helped to create for this world.

His soul imbues every grain of sand and every memory contained in Cal-Earth, which expresses so much of his personal life of the last 17 years. And your works, like seeds have been growing and flourishing in every corner of the world…”

Born as an Iranian, Nader lived most of his life in the United States, gaining an architectural degree. He worked on the design of high-rise buildings and taught architecture in Southern California. In 1991 he founded Cal-Earth (the California Institute of Earth Art and Architecture) based in the desert region of Hesperia , California. From this center, he taught classes and workshops on the use of both bricks and bags to fashion domes, arches, vaults, and irregular shapes. These forms sprang from his early exposure to Middle Eastern architecture.

The earthbag concept evolved from attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter. This concept was later refined to include stretching barbed wire between the courses of bags to help stabilize the structure. Nader never referred to this building technique as earthbag building; he preferred to call it “Super Adobe,” referring to the fact that he generally filled the bags (or long tubes) with an adobe soil mix.

In 1999 Nader was issued a U.S. Patent for his Super Adobe technique and he subsequently tried to require contractual arrangements for its use. At this point, however, he had been publicizing the idea for so long it was not an enforcable patent, and few would comply with his request.

This fact points to the complex nature of Nader’s personality. He truly loved humanity and the arts, and was an eloquent and passionate speaker. He often said that his ideas were a gift to humanity and he hoped they would provide shelter for the poor and disadvantaged. At the same time, he wanted to control the economic potential of his invention, and he pursued this vigorously.

Nader was the author of several books, including Ceramic Houses and Earth Architecture: How to Build Your Own, about literally making ceramic houses, and Sidewalks on the Moon, an autobiography. He also wrote several books about the the mystic poetry of Rumi. Interestingly, he never really wrote a book about his Super Adobe invention, allowing others to take the lead in doing this.

With the passing of Nader Khalili we have come to a point where his ideas and work can truly become universal. All of us who explore the potential of the earthbag concept and expand on its possibilities can help further his vision for bettering the world. We owe a great debt to this truly inspired individual. May he rest in peace!

Many writers are speculating that brands can learn a lot from Obama’s victory and that it was a triumph of branding, messaging and media understanding. Obviously tactics appear on the service to be easily repeatable, but without the context it's  meaningless.

Despite the grandiose plans brands have for themselves and their desire to create culture, they can never and will never single-handedly have the power to incite true social movements.

Brands however much they would like to be, aren’t human beings, they are products that try very hard to relate and understand us. They cater to our needs and wants, but are by their nature abstract and not made of flesh and blood. The credo of C21st marketers might be to become more human, but it’s a stretch and the entity of the corporation is always a more desirable, more defensible, more convenient and a safer place to be.

Obama succeeded because of the power of his human journey, his humanity, his chance to make history and his ability to connect. People aspired to the hope and change he stood for and trusted him to deliver it. They were voting for a person who provided them with the hope they wanted at the time; a promise that things could be better.

Timing is everything and Obama only needed to do this once and seize the moment. He had to find a way to position himself on November 4th, 2008 as the change that people were looking for. Brands unfortunately don’t have the luxury of the short window of time, they don’t have just one zeitgeist moment to seize, but a multitude, because they have to sell 24/7/365.

The best brands are undeniable in their power to help define us, but they are transient, disposable and easily replaced. They are things, not people and there are limits to the impact they have on the breadth of our lives and our futures.

However, once every four years two people contest for the right to become the most powerful person in the world. These candidates have the news media of the world reporting on them every second of the day, which means they dominate mind share. No brand could ever come close to this level of dominance.

When it comes to voting, we chose the human being that best represents the way we feel. Sometimes this feeling is one of ambivalence, because our lives are under control, but there are rare occasions, and this year was one, when we seek a leader who we want to lead us to better, brighter, future.  

Obama made history, he was the man chosen for the moment and lessons from his success are virtually impossible for brands to replicate.



Posted by Ed Cotton

On Saturday I was hanging around the architecture section of my local Barnes & Noble, looking for something new. I found a nice book on houses by Tom Kundig of Olson Sundberg Kundig Allen Architects. I also just caught this post on Shedworking covering several of the firm's brilliant cabin-like houses.


