• P&G’s Innovation Culture
  Good case on how the idea of a 'Blue Ocean Strategy' can be applied: "The heart of a company’s business model should be game-changing innovation. This is not just the invention of new products and services, but the ability to systematically convert ideas into new offerings that alter the very context of the business."
  (tags: Innovation P&G Blue Ocean Strategy applied research)

a detail of one of the flying fish
image © designboom

just an update from experimentdesign amsterdam 2008. nothing design group, who just participated in
designboom's tokyo mart were also participants of the urban play exhibition which was part of experimentadesign.
the group of young korean designers, directed by koo jin-woog, presented 'fish in the sky' as their contribution
to the exhibition. along the IJ riverfront, transparent wind vanes in the shape of fish, were attached to flag poles
and soared above. the fish were meant to be a school of dutch herring, with the flag poles acting like
fishing rods, which have caught the fish swimming through the sky.


the fish are meant to be a representation of dutch herring
image © designboom


image © designboom


a member of nothing design group preparing one of the fish
image © droog design


fish flying high along the IJ riverfront in amsterdam
image © designboom

nothing design group: http://www.designnothing.com
droog design: http://www.droog.com
urban play: http://www.urbanplay.org
experimentadesign amsterdam: http://www.experimentadesign.nl

The video above shows some of the work from the ongoing Helmut Lang exhibition called “Alles gleich schwer”. You can experience it both in real life at renowned kestnergesellschaft in Hanover and online at the collaboration partner Absolut.

Andra bloggar om: konst, mode, helmut lang, absolut, utställning

I attended the Natural Building Colloquium held this year at the Orella Ranch overlooking the Pacific Ocean near Santa Barbara, California, at the end of October. What a magnificent setting this was to spend a fine week of connecting with fellow enthusiasts of the natural building movement. About 70 attendees shared our insights, stories, passions, songs, poetry, cooking, concerns, and labor. I came away with gratitude for the opportunity to interact with such caring people, and with a renewed sense of confidence that we will manage to help forge a sustainable future.

This year’s Colloquium was organized by the Natural Building Network (www.naturalbuildingnetwork.org) and was hosted by Gunner Tautrim, who represents the sixth generation of this family living on this land since 1866. The accommodations were primitive, with only a small kitchen as enclosed space; the rest of the facilities were rustic pit privies, temporary solar shower stalls, temporary bamboo and tarp meeting spaces, and a nice lawn area. We brought tents for sleeping. All of this was happening with the grandeur of the Pacific coast as a backdrop, and the elemental simplicity and beauty combined to create an appropriate mood for contemplating the benefits of building naturally. After breakfast each morning we would gather in a big circle on the lawn to review the various options for the rest of the day and share other thoughts. Typically the mornings were devoted to work on a sturdy, permanent, multi-stalled toilet facility that was already framed with wood. Gunner wanted the walls and a surrounding fence to be finished with natural materials, and there were many volunteers who formed teams to accomplish this. Mostly, split bamboo or recycled fencing was used for a framework, over which cob and clay finishes were applied.

Lunchtime often featured tables where specific discussions would occur, having spontaneously been announced at the morning circle. The afternoons were reserved for many concurrent presentations or discussions, so there were always hard choices to make about what to attend. During the course of the week, over forty different topics were explored, in a variety of meeting places. These ranged from the use of materials (such as bamboo, cob, adobe, and lime) to more theoretical discussions about engineering, thermal properties, efficiency, and design. One of the most popular forums was about codes and ways of improving the acceptance of natural building techniques by building officials. I will be writing about this topic in more detail in a future blog post.

I shared one two-hour presentation about earthbag building around the world with a woman architect from Israel, who had brought plans for an earthbag residence that she was designing for a client there. First I talked about the history and development of this technique, and then profiled a number of projects that have been completed (see www.earthbagbuilding.com). After this introduction, the architect laid her plans on a table and we all discussed specific questions that she had about them. This was a great way to learn some of the basics of earthbag building, and then apply these concepts to a specific situation.
I was very pleased that a discussion was convened to explore the role that natural building can play in what was described as the “long emergency,” or the compounded effects of climate change, peak oil and other resource depletion, population pressures, and financial crises. Without this discussion I would have felt that we were negligent in addressing these most pressing issues. I plan to write another entire blog post about this.

