Wow! That was quick, according to the program, I should be now into my 6th and final week. The last week before the big 100 push-ups attempt! The reps in week 3 and 4 were getting really tough. I was having a lot of trouble getting through all the sets. [...]

• Design Research Conference 2008, IIT Institute of Design; Chicago
  One of a few conferences I've never been to so far is the IIT Design Research Conference held each year in Chicago the home of IIT (Illinois Institute of Technology). Unlike many other conference organizers they are releasing the conference videos quite shortly after the conference has ended and that's what I've appreciated over the last years. While very often the selection of speakers tends to be the outcome of buddy networking there are from time to time some good talks available to be found in the archives.

  Pretty much the same counts for their other conference they are hosting each year the 'IIT Insitute of Design Strategy Conference' to be found here: http://snipurl.com/iitstrategy [trex_id_iit_edu]

  (tags: conferences conference design research IIT designresearch 2008 strategy&design)

At this year’s Wireless Japan Expo, Fujitsu and NTT DoCoMo debuted some new RakuRaku (easy easy) handsets made for aging users who are concerned about their health and want to keep both good records and good communication with health care professionals.

With the F884iES users can place their fingers over the camera lens, which can determine their heart rate simply by scanning minute movements. This information, along with that from the built-in pedometer, can be input into a personal “health diary”.

Read the rest of the post at the CScout Japan site.

on now at the instituto tomie ohtake, sao paulo is the first solo exhibition of designer karim rashid in brazil.
it is the institute's hope that by showcasing rashid's work, they will generate a discussion about the aspects
of contemporary design and its impact on daily life. upon entrance into the exhibition you are greeted by a large
painting-like, computer graphic, 300 square metres in size which acts as a backdrop to the furniture on display.
this virtual component within the exhibition gives visitors the opportunity to encounter the designer as a
life-size avatar, playing between reality and the artificial, something which is prominent in rashid's work.

the exhibition is an international cooperation with munich's design museum, die neue sammlung. it is curated by
german art historian and critic dr. albrecht bangert in collaboration with brazilian-born designer and architect
camila tariki of karim rashid's new york studio and organized by instituto tomie ohtake. most of the pieces on
show are from the munich collection.











designboom interview

karim rashid
karim rashid at milan design week 2008

rashid global: http://www.rashidglobal.net
instituto tomie ohtake: http://www.institutotomieohtake.org.br
die neue sammlung: http://www.die-neue-sammlung.de

Mr. Kanner speaks about his award-winning 26th Street low income housing project and about the importance of "green architecture." (via kcet)

One of 13 entries to date... write wry & win a Ballistic Rose for your permanent collection here.

Here is a link to a recently held design competition for Florida home designers. Its very developer oriented, and the house designs reflect that, but what is remarkable is that many of the designs shown as the "best of the rest" are overtly modern.

The Florida Homebuyer Home Design Challenge

On one level I'm very gratified to see modern shouldering its way into this mainstream platform. At the same time I'm discouraged because the homes, while modern, seem to have the same issues as typical developer homes. They are dressed modern, and some I think look nice, but they are bloated and pseudo luxurious in a way that makes my skin crawl. Its not just look and feel, its statistical as well - there is an alarming bedroom count to square footage ratio in most of these homes. 3 bedrooms in 3,500 sqft?

The discussion of "modern" on LiveModern all the way back to the Dwell messageboards always involved doing more with less, as a lifestyle, as a design dictum, not even driven by sustainability, but as a personal value and as an aesthetic. This stuff is really stepping on that for me.

What do you think? Please check out the link and comment.

Technorati Tags: modern design, modern house

We often see new home designs at Inhabitat that incorporate advanced technologies, reduce energy use and provide a healthy and safe living environment, but we really enjoy seeing home designs that have been vetted in competitions such as the Lifecycle Building Challenge. This annual competition, in its 2nd year and sponsored by well-known organizations such as the EPA, AIA, Building Reuse Association, Southface, and West Coast Green, is a challenge to design buildings with several points in mind: incorporate local building materials, consider the whole lifecycle of building materials, reduce the overall embodied energy and greenhouse gas emissions from materials, use innovative and creative strategies, and reduce environmental and economic costs. The 2008 winner of this contest for Best Residential Design was the Spoorhouse, by Benno van Noort of Van Noort Designs, LLC.