I resisted buying the book, though I'd really like to have it. It's very nice and Kundig's work is amazing. The house on the cover, Chicken Point Cabin, has been shown everywhere, and for good reason. It's pretty spectacular, and that giant, tilting window and the unusual mechanical folly for opening it are sublime.


Visiting the OSKA site, I found that the house I liked most wasn't one of the groovy cabins I'd spotted in a lot of the blogs and architecture mags. I was taken by the "The Brain," a fascinating concrete monolith built for a filmmaker.

"The form is essentially a cast-in-place concrete box, intended to be a strong yet neutral background that provides complete flexibility to adapt the space at will." - OSKA site

That's wonderful. I love the way the house rests on its site, half hidden, with creeping vines growing all over it. I hate big ugly garages hanging off the side of a house, parasitic, distorting proportions, so I was delighted to see this house with the garages tucked neatly underneath, buried into the slope of the landscape. No yard either - excellent!



The austere concrete exterior belies a more playful space inside: wonderful bookshelves (just look at 'em!), interesting lighting, a fireman's pole, and an amusing custom staircase.




Yes, this is a house I can see myself living in. The only exception I take with it, and with most Kundig houses frankly, is that they all look like bachelor pads. I'm married with children. But I think the wife and kids could adapt. Who wouldn't want to live in a house with a fireman's pole?

_____________________________________________________
Addendum:

I should have pointed out this very good Seattle Times article about "The Brain." I've realized since writing this post that "The Brain" is a garage/studio, not intended to be a residence. Thanks to those who left comments pointing that out. It is also worth noting that Kundig received an AIA award for "The Brain" in 2004.

Oh well, even though it's not technically a house I'm still very inspired by it!

Image credits - Amazon listing (book), OSKA Architects site

It’s about time, the (M)Ad Men figured that out. Well they sort of did before and there always been Industrial Designers in advertising and branding. But much of the focus then was on packaging design, and Industrial Design was often seen as nothing more than skinning. Core77 has a pretty good article called “Stepmothers [...]

One of a few conferences I've never been to so far is the IIT Design Research Conference held each year in Chicago the home of IIT (Illinois Institute of Technology). Unlike many other conference organizers they are releasing the conference videos quite shortly after the conference has ended and that's what I've appreciated over the last years. While very often the selection of speakers tends to be the outcome of buddy networking there are from time to time some good talks available to be found in the archives. Pretty much the same counts for their other conference they are hosting each year the 'IIT Insitute of Design Strategy Conference' to be found here: http://snipurl.com/iitstrategy [trex_id_iit_edu]

while the mp3 is the leading music format, there is still a passionate collection of vinyl record collectors
out there. while not all of these collectors are professional dj’s, a large majority are men. and while most
contemporary turntables are designed for men, the ‘diamond’ turntable by scheu ananlog is designed
for woman. the sleek design combines a curvy form and frosty record holder in a very non-traditional
turntable. while the main model comes in a very feminine pink, it is also available in black and wood grain.
despite the 3,900 euro price tag, there may even be a few guys waiting in line to buy one.

http://www.ladylikescheu.com







via luxist

Nokia demonstrates how it's leveraging insights gleaned from the developing world into products. The mobile phone is made to work a lot hard in developing countries; it becomes the mobile office and primary computer for many of its users. In response, Nokia is launching Life Tools; software included in its phones that can help those involved in agriculture better understand market and weather conditions.


Posted by Ed Cotton

It finally feels like the New Mexico EcoSteel House has crossed the line to being more finished than not. The latest round of photos show the painting almost done, finishing touches going in, light fixtures too.



Look below the fold for a photo browser with more interior shots.

Technorati Tags: 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house

Good is now available as a lifestyle hotel choice.

"What does “good” mean to you? For some, the word may inspire visions of helping a homeless person find shelter for a night. Others may think of global warming and chant the mantra, “reduce, re-use, recycle.” Or, maybe your mission isn’t to save the world, and it simply connotes a positive fun attitude.

Joie de Vivre Hotels’ identity as a socially-conscious company inspired us to design this SOMA hotel with all these good intentions. From beds and headboards made from locally reclaimed wood to glow in the dark messages, our guests will discover that we are good with a lighthearted twist."

