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holiday fair map
00/00/0000, 00:00 | Design*Sponge
these maps are by uk artist chris kenny. i think they are stunning. the detail blows me away. i made a google map with the fairs i covered this week (+ others that were mentioned in the comments and emails i received.) this map is open to be edited by anyone, so go ahead and add fairs from your area to it. (you need a google account to add fairs to the map but anyone can view it.)
i’d like to thank grace for having me here in this space. highlighting these fairs, artist’s & diy projects has been such a thrill. my aim in promoting these fairs has been to encourage people to check out their local holiday fairs for your gift buying needs. these events are really fun to attend. usually there is music, food, sometimes workshops, and of course truly unique holiday gifts. these tough economic times are forcing everyone to cut costs this holiday season. i believe supporting your local economy, and artists is always a good place to put your money + there are always some incredible deals to be had at these shows. this season if you’re in the chicago/milwaukee area i’ll be selling here, here, and here. stop by and say hi. i love meeting people at these fairs because i’m usually holed up in my studio all day chatting with my cat (no joke). for more info about what i do you can check out my shop, blog & flickr. happy holidays!
Frederico Zanelato - Casa Martins Siquiera
00/00/0000, 00:00 | Modern Residential Design
A True Weekend Retreat - Ferederico Zanelato's own house no doubt paved the way for the design of this marvellous family home near São Paulo. Maximising the slope of the plot, this house spreads living over three levels in three distinct zones.
Overview
The embracing the views of the Serra do Japi was the "be all" and "end all" of this build.
Frederico wanted a house that stimulates discussion, where spaces are integrated and connected to each other, as well as the surrounding plot. Conveniently the plot is well orientated to minimise the suns impact on the residence, and thus the requirements of air conditioning. Frederico's skills at minimising materials and specifying kept this build in economical proportions as well. Total construction cost $510US/m².
Lot
Located in a condominium between Jundiaí and Itupeva, 60km from São Paulo, 1000m², with a mild slope and a fantastic views of the Serra do Japi.
The client
A happy young couple with two children, a child and an adolescent and many friends. They wanted a home for the weekends, a place for unforgettable moments, for parties, to receive guests, relax and create. As an advertising director and businesswoman, respectively, the husband and wife team are usually based in São Paulo, and required a "retreat" from the hustle and bustle.
Following the topography of land and its geographical position, the house was designed in three blocks; intimate, social, and service, linked by an elongated circulation area of three distinct levels.
A single open plan wing for the living room, dining and kitchen is connected by a hallway to the rear block of two levels.
To the left of the hallway: two storeys and 4 bedrooms. To the right: the services/utility area and above, private office.
Access to the home is through a wooded avenue. The façade clearly indicates two blocks separated by a large panel of wood, the main door, which when opened, mimics the tree lined avenue. Up lighting is used to create sensations and justify the texture of materials in the entrance way.
Just inside the entrance are doors leading to two of the four bedrooms and stairs to the second level. Both levels overlooking the central courtyard or "birds square" as the owners refer to it. Wooden shutters afford shade and further privacy to these rooms, breaking the white façade nicely and distinguishing the two areas.
This courtyard receives morning sun and cross ventilation through strategic openings, making it a year round pleasant breakfast spot.
Passing the courtyard on your left as you head away from the entrance, you arrive at the social wing. Pleasantly shaded, overlooking the pool, a leisure area and further behind, views to the Sierra Japi.
Here, kitchen, dining and living room intertwine. It’s position between the "birds square" and the swimming pool area is strategic, for coexistence and as a buffer between the two zones: repose and action. The "birds square" works as a further filter between the social and private wings and creates an open intimate space.
The outdoor rooms, or BBQ area, is located in the largest free area of the plot. It too is open to those views that inspired the choice of the land: the Serra do Japi.
Half way to the second level bedrooms, the circulation area opens to a roof deck over the living area. Used as a mini-golf course, the deck is also the only access to the owners workshop and hidden office, which is above the service wing.
The choice of materials was defined according to the function of each area obeying the basic rules of environmental comfort and wishes of this family.
The Result
A house zoned into three distinct areas, each buffered from the other by the outdoors that allows for private retreat or very social entertaining.
