If you find there is any copyright abuse, contact us as soon as possible, thanks.
Missing, Waiting and Saving by Sovrappensiero
11/18/2008, 09:50 | MoCo Loco
Sovrappensiero's new project is about favorite objects from the past that live on in attics and basements, holding onto memories and stories. Grandmother's doilies become fossilized with dust from the cellar to take on a new form as Waiting, trivets that will bear witness to new stories. Missing is an old vase that is not longer in fashion, so long unused that no one even sees it anymore. Saving is the abat-jour that accompanies the user along the journey to finally stand as a trophy, protected under glass. Sovrappensiero reminds us that things relegated to the past can and will haunt us if they are of sentimental value.
Cru by Sebastian Bergne
11/18/2008, 07:03 | MoCo Loco
New work by Sebastian Bergne that centres around wine will be featured in an exhibition called CRU, opening at the Aram Gallery in London on November 28 and running through January 10. Wine brings people together and the concepts presented in this show further enhance the social experience. Corked is a series of decanting and serving vessels that combine the traditional glass and cork in new formats like the Trousers glass after the jump. Geo Cork is a multi-pronged pin that serves as a connector for corks and works both as a plaything and a measure of consumption. Among the pieces on display, there is a Vintage Dip line of t-shirts, a case that can be used as a rack, a wine diary for samples and the conical Marcel wine rack above.
+ thearamgallery.org
+ sebastianbergne.com
Rammed Earth Homes With SIREWALLs from Terra Firma Builders Ltd.
00/00/0000, 00:00 | FUTURE HOUSE NOWI can't think of any rammed earth builder that does it better than Terra Firma Builders Ltd. They have a way of crafting the most gracefully curved walls. Their designs blend with the surrounding landscape. Inside, massive earthen walls and sturdy timbers comfortably intertwine with delicate, artistic finishing. It's a totally unique aesthetic.
Terra Firma's website is fantastic. There's a wealth of images of their work in their portfolio. There's also a great explanation of why rammed earth is an effective, sustainable building solution.
Probably the most interesting thing I found on their site is that they use an unusual insulated rammed earth wall approach called SIREWALL (SIRE = Stabilized Insulated Rammed Earth). SIREWALL was developed by Meyer Krayenhoff, an environmental builder of over thirty years, who also founded Terra Firma. Here's an explanation from the SIREWALL site:
Stabilized, Insulated, Rammed Earth (SIRE) walls are made using rebar and insulation enveloped with the mass of 14 – 20 inches of rammed earth. This combination, along with SIREWALL®’s system for quality control and soil blending, builds walls that exceed current standards for energy efficiency and compressive strength. SIREWALL’s customizable forms refined over the last fifteen years by SIREWALL’s expert builders, work seamlessly with unique designs and modern finishes that have timeless appeal.
I always thought that would work. We've seen that concept applied to concrete walls, so why not rammed earth too? Actually, reading their FAQ, and noting that they're in Canada and do their building in British Columbia, I've learned that rammed earth can be a solution for climates other than hot, arid deserts, especially with the SIREWALL approach in place.
Note that Terra Firma builds complete homes only on their home turf. But they will build walls elsewhere, and let your builder finish the house. They also train and certify builders in the SIREWALL system, and offer design and consulting services. Wherever you are, whatever type of rammed earth project you might be considering, I think these would be the people to talk to.
I have new hope of living in a rammed earth house yet!
Image credits - Terra Firma site
MODERN MOMA
00/00/0000, 00:00 | GAILE GUEVARASpend a day at the MOMA in New York and you’ll know why it’s my favorite place to be! On a recent visit with my good friend Michelle, we rediscovered how subtle design details go into creating maximum effects.
Not every passing eye may notice, but I * love, love * that every where I look, the “too complicated” or “too expensive” details are represented here seemingly effortlessly. From the flush drywall reveals to the spatial planning of transitioning from one space to another … subtle application of natural light and physical movement through a volume of space … striking white walls, over sized slab stone clad walls … a cantilevered bridge carefully finished on all exposed sides intersects with a vertical opening exposing the floor plates of each gallery level … the cut outs and view points all with frameless glazing … to the flush linear a/c vents and grills … It’s the beauty of minimalism that gives this simplistic yet stylized illusion.
Just observe and you’ll see that even the people within the space, passing through admiring the artworks on display… become art itself.
P.S. Doesn’t Michelle make the best model?!
-THANK YOU -
00/00/0000, 00:00 | GAILE GUEVARA
Photography - excited to learn new means of observation
DEAR READERS - thank you for your patience and support over the past few months. I am honored to have you come back even with my absence (I've been away from the blog scene to attend to a long overdue personal retreat) - I'm glad to say I am back. Blogging almost became an addiction. I missed it dearly and am now back to writing again because sharing with those of you who appreciate modern design is a rewarding experience. I find balance in making blogging part of my day, just like eating breakfast.