After dinner (which was always delicious and usually vegetarian), we were treated to a variety of programs or entertainment that emanated from our group. Mostly these were slide or Power Point presentations, but one night was devoted to a talent show with lots of music and some stand-up comedy…great fun. I showed lots of pictures I took when in Jeddah, Saudi Arabia a couple of years ago where I had been invited to discuss sustainable architecture with the faculty and students at the King’s University (see www.greenhomebuilding.com/weblog for my essay about the situation there) .

One morning, about half of us opted to attend a tour of historic adobe buildings in the heart of Santa Barbara. The earliest remnants date to the 1780’s when Spain authorized the construction of a presidio and the Santa Barbara Mission. Much of this early adobe construction was toppled during subsequent earthquakes, but recent reconstruction, using stabilized adobes, has returned the area to its original presence. I chatted (in Spanish) with the Guatemalan and Mexican crew who were making new adobe blocks for further repair work. On the return trip to the Orella Ranch, several of us made a detour to the nearby beach to dip our feet in the ocean.

One of the delights of this event was the participation of James from Zimbabwe, Africa. This very engaging fellow brought with him pictures of a lovely little thatched cob circular building that he and some friends had made. He also brought his large thumb piano to serenade us with African ballads. This was a reminder of the deep roots that natural building has from all corners of the world.

All together this week of camping out in this spectacular place and connecting with these dedicated and compassionate souls has left me feeling heartened that we will find ways to overcome the enormous obstacles that lay ahead.

On a very foggy night before we were to disperse the next morning, during our closing ceremony, we arranged ourselves in two large circles that faced each other. We (on the outer circle) were asked to assume the role of addressing our ancestors (on the inner circle) from some indefinite time in the future. When I did this I felt strangely like I was really speaking from the future. I told the young woman who was sitting across from me that I did not blame her for the difficulties that she and subsequent generations had endured. I said that the pattern was innocently established well before she was born. Industrialization was fashioned to improve life, not deteriorate it, and the consequences were not foreseen. And then I told her how much I appreciated the hard work she was doing to address and correct the mistakes of our ancestors. I said that because of the actions of her generation, we in the future were enjoying a simple and healthy life based on ecological balance, and that we owe her and many of her generation our gratitude for all that they did to make this possible. We then stood and embraced, the Future and the Present, for a moment of true compassion.

To see more of my pictures taken at this event go to flickr.com/photos/kellyhart.

in the tradition of friday’s on d*s i decided to add a recipe to the mix for today’s DIY project. i love goat cheese. i could eat so much of it’s sick. last fall i spent some time researching different tart recipes after i got these cute little “mini-tins” as a gift. i finally settled on trying goat cheese with pear and loved them. these are so easy + they have the advantage of looking like they’re not. they satisfy the sweet & savory thing that i tend to crave. bring them with you to holiday parties and blow those chip & dippers out of the water.

what you will need: (makes 20)

mini baking tins (a mini muffin pan or the like will work)
2 pears
10 oz. goat cheese @ room temperature
1/2 tbsp sugar
dash of cinnamon
1 package puff pastry sheets (in the frozen foods aisle @ the grocery store)

1) preheat oven to 400.

2) roll out 1 puff pastry to a 20 x 20 inch square with a rolling pin,
and cut into 2 x 2 inch squares. grease your tins so the pastry does
not stick. press squares into tins and trim off the excess.

3) chop the pears finely with the skins on. (this adds a little color
to the tarts). stir pears, sugar & cinnamon up. you will probably have
a bit of the pear mixture leftover.

4) spoon and press down 1/2 tbsp of goat cheese onto the bottom of the
pastry and add 1 tbsp of pear mixture on top.

5) bake at 400 for 25 minutes. the edges should be golden brown.

6) take out of oven and let cool for 10 minutes. you will be able to
pop them out if you properly greased your tins. enjoy. i like to serve
them with a nice glass of white wine. yum.

• Meetings suck, but they don't have to
  We all know the drill when it comes to meetings: Arrive prepared and in time, stick to the agenda, don't interrupt others and let them speak until they're finished … But we all do also know that we so often suck with these basic rules.

  Therefore I'd thought that it might be a good idea to have the basic rules written down. This is no matter of being a business or design manager. On the contrary maybe some more structure in discussions would very often help meetings on design, process, and aesthetics to be more effective … What are your experiences?