Is it smart to lead with Good or to build Good into everything you do?

Should Good be half-hearted?

Should Good by light-hearted?

Answers please on a postcard or in the comments section.

Posted by Ed Cotton

Hey, DMI seems to slightly open up towards the social web! Something I’ve tried to convince them on a while ago ;-)

Therefore under the lead of Scott Lerman they’ve set up a Ning where you can socialize and get in touch with other Design Management professionals across the globe that like to hang out at DMI conferences once in a while. Well done, DMI!

So in case you’re planning to attend the annual DMI conference in early October 2008 you should definitively join. Otherwise for lurking and networking join as well at: JoIN the REMIX >>>

The light gage framing for the exterior walls has begun, and a fresh coat of primer is going on the steel, good progress on the 3030 EcoSteel House.



Just a quick update with new photos in a browser after the link below.




Visit the 3030 House flickr group to see all of the photos forwarded by the owner.

Technorati Tags: 3030 House, ecosteel, modern design, modern house, prefab house

Again one of these posts I would have wished to have written myself ;-) Anyway I’ve skim read Kevin McCullagh’s posting on the Core77 Design Blog just before leaving to The Hague last week. Fortunately Kathryn Best reminded me on Kevin’s posting after my return a week ago!

What I like about Kevin’s post is his approach to assemble a sort of list of patterns he has observed when it comes to describing the term we love so much these days: ‘Design Leadership’. What I like in particular about ‘pattern recognition’ in general and this is also a reason why I like Kathryn’s book on Design Management is that it is not aiming for categories and definitions academia is looking after like: ‘right-wrong’, ‘good-bad’ or ‘truth’ in general.

While I will give my very own definition or better ‘description’ of the term later on I’d like to point to the four questions that have triggered Kevin’s article:

1.) What makes a design leader?

2.) Do they have to be designers?

3.) Who is leading whom?

4.) And to where exactly?

A point where I do disagree with him is clearly addressing question 2 as I don’t think that ‘Design Leaders’ necessarily need to be designers themselves. Let me try to explain this by referring back to the photo (or collage) I’ve assembled and which you see in the upper left corner. The picture in the lower right corner is taken from Kathryn’s book and illustrates quite well the three areas of responsibility of a Design Leader, a Design Manager and a Designer as those people in organisations who ‘Define a Vision’, ‘Manage the Process’ and ‘Create the Content’.

While on one hand I think that this ‘classification’ is helpful for better understanding the very often unclear terms I do think that on the other hand they are too discrete. Apparently a Designer or Design Manager can only remain in their category and won’t be able to embrace all of them at the same time. In contrast according to my understanding of a ‘Good Designer’ she/he must be able to address all those levels in order to ‘thoughtfully design’.

Therefore and in order to make the model more flexible I’d want to refer to one of the originators of the term ‘Design Thinking’ namely Roger Martin. You see his latest book ‘The Opposable Mind’ pictured in the upper left corner of the collage. Then replace ‘Design Leader’ with ‘Design Thinker’ and let ‘Design Leadership’ embrace all three functions ‘Design Thinking, Design Management and Design’ and you have a more flexible framework that communicates the key message: “Only if you’re good at all disciplines: ‘Thinking, Managing and Designing’ you are a ‘Design Leader’!

Accordingly this perspective also implies that one person will have a hard time to act as a ‘Design Leader’ since this would imply that all functions would need to be addressed by her/him alone. Even though for example the success of Apple Computer these days might appear as the single effort of Steve Jobs it is for sure the joint effort of many more (needless to mention Jonathan Ive).

Furthermore I do think that it is somehow anachronistic to believe that (in the competitive business landscape of these days) that individuals are still able to dominate; even though I admit that we tend to have a fascination for these sort of ’single heroes’.

Instead ‘Design Leadership’ according to my perspective above recognises that it is something that needs to be achieved collaboratively as a joint team effort of various ’specialists’. So the answer to Kevin’s question No. 2 definitely is: No, because only teams as I’ve described them above can effectively handle various functions from several disciplines with ‘Design Thinkers’ as the category most likely to embrace people from non-design disciplines.

What do you think? Is this something Kathryn/We shall adopt for the future?