Plans
Architect: Frederico Zanelato
Co-authors: Marcelo Miua and Fernanda Kano
Student: Regina Sesoko
Structures: Vagner Garcia de Oliveira
Photos: Bebete Viégas
Completed: 2007
Costs: $510 US/m²
Information courtesy of: Frederico Zanelato
Diarmuid Gavin Designs | Chelsea Garden - Oceânico Garden
00/00/0000, 00:00 | Modern Residential Design
Changing Residential Design for Landscape Design - Stepping away from houses, I thought I'd cover the big news this week in London, the Chelsea Garden show.
The show, as well as showcasing the latest in gardening, showcases some fantastic Landscape gardening. A stand out in my mind, was the Diarmuid Gavin Designs | Oceânico Garden
What got me next was the fantastic crate like design of the garden shed.
Three of the four walls fold down on hot days, or fold up in increments for wind or winter use, with the top 300 mm folding out to form some shade protection, or ventilation, when the other walls are closed.
I think it's a great solution for outdoor entertaining!
It's kind of a miniature Crosson Clarke Carnachan Architects | Coromandel House
Layout
The Royal Horticultural Society describe it thus:
The Café Garden is a place for people to stop, sit, relax and to immerse themselves in the atmosphere; it is a haven from the hustle and bustle of everyday life.
The garden opens to a clearing to reveal an open wooden pavilion with slatted wood sections for shading visitors. Inspired by a set of 1940s-style French mesh work chairs, outsized, stainless steel daisies are the centre of drama in the garden.
The daisies burst out of the ground and tower above the garden, set at varying heights among rich planting and a deep green jungle of foliage.
Tables and chairs with leafy parasols are interspaced within the planted areas.
Beyond the café, there is a forest of lollipop Catalpa trees and daisies, a dreamy backdrop to complete the scene. Pathways link the seating areas.
And, The Telegraph have some fantastic panoramas:
Of the Oceânico Garden, And others.
More on the Chelsea Garden Show from the Royal Horticultural Society
Life Preservers for Polar Bears On Sinking Arctic Ice
00/00/0000, 00:00 | Inhabitat
As the climate crisis mounts and Arctic icebergs slip away, polar bears are suffering starvation, population declines, and drowning as they must swim further and further to find food. Seeking to raise awareness for the endangered species’ plight, ADDI Concepts has taken wildlife preservation literally by designing a life-vest for displaced polar bears struggling to stay afloat as their homes sink into the sea.
Greg La Vardera's Dream Will Come True!
00/00/0000, 00:00 | FUTURE HOUSE NOW
Via Materialicio.us (here and here).
Image credit - LamiDesign Modern House Plan Blog
Arkhefield - Couran Point House
00/00/0000, 00:00 | Modern Residential Design
Island retreat - The team at Arkhefield bring us one of their latest residential wonders in form of a simple, low maintenance, sustainable living volume which can be enjoyed all year round. The motives behind the design - maximising space and privacy - are attacked head on, as are the isolation and harsh climatic conditions on the island with basic low maintenance materials. The resulting simplistic structure, appears as a coastal tree, with its roof-line shaped by the strong winds and elements. Elements from which it can hunker down further, shelter, isolate and reorientate the use of external spaces.
Overview
The house offers a stark contrast to the predominant low shacks by the way that it expresses and celebrates volume, simplicity of form and its ability to manage/manipulate the external environment. The house appears to be inspirational amongst the community with many new houses currently under construction on the island being designed and sited in a similar manner. 
The house is a simple extruded profile with its form being solely dictated by town planning constraints. Height, setback and roof pitch essentially created the volumetric section which was extruded to the road and waterfront boundary, then set back to maximize the enclosed space. The house breaks out onto the terraced waterfront on the east, for summer fun and to an enclosed "winter courtyard" on the west. The relatively closed north and south façades retain privacy from the adjacent blocks, and shelter from strong summer sun. 
Design
The isolation of the site put a premium on the construction cost as all materials and skilled labour had to be barged out to the island. These constraints created unique challenges and encouraged a rethink to heavy/bulky build elements that couldn't be barged out to the site. Environmentally Sustainable Design principles of orientation and sitting along with use of solar, gas, rainwater harvesting, bamboo cladding/screening and a thermally efficient monolithic floor slab were all core ideas behind the build.
Layout
The house is split in half down the centre of its length with a large double volume "communal" living space on the north and a 2 level "private" core, comprising of bedrooms and service zones, on the south. The interplay between the two halves of the house creates a sense of inclusion and encourages interaction between family and guests whilst still enabling privacy and seclusion.