So, straight to the point: I would like to share with you a few projects. I will soon publish various articles linked to my involvement with other great networks and causes ... as well personal projects like MODERN CAUSE.
Since I love modern art, architecture, design, fashion, interiors, photography and my yorkie Tyson - I am collaborating with those who inspire me in the design world and will share with you other sources outside of design that inspire me every day.
MODERN CAUSE is a blog focused on causes or moments that have touched my heart
MODERNDESIGNSOURCE is blog focused on sources for the modern design enthusiasts of Vancouver, BC
I will be a guest blogger for blog friends Jeans.com and 2Modern to share with readers 2 of my favorite topics of interest: MODERN FASHION and MODERN FURNITURE.
JEANS.COM is a blog focused on my sources for the jean savvy, inspired enthusiast through a designer eye- here I will share with you the style statements of amazing talents
2MODERN is a blog that focuses on my sources for the modern furniture enthusiast, gained through my work with various clients and showrooms.
SEE YOU SOON - looking forward to hearing your comments & design questions!
goat cheese pear tarts
00/00/0000, 00:00 | Design*Sponge
in the tradition of friday’s on d*s i decided to add a recipe to the mix for today’s DIY project. i love goat cheese. i could eat so much of it’s sick. last fall i spent some time researching different tart recipes after i got these cute little “mini-tins” as a gift. i finally settled on trying goat cheese with pear and loved them. these are so easy + they have the advantage of looking like they’re not. they satisfy the sweet & savory thing that i tend to crave. bring them with you to holiday parties and blow those chip & dippers out of the water.
what you will need: (makes 20)
mini baking tins (a mini muffin pan or the like will work)
2 pears
10 oz. goat cheese @ room temperature
1/2 tbsp sugar
dash of cinnamon
1 package puff pastry sheets (in the frozen foods aisle @ the grocery store)
1) preheat oven to 400.
2) roll out 1 puff pastry to a 20 x 20 inch square with a rolling pin,
and cut into 2 x 2 inch squares. grease your tins so the pastry does
not stick. press squares into tins and trim off the excess.
3) chop the pears finely with the skins on. (this adds a little color
to the tarts). stir pears, sugar & cinnamon up. you will probably have
a bit of the pear mixture leftover.
4) spoon and press down 1/2 tbsp of goat cheese onto the bottom of the
pastry and add 1 tbsp of pear mixture on top.
5) bake at 400 for 25 minutes. the edges should be golden brown.
6) take out of oven and let cool for 10 minutes. you will be able to
pop them out if you properly greased your tins. enjoy. i like to serve
them with a nice glass of white wine. yum.
holiday fair map
00/00/0000, 00:00 | Design*Sponge
these maps are by uk artist chris kenny. i think they are stunning. the detail blows me away. i made a google map with the fairs i covered this week (+ others that were mentioned in the comments and emails i received.) this map is open to be edited by anyone, so go ahead and add fairs from your area to it. (you need a google account to add fairs to the map but anyone can view it.)
i’d like to thank grace for having me here in this space. highlighting these fairs, artist’s & diy projects has been such a thrill. my aim in promoting these fairs has been to encourage people to check out their local holiday fairs for your gift buying needs. these events are really fun to attend. usually there is music, food, sometimes workshops, and of course truly unique holiday gifts. these tough economic times are forcing everyone to cut costs this holiday season. i believe supporting your local economy, and artists is always a good place to put your money + there are always some incredible deals to be had at these shows. this season if you’re in the chicago/milwaukee area i’ll be selling here, here, and here. stop by and say hi. i love meeting people at these fairs because i’m usually holed up in my studio all day chatting with my cat (no joke). for more info about what i do you can check out my shop, blog & flickr. happy holidays!
The Enertia House
00/00/0000, 00:00 | Green Home Building and Sustainable ArchitectureThe Mother Earth News editor said that these homes had been featured in their magazine before. They essentially provide two wooden shells for the home, one inside the other. She said that there was no mention in the article about the cost per square foot. She was wondering what I thought about the concept from the standpoint of sustainable architecture.
Here is my response:
Double envelope house designs have been around for several decades and they definitely offer some benefits, as well as raise some questions. Any house that takes advantage of the geothermal properties of the ground will be doing its inhabitants and the earth a good turn. This can take the form of earth-sheltering in general, or some clever system of circulating air like the Enertia concept; coupled with sensible passive solar design, it is possible to approach a "zero energy" home.
The concerns about their system that I have are: The use of wood as the primary building material is not generally sustainable in this day of lost forests. With the double envelope design, you are practically building two houses to end up with one. Relying on wood as a thermal mass material compromises the potential thermal performance because wood does not serve this function nearly as well as traditional masonry thermal mass materials. So, I guess what I am saying is that a more sustainable and less costly design can be accomplished in more traditional ways.
