I recently received two emailed questions about the seeming lack of attention to green building in urban settings:

"I happened to notice that very little, if not at all, mention of urban dwellings and how small urban homes are practically the greenest you can get when you factor in transportation. Green homes spread out in the country, unless you're living off the earth and have no use for a car, may counteract your carbon footprint savings if you have to drive on a continuous basis. A vast majority of Americans live in a metropolitan area, it would be nice if your information can include an aspect to the benefits of small homes in urban dwellings."

"I am curious about building an earth covered or underground home in the future. Can these houses be built on a small lot within a city? I think being close to your neighbors etc., is one way to help achieve sustainable living, however, the green homes I have seen always appear to be on a large parcel of land."

I think these folks are absolutely right about this. It is unfortunate that most of the natural building movement has been more of a rural activity...but there is no reason why it has to be. Virtually all of the principles of sustainable architecture that I outline at http://greenhomebuilding.com/sustainable_architecture.htm would equally apply in an urban setting.

In districts where housing goes above 2 or 3 stories, it is difficult to use some of the more natural techniques. One problem is that many of these methods of building result in rather thick walls, especially when the walls must go quite high, so that interior space is compromised by this. This is where some hybrid concepts might be useful, such as building with a steel framework to allow multiple stories, and then fill in the walls with less industrial materials, such as strawbales, cordwood, or earthbags.

As for going underground in a city, it certainly can be done. It would be a great way to create dwelling space and reserve most of the land above for gardening or parks, creating much needed green space in the city.

Also much of the movement towards "sharing facilities," such as co-housing, can be done in cities. This is another way to create both denser housing and reserve open space for parks and gardening.

I think that all proponents of green architecture need to put more creative thought into urban design!

'blinds'

analia segal

argentinean artist analia segal winner of designboom's 100% tiles competition in 2004,
is currently holding her first solo exhibition at the dpm gallery, ecuador. with all her work
segal creates objects and interiors that are often taken for granted and transforms
them into art. featured in the exhibition are blinds, wallpaper, tiles and doormats that
blur the line between architecture and art.


'w.c. tile project'

more:
http://www.analiasegal.com
http://www.dpmgallery.com

The idea of making walls by stacking bags of sand or earth has been around for at least a century. Originally sand bags were used for flood control and military bunkers because they are easy to transport to where they need to be used, fast to assemble, inexpensive, and effective at their task of warding off both water and bullets.

At first natural materials such as burlap were used to manufacture the bags; more recently woven polypropylene has become the preferred material because of its superior strength. The burlap will actually last a bit longer if subjected to sunlight, but it will eventually rot if left damp, whereas polypropylene is unaffected by moisture.

Because of this history of military and flood control, the use of sandbags has generally been associated with the construction of temporary structures or barriers. Using sandbags to actually build houses or permanent structures has been a relatively recent innovation.

It was an Iranian-born architect named Nader Khalili who has popularized the notion of building permanent structures with bags filled with earthen materials. Actually his first concept was to fill the bags with moon dust! Attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon, Khalili coupled the old sandbag idea with the ancient adobe dome and arch construction methods from his homeland in the Middle East. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter.

Khalili came up with a further refinement on this building concept on Earth: for a more permanent, shock-resistant structure, why not place strands of barbed wire between the courses of bags, thus unifying the shell into a more monolithic structure?

At first Khalili was filling his experimental bags with desert sand, but then he evolved his idea of “superadobe,” where bags or long tubes of polypropylene bag material would be filled with a moistened adobe soil that would dry into large adobe blocks. In this case the original bag material was merely the initial form and would not necessarily be an integral part of the eventual structure.

Soon after these first experiments, Khalili began publicizing his work through newspaper and magazine articles and conducting workshops and seminars on the techniques that he was perfecting. Many people who read about his work, visited his compound in Hesperia, California, or studied with him there, decided to go ahead with their own experiments with his ideas.

Among these “early adopters” were Joe Kennedy, Paulina Wojciechowska, Kaki Hunter and Doni Kiffmeyer, Akio Inoue, and Kelly Hart. I believe that it was Joe Kennedy who coined the more general term “earthbag” to suggest that the bag could contain a variety of earthen materials.

Paulina Wojciechowska was the first to write an entire book on the topic of earthbag building: Building with Earth: A Guide to Flexible-Form Earthbag Construction was published in 2001. This featured some of her early experiments done at Khalili’s CalEarth, along with several other case histories.