Our clients desire to recreate a "Bahaman" styled beach cottage with shingled, pitched, roof and quaint shuttered windows made for a challenging brief. They wanted the house to take them back to the memorable vacations they had spent in exotic locations. Through exploration and development it became evident that decoration and themed architecture may enable brief relapses into the bygone but that intelligent design and the creation of flexible spaces stimulated communal interaction, which was what really recreated that relaxed holiday atmosphere they were seeking. They are extremely happy and are enjoying there "Contemporary Bahaman" cottage which they have aptly named "the shed" out on Stradbrooke Island.
Results
The team at Arkhefield have managed to strip back this brief to the real essence of what the client was after. Conviviality and family togetherness were the clients true request and the flexibility of the hoses and its communal spaces are what makes the house such a wonderful island retreat.
Plans
Architect: Arkhefield [AF employees] - Director, Andrew Gutteridge
Project/Design Architect: Simon Wynn
Project Team: Justin Boland, Julie Tomaszewski
Building Surveyor: Bennett & Francis
Construction completed: July 2006
Hydraulic: BRW Enterprises
Interior Designer: Arkhefield
Landscape: JW Concepts
Lighting: Arkhefield
Structural: McVeigh Consulting Engineers / Steel House Frames Australia
Structure and Frame: Steel House Frames Australia
Builder: Clarke Construction (Kelwyn Cassidy, Steven Parker)
Gross floor area: 355 m2
Project cost per square metre: Client wishes this to be kept confidential
Photography: Scott Burrows
via: Arkhefield
Thank You Design Public!
00/00/0000, 00:00 | FUTURE HOUSE NOWWe wanted something modern and cool, and a little more substantial than a regular "kids bed." There are a lot of neat beds on the market but the modern offerings tend to be really pricey and are too often the kind of thing that will look silly in your kids' rooms by the time they're ten. My wife and I finally settled on a pair of these great-looking platform beds from TrueModern. They cost more than we wanted to pay, but were priced reasonably compared to a lot of other modern offerings on the market (many not as nice), and I think they look great, look well made, and will last the kids a long while.
Now, you can get these from a lot of places but for whatever reason we ordered ours from Design Public. I'd never bought anything from them before, but I'm one of those people who shops online a lot and it's not a really big deal for me to try a place completely new, even for a big purchase - throw caution to the wind, reckless abandon, all that jazz. I really don't recall why I picked them for my order.
So anyway, the beds get ordered, it takes about two weeks for them to ship, and then I get the call from the freight company who will deliver them. Long story short, there is a problem, possibly some confusion, and I am concerned about it. The problem was the freight company, not Design Public or TrueModern, but rather than tackle it solo I decide to call Design Public for help.
I must say, I was absolutely impressed by the extremely friendly and helpful response. I won't get into the details, but I thought that the Design Public staff went above and beyond the call of duty in helping me. I spoke to Jonathan, who was unfailingly courteous and diligent in his follow-up on my issue. I felt like they really cared, that I was valued as a customer, and that Design Public genuinely wanted to take care of me. It was really nice!
Like I said, I shop online a lot without giving it much thought. And I guess I've learned not to expect too much. But really, I thought Design Public were wonderful to deal with. If you want some really cool modern stuff, check out their site. It is loaded with amazing furniture, accessories, lighting, gifts, etc. - you name it. Very nice. It's a small company that's really living up to its mission. I was totally impressed.
Bravo and thanks!
Image credit - Design Public site
Strawboard Panels
00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
Strawboard building panels are a kind of structural insulated panel (SIP) designed to replace 2x4 stud and drywall construction for both interior and exterior walls, as well as provide load and non-bearing ceilings, roofing, doors, flooring, and prefabricated buildings. These environmental friendly, solid panels are made of all natural fibrous raw materials, mainly wheat and rice straw. The durable panels feature thermal and acoustic insulation as well as fire and termite resistance and are available for a variety of applications to speed up the construction processes. While these have been used in over 20 countries for more than 50 years, strawboard panels have only been introduced to the U.S. in the past few years.
Strawboard panels have a solid core of compressed wheat or rice straw. High pressure and temperatures forces the straw to release a natural resin that binds the fibers together. The compressed panels are then covered with either paper liners or OSB that is adhered to both sides with water based non-toxic glue. The standard panel measures 4 feet by 8 feet by 2-1/4 inches to 8 inches, weighing from 140 lbs. to 440 lbs. each. Custom panel sizes are available ranging from 3 feet to 12 feet long.