Clark Snell of www.thinkgreenbuilding.com wrote, "I spent five minutes looking over the web site, so these comments are only based at looking at marketing materials, i.e. they may be inaccurate. Ditto what has been said so far. A couple more “red flags:”
- Solid wood envelope. They seem to be using the old “mass enhanced R-value” argument for why solid wood walls perform well thermally. I think it’s well established that this is true only in very specific climatic situations. Touting solid southern yellow pine walls in comparison to solid white pine walls is like saying a Chevy Suburban gets better gas mileage than a Hummer…that’s not really a useful statistic.
- Energy without oil. The presentation intimates that this is a completely passive design. For example, no heating system is mentioned. That simply isn’t credible for most climates using the technology they are describing.
- Passive means local. You simply can’t create a design that relies heavily on passive techniques and generalize it across climates. In my area where we have high humidity, I’d wonder about this convective loop through the attic and basement, for example.
I could go on. I’m a passive design freak, so I’m all for the basic concepts they are dealing with. However, I don’t see anything really new here, but see marketing claims touting what they are doing as a major breakthrough and “the answer”. That always makes me nervous."
David Eisenberg, of www.dcat.net wrote, "After a skimming around their website, I see that they sell kits and their base prices don't include a lot of things - some of which are enumerated:
That's a pricey list of not includeds and notice they say nothing here and I saw nothing in my quick scan of the site about some really big and typical costs like excavation and foundations, below grade walls, or basement floor. They say this is a structural package but they don't mention all the things that are going to be extra that most people would expect in a house - plumbing, wiring, fixtures (electrical and plumbing), stove, etc. and especially that the solar PV and thermal water heating systems are not part of the package. It would be nice if they said right up front and clearly what they do and don't sell. And they should make it very clear that all the prices include only the factory labor, not the cost of actually assembling and finishing these structures.
But the biggest issue I have is that these are essentially double wall structures using an enormous amount of thick, milled lumber, which appears to use many times more wood than goes into a stick frame house. It would be interesting to see if they use more wood than a comparable log home. They'll likely be more energy efficient than a log home, but they'll use as much or more wood. Which raises all sorts of issues about the sustainability of this venture - beyond just the trees cut down - much bigger transportation, milling, probably kiln drying impacts as well. The concept is fine and likely works reasonably well in most climates. I'd need to see much more actual performance data and of course real cost data to be able to make any kind of realistic judgment of the viability of this concept as anything more than a niche market system. But between the costs which are going to be very high and the amount of materials going into one of these, calling it sustainable seems like a real stretch."
And finally, Jeff Judkoff of the National Renewable Energy Laboratory, wrote: "The concept of "Double Envelope" homes has been around since at least the 1970's. A number of them were built in the late 70's early 80's. Some variations of the concept were published in the Solar Home Book, by Bruce Anderson and Michael Riordan in 1976, Cheshire Books. Other publications in that time frame also showed the concept. The only truly new concept here is the notion that the resins in the wood behave as phase change storage materials. I have no idea if that is true, but I doubt it because the most common phase change is from a solid to a liquid, in which case the resins in their liquid phase would leak out creating a mess. That's not to rule out the possibility that some tree resins could go from a solid to semi-solid phase, or that they are encapsulated in the wood, I just don't know if they can, and would only be able to determine it through controlled scientific testing in a calorimetry chamber. Phase change storage can really be a big boost to the performance of many flavors of passively heated and cooled homes.
There are many ways to acheive highly efficient homes that more or less "heat and cool" themselves. Different approaches have different costs and will work better in some climates than in others. In Colorado, my lab, NREL, worked with Habitat for Humanity to create a net energy producing home. We used super insulation, passive solar tempering, ventilation heat recovery, engineered shading, solar hot water with a backup instantaneous water heater, compact flourescent lighting, and PV. We also have more than a years worth of detailed data to prove the performance of the home (it really was a net energy producer for the last year).
I saw no data to indicate how well the Enertia home actually performed from an energy perspective. Cost, energy performance, and comfort are the key criteria by which to evaluate such homes, and data is always better than arm waving, or catchy theories. Nothing beats the scientific method for objectively determining the value of an idea."
MODERN ARCHITECT - NIGEL PARISH
00/00/0000, 00:00 | GAILE GUEVARA
Architecture & Interiors by: SPLYCE
Location: Vancouver, Canada
Specialty: residential and commercial renovations to custom furniture and landscapes
Project Highlights: Renovations of West2nd and West 7th private residences
Interior Photography: Michael Boland Photography
The great thing about blogging is that I have gained such a great sense of community, meeting so many amazing talents from all corners of the world and also reconnecting with the local design scene. Earlier this year I was honoured to read a kind comment from one of Vancouver's most talented architects, Nigel Parish of SPLYCE. I came across his work last year while sourcing images for modern west coast architecture. Over the past months, I have been lucky enough to learn more about Nigel's work and approach to both architecture and interiors. You can see through his work the merging of the structure and interior volumes of space holds a strong relationship and is seamless. I admire his keen sense of attention to construction details in exploring natural materials in flush exterior cladding and the combining of economical yet quality materials.