(more…)

Congratulation World! Change CAN actually happen. Barack Obama made history by becoming the first African-American to win the US presidency. Above is his speech from last night in Grant Park in his home city of Chicago. I would like to bring forward the following sentence from the speech; “…our stories are singular but our destiny is shared!”.

Let’s hope for change and a possible new world order.

Ping Intressant.se

Andra bloggar om: usa-valet, obama, barack obama, politik, presidentval, usa

A real treat today. I just received an email from Sara and David Sage, the owners of a modular house I helped them design back in 2004. They have been in the house for about 2 years now, and they are well moved in and at home. They shared many pictures of the house which I'm posting here.



A panoramic view of the Sage home interior.



Sara and David's big goal for this house was to bring it in for $100 a square foot, no small task in the expensive Los Angeles county construction market. But they had a plan, to do copious research on their own, to get the most value out of every consultant they used, and every vendor and contractor they engaged, they resolved to build the house modular, to source their modules from a market with much lower labor cost in Utah, and to complete a good deal of the work themselves as sweat equity. It was their dream to have a modern house and I must say they succeeded on every count. From finding the best materials and vendors, to researching planting material and submitting their own landscape plan for permitting, Sara and David did it all and tracked it in detail in their blog on LiveModern.com. It was a tremendous inspiration and people cheered for them every step of the way. Its hard to know how many other people they inspired to dig their heels in and pursue their own dream of a modern house.



When the work was done, well, almost done, and the smoke had cleared I believe Sara calculated that their cost worked out to about 114$/sqft. This was pretty remarkable at a time when there were literally dozens of prefab house start-ups trying to get traction. The lament was how everything was costing much more than expected, and much more than hoped. In that milieu of dashed hopes Sara and David fought and struggled to make their house happen at a cost that was a pipe dream for the rest of the market.



The house is a reasonable 1400 sqft, 3 bedrooms, with an open kitchen, living/dining, family room space, it really is a wonderful plan that lives much larger than it appears on paper. The modular units in different colors tell the prefab story. You should be able to orient yourself to the photos using the plan. The house site is unusual in that the back yard of the house is really at the side, so the front porch wraps around to the side, and that is the main back yard like space. The rear and other side have proximity to neighbors, more like a house typically has at the sides.
My favorite thing about the design is the three spaces you see in the photos - the kitchen, living/dining, and family room are each small square rooms that overlap at their corners, each space well defined, and very open to one another. It really walks the tightrope between open plan and discrete rooms. David and Sara brought a rough version of this floor plan to the table when they hired me, so they deserve the credit for its design, my role being more to refine, and adapt it to division into modules, and to resolve the plan into the 3d massing and window placement. It was truly a collaboration of the best kind. More photos in the browser below.

Technorati Tags: modern design, modern house, modular house, prefab house

While not directly related to Design Management I do think that when it comes to user involvement in the design process the social web will for sure emerge as an additional source of insight. Interestingly only a few DM experts did get it so far!

Data from Akamai shows that Obama become the new number 1 new story in internet traffic volume since records began (2005).

Obama beat out a mix of celebrity deaths and sporting events to claim the number one spot.




Posted by Ed Cotton

I am thankful for ...

The extremely generous support of architect Greg La Vardera, Matt Olson of rolu|dsgn, Max Mead of Building Green, and Justin Anthony of materialicio.us - cool people I have come to know through this blog, and the many other people I have met via blogging. That's the best part, for sure.

My wife (who is too good to me) and my wonderful kids, Owen and Parker. Unfortunately, Owen broke his arm a little over a week ago. He was so brave. He never cried, not when it happened, not on the way to the emergency room, not when the doctors were poking him and putting in an IV, or when they set the bones. That little five year old has more guts and composure than almost any adult I've ever met. He's doing great, even with a heavy cast on up almost to his shoulder. I am sooo thankful that he is okay.

Modernist Japanese residential architecture - for challenging and inspiring me always. So much good stuff.

The Detroit Lions, my football team who I get to watch on Thanksgiving day. A really nice tradition for us Lions fans. Let's hope they win one for a change (doubtful).