The panel's high density and low oxygen content does not support combustion. Since the panels do not contain added resins, alcohol, or other chemicals, no flammable vapors are produced. The panels have an R-value of between 3 and 25, depending on the composition and thickness. For permanent protection against insects and fungal decay and additional fire resistance, the boron compound polybor can be factory added to the core.
The product's workability is similar to wood as it can be sawn, drilled, routed, nailed, screwed, and glued. Lightweight wall attachments such as shelf brackets, picture frames, mirrors, and towel bars can be attached directly to the panel.
Since straw is a renewable by-product of wheat and rice production that becomes available annually, it takes less acreage (by about half) to build an equivalent house than with standard lumber, and which would then potentially preserve that forest for ecological habitat and CO2 sequestration.
See www.stramit-int.com/ for panels available in Europe and www.agriboard.com for panels available in the U.S.
Design Thinking or just Thinking?
00/00/0000, 00:00 | Design SojournMacGabhann Architects - Tuath na Mara Residence
00/00/0000, 00:00 | Modern Residential Design
Armoured Longboat - Standing vigilant over a northern Fjord in Ireland, the Tuath na Mara Residence, by MacGabhann Architects appears solid as a rock. Zinc clad for resilience, the low slung house blends seamlessly into the heather-covered rocky landscape, its own seams, echoing the strata of surrounding rocks. Contrasting a well hunkered core, the roof line warps and twists upwards like wonderful grey weathered seaweed, revealing the surrounding views to the living areas.
Overview
The project's focus around the specifics of the site and putting the personal and particular experiences above the powerful and the public, seeks to create a mood which is meditative instead of tensing or relaxing.
The site is hidden from the public road and is accessed from high ground on the landward side where the first experience is of an elevated view of the site and the sea beyond. Therefore the importance of the roof, or fifth façade, dictated a metal zinc cladding which is suitable for both walls and roof. Said façade, mimicking the seaweed found on the shores beyond. The anthracite colour of the zinc makes the building camouflage itself into the heather landscape.
The roof of both living areas is flipped and directed in opposite directions and towards particular points in the landscape and sunlight. Both living areas are fully glazed, thus embracing nature and developing a conversation with it. By way of contrast the sloped slit windows of the bedrooms act as a counter point to the absolute horizontal of the ocean horizon.
In order to emphasise the fact that the owners were embarking on a holiday each time they entered the house, the step and entry ramp at the front door is disconnected from the building thus making the visitor step over a gap not unlike stepping from the static platform onto a passing train. Thus a physical step from the day to day life into this adventurous house.
Layout
The plan form was inspired by the traditional narrow cottage and is orientated towards warm southern sun. It contains three sleeping cells and auxiliary spaces in the middle with two living areas, one at each end, connected by a library. Glazing is relative to the function of the rooms, with the centre bedrooms and auxiliary spaces horizontally glazed with small landscape framing windows, while the end living areas are wide open to the surrounding views.
The roof rain water is drained by way of gargoyles making one aware of the elements even in the lightest of showers, thus reinforcing the connection between inhabitant and nature.
Client's Comments
For us, ‘Tuath na Mara’ is wonderfully paradoxical: profoundly contextual and strikingly free-floating.
It is contextual in two senses: Firstly it speaks to the built experience of both our families, being the width of a house on the west coast that has been in the family for generations, and having the name and some of the shape of a house built by a Scottish grandparent (‘Tuath na Mara’ equally well in Scots and Irish Gaelic). Secondly it is rooted in the Donegal landscape, or more precisely in the inter-tidal seascape with which it shares its colour and, very nearly, its location. From the sea, it is virtually invisible.
But it is also free-floating, both in the way it sculpts light internally, and in the way its design is part of a cosmopolitan architectural conversation that is above national boundaries. This global-local interchange marks it out as capable of belonging only to the 21st century.
Results
MacGabhann Architects have made, as the client describes, a wonderful modern escape. With integrated reference to vernacular buildings and the landscape, without compromising aesthetics and impressive modern design, I'm confident that this is not the last we'll hear from them in great residential design.