Here is an example of his work shown in the West 2nd renovation project on a 1,200 sq.ft. 1950s apartment. Love the detailing of the hardware and open staircase using laminated glass treads. Another favorite of mine is the West 7th Penthouse renovation, where his attention to details is well executed through the design of a multi-functional built-in that cleverly includes a movable cantilevered worktop.
His bio reads "The fascination with craft and how things are made is reflected in all of Nigel's work by an acute attention to detail on every scale. From the broader conceptual organization of spaces to the finer detailing and selection of finishes, Nigel strives to apply meaning and purpose to all design elements. Design decisions based on the specific and unique parameters of each project, such as site conditions, budget constraints and client's wishes, always take precedent over style and popular trends. The results are objects and spaces infused with meaning and lasting beauty." - this is well represented in his work. Stay tuned for the soon to come feature magazine articles on his recently completed home renovations in West Vancouver. Excellent examples of icon additions to Vancouver's collection of modern westcoast homes.
To see more of Nigel's work, see slideshow
MODERN INSPIRATION
00/00/0000, 00:00 | GAILE GUEVARA
To see complete inspiration library for MODERN WHITE view slide show
Today is a special October 12 - I share with you a MODERN INSPIRATION DEDICATION in honor of today's birthday. The birthday of a talented designer, artist, visonary, spirit and loving friend DONNA TOPPINGS.
MODERN HOMES - MAJORCA + SINGAPORE + LONDON
00/00/0000, 00:00 | GAILE GUEVARA
Images provided by SHOOTFACTORY
View the complete inspiration library of images as a slideshow
Thanks to amazing blogs out there like one of my new favorites by Justin Anthony of materialicious he shares with readers his amazing sources on residential architecture, design, craftsmanship, materials and products. An excellent resource. Featured on one of his articles is an amazing company SHOOTFACTORY based out of the UK. "shootfactory is a full-service location agency, representing UK and international properties, studios and venues for TV, film, photo shoots, product launches and events. With over ten years’ international experience in our respective arenas of photography, styling, location management and production, we are committed to providing our location owners and clients with the best service, advice and support." Shootfactory is great option for clients to consider to turn their vacation properties into a source of income while not in use.
Here are a few examples of the many amazing interiors Shootfactory features. My top cities for modern inspiration MALORCA + SINGAPORE + LONDON.
MAJORCA - "Modern lifestyle studio in SE Mallorca (Majorca). Superb daylight. Open plan. Internal and external studio spaces. Props and lighting."
sneak peek: dolan geiman
00/00/0000, 00:00 | Design*Sponge
it won’t take you long to figure out that dolan geiman’s chicago place isn’t what we typically feature in our sneak peeks. but looking through his images and reading through his descriptions felt like i was unlocking a treasure chest full of great stories and memories into the world of dolan geiman. it’s funny to think about where everything we own comes from and the stories behind it. and it’s very clear from dolan’s work how his surroundings inspire him. be sure to click here for more full-sized images, with complete descriptions, and you can find more of his work here (psst…there’s a sale!) and his blog here with all sorts of fun stuff he has in the works. [thanks dolan and ali!] -anne
[Above: This is the area I refer to as “the waiting room”. This is where my pal Chris Nightengale, fashion photographer extraordinaire, does some of his shoots. The mint colored chest of drawers is entirely metal and was a gift from my friend Denny, who always has been a wonderful inspiration in my life. He lugged this heavy thing to me when I was down on my luck and living in an unheated rat-hole apartment in Virginia. Now it looks a little better, as does my luck. I found the globe in a dumpster in Charleston, South Caroline, and the artwork, Jazz Atlas (2008), is one of my collage constructions made from magazines I found in old farm houses. [Photo credit: David Schalliol]
Yours truly at work. . . This is the Art Machine. There is a long story behind the Art Machine, but essentially I made this out of old doors and found objects from a soon-to-be-demolished house I was living in when I first moved to Chicago. Hockshop refers to the name of my previous studio and gallery in the Pilsen neighborhood of Chicago. Under the moniker Hockshop, the Art Machine debuted in Chicago during a yacht-based art show organized by Bridge Magazine (now called Bridge Art Fair, they produce expositions in London, Miami, New York, and elsewhere). The top of the Art Machine is an old canvas tent that my granddad used when hunting in Canada and which I screenprinted with various images. The little squares of metal on the front are hand-cut signs I grabbed in a scrap yard in Stuarts Draft, Virginia. The little Panel Paintings, on the wall behind the Art Machine, are the staple of my art business. I make about 1000 of these things a year, out of recycled wood, recycled paint, and water-based silkscreen ink. This is my carnival area, I like to say, because the combination of the Art Machine and the Panel Paintings presents a nice sideshow feel. [Photo credit: David Schalliol]