Dwell and Pugh+Scarpa's entry to the Dwell Home II Competition, both of which inspired me to start this blog. My inaugural post is still the beacon.

Thanks everyone for visiting my site.

Have a great Thanksgiving!

What the heck. It's Halloween, and we might as well cover a few more architects in the fatality department. Enjoy! (via land+living)

Matthias Demacker of demackerdesign sent us some pictures of his newest projects; takeOff.series (above) is a seating collection for Ferlea featuring a geometrically shaped compact seat, lounge chair and sofa. "The frontal cuts give the seats a light, dynamic look and offer place for your feet while swiveling in the seat.". The extensible curvex.table after the jump is for Italy's Varaschin.

+ demacker-design.de

as part of the second nature exhibition held at 21, 21 the campana brothers created 'cristalina'.
curated by tokujin yoshioka the exhibition focusses on fusing nature with technology.


'cristalina'
image © designboom

for 'cristaliana' the brothers used the idea of nests of birds to create a seat with branches interwoven.
craftsmen worked for hours using various wood structures to create this unusual design.


sketch of 'cristalina'


the making process


craftspeople weaving the seat


image © designboom


image © designboom


branches woven into the seat
image © designboom

more:
http://www.campanas.com.br

designboom interview with campana brothers

California has adopted the nation's first statewide green-building standards, which will become mandatory in 2010. The new California Green Buildings Standards Code requires builders to reduce energy use by 15 to 30 percent beyond current standards and use more recycled materials. Some of the code will be mandatory, while other parts are just suggested. This is a significant recognition that energy and resource conservation is essential for the welfare of state residents, and hopefully this officially sanctioned consciousness will spread to other states.

These new codes include basic passive solar mandates: "When site and location permit, orient the building with the long sides facing north and south. Provide exterior shade for south-facing windows during the peak cooling season. Provide vertical shading against direct solar gain and glare due to low altitude sun angles for east- and west-facing windows."

For renewable energy, the codes says, "Use on-site renewable energy sources such as solar, wind, geothermal, low-impact hydro, biomass and bio-gas for at least 1% of the electric power."

For water conservation, the code says, "A schedule of plumbing fixtures and fixture fittings will reduce the overall use of potable water within the building by 20%, and provide water efficient landscape irrigation design that reduces by 50% the use of potable water beyond the initial requirements for plant installation and establishment."

"Each building shall further reduce the generation of wastewater by one of the following methods: The installation of water-conserving fixtures (water closets, urinals) or utilizing non-potable water systems (captured rainwater, graywater, and municipally treated wastewater
(recycled water)."

For materials to be specified for construction, the following is mandated:

• Select building materials or products for permanent installation on the project that have been harvested or manufactured in California or within 500 miles of the project site.
  
• Select bio-based building materials and products made from solid wood, engineered wood, bamboo, wool, cotton, cork, straw, natural fibers, products made from crops (soy-based, corn-based) and other bio-based materials with at least 50% bio-based content.
  
• Employ wood-based materials and products comprising at least 50% of a major building component, such as framing, flooring, or millwork, which are certified by one of five listed sustainably harvested certification programs.
  
• Use materials made from plants harvested within a ten-year cycle for at least 2.5% of total materials value, based on estimated cost.
  
• Use salvaged, refurbished, refinished, or reused materials for a minimum of 5% of the total value, based on estimated cost of materials on the project.
  
• Use materials, equivalent in performance to virgin materials, with post-consumer or preconsumer recycled content value (RCV) for a minimum of 10% of the total value, based on estimated cost of materials on the project.
  
• Use cement and concrete made with recycled products, fly ash, raw or calcined natural pozzolan, blast furnace slag (as a lightweight aggregate) .
  
• Select materials for longevity and minimal deterioration under conditions of use.
  
• Select materials that require little, if any, finishing.
  
• Select materials that can be re-used or recycled at the end of their service life in the project.
  
• Select materials assemblies based on life cycle assessment of their embodied energy and/or green house gas emission potentials.

"Provide readily accessible areas that serve the entire building and are identified for the depositing, storage, and collection of non-hazardous materials for recycling, including (at a minimum) paper, corrugated cardboard, glass, plastics and metals."

Environmental and health-related items establish specific limits on VOC emission of materials used within the structure, as well as regulate ventilation, CO2 emissions, tobacco smoke, lighting, outside views, and noise transmission.