Today is Blog Action Day, a single day for all bloggers to post about one important issue, the environment. Most people think that Future House Now is a green site. It isn't. My primary focus is interesting modern homes, particularly those that are in the realm of realistic affordability for real families. But having said that, I frequently post about "green homes," and today is a good day to clarify my views on the subject.

First of all, why do I often post about green homes, even when my site is not purely focused on green issues? Well, for starters, green makes a lot of practical sense. It's laughable how much emphasis we put on greening our cars when we spend way more energy in our houses. It should be obvious every week when we take out the trash that our homes are the epicenter of our consumption habits. And I care about my family's health. I want them to live in a safe household environment, not one that is riddled with toxins and allergens.

Second, green isn't that hard to do anymore. You don't have to live in an Earthship made of tires pounded full of dirt, and old aluminum cans to be green (though that's pretty cool if you ask me). You also don't have to be an eco-warrior living off the grid in Northern California, growing all your own food and living off $10,000 worth of yearly organic produce sales. I guess what I mean is that being "green" isn't really an extreme lifestyle choice, it's part of everyday life for everyday people all over the USA. We have to stop treating green as extreme. Frankly, I think that alienates more people than it attracts. That's why I try not to overplay my green views, just as I don't downplay them either. To me, the important thing is that we're all constantly raising our awareness and incorporating green practices in our lives one little step at a time.

There are so many good ways to green any home, any style, old or new, anywhere. How about more efficient appliances, compact fluorescent light bulbs, better insulation, and low-VOC paints? These are pretty easy things that can make a big difference. How about not using those toxic cleaners in your kitchen and bathroom? Use good ol' white vinegar - it works great and is non-toxic. Inexpensive too. And great technology is here, with real strides in renewable energy being made every day. The reasons for not taking advantage of better technology for greener homes are becoming fewer and fewer. We're pretty much at the point where going green isn't about making tough choices, it's about making smart choices. The difference now isn't as much about toughness as it is about awareness.

I like to show interesting modern homes, and some of them are not particularly green. But lots of them are, in lots of different ways. Some are green just because they are compact. Some are green because they have a broad sheltering roof and good insulation. Some are green becaues they make good use of recycled materials, or new materials like steel framing that will last a long, long time without a lot of costly maintenance, and that can be recycled someday if need be. Maybe they aren't all perfect, but we can learn something from them. My site is about ideas. Some of the good ideas I like to show are about environmentally friendly homes, and some of the ideas are about other things. They're not mutually exclusive. And we have to stop thinking in those terms. Green fits with modern because they are both about good design. Good design has logic, economy and beauty all rolled into one. I see green as a part of that, not a whole unto itself.

Don't get me wrong, I don't take green for granted. I accept green as a matter of fact. That's how it should be - a natural part of life, not a radical philosophy. I view the recent mainstreaming of green as a sign that we've finally turned the corner. It won't be long now before we build the momentum to make lasting positive change. The challenges are real, but humanity, in spite of itself, is a problem solving species. We can do it.

‘sleep’, 2008 (source imagery: jean-bernard restout)

deitch projects, new york
november 1 - december 20, 2008

‘down’ is an exhibit of new paintings by kehinde wiley which opened earlier this month at new york’s
deith projects. a wide selection of wiley’s large-scale works will be on show including four new works
each referencing images of fallen warriors, saints, and classical mythology. using source imagery
from classical paintings, wiley contemporizes them with elements of other painting styles including
graffiti. wiley also examines the notion of ‘the master painter’, while also casting young black males
in the role of the subject.

http://www.deitch.com
http://www.kehindewiley.com

all photography by max yawney


‘morpheus’, 2008 (source imagery: jean-antoine houdon)


‘christian martyr tarcisius’, 2008 (source imagery: auguste falguiere)


‘the virgin martyr st. cecilia’, 2008(source imagery: stefano maderno)


‘femme piquee par un serpent’, 2008 (source imagery: auguste clesinger)


‘lamentation over the dead christ’, 2008 (source imagery: mantegna)


‘a dead soldier’, 2008 (source imagery: velasquez)


‘down’ by kehinde wiley, installation view at deitch projects

This svelte steam powered car was created using salvaged parts (including tea kettles) and is capable of achieving speeds of 170mph! Developed by Edward Montagu and created by a team of graduate students in the University of Southampton, the car will soon attempt to shatter the record for the fastest steam powered vehicle in the world - previously set in 1906.