This is a cabin-like installation just inside the front entrance of my studio. I created this out of salvaged wood, found billboards, and old signs I’ve found along the road driving to and from art fairs. The raw wood slats were given to me by my pals over at Circa Ceramics who were using them as shelving. I found the deer head while exploring an abandoned barn in Ohio. I saw one of the antlers sticking out of the floorboards. The rusted milk can was used by my dad when he milked cows as a kid. The old glass bottles adorning my bottle tree surfaced outside my warehouse building when the City dug up the cobblestone street in preparation for resurfacing the road. The green bucket is full of shotgun shells I gathered from a shooting range in southern Illinois. The buoys have been collected from various coastal towns including Key West, Cape Cod, and New Orleans. I grabbed the screen door from an abandoned general store in Virginia, and I bought the lentil above the door at a yard sale here in Chicago for only five dollars. I’ve started collecting green and greenish-blue boxes from abandoned warehouses here in Chicago. [Photo credit: David Schalliol]
This is the back side of the entryway installation. This is where I feel most like a mad scientist. And yes, in case you’re wondering, there is a whiskey flask in the bottom drawer. I found the chair in an old farm house in North Carolina and screenprinted the back and seat myself. The desk was left in the basement of my last apartment and could kill an elephant if it fell on it. I had to use a truck jack and three retired football players to transport the desk when we moved into this space. The framed oil painting on the floor was hanging in my grandma’s den when I was a kid. She was trying to throw it out when I intercepted it. The red dolly in the corner I bartered from an old (semi) drunk barber for two six-packs of Old Style beer. I think he got the better deal, but at least it looks cool. I snagged the green metal hanging light from a warehouse here in Chicago. Above my desk is one of my inspiration clotheslines. I’ve found this is the best way for me to display various ideas and my notes to myself. The little white paintbrush holder sitting on my desk with the face on it is a ceramic mug made by my pal Ed Brownlee. Ed is about two pints away from being mistaken for a criminal, but he’s a damn good artist and has an enormous heart. [Photo credit: David Schalliol]
Our building has a green roof, which Ali helped plant, and this is where the plants were stored before they were given the outdoor penthouse suite. The equipment featured in the photo is one of our landlord’s lathes; he collects old, industrial machinery amongst other things.
This is my little shrine to Johnny Cash. On the day Johnny Cash passed away, I was getting ready for an opening at Unit B Gallery, formerly in Chicago and now in Austin. The work I was showing was loaded with connotations of death and resurrection and was called the Tombsigns of St Emmeline. The synchronicity of the event was really overwhelming and would have seemed spooky, except that I seem to attract energy like that and I am open to it. The week before I was eating pizza in St Louis and some kid was skateboarding nearby with a boom box and he was playing Johnny Cash’s last recording. When I asked him about it, he said he didn’t know it was Johnny Cash, and that he had just found the tape under a tree and liked the sound. I found the whiskey jug on the bottle tree in the dirt behind the warehouse. The butterflies are screenprinted on wood and were part of a spring window display for a local shoe store . . . I use one corner of the studio for staging photos, both for Etsy and for print brochures. The mantel was a gift from a T-shirt printer (48 Industries) in the building, a fellow scavenger. [Photo credit: David Schalliol]
Stuff I love: plastic dice, old painted nail, orange train ticket to California (1898), list of numbers in Spanish, green feed tag, hand-drawn family album for collage, Virginia text from a high school Math book cover. [Photo credit: David Schalliol]
In this entryway installation close-up, the fresh eggs (fresh eyes) sign was a studio warming gift passed on to me from my buddy, artist Michael Merck, who grabbed it from a little Mexican street cart. I found the paintbrush hanging on a hook in a bathroom of a warehouse I was occupying while living in Virginia. It’s the only paintbrush I own that’s never been used for painting. Below the brush is a catfish sinker I bought when I went fishing in Kentucky last year. The rooster painting, Dirt Road Series IX, is one of my own, silkscreen and acrylic on recycled wood available here. He’s a good pet and doesn’t eat food or make any noise. He just sits there lookin’ pretty. The books to the left of the rooster are my sketchbooks. I use old books for my sketchbooks, pasting ideas and collage materials into the existing pages, instead of buying new white-paged, sterile sketchbooks. I think it’s important to be surrounded by many different textures, so I started collecting the softballs over the past four or five years. Almost every time I make a trip down to a river, I find softballs stuck in leftover flood debris and so I started saving them in this locker room bin. If you like metal baskets like this one, you can find some here. The blue oar is a mystery. I found it one night in the middle of the road while I was driving through West Virginia. The strange part was that one end of the oar was tied to a tennis shoe. I kept the oar; the shoe didn’t fit, so I left it. Above the fresh eggs (fresh eyes) sign is a wooden gun I made from a piece of billboard I found in Indiana and then adorned with little metal objects from an old trade school parking lot. Finally, the rooster painting is sitting on an old hen crate, used by my granddad to take chickens to market. Ali won’t let me get chickens yet, but I’m working on it. [Photo credit: Kara Elliott-Ortega]
Included in this shot are an Ed Brownlee mug (paintbrush holder), comic book collage materials, old picture frames found in a barn in Kentucky, a bluebird collage in progress, and a couple print proofs. Used paint cans, thrift store mugs, and Quaker Oats bins are used to hold brushes, pens, and markers.[Photo credit: Kara Elliott-Ortega]
Davide Macullo & Marco Strozzi - House in Comano
00/00/0000, 00:00 | Modern Residential DesignDavide Macullo & Marco Strozzi
Hard covered book - This house by Davide Macullo appears an industrial bunker at first glance from curbside, yet opens up to the garden and to delight once inside.