Additional recommended measures include:

• If feasible, disassemble existing buildings instead of demolishing to allow reuse or recycling of building materials.
  
• Utilize a Frost-Protected Shallow Foundation.
  
• Use pre-manufactured floor and roof systems to eliminate solid sawn lumber whenever possible.

The code also identifies site improvements including bicycle storage and designated parking spots for low-emissions vehicles.

I have been advocating most of these measures at www.greenhomebuilding.com for many years now, and it is heartening to see them being officially sanctioned. This is a far-reaching and well-considered attempt by California legislators to establish requisites for living sustainably. If there are going to be building codes, they might as well be green! Yeah California!

There is a fantastic on-line resource for all people interested in natural building: www.naturalbuildingnetwork.org. This site was initiated in 2005 by a group of people who collectively have considerable experience in the realm of natural building, which they define as "any building system which places the highest value on social and environmental sustainability. It assumes the need to minimize the environmental impact of our housing and other supporting systems while providing healthy, beautiful, comfortable and spiritually uplifting homes for everyone."

The Natural Building Network is a non-profit membership association, where the joining members can place listings for their services and talents and network world-wide. Towards this end, there are directories of natural builders by location, by specialty, and by their willingness to teach others their skills. This helps the members find suitable employment and helps the public find experienced builders who live in their area. Additionally there are classified listings of announcements about related matters. The Network website also features listings of workshops and events around the world, along with resources for further education.

This network and website offer a much-needed central facility for collecting information about natural builders around the world.

A shot of the corner of the living room today from the owners of the OK Tray House. They are moved in, but not unpacked, and they promise more photos to come once they are settled.



So what do we have here. Well open up the catalog page so you can look at the floor plan. This photo is taken from the living room, looking into the study. We can see a stone wall which is flanking the fireplace, and above it we can see the gridded window wall which sits above the fireplace. I'm real excited about that since it looks like they did a really great job with that. Out the window we can see more of that nicely stained siding. To the left we can see the front door and the entry vestibule. In the study we see the side windows, and a couple of modern chairs? Man after my own heart! And upstairs some cable rail, and a glimpse of the bedroom ceiling. It looks awesome - can't wait to see the rest of the house!

And don't forget the flickr set of photos of this project from start to finish.

Technorati Tags: house plans, modern design, modern house, Tray House

The collaboration between BIG Architects of Copenhagen, Denmark, and NOD Landscape Architects of Stockholm, Sweden, provides not only a solution to Slussen, one of Scandinavia’s busiest intersections but most importantly privileges the pedestrian and cyclist.
When the Stockholm City Council invited BIG and NOD to act as design consultants on Slussen, the direction given was to create a proposal that reconnects the historic Gamla Stan with Södermalm. Understanding the long legacy of previous attempts to solve Slussen’s traffic chaos, the team set out to create a single form within which the different modes of traffic are layered. The proposal touches the waters surrounding Gamla Stan and slowly terrace up using ascending and descending ramps to create a new, coherent area focusing on providing an attractive and functional setting for both movement and rest.

Currently considered inaccessible to pedestrians and cyclists, Slussen is a black hole in the heart of Stockholm. It is no wonder then that Danish-Swedish collaboration has made sure to offer cyclists as well as pedestrians easy access to and through the area. The proposal turns Slussen into an urban recreational area assuring easy movement for the citizens and tourists of Stockholm. Slussen will gain a whole new kind of urban space unlike any other in the world, where artwork, a summer’s midnight stroll and outdoor theatre can cohabitate with the need to move cars, buses, trains, metro, and boats. The strength of Slussen lies in its continual and varied movement which the proposed ramped landscape only underscores. The heavy traffic of cars and buses is carefully immersed under the rising hillside. Suddenly due to the submersed traffic, large areas have been freed and are made attractive to the entire city to enjoy. As a result, new opportunities for urban life are created.

The basic traffic system has already been developed by Nyrens Arkitektkontor as part of an architectural competition, with soft traffic and a public program on the top and with heavy traffic at ground floor level, storing away boats, buses, metro, cars and trains. But instead of separating the different levels, connected only by stairs and elevators in a traditional way, we propose to integrate all public, accessible areas around Slussen by interweaving the levels using descending and ascending ramps as this will allow people to move freely between the levels.