Plans
Project: Tuath Na Mara
Architect: MacGabhann Architects
Team Credits: Tarla MacGabhann, Antoin MacGabhann, Niels Merschbrock & Barry Maguire
Completed: 2006-2007
Awards: Royal Institute of Architects of Ireland, Public Choice Award
Best house 2008 Royal Institute of Architects of Ireland, Irish Architecture Awards 2008
Photographic Credits: Dennis Gilbert - VIEW Pictures
Plasma Plants Will Vaporize Trash While Generating Energy
00/00/0000, 00:00 | Inhabitat
Recently St. Lucie County in Florida announced that it has teamed up with Geoplasma to develop the United States’ first plasma gasification plant. The plant will use super-hot 10,000 degree fahrenheit plasma to effectively vaporize 1,500 tons of trash each day, which in turn spins turbines to generate 60MW of electricity - enough to power 50,000 homes! Cutting down on landfill waste while generating energy is a pretty win-win proposition, and the plant will also be able to melt down inorganic materials to be reused for other applications, such as in roadbed and heavy construction.
nokia- mobile phones are the new computers
11/07/2008, 13:37 | Influxinsights
Posted by Ed Cotton
MODERN MOMA
00/00/0000, 00:00 | GAILE GUEVARASpend a day at the MOMA in New York and you’ll know why it’s my favorite place to be! On a recent visit with my good friend Michelle, we rediscovered how subtle design details go into creating maximum effects.
Not every passing eye may notice, but I * love, love * that every where I look, the “too complicated” or “too expensive” details are represented here seemingly effortlessly. From the flush drywall reveals to the spatial planning of transitioning from one space to another … subtle application of natural light and physical movement through a volume of space … striking white walls, over sized slab stone clad walls … a cantilevered bridge carefully finished on all exposed sides intersects with a vertical opening exposing the floor plates of each gallery level … the cut outs and view points all with frameless glazing … to the flush linear a/c vents and grills … It’s the beauty of minimalism that gives this simplistic yet stylized illusion.
Just observe and you’ll see that even the people within the space, passing through admiring the artworks on display… become art itself.
P.S. Doesn’t Michelle make the best model?!
Matthias Demacker's takeOff. Seating
11/19/2008, 14:41 | MoCo Loco
Matthias Demacker of demackerdesign sent us some pictures of his newest projects; takeOff.series (above) is a seating collection for Ferlea featuring a geometrically shaped compact seat, lounge chair and sofa. "The frontal cuts give the seats a light, dynamic look and offer place for your feet while swiveling in the seat.". The extensible curvex.table after the jump is for Italy's Varaschin.
Better Time to Market with Rapid Manufacturing
00/00/0000, 00:00 | Design SojournThe Stunning Assadi + Pulido Eco-Pavilion
00/00/0000, 00:00 | Inhabitat
Chile is exporting a lot more than a mean pisco these days. The XVI Chilean Architecture Biennial, a celebration of great Chilean architecture, recently wrapped this week in Santiago where the main theme was an exploration of architecture that cares for the earth. Hosted at the Contemporary Art Museum of Forestal Park, there was literally too much talent for the conventional structure to contain and the Biennial exploded out into the public eye in form of a completely sustainable, modern temporary pavilion designed by Assadi + Pulido, a young Santiago-based design studio with a modern, edgy and recognizable style.
Project Outrage
00/00/0000, 00:00 | FUTURE HOUSE NOWTRANSPORTATION TUESDAY: The 170 MPH Steam Car
00/00/0000, 00:00 | Inhabitat
This svelte steam powered car was created using salvaged parts (including tea kettles) and is capable of achieving speeds of 170mph! Developed by Edward Montagu and created by a team of graduate students in the University of Southampton, the car will soon attempt to shatter the record for the fastest steam powered vehicle in the world - previously set in 1906.
Drew Mandel Design - 83A Marlborough Ave
00/00/0000, 00:00 | Modern Residential Design
Infill house on a 13ft wide plot, becomes feature residence of the street - Drew Mandel has used every inch of this brownfield (ex 1 car garage & garden) site to create his ideal residence. Influences of Frank Lloyd Wright and Rudolph Schindler eminent in the residence's façade lead to elegant use of wood detailing for the interior.
Overview
Drew, an up and coming Canadian architect snapped up an “interesting” plot, that his colleague at MacLennan Jaunkalns Miller Architects, David Miller had on offer. Setting out to create his debut "big time" design, Drew won a number of awards in Toronto and Canada. The house is an impressive example of modern infill, coming in at a modest $182 per ft2.
The Lot
Miller and his architect wife, Amy Falkner, had obtained a minor variance allowing them to build to the very edges of the property line without the usual margin of grass or ground cover. (It's only because the houses on each side are set back from the lot line that there is any space at all between the Mandel-Cooper house and its neighbours.) To support development, the municipality had allowed a substantial increase in the floor space, from 908 to more than 1,280 square feet above ground.