Overview
Proving you shouldn't judge books by their cover, this house located in Comano, 5 km north of Lugano (Ticino), is set on the border between more traditional buildings up the hill and a new urbanised area on the plains below.
Layout
The construction stands on the lower part of a steep slope.
Consisting of three main rectangular units, each of which leads out onto a different level of the terraced plot.
The huge entrance porch, that serves also as covered car-park, is carved into the hill as a cave; leaving the upper volume as if “floating” in the green landscape. The void generated between the three main volumes, hosts the stairs that link the levels. Rather than full storeys between each, the stairway connects each level at a landing, half a floor apart, giving the feeling of walking on the natural slope of the land.
Bedrooms on the first floor, leave the second floor and a single covered porch to be bathed in sunlight from across the valley. Services and less used rooms are tucked away towards the read of the house, closer to the hillside.
Half a level down from the elevated covered porch, is the living room, which leads out to the pool and main terrace.
Further images below reveal how the light filterers through between the disjointed floors. The strong façade, sheltering the house from views, whist the stepped design, allows the outside and light to come in to each of the living rooms.
Plans
Architects: Davide Macullo & Marco Strozzi
Collaborators: Laura Perolini & Michele Alberio - Como - Italy, Margherita Pusterla - Varese – Italy
Completed: 2007
Engineer: Ideal Ingegno SA - Vezia - Switzerland
Physical engineer: Franco Semini - Lugano - Switzerland
Project manager: Ennio Magetti - Minusio - Switzerland
Photographers: Enrico Cano - Como - Italy & Pino Musi - Milano - Italy
via: Davide Macullo
Shubin + Donaldson Architects - Santa Barbara Riviera Residence
00/00/0000, 00:00 | Modern Residential DesignSanta Barbara Riviera Residence
Sun Filled in the Hills - Shubin + Donaldson Architects have created an ideal place to soak up sun and views in the Santa Barbara hills.
Client
Owners Geoffrey Moore and Genie Gable searched more than a year to find a site that met their exacting and almost-contradictory requirements.
- Moore (international businessman and writer who, when not travelling, splits his work time between a home office in Santa Barbara and a corporate office 85 miles south in Santa Monica) wanted a shaded, quiet office space filled with cutting-edge technology for global communication where he could write without distraction.
- Genie, his wife (principal of Genie Gable Interior Design, and a graduate of the Professional Design Program at UCLA, studied in the masters classes of Rose Tarlow) sought sun-filled spaces with unimpeded views of the nearby Pacific Ocean and, at night, the city lights of Santa Barbara.
The public rooms reflect her specialisation of modern design in modern homes.
Although by Santa Barbara standards the home is relatively compact (Moore and Gable are empty-nesters) no space is wasted. "We use every room every day," she says, "and never tire of the constantly changing light from the ocean to the south, the canyon to the east and the mountains to the north."
Program
This relatively small house (when compared to its neighbours) has all of the elements of a 5,000- or 6,000-square-foot house in a tidy, 3,200-square-foot package. The three-level home and two-car garage include open living/dining area, kitchen, master bedroom and bath, guest bedroom and bath, home gym, powder room, two home offices with office bath, outdoor dining area, outdoor lounge areas, lap pool, and 1,400 square feet of lower-level storage.
Design
Hidden environmentally sustainable design - Though not immediately obvious, this house embraces several green design characteristics.
- The house layout is based on solar orientation, resulting in passive solar gains throughout the year.
- Photovoltaic power generates household electricity through a 2.8kw system (when power is not needed, it feeds back into the grid).
- A passive roof-top solar heating system provides for domestic hot water and a passive solar ground-level hot-water system is used to heat the pool.
- The natural flow of hot and cool air is fortified by the use of radiant hot-water floor heating and separate central air conditioning in the ceilings. - Although these systems are in place, they are rarely used because of the solar orientation of the home and the natural ventilation.
- The architects re-used the existing foundation and caissons. During construction, the existing house was taken apart piece-by-piece, with all usable elements donated to Habitat for Humanity.
- Other energy-saving systems include double-pane windows, UV-resistant glass, ample insulation, and energy-efficient appliances.
- Deep exterior overhangs are designed to provide shade in the summer, and let in sun during the winter.