Pedestrian zones are designed to connect the already existing promenades and road crossings, and all areas of the new Slussen are as such accessible to pedestrians. The bicycle lanes follow the road as well as the promenade along the waterfront, and are pulled away only where the curvy bays of the new Slussen are created to leave space for pedestrians to enjoy the waterfront.

Today Slussen does not take advantage of its rising topography. Seeking to utilize its unique setting the proposal uses the terraced hillside to house kiosks, shops, and tourist information stands accessible through the network of ramps. In this way, a new and active urban area is created. In addition to the landscaped contours and pathways characterising BIG and NOD’s proposal, the dispersion of light has been instrumental in developing the site and the various levels. By day, natural light will pierce through circle shaped skylights into the lower levels. By night, the skylights will be illuminated from below. The expression will thus vary from dusk till dawn, from season to season and depending on the weather. This dynamic process and the continual hum of traffic will serve as the backdrop to a new urban form and regenerate life into the surrounding neighbourhoods.

There is an animation showing the complete program as well. I will put it up in a separate post as well.

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Andra bloggar om: slussen, stockholm, kultur, arkitektur landskapsarkitektur, bjarke ingels, stadsbyggnad

Image: Happy 3rd Birthday by Laura-Beth Wow I almost missed it yet again! Yesterday, November 09, was Design Sojourn’s 3rd birthday. It has been 3 great years of blogging and to mark this event it I have been thinking about what I should do to celebrate it with you dear reader. Oh before I [...]

Dr. Owen Geiger and I have collaborated on a new article posted at earthbagbuilding.com that describes how to use earthbags filled with various natural insulating materials to insulate ceilings or roofs.
There seems to be a general lack of interesting ceiling options using sustainable building materials. For instance, when touring otherwise beautiful straw bale homes one often sees sheetrock covering conventional industrial insulation. Instead of using fiberglass batts or even manufactured cotton batts to insulate a roof, it is possible to use earthbags that are filled with a variety of insulating materials. These materials include rice hulls, crushed volcanic rock (such as scoria), vermiculite and perlite.

The insulating value of these ranges from about R-2 to R-3, so they are quite effective, and can also be quite inexpensive to install.

This article also describes how one might use mats made of natural fibers to cover and finish these earthbag ceilings.

Suspended ceilings, as described in this article, have a number of benefits. They conceal the roof structure, plumbing, venting and electrical wiring, as well as improve acoustics and insulation. And they can also greatly enhance the ambiance or hominess of a room.

Adriean Koleric's Herd of AT-ATs is a salute to the designers of a toy that was truly a piece of art.

The lost city of Atlantis could well be at the bottom of any body of water, if it is really made out of plastic containers, the way Gayle Chong Kwan sees it.

Madrid's Spy lightens the urban panorama with his signature interventions.

Antlers are certainly not over. Not when they are on Alessandra Exposito's horses, at any rate.

Si Scott's intricate pen and pencil drawings cover a wide range of themes. Shown above is part of a piece called Babel, in answer to a project on God.

More at Art MoCo.

I attended the Natural Building Colloquium held this year at the Orella Ranch overlooking the Pacific Ocean near Santa Barbara, California, at the end of October. What a magnificent setting this was to spend a fine week of connecting with fellow enthusiasts of the natural building movement. About 70 attendees shared our insights, stories, passions, songs, poetry, cooking, concerns, and labor. I came away with gratitude for the opportunity to interact with such caring people, and with a renewed sense of confidence that we will manage to help forge a sustainable future.

This year’s Colloquium was organized by the Natural Building Network (www.naturalbuildingnetwork.org) and was hosted by Gunner Tautrim, who represents the sixth generation of this family living on this land since 1866. The accommodations were primitive, with only a small kitchen as enclosed space; the rest of the facilities were rustic pit privies, temporary solar shower stalls, temporary bamboo and tarp meeting spaces, and a nice lawn area. We brought tents for sleeping. All of this was happening with the grandeur of the Pacific coast as a backdrop, and the elemental simplicity and beauty combined to create an appropriate mood for contemplating the benefits of building naturally. After breakfast each morning we would gather in a big circle on the lawn to review the various options for the rest of the day and share other thoughts. Typically the mornings were devoted to work on a sturdy, permanent, multi-stalled toilet facility that was already framed with wood. Gunner wanted the walls and a surrounding fence to be finished with natural materials, and there were many volunteers who formed teams to accomplish this. Mostly, split bamboo or recycled fencing was used for a framework, over which cob and clay finishes were applied.