Akio Inoue, from Tenri University in Japan, has done extensive experimentation with earthbag construction, both on the campus of the University and in India and Africa where many other domes have been built for assistance programs.

Kaki Hunter and Doni Kiffmeyer (a couple) became enamored with earthbag construction after studying with Khalili, and worked on a variety of projects, both for themselves and for clients. In 2004 they wrote and got published another book, Earthbag Building: the Tools, Tricks and Techniques, based on their particular experience.

Kelly Hart (the author of this article) first began experimenting with earthbag building in 1997, after being exposed to the concept while producing his video program, A Sampler of Alternative Homes: Approaching Sustainable Architecture. He later documented his experience in actually building his own home in another program titled Building with Bags: How We Made Our Experimental Earthbag/Papercrete Home. Both of these programs are now available as DVD’s.

In the meantime, Nader Khalili was continuing the promotion of his “Superadobe” technique and eventually decided to patent the idea, which he obtained in the U. S. in 1999, using very general terms that cover using bags made of any material being filled with virtually any material, and combining these with barbed wired between the courses. While having made many public statements that this concept was his gift to humanity, he obviously wanted to capitalize on the potential economic reward.

Many of us who had been engaged in promoting earthbag building on our own were contacted by Khalili and asked to enter into contracts with him in order to continue our work. It didn’t take much research to discover that his patent could easily be disqualified because he had been publicizing his techniques through various media for at least four years before he even applied for his patent. Patent law clearly states that such publicity occurring prior to one year before the patent application would disqualify it for consideration.

So now the door is wide open for anyone to take this concept and run with it, and more people are doing so all the time, all over the world. While Khalili (and most of his students) have focused primarily on using the bags to form large adobe blocks, others have tried filling the bags with a variety of other materials, such as crushed volcanic rock, crushed coral, non-adobe soils, gravel, and rice hulls.

Earthbag building is unique among all other building technologies in that it can be either insulation or thermal mass, depending on what the bags are filled with. This is a very important distinction, because these characteristics of a wall greatly influence how comfortable, economical, and ecological any given system will be.

Safety is of prime concern with all building technologies, and much experimentation and testing has been done to establish guidelines for many ways of building. Khalili has established a relationship with the building department in Hesperia, California where CalEarth is located, an area where earthquakes are naturally a great danger. In 1993 live-load tests to simulate seismic, snow and wind loads were performed on a number of domed earthbag structures at CalEarth and these exceeded code requirements by 200%.

In 1995 dynamic and static load tests were performed on several prototypes for a planned Hesperia Museum and Nature Center to be constructed using Khalili’s Superadobe concepts with both dome and vault shapes. All of these tests exceeded ICBO and City of Hesperia requirements.

In 2006, at the request of Dr. Owen Geiger of the Geiger Research Institute of Sustainable Building, the Department of Civil and Mechanical Engineering of the U.S. Military Academy at West Point conducted several controlled and computer-monitored tests to determine the ability of polypropylene earthbags filled with sand, local soil, and rubble to withstand vertical loads. Their written report concluded that “overall, the earthbags show promise as a low cost building alternative. Very cheap, and easy to construct, they have proven durable under loads that will be seen in a single story residential home. More testing should prove the reliability and usefulness of earthbags.”

Despite the success of these tests, earthbag building concepts have yet to be incorporated into the International Residential Building Code. Obviously more enlightened acceptance of the demonstrated viability of earthbag building needs to occur!

It is difficult to know how many residences and other earthbag structures have been made at this point, probably hundreds if not thousands. Many of us have been promoting the technique for use as emergency shelters, and certainly some have been built for this reason. It is easy for folks to accept this way of building temporary shelters because it fits the historical model of sandbag use.

But many of us have also built substantial homes using earthbags, and in the process realized how truly versatile and sustainable the technique is. I wouldn’t be surprised if many of these earthbag homes are still standing long after their conventional counterparts built contemporaneously have disintegrated.

Personally I know that I would like to have in my apartment a wall that looks like a stone wall, but how this is not possible you can still have this idea by using a wallpaper that looks like a stone wall. For those of you who like this idea, and are already thinking on how their apartment will look with this stone wallpaper you can buy the stone wall from Target.

a

Wallpaper that Looks like a Stone Wall

California has adopted the nation's first statewide green-building standards, which will become mandatory in 2010. The new California Green Buildings Standards Code requires builders to reduce energy use by 15 to 30 percent beyond current standards and use more recycled materials. Some of the code will be mandatory, while other parts are just suggested. This is a significant recognition that energy and resource conservation is essential for the welfare of state residents, and hopefully this officially sanctioned consciousness will spread to other states.