Their relatives labelled the plot a bowling lane, Mandel and his wife like to think of it as a lane each.
Design
Focusing on commercial design at work, Drew’s evening efforts on his own house pulled from his designs of multiplexes, community centres, libraries and banks. The main Achilles heel of the plot, the extended walls down either side of the property, led Drew to (as he sometimes reflects) to overcompensate with house glass panels at either end and a large light well at the centre of the build. I disagree; the house is fantastically bright and airy.
Breaking the house away from other designs out there and I believe linking it to his favoured FLW and Rudolf, is the use of patchwork glass rather than a large expanse of industrial like uniform façade. A cute modernist take on the Juliet balcony protrudes from the master bedroom, breaking the rear wall further and allows great views down to the meticulously landscaped garden, that complements the house so well. Adding to the functionality of the glass façade, a large central panel pivots to allow bigger pieces of furniture to be hoisted in.
Bringing in that industrial design know-how resolved the issue of construction methods too. Such a narrow tall design refused traditional frame design used in residential projects, meaning an industrial to balloon framing technique was adopted. Steel supports for the entire 38-foot length of the walls were put up first, and then the floors were locked in afterwards.
Further industrial features of the house include the two ramps from the entrance of the house to the living room and from the master bedroom to the second bedroom, a comfortable alternative to stairs.
Layout
From the semi-subterranean guest room at the front of the house you head south up the ramp to the living room, then north up five stairs to the dining room-kitchen floor, then south again up the house's only full flight of stairs to the master bedroom and bathroom. Finally, completing the layout you head north, up the second ramp to the second bedroom.
The Result
Drew and Denise have blown their relatives away. Despite the restricting plot they've created a house that through it's high ceilings, skylights and maximum glazing at both ends is a bright, spacious and airy home.
Plans
Architect/Designer: Drew Mandel Design
Client: Denise Cooper & Drew Mandel
Completed: 2007
Structural: Blackwell Engineering Ltd. (David Bowick)
Builder: T. Fijalkowski & Associates
Site Plan Approval: David Miller & Amy Falkner
Lot:13' x 115' or 1560 ft2
Costs: $182 per ft2
Information courtesy of: Drew Mandel Design
Event: Open Web Asia 2008
00/00/0000, 00:00 | CScout TrendBlog
On October 14, 2008, in Seoul, Korea, the Open Web Asia 2008 conference will gather web industry leaders from across Asia, as well as the US and Europe. The day long event focuses on the theme of “The Social Web.” Speakers include Shusaku Maruko (General Manager, Corporate Strategy Department, FeliCa Networks,) Jean Min (Communications Director, Ohmynews,) Loic Le Meur (Founder and CEO, Seesmic.com,) Arthur Chang (VP of Sale, Alibab.com,) and Jason Calacanis (CEO Mahalo.) As well, Korean tech blogger, writer, and CScout consultant, Taewoo Danny Kim, will also speak.
The combination of executives, entrepreneurs, and venture capitalists is going to explore how social media is evolving on the international, regional, and country stage. The event is the first pan-Asian web technology industry conference of its kind.
Trend: Crowdsourced Fashion Models
00/00/0000, 00:00 | CScout TrendBlog
Girls Walker has announced the beginning of the search for the next Miss Tokyo Girls Collection, the finale event for the now famous biannual real fashion festival. This is the ultimate opportunity for a would-be reader model, not only to grace the pages of one’s favorite magazine, but to actually join the stage with top teen fashion icons.
Unlike traditional pageants, where the winner is selected by a panel of expert judges, Miss TGC is eventually chosen from a panel of peers: the girls in the audience who can vote with their mobile phones.
For the original post and the latest reviews of other Japanese trends please visit our CScout Japanese blog.
kevin kelly- the next phase of the web
11/07/2008, 10:51 | InfluxinsightsHe takes us through what might happen in the next 6,500 days of the web.
Some highlights.