Style
A dramatic glass canopy ceremoniously marks the entrance to the home, bisecting the ground-to-roof planes of glass that form sidelights and clerestories. Throughout the house, walls intersect with glass in a play of solidity and transparency. There is a certain efficiency of design in the layout, yet it provides all of the amenities so that the house looks and feels like a five-star private residential club. By taking up minimal space (what's absolutely necessary and no more) the house also takes up minimal resources.
A monumental feeling is emphasised by designing the house to constantly open up to the outdoors. A neutral colour scheme complements the colours of nature that comprise the predominant palette. An infinity pool just outside the living room leads the eye to the ocean and the Channel Islands beyond. Four separate terraces surround the house, continuing the indoor/outdoor feeling and accessibility.
Each room affords great vistas as well as stunning natural light throughout the day. Large windows create frames for nature. Floor-to-ceiling bookshelves complement the mahogany living room wall that houses an entertainment centre. Set into the wall, and surrounded by floor-to-ceiling glass, it acts as an extension of the outdoors. Doorways in general (even in the limestone-clad bathrooms) are taller than usual and lead the eye upward to be rewarded by either natural light or a beautiful vista. Dark walnut floors and softly minimalist furniture are sophisticated and inviting. Bedrooms and master bath look out to the ocean. The kitchen faces the hillside, emphasising how the house maintains a connection with nature.
Plans
Firm: Shubin + Donaldson Architects is a high-design architecture firm that specialises in developing livable environments. Headed by partners Russell Shubin, AIA, and Robin Donaldson, AIA, the firm tailors its projects (custom residential, office buildings and interiors, retail, hospitality, planning, and multi-family housing) with a refined sensitivity toward the land and context.
Architect: Shubin + Donaldson Architects - Robin Donaldson, AIA, Principal and Russell Shubin, AIA, Principal
Project Team: Nils Hammerbeck, Daniel Webber, Kelly Kish, Allison White, Josh Blumer, Alan McLeod, and David Van Hoy
Interiors: Genie Gable Interior Design
Contractor: Quillin Construction
Landscape: Lane Goodkind
Photos: Ciro Coelho
Article & Imagery: Courtesy - Taylor & Company (many thanks)
via: Taylor & Company
Drew Mandel Design - 83A Marlborough Ave
00/00/0000, 00:00 | Modern Residential Design
Infill house on a 13ft wide plot, becomes feature residence of the street - Drew Mandel has used every inch of this brownfield (ex 1 car garage & garden) site to create his ideal residence. Influences of Frank Lloyd Wright and Rudolph Schindler eminent in the residence's façade lead to elegant use of wood detailing for the interior.
Overview
Drew, an up and coming Canadian architect snapped up an “interesting” plot, that his colleague at MacLennan Jaunkalns Miller Architects, David Miller had on offer. Setting out to create his debut "big time" design, Drew won a number of awards in Toronto and Canada. The house is an impressive example of modern infill, coming in at a modest $182 per ft2.
The Lot
Miller and his architect wife, Amy Falkner, had obtained a minor variance allowing them to build to the very edges of the property line without the usual margin of grass or ground cover. (It's only because the houses on each side are set back from the lot line that there is any space at all between the Mandel-Cooper house and its neighbours.) To support development, the municipality had allowed a substantial increase in the floor space, from 908 to more than 1,280 square feet above ground.
Their relatives labelled the plot a bowling lane, Mandel and his wife like to think of it as a lane each.
Design
Focusing on commercial design at work, Drew’s evening efforts on his own house pulled from his designs of multiplexes, community centres, libraries and banks. The main Achilles heel of the plot, the extended walls down either side of the property, led Drew to (as he sometimes reflects) to overcompensate with house glass panels at either end and a large light well at the centre of the build. I disagree; the house is fantastically bright and airy.
Breaking the house away from other designs out there and I believe linking it to his favoured FLW and Rudolf, is the use of patchwork glass rather than a large expanse of industrial like uniform façade. A cute modernist take on the Juliet balcony protrudes from the master bedroom, breaking the rear wall further and allows great views down to the meticulously landscaped garden, that complements the house so well. Adding to the functionality of the glass façade, a large central panel pivots to allow bigger pieces of furniture to be hoisted in.
Bringing in that industrial design know-how resolved the issue of construction methods too. Such a narrow tall design refused traditional frame design used in residential projects, meaning an industrial to balloon framing technique was adopted. Steel supports for the entire 38-foot length of the walls were put up first, and then the floors were locked in afterwards.
Further industrial features of the house include the two ramps from the entrance of the house to the living room and from the master bedroom to the second bedroom, a comfortable alternative to stairs.
Layout
From the semi-subterranean guest room at the front of the house you head south up the ramp to the living room, then north up five stairs to the dining room-kitchen floor, then south again up the house's only full flight of stairs to the master bedroom and bathroom. Finally, completing the layout you head north, up the second ramp to the second bedroom.