  (tags: design mangement meetings rules productivity management business tips office projectmanagement)

as part of the second nature exhibition held at 21, 21 the campana brothers created 'cristalina'.
curated by tokujin yoshioka the exhibition focusses on fusing nature with technology.


'cristalina'
image © designboom

for 'cristaliana' the brothers used the idea of nests of birds to create a seat with branches interwoven.
craftsmen worked for hours using various wood structures to create this unusual design.


sketch of 'cristalina'


the making process


craftspeople weaving the seat


image © designboom


image © designboom


branches woven into the seat
image © designboom

more:
http://www.campanas.com.br

designboom interview with campana brothers

On September 8, 2008 at the Ars Electronica digital media festival in Linz, Austria, 170 people from fields spanning business, culture, arts and technology gathered at Mission Future to explore the power and potential of open innovation and collaboration. Under the theme „We’re Open“, participants spent the day immersed in presentations, panels, interviews, breakout sessions, Future Slams, a Future Hunt, music and interactive art.

Over 25 speakers lead discussion, sharing their expertise and opinions on topics including the future of intellectual property, open source, crowd-funding, social networking, the future of creation, open community, open business and open arts. Over the coming weeks and months we’ll be posting video clippings and summaries of Mission Future 2008 sessions on the Mission Future website, so visit http://missionfuture.trendpool.com/ to find out what went on.

An enormous amount of gratitude is due to all the speakers for sharing their foresights and insights with us, and equally sincere thanks go to our participants, whose contributions were key to the success of the day, to Ars Electronica Linz for their support in realizing this first major undertaking of Mission Future, and to our sponsors, the Berlin School of Creative Leadership, Weingüter Retzer Land, Art Directors Club, Red Bull, Carpe Diem, Linz 09, Indigo, Der Standard, Linz Tourism, Groupile and rebell.tv.

Building on the success of the 2008 event, the goals for Mission Future 2009 are now far loftier. We intend to receive speakers of the same high calibre as those we were privileged to hear this year, to tap into the knowledge and experience of participants to even greater effect, and to further advance Mission Future’s initiative to create tomorrow’s economy.

(Photo: Oswald Schröder, Elizabeth Stark and Joichi Ito discuss the future of intellectual property. Credit: Ars Elelctronica)

I recently received two emailed questions about the seeming lack of attention to green building in urban settings:

"I happened to notice that very little, if not at all, mention of urban dwellings and how small urban homes are practically the greenest you can get when you factor in transportation. Green homes spread out in the country, unless you're living off the earth and have no use for a car, may counteract your carbon footprint savings if you have to drive on a continuous basis. A vast majority of Americans live in a metropolitan area, it would be nice if your information can include an aspect to the benefits of small homes in urban dwellings."

"I am curious about building an earth covered or underground home in the future. Can these houses be built on a small lot within a city? I think being close to your neighbors etc., is one way to help achieve sustainable living, however, the green homes I have seen always appear to be on a large parcel of land."

I think these folks are absolutely right about this. It is unfortunate that most of the natural building movement has been more of a rural activity...but there is no reason why it has to be. Virtually all of the principles of sustainable architecture that I outline at http://greenhomebuilding.com/sustainable_architecture.htm would equally apply in an urban setting.

In districts where housing goes above 2 or 3 stories, it is difficult to use some of the more natural techniques. One problem is that many of these methods of building result in rather thick walls, especially when the walls must go quite high, so that interior space is compromised by this. This is where some hybrid concepts might be useful, such as building with a steel framework to allow multiple stories, and then fill in the walls with less industrial materials, such as strawbales, cordwood, or earthbags.

As for going underground in a city, it certainly can be done. It would be a great way to create dwelling space and reserve most of the land above for gardening or parks, creating much needed green space in the city.

Also much of the movement towards "sharing facilities," such as co-housing, can be done in cities. This is another way to create both denser housing and reserve open space for parks and gardening.

I think that all proponents of green architecture need to put more creative thought into urban design!

the k:fem department store by wingårdh architecture is located in the vällingby development, just outside
of stockholm. the store was conceived as a new beacon for the community serving to inject new life into
the area. the exterior is covered in a milky glass which get increasingly see through toward the top,
merging into the red overhang above. the list of stores inside are displayed on the overhang, all in white
on red. a pedestrian street cuts-through the department store, dividing it from the adjoining solo retailer.
inside the store, the semitransparent theme continues. the most unique features is the light filled central
core which is open to the sky.

http://www.wingardhs.se










via arch daily

Photography by Jonathan Cruz Photography

The Father of Earthbag Building, Nader Khalili, died peacefully, surrounded by his family, a couple of days ago. He was 71 years old.