1. Not be anything like the web
2. Be a single machine- everything is connect to the same thing.We have one large machine with the web as its OS
3. The web will own every bit that's produced- if it's not part of the web, it will not count
4. Everything in our lives will be on this "machine"
5. The machine has and will have a global sense- see latest financial crisis
6. Move to the cloud
7. Be all about sharing- what can we do? what will the limits be?
8. Always be on- never off
9. Extreme dependence on this "machine" because it makes us smarter. Being off will feel like an amputation!
10. Lead us to continue to question- "Who are we?"
11. We will need to believe in the impossible
Posted by Ed Cotton
Luminescent Fiber Optic Wallpaper by Camilla Diedrich
00/00/0000, 00:00 | Inhabitat
What if we could light our homes with glowing wallpaper rather than having to rely on electric lights? Swedish designer Camilla Diedrich has asked this exact question, and in response, created a stunning line of luminescent wallpaper that is lit by fiber optics. Her Nature Ray Charles Wallpaper features a delicate assortment of floral motifs that shine through in lucid lines, adding a touch of energy-efficient ambiance to any room.
Busy Weeks
00/00/0000, 00:00 | Modern Residential DesignApologies for the slow posts
Hello all,
Apologies for the recent slow in articles. I've had a few revelations in my day job and have had to work a little on this after hours. New articles are on their way though...
Nick
tokyo design week 08: 'cellular automation' by ross lovegrove
00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
'celluar automation origin of species 2'
image © designboom
as animals grow, their bone structures increase in size. they develop into the ultimate shaped forms,
being able to support the entire structure with just one fifth the mass of the whole. this is a study
of ross lovegrove's organic essentialism. in his work he analyzes the composition and structure of bones
and finds ways through modeling and structuring. for 'cellular automation' he created complex structures
experimenting with 3d software to create pieces that imitate nature. his work is on display as part of
the second nature exhibition at 21_21, tokyo, japan.
image © designboom
image © designboom
image © designboom
image © designboom
detail
more:
http://www.rosslovegrove.com
designboom article on ross lovegrove's organic essentialism
Panel Moderation on Design Management in The Hague
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
From regular checking the logfiles of this blog I know that quite a few visitors come from The Netherlands.
So, as some sort of semi-shameless self promotion your might want to notice that I will be moderating a panel with Design Management experts from Europe at INHOLLAND University, The Hague, NL tomorrow.
The panel discussion is embedded in the inauguration ceremony of Brigitte Wolf who will be officially assigned the role of formally heading the Centre for Applied Research in Brand, Reputation and Design Management (CBRD) placed within INHOLLAND University.
Beside the fact that I always love to travel to the NL I’m also looking forward to meeting some friends and colleagues both on the panel as well as among the guests. So on the panel amongst others are Kathryn Best author of the most recent book on Design Management and Jos van der Zwaal a long term friend back from the days when we’ve co-developed the first European continental Master in Design Management at INHOLLAND.
For sure my business colleagues Erik Roscam Abbing & Christa van Gessel from ZilverInnovation will also attend as guests. Hopefully Joris Funcke will also be there as well as Jaap van der Grinten. I haven’t met both of them for some perceived ages ;-).
For closer information click on the thumbnail picture in the top left corner above. In case you’re from the NL and would like to attend still try to contact INHOLLAND. Chances are that they will kindly grant access.
Nicholas Burns - Johanna Beach House
00/00/0000, 00:00 | Modern Residential Design
Thinking Globally | Acting Locally - Nicholas Burns has taken this "green" addage and designed a modern residential retreat that: incorporates international ideas, templates low impact construction, has relatively minimal impact on the environment and embraces this spectacular plot.
The Johanna residence sits a few kilometres off the Great Ocean Road in Victoria, Australia, up a bush track leading to a gravel turnaround. This porous parking area is the first step into Nicholas's realm of environmentally concious design, allowing the water to soak through in a semi un-constructed area, combats erosion far better than a concrete slab.
Constructed of rammed earth taken in part from the surrounding area the house self regulates in temperature for all but the coldest of days. A super insulated wood burning fire in the centre of the living area tops up on the few days that it is required, whilst for most of the year the 300mm walls and thick floor store daytime heat for night time release. Carefully judged overhangs and windows, shade the rooms from peak summer heat, and allow cooling air to pass.
Arriving at the house you play out a mini script that depicts the notion of a holiday home. A getaway, a release from the constrictive day-to-day life we lead in the city.
Leaving your car you head towards a strong rear wall. From this angle the house appears a small bank or cliff, solid and permanent, with stripes of layers in the rammed earth walls creating cliff like strata. Nearing the house, a courtyard leads you in to a "Burns" play on space and dimensions.
As if entering a cinema through the back corridor, the short courtyard, with its imposing 300mm thick rammed earth walls, contracts to a single passageway and heads to the front door.