These new codes include basic passive solar mandates: "When site and location permit, orient the building with the long sides facing north and south. Provide exterior shade for south-facing windows during the peak cooling season. Provide vertical shading against direct solar gain and glare due to low altitude sun angles for east- and west-facing windows."

For renewable energy, the codes says, "Use on-site renewable energy sources such as solar, wind, geothermal, low-impact hydro, biomass and bio-gas for at least 1% of the electric power."

For water conservation, the code says, "A schedule of plumbing fixtures and fixture fittings will reduce the overall use of potable water within the building by 20%, and provide water efficient landscape irrigation design that reduces by 50% the use of potable water beyond the initial requirements for plant installation and establishment."

"Each building shall further reduce the generation of wastewater by one of the following methods: The installation of water-conserving fixtures (water closets, urinals) or utilizing non-potable water systems (captured rainwater, graywater, and municipally treated wastewater
(recycled water)."

For materials to be specified for construction, the following is mandated:

• Select building materials or products for permanent installation on the project that have been harvested or manufactured in California or within 500 miles of the project site.
  
• Select bio-based building materials and products made from solid wood, engineered wood, bamboo, wool, cotton, cork, straw, natural fibers, products made from crops (soy-based, corn-based) and other bio-based materials with at least 50% bio-based content.
  
• Employ wood-based materials and products comprising at least 50% of a major building component, such as framing, flooring, or millwork, which are certified by one of five listed sustainably harvested certification programs.
  
• Use materials made from plants harvested within a ten-year cycle for at least 2.5% of total materials value, based on estimated cost.
  
• Use salvaged, refurbished, refinished, or reused materials for a minimum of 5% of the total value, based on estimated cost of materials on the project.
  
• Use materials, equivalent in performance to virgin materials, with post-consumer or preconsumer recycled content value (RCV) for a minimum of 10% of the total value, based on estimated cost of materials on the project.
  
• Use cement and concrete made with recycled products, fly ash, raw or calcined natural pozzolan, blast furnace slag (as a lightweight aggregate) .
  
• Select materials for longevity and minimal deterioration under conditions of use.
  
• Select materials that require little, if any, finishing.
  
• Select materials that can be re-used or recycled at the end of their service life in the project.
  
• Select materials assemblies based on life cycle assessment of their embodied energy and/or green house gas emission potentials.

"Provide readily accessible areas that serve the entire building and are identified for the depositing, storage, and collection of non-hazardous materials for recycling, including (at a minimum) paper, corrugated cardboard, glass, plastics and metals."

Environmental and health-related items establish specific limits on VOC emission of materials used within the structure, as well as regulate ventilation, CO2 emissions, tobacco smoke, lighting, outside views, and noise transmission.

Additional recommended measures include:

• If feasible, disassemble existing buildings instead of demolishing to allow reuse or recycling of building materials.
  
• Utilize a Frost-Protected Shallow Foundation.
  
• Use pre-manufactured floor and roof systems to eliminate solid sawn lumber whenever possible.

The code also identifies site improvements including bicycle storage and designated parking spots for low-emissions vehicles.

I have been advocating most of these measures at www.greenhomebuilding.com for many years now, and it is heartening to see them being officially sanctioned. This is a far-reaching and well-considered attempt by California legislators to establish requisites for living sustainably. If there are going to be building codes, they might as well be green! Yeah California!

Tired of uninspiring, consumptive, toxic homes? Tired of the traffic jams, ugly mini-malls, crowded burbs and urban sprawl? Then check out Project Outrage from Slow Home. Sign their online declaration. Join others in voicing your disdain for the bad development. It's a cool project, and if nothing else, a great example that people are finally realizing how bad our housing and community planning really is, and are standing up for better.

dutch designers frank tjepkema, janneke hooymans, tina stieger and leonie janssen were commissioned
by the dutch beer maker heineken to design their first shop. the studio at tjep settled on a theme of pouring,
translating the idea into displays the blend from floor to wall to ceiling, in wave-like forms. a sub-theme for
the retail outlet was coldness. this theme can be spotted in the cool colours and 100% led lighting system.
coldness is also literally seen in the three- story fridge that holds heineken bottles form around the world.
the store is divided into four sections, the aforementioned fridge, a fashion department, a ticket and travel
section and a fully equipped recording studio for young music artists.

http://www.tjep.com

new public space furniture for amsterdam's amstel station designed by frank tjepkema











via archdaily

P.S. Doesn’t Michelle make the best model?!