(more…)

On October 14, 2008, in Seoul, Korea, the Open Web Asia 2008 conference will gather web industry leaders from across Asia, as well as the US and Europe. The day long event focuses on the theme of “The Social Web.” Speakers include Shusaku Maruko (General Manager, Corporate Strategy Department, FeliCa Networks,) Jean Min (Communications Director, Ohmynews,) Loic Le Meur (Founder and CEO, Seesmic.com,) Arthur Chang (VP of Sale, Alibab.com,) and Jason Calacanis (CEO Mahalo.) As well, Korean tech blogger, writer, and CScout consultant, Taewoo Danny Kim, will also speak.

The combination of executives, entrepreneurs, and venture capitalists is going to explore how social media is evolving on the international, regional, and country stage. The event is the first pan-Asian web technology industry conference of its kind.

A combination of factors underpins rapid growth in the Chinese mobile commerce sector.

Trend Description

China is rapidly emerging as the global capital of m-commerce applications, driven by an increasingly high-tech digital environment, the world’s largest mobile phone subscriber base (nearly 600 million), and the recent launch of the country’s own 3G standard (TD-SCDMA).

Although China currently lacks the advanced mobile applications of Europe, North America, Japan and Korea, many cellular players are now launching sophisticated mobile applications, and analysts predict the country may leapfrog more traditional m-commerce markets in the near future.

Penetration of new markets, including retail, ticket purchases and person-to-person transactions, is predicted to result in increasingly high volumes of small payments to Chinese m-commerce service providers. Because this type of transaction costs businesses far less than retail or other forms of transaction, the demand for m-commerce solutions is expected to grow and result in tremendous opportunities for these SPs.

Cases

UFIDA’s hapigo

The “hapigo” platform developed by UFIDA Mobile is China’s first large-scale, multi-functional m-commerce platform. With a strong focus on mobile internet technology, hapigo provides retailers and consumers with an efficient and effective  one-stop m-commerce shop. Last year hapigo became “the first brand of mobile e-commerce in China”, serving 200,000 retailers over 1 million mobile consumers.

UFIDA Mobile is a recently created US$13.42 million joint venture between the Beijing-based Ufida Software Company and Japan-based wireless heavyweight NTT DoCoMo.

Taobao’s WAP Site

Alibaba’s Taobao, the Chinese version of eBay, has recently launched a WAP version of the site at wap.taobao.com., in an effort to expand its reach to China’s huge mobile phone subscriber base, many of whom do not have net access of their own.

More interesting still is the way in which the site is served by a mobile interface for Alipay. Payment for most m-commerce in China so far has been processed by mobile service providers as part of the consumers’ bill. Although China Mobile may not be too happy with Alibaba’s move to cut them out of the loop with its “m-Alipay” service, its hard to imagine they can stop it in the long term.

Trend Impact

While the future for m-commerce in China looks rosy, there are still many obstacles to overcome. China is still largely a cash-based economy, with m-payment support structures only recently being developed. The rate of mobile phone uptake is also very  biased toward urban areas, especially when it comes to smartphones / PDAs.

Since voice is still the dominant application, decades-old mobile technologies are still some of the most profitable, and many mobile operators will need to upgrade large parts of their networks to the 2.5G and 3G technologies needed for most m-commerce applications. Still, with m-commerce proving increasingly popular and profitable, the financial incentives will surely continue to drive investment in both infrastructure and applications.

Find the original blog at CScout China blog.

The Arkansas Plat House will be making an appearance on HGTV's program Beyond the Box.



The episode covers several different house projects, but the Plat House no doubt is the segment described as "a couple who found almost everything used to build their home through Internet shopping."

The first airing of the show will be September 17, 2008 9:00 PM ET/PT with several other airings to follow. See the entire scheudle at the HGTV site.

And for anybody who did not see the link to the Plat House catalog page in the first line of this entry I'll give you another link right here:
CLICK HERE to go to the PLAT HOUSE catalog page!
In case you missed the sentence before this one, that link goes directly to the catalog page for the PLAT HOUSE, the one from TV!