The constricting nature of the entrance has you prepared to duck your head and don a helmet and caving lamp. Yet as you pass the front door and round the partitioning wall, you're released into a panorama of views out across Johanna beach and along the coastline. About ten minutes later, you'll realise you're in a wonderful open plan living / dining room.
Nicholas Burns has an affinity for the architecture of Tadao Ando, which he studied for years, admiring as I do, his self taught designs.
Hidden in full view throughout the design of this residence are homages to Ando. Tadao's designs, based of the Tatami mat, 900mm x 1800mm, are all divisible by this measure, leading to a hidden, calming simplicity. Nicholas's dimension is 600mm "so everything has an inherent logic in the space, making it unobtrusive.” Simply furnished, the house allows you to focus on it's surrounds.
Layout
A slight twist on a single plane design, the two bedroom wings are set back from the living area to allow 180 degree views. This also allows a raised courtyard to be placed behind the living area. A sheltered area from winds heading up hillside, it also provides an area for BBQs and outdoor dining.
All but one of the four bedrooms soak in the views and sunsets, the fourth, a more reserved room, is windowed to the rear and surrounding bush, an ideal room for private contemplation.
Plan
About Nicholas Burns
In the 1990s, Burns left his architecture studies in South Australia to pursue a self-education in philosophy and building crafts, a la Tadao Ando. In 2000, he moved to Singapore, where he is still based, travelling from there through Europe, India, China, South-East Asia and Japan. I think Nicholas's practice really focuses on balancing the three way split, design, clients desires and the environment in which the build sits.
As part of all initial concepts and drafts, Nicholas's practice now encourages all of their clients to offset the carbon footprint of the build with United Nations-Certified carbon credits.
The environment is a strong stakeholder. But as you can see, in no way at the expense of fantastic design.
via: Nicholas Burns
Related Articles: http://materialicio.us/2008/01/15/johana-beach-house-nicholas-burns/
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The Enertia House
00/00/0000, 00:00 | Green Home Building and Sustainable ArchitectureThe Mother Earth News editor said that these homes had been featured in their magazine before. They essentially provide two wooden shells for the home, one inside the other. She said that there was no mention in the article about the cost per square foot. She was wondering what I thought about the concept from the standpoint of sustainable architecture.
Here is my response:
Double envelope house designs have been around for several decades and they definitely offer some benefits, as well as raise some questions. Any house that takes advantage of the geothermal properties of the ground will be doing its inhabitants and the earth a good turn. This can take the form of earth-sheltering in general, or some clever system of circulating air like the Enertia concept; coupled with sensible passive solar design, it is possible to approach a "zero energy" home.
The concerns about their system that I have are: The use of wood as the primary building material is not generally sustainable in this day of lost forests. With the double envelope design, you are practically building two houses to end up with one. Relying on wood as a thermal mass material compromises the potential thermal performance because wood does not serve this function nearly as well as traditional masonry thermal mass materials. So, I guess what I am saying is that a more sustainable and less costly design can be accomplished in more traditional ways.
Clark Snell of www.thinkgreenbuilding.com wrote, "I spent five minutes looking over the web site, so these comments are only based at looking at marketing materials, i.e. they may be inaccurate. Ditto what has been said so far. A couple more “red flags:”
- Solid wood envelope. They seem to be using the old “mass enhanced R-value” argument for why solid wood walls perform well thermally. I think it’s well established that this is true only in very specific climatic situations. Touting solid southern yellow pine walls in comparison to solid white pine walls is like saying a Chevy Suburban gets better gas mileage than a Hummer…that’s not really a useful statistic.
- Energy without oil. The presentation intimates that this is a completely passive design. For example, no heating system is mentioned. That simply isn’t credible for most climates using the technology they are describing.
- Passive means local. You simply can’t create a design that relies heavily on passive techniques and generalize it across climates. In my area where we have high humidity, I’d wonder about this convective loop through the attic and basement, for example.
I could go on. I’m a passive design freak, so I’m all for the basic concepts they are dealing with. However, I don’t see anything really new here, but see marketing claims touting what they are doing as a major breakthrough and “the answer”. That always makes me nervous."
David Eisenberg, of www.dcat.net wrote, "After a skimming around their website, I see that they sell kits and their base prices don't include a lot of things - some of which are enumerated:
That's a pricey list of not includeds and notice they say nothing here and I saw nothing in my quick scan of the site about some really big