Here is part of a letter sent out by his family to former students:

“The flames that ignited him in life and the quest that brought each of you to Cal-Earth to learn from him have touched all of us and led us on this path….the right path……. for arts, humanity and the environment. His work and words have inspired us and his spirit is powerfully alive in every work and word, building and echo that your enthusiastic and loving hands have helped to create for this world.

His soul imbues every grain of sand and every memory contained in Cal-Earth, which expresses so much of his personal life of the last 17 years. And your works, like seeds have been growing and flourishing in every corner of the world…”

Born as an Iranian, Nader lived most of his life in the United States, gaining an architectural degree. He worked on the design of high-rise buildings and taught architecture in Southern California. In 1991 he founded Cal-Earth (the California Institute of Earth Art and Architecture) based in the desert region of Hesperia , California. From this center, he taught classes and workshops on the use of both bricks and bags to fashion domes, arches, vaults, and irregular shapes. These forms sprang from his early exposure to Middle Eastern architecture.

The earthbag concept evolved from attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter. This concept was later refined to include stretching barbed wire between the courses of bags to help stabilize the structure. Nader never referred to this building technique as earthbag building; he preferred to call it “Super Adobe,” referring to the fact that he generally filled the bags (or long tubes) with an adobe soil mix.

In 1999 Nader was issued a U.S. Patent for his Super Adobe technique and he subsequently tried to require contractual arrangements for its use. At this point, however, he had been publicizing the idea for so long it was not an enforcable patent, and few would comply with his request.

This fact points to the complex nature of Nader’s personality. He truly loved humanity and the arts, and was an eloquent and passionate speaker. He often said that his ideas were a gift to humanity and he hoped they would provide shelter for the poor and disadvantaged. At the same time, he wanted to control the economic potential of his invention, and he pursued this vigorously.

Nader was the author of several books, including Ceramic Houses and Earth Architecture: How to Build Your Own, about literally making ceramic houses, and Sidewalks on the Moon, an autobiography. He also wrote several books about the the mystic poetry of Rumi. Interestingly, he never really wrote a book about his Super Adobe invention, allowing others to take the lead in doing this.

With the passing of Nader Khalili we have come to a point where his ideas and work can truly become universal. All of us who explore the potential of the earthbag concept and expand on its possibilities can help further his vision for bettering the world. We owe a great debt to this truly inspired individual. May he rest in peace!

To see complete inspiration library for MODERN WHITE view slide show
Today is a special October 12 - I share with you a MODERN INSPIRATION DEDICATION in honor of today's birthday. The birthday of a talented designer, artist, visonary, spirit and loving friend DONNA TOPPINGS.

The next step for the 3030 EcoSteel House is to assemble the steel framework, but the owner is waiting in line right now. Plenty of other tasks to do in the meantime however. And us, we've had a request to see what the front of the house looks like, so a new image of the model is posted as well.



This illustration shows a different color scheme than the previous images.

On site they applied a void filling top coating to the foundation wall and ground it smooth. This creates a mottled patina on the concrete surface which looks pretty cool.



The rest of the crew is sanding reclaimed oak barn boards which will become the ceiling of the ground floor.



Tune into the 3030 House flickr group to see all of the photos forwarded by the owner.

Technorati Tags: 3030 House, 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house

Finally an update! Well I’m glad that I revisited Week 1 again before going into Week 2. It got my system moving and I was starting to feel comfortable going through the routine 3 times a week. I must admit, getting comfortable with any fitness routine is an important plus to maintaining [...]

alissa and carly at coe and waito have launched a beautiful new series of ceramics. their existing collections have been smash hits and i have a feeling these pieces will be welcomed with the same enthusiasm. i love their coral vase (above) and the sweet scalloped bowls below. they would both be perfect for holiday gifts and they’re all between $56- $200 so there’s something for everyone. click here to check out their new collection and place and order.

YouTube Contest Challenges Users To Make A 'Good' Video

Posted by Ed Cotton

Breathing life into antiques.

The design week activities just came to a close in Tokyo and amidst the background blur of networking, parties and the traipsing back and forth to venues, what stood out as a highlight? For me it was the Lloyd’s Antiques store in Aoyama, who in collaboration with Ito Masaru took the theme of trompe l’oeil to design forms of the Union Jack for their installation.