Technorati Tags: house plans, modern design, modern house, Plat House

California has adopted the nation's first statewide green-building standards, which will become mandatory in 2010. The new California Green Buildings Standards Code requires builders to reduce energy use by 15 to 30 percent beyond current standards and use more recycled materials. Some of the code will be mandatory, while other parts are just suggested. This is a significant recognition that energy and resource conservation is essential for the welfare of state residents, and hopefully this officially sanctioned consciousness will spread to other states.

These new codes include basic passive solar mandates: "When site and location permit, orient the building with the long sides facing north and south. Provide exterior shade for south-facing windows during the peak cooling season. Provide vertical shading against direct solar gain and glare due to low altitude sun angles for east- and west-facing windows."

For renewable energy, the codes says, "Use on-site renewable energy sources such as solar, wind, geothermal, low-impact hydro, biomass and bio-gas for at least 1% of the electric power."

For water conservation, the code says, "A schedule of plumbing fixtures and fixture fittings will reduce the overall use of potable water within the building by 20%, and provide water efficient landscape irrigation design that reduces by 50% the use of potable water beyond the initial requirements for plant installation and establishment."

"Each building shall further reduce the generation of wastewater by one of the following methods: The installation of water-conserving fixtures (water closets, urinals) or utilizing non-potable water systems (captured rainwater, graywater, and municipally treated wastewater
(recycled water)."

For materials to be specified for construction, the following is mandated:

• Select building materials or products for permanent installation on the project that have been harvested or manufactured in California or within 500 miles of the project site.
  
• Select bio-based building materials and products made from solid wood, engineered wood, bamboo, wool, cotton, cork, straw, natural fibers, products made from crops (soy-based, corn-based) and other bio-based materials with at least 50% bio-based content.
  
• Employ wood-based materials and products comprising at least 50% of a major building component, such as framing, flooring, or millwork, which are certified by one of five listed sustainably harvested certification programs.
  
• Use materials made from plants harvested within a ten-year cycle for at least 2.5% of total materials value, based on estimated cost.
  
• Use salvaged, refurbished, refinished, or reused materials for a minimum of 5% of the total value, based on estimated cost of materials on the project.
  
• Use materials, equivalent in performance to virgin materials, with post-consumer or preconsumer recycled content value (RCV) for a minimum of 10% of the total value, based on estimated cost of materials on the project.
  
• Use cement and concrete made with recycled products, fly ash, raw or calcined natural pozzolan, blast furnace slag (as a lightweight aggregate) .
  
• Select materials for longevity and minimal deterioration under conditions of use.
  
• Select materials that require little, if any, finishing.
  
• Select materials that can be re-used or recycled at the end of their service life in the project.
  
• Select materials assemblies based on life cycle assessment of their embodied energy and/or green house gas emission potentials.

"Provide readily accessible areas that serve the entire building and are identified for the depositing, storage, and collection of non-hazardous materials for recycling, including (at a minimum) paper, corrugated cardboard, glass, plastics and metals."

Environmental and health-related items establish specific limits on VOC emission of materials used within the structure, as well as regulate ventilation, CO2 emissions, tobacco smoke, lighting, outside views, and noise transmission.

Additional recommended measures include:

• If feasible, disassemble existing buildings instead of demolishing to allow reuse or recycling of building materials.
  
• Utilize a Frost-Protected Shallow Foundation.
  
• Use pre-manufactured floor and roof systems to eliminate solid sawn lumber whenever possible.

The code also identifies site improvements including bicycle storage and designated parking spots for low-emissions vehicles.

I have been advocating most of these measures at www.greenhomebuilding.com for many years now, and it is heartening to see them being officially sanctioned. This is a far-reaching and well-considered attempt by California legislators to establish requisites for living sustainably. If there are going to be building codes, they might as well be green! Yeah California!

We have an interesting Design Article contribution this week by Chris Nobles, an Industrial Designer working for HJC Design in the UK. He write today about Rapid Manufacturing and its impact on our product development process. A great read with lots of technical points, positives and negatives for our consideration should we need [...]