The Result
Drew and Denise have blown their relatives away. Despite the restricting plot they've created a house that through it's high ceilings, skylights and maximum glazing at both ends is a bright, spacious and airy home.
Plans
Architect/Designer: Drew Mandel Design
Client: Denise Cooper & Drew Mandel
Completed: 2007
Structural: Blackwell Engineering Ltd. (David Bowick)
Builder: T. Fijalkowski & Associates
Site Plan Approval: David Miller & Amy Falkner
Lot:13' x 115' or 1560 ft2
Costs: $182 per ft2
Information courtesy of: Drew Mandel Design
Bernardes + Jacobsen - CF Residence
00/00/0000, 00:00 | Modern Residential Design
Steeling the show - Blessed with a great plot and open brief, a lightweight, transparent, horizontal building, was what the architects Thiago Bernardes and Paulo Jacobsen designed.
Overview & Plot
Located on a plot in the picturesque condominium Portogalo in Angra dos Reis, Rio de Janeiro, Paulo Jacobsen and Thiago Bernardes wanted to accommodate a large family retreat taking full advantage of the plot and its location. The challenge was how to minimise the buildings impact from roadside - difficult with such a large house.
Departing from traditional Brazilian wood or brick structures the house employs steel to span the vast openings that connect all rooms to the views below.
The svelte steel corner pillars provide minimal interruption to the open plan dining and living area of the ground floor. In summertime (almost constant in Angra dos Reis) the glass panels dividing this area up slide away to provide an enormous expanse of shade.
Half way up the façade, and providing elevated viewing to the bedrooms are two outdoor balconies of Peroba wood, these break up the stark white of the lower level and the surrounding steel structure. The wood is also used throughout the second level interior, and as a lining the the vast roof span.
Continuing to the roof level, tropical storms and heavy rain, common in the early part of the year in Rio de Janeiro are caught by large glass overhangs, which still let light through to the bedrooms. The glass also blurs the connection between the roof’s reflecting pool, paved with green ceramic tiles, imitating the colour of the inlet and sea beyond. The same applies to the pool on the terrace, which seems to fall into the sea. This camouflage, and the fact that the house is set into the hillside at the rear, reduces its size, as to the thin steel structures, elongating its horizontal structure. It’s only from below, backstroking in the pool that the house’s true size is revealed.
Layout
With the entire ground floor dedicated to the pool, dining and entertaining, the upper level provides the entrance and 4 bedrooms with en-suite bathrooms. Originally two giant bedrooms, the sets of two our housed either side of the atrium over the pool. As you enter the residence through its large dark wood doors, the bedrooms act as blinkers, focusing the view out to the water beyond.
A small seating area between allows you to contemplate, and perhaps acts as a formal arrival area. From here, “grand” staircases head both inside (left) to the living room, and outside (right) to the pool area (Bernardes + Jacobsen are renowned for impressive staircases).
The Result
Now complete in a 4 bedroom layout, this family retreat seems to have all one needs for a relaxing weekend. The thin steel structure and stretched horizontal roofline give it the appearance of a lightweight marque or stretched canvas roof. A seaside camp that mirrors the water beyond. Yet, from within, there is no doubt that this house is: permanent; modern and luxurious; and will provide a great weekend spot for years to come.
Plans
Architect/Designer:
Bernardes + Jacobsen
Client: Carlos Firme
Construction: February, 2001 – December, 2003
Materials: Steel structure, stone, wood, glass and Ceramic tiles
Built area: 1024m2
Plot: 2000m2
Information courtesy of: Bernardes + Jacobsen
Bernardes + Jacobsen - Vila Nova Da Conceiçao Residence
00/00/0000, 00:00 | Modern Residential DesignVila Nova Da Conceiçao Residence
Smoke and Mirrors - once past the solid industrial façade of this residence, light, shade and reflections open up this hemmed in residence by Thiago Bernardes and Paulo Jacobsen.
Overview & Plot
In dealing with a narrow conical plot near Ibirapuera Park in São Paulo, stretching the layout and smart use of structural steel, has rewarded Thiago Bernardes and Paul Jacobsen.
The sloped plot, required them to play with the layout of the house, spreading out and reordering the location of the office, five bedrooms with en suites, and the gym into a plot of just 760m2.
At the narrow entrance end of the plot sit the service area, laundry and garage, just below ground level. Half a level above street height and just a little further down the plot are the entrance, kitchen and dining room. From here, an impressive atrium carries you either: down a long set of short depth stairs the living room, home theatre and gym; or upstairs to the five bedrooms. This atrium is an amazing planted area with bamboo and foliage abound. Through glass openings above; it appears light and airy, despite being in the centre of the narrow plot.
Key to the project is this area of vertical circulation. It is composed of a set of stairs and bridge, illuminated by openings above, which give the residence spatiality that is unusual. Through this atrium, emphasis was also placed on the secondary entrance, access between the house and garage, used every day, but often ignored in design.