Lunchtime often featured tables where specific discussions would occur, having spontaneously been announced at the morning circle. The afternoons were reserved for many concurrent presentations or discussions, so there were always hard choices to make about what to attend. During the course of the week, over forty different topics were explored, in a variety of meeting places. These ranged from the use of materials (such as bamboo, cob, adobe, and lime) to more theoretical discussions about engineering, thermal properties, efficiency, and design. One of the most popular forums was about codes and ways of improving the acceptance of natural building techniques by building officials. I will be writing about this topic in more detail in a future blog post.

I shared one two-hour presentation about earthbag building around the world with a woman architect from Israel, who had brought plans for an earthbag residence that she was designing for a client there. First I talked about the history and development of this technique, and then profiled a number of projects that have been completed (see www.earthbagbuilding.com). After this introduction, the architect laid her plans on a table and we all discussed specific questions that she had about them. This was a great way to learn some of the basics of earthbag building, and then apply these concepts to a specific situation.
I was very pleased that a discussion was convened to explore the role that natural building can play in what was described as the “long emergency,” or the compounded effects of climate change, peak oil and other resource depletion, population pressures, and financial crises. Without this discussion I would have felt that we were negligent in addressing these most pressing issues. I plan to write another entire blog post about this.

After dinner (which was always delicious and usually vegetarian), we were treated to a variety of programs or entertainment that emanated from our group. Mostly these were slide or Power Point presentations, but one night was devoted to a talent show with lots of music and some stand-up comedy…great fun. I showed lots of pictures I took when in Jeddah, Saudi Arabia a couple of years ago where I had been invited to discuss sustainable architecture with the faculty and students at the King’s University (see www.greenhomebuilding.com/weblog for my essay about the situation there) .

One morning, about half of us opted to attend a tour of historic adobe buildings in the heart of Santa Barbara. The earliest remnants date to the 1780’s when Spain authorized the construction of a presidio and the Santa Barbara Mission. Much of this early adobe construction was toppled during subsequent earthquakes, but recent reconstruction, using stabilized adobes, has returned the area to its original presence. I chatted (in Spanish) with the Guatemalan and Mexican crew who were making new adobe blocks for further repair work. On the return trip to the Orella Ranch, several of us made a detour to the nearby beach to dip our feet in the ocean.

One of the delights of this event was the participation of James from Zimbabwe, Africa. This very engaging fellow brought with him pictures of a lovely little thatched cob circular building that he and some friends had made. He also brought his large thumb piano to serenade us with African ballads. This was a reminder of the deep roots that natural building has from all corners of the world.

All together this week of camping out in this spectacular place and connecting with these dedicated and compassionate souls has left me feeling heartened that we will find ways to overcome the enormous obstacles that lay ahead.

On a very foggy night before we were to disperse the next morning, during our closing ceremony, we arranged ourselves in two large circles that faced each other. We (on the outer circle) were asked to assume the role of addressing our ancestors (on the inner circle) from some indefinite time in the future. When I did this I felt strangely like I was really speaking from the future. I told the young woman who was sitting across from me that I did not blame her for the difficulties that she and subsequent generations had endured. I said that the pattern was innocently established well before she was born. Industrialization was fashioned to improve life, not deteriorate it, and the consequences were not foreseen. And then I told her how much I appreciated the hard work she was doing to address and correct the mistakes of our ancestors. I said that because of the actions of her generation, we in the future were enjoying a simple and healthy life based on ecological balance, and that we owe her and many of her generation our gratitude for all that they did to make this possible. We then stood and embraced, the Future and the Present, for a moment of true compassion.

To see more of my pictures taken at this event go to flickr.com/photos/kellyhart.

"Herzog & de Meuron's Tenerife Arts Space (TEA) has been inaugurated in Santa Cruz de Tenerife in the Canary Islands." (via BD)