While not a new concept, it was the execution that was so special. Mr. Uichi Yamamoto, well known for his work with famous cafes, catered the event with baskets of fish and chips and other ‘UK’ foods. For dessert, red, white and blue macaroons were used to form the Union Jack on a tray, and once one had been taken and devoured, there was a hostess on hand to replace the missing macaroon. The Union Jack was never eaten out of existence! UK rock songs filled the air – from The Kinks to Bloc Party – as the precious stuffiness of an antiques showroom went out the window. Rather, the antiques became the perfect backdrop for a thoroughly modern Tokyo style party.

This is a post by David Report contributor Kristina Dryza.

Ping Intressant.se

Andra bloggar om: design, tokyo, japan, antikviteter

Such legendary negativity. There are professions more harmful than industrial design, but only a very few of them. And possibly only one profession is phonier. Advertising design, in persuading people to buy things they don’t need, with money they don’t have, in order to impress others who don’t care, is probably the phoniest field in existence [...]

This is it! There are only a few items left to complete and correct in the New Mexico EcoSteel House. The owner has their CO and is moving in. They sent along one last round of photos of the empty house taken with a very wide angle fish-eye lens.



More of the photos in a photo browser after the click-through.



So this is it. Perhaps we will see some photos of the place with furniture, but this project is coming to a close. Its been very exciting to see it come together, and the owner has been very generous with their photos. Our thanks to them for sharing their house with us, and you our readers.

Technorati Tags: 3030 House, 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house

Just a couple of quick things:

The wonderful blog DO Research has closed shop - it is already missed. The upside is they've bought land and are building a Flatpak. I am wildly jealous!

Read the story behind the sea container Holyoke Cabin on the Hive Modular blog. So cool.

Skinny Japanese Houses on eye candy (via Things Magazine). Only in Japan [sigh].

The amazingly hip Alan Family Happy New House is complete. Check it out in The New York Times. It turned out just like the renderings - very, very cool. It shows you just how much you can do with a remodel.

I just picked up a good book, Small Eco-houses. Loaded with interesting, green, modern homes from all over the world. Two thumbs up!

Franco Marino Cagnina's Livebox router design for Saudi Telecom looks like vase and acts like a router. Says Franco, "STC was in need of a unique router design that would provoke a positive emotional response. The STC Router successfully bridges the gap between lifestyle and technology with it's flower vase functionality. Wireless internet, Voice over IP, land line telephone and wired DSL are all incorporated into this elegant device.". A quick look at Franco's portfolio revealed a few more innovative designs.

+ cagninadesign.com

‘creative exchange’ is a new shared workspace complex designed by 5th studio in cambridge, england.
the project was publicly funded and designed for the area’s creative workers and innovators. the building
is designed as a studio not an office, with enough room for 14 different companies. the ground floor is
adaptable, making it suitable for meetings, exhibits and other events. the first and second floors house
the private workspaces. the architects left wide common areas on these floors to encourage cross
pollination. above all this is a ‘working garden’ to further encourage interaction. the building design was
also designed for optimal sustainability, using exposed concrete for thermal mass, natural ventilation
and cooling systems and large windows for minimal need for artificial lighting.

http://www.5thstudio.co.uk

park royal proposal by 5th studio









photography by tim soar

‘sleep’, 2008 (source imagery: jean-bernard restout)

deitch projects, new york
november 1 - december 20, 2008

‘down’ is an exhibit of new paintings by kehinde wiley which opened earlier this month at new york’s
deith projects. a wide selection of wiley’s large-scale works will be on show including four new works
each referencing images of fallen warriors, saints, and classical mythology. using source imagery
from classical paintings, wiley contemporizes them with elements of other painting styles including
graffiti. wiley also examines the notion of ‘the master painter’, while also casting young black males
in the role of the subject.

http://www.deitch.com
http://www.kehindewiley.com

all photography by max yawney


‘morpheus’, 2008 (source imagery: jean-antoine houdon)


‘christian martyr tarcisius’, 2008 (source imagery: auguste falguiere)


‘the virgin martyr st. cecilia’, 2008(source imagery: stefano maderno)


‘femme piquee par un serpent’, 2008 (source imagery: auguste clesinger)


‘lamentation over the dead christ’, 2008 (source imagery: mantegna)


‘a dead soldier’, 2008 (source