Dr. Owen Geiger and I have collaborated on a new article posted at earthbagbuilding.com that describes how to use earthbags filled with various natural insulating materials to insulate ceilings or roofs.
There seems to be a general lack of interesting ceiling options using sustainable building materials. For instance, when touring otherwise beautiful straw bale homes one often sees sheetrock covering conventional industrial insulation. Instead of using fiberglass batts or even manufactured cotton batts to insulate a roof, it is possible to use earthbags that are filled with a variety of insulating materials. These materials include rice hulls, crushed volcanic rock (such as scoria), vermiculite and perlite.

The insulating value of these ranges from about R-2 to R-3, so they are quite effective, and can also be quite inexpensive to install.

This article also describes how one might use mats made of natural fibers to cover and finish these earthbag ceilings.

Suspended ceilings, as described in this article, have a number of benefits. They conceal the roof structure, plumbing, venting and electrical wiring, as well as improve acoustics and insulation. And they can also greatly enhance the ambiance or hominess of a room.

Awhile ago I was driving down one of our main local roads and noticed a house in the middle of it. I didn't remember a house being there and thought that I was seeing a strange mirage. The closer I got, the more real it appeared, until I was forced to slow down and drive around the thing, at which point there was no doubt about its authenticity.

A big truck tractor was towing this entire 1200 square foot house balanced on two huge steel I-beams and a bunch of wheeled dollies. Progress was slow but steady as it inexorably moved toward its next incarnation. Just that morning it had departed its original home where it had been seasonal housing for migrant workers.

The owners of this seeming mirage had searched for just the right orphaned house to adopt as their own, lovingly place it on a new foundation, and refurbish it. Many houses would not be suitable for such a trip; generally only well-built wooden structures can withstand the stress of such a move. This house had all the qualities they were looking for: charm, integrity, and affordability. The entire cost of the house and having it moved was $10,000.

By the time they have it completely fixed up with new plumbing and electric service, an insulated stucco exterior, new energy-efficient windows, a metal roof, a completely rebuilt front porch, all of the interior walls resurfaced, and miscellaneous repairs, they estimate that the total cost of the project will be about $50,000, including the land. Not bad for what in most regards will be as good as new!

Of course new is not what they wanted; they bought this early twentieth century house (it's actual date of construction is unknown) precisely because of its special vintage quality. It reminds one of the owners of the house his grandmother lived in, with 9 foot ceilings, three smallish bedrooms, tongue and grooved fir flooring, cast-iron radiators, built-in cabinets, drawers and even ironing board, and the intangible quality of a by-gone era. They plan to retain the original floor plan intact, only altering a walk-in closet to become the mechanical room and turning a room off the kitchen into a dining space.

The house made the entire trip with just a few places where the plaster cracked in one corner, which is easily repaired. This is one very solidly-built house, made from the sort of fir that no longer can be bought. There was only one place under the kitchen sink that had suffered leak-induced rot over many years; everything else is as straight and true as any carpenter would want.

Another late twentieth century vintage home of about 800 square feet came from property leased from the Federal government and the house needed to be moved. With local help, the buyer of this little home added an additional room onto the original to comply with the homeowners' association square foot minimum. She has thoroughly enjoyed the process of remaking this simple cabin into her charming home, imbued with the wonderful quirky qualities that spring from her fanciful mind.

Once a house is moved it must comply with current plumbing and electrical codes, so these elements were completely redone. Most of the windows were replaced with second hand units that gave her just the views that she wanted. The exterior was resurfaced with rough-sawn lap siding and a new metal roof was installed. The original interior plastic paneling was replaced with sheetrock, and decorated with lots of natural wood trim. The whole feeling of the place is one of lovingly crafted touches wherever the eye lands. The new owner says, “I would much rather live in something recycled than buying something brand new which has no character. I let this house come together…it just evolved!”

Creating new life for old or abandoned houses has got be one of the most sustainable ways of making habitation. This is the ultimate form of recycling, where most of the basic components of a house are utilized intact instead of being tossed into a landfill or burned. There is a tremendous savings in the embodied energy of the house (in both materials and labor), so that all that needs to be done is to repair and polish the original dwelling to create a whole new life for it. Hoorah for these people who have the vision and willingness to take on these projects!

If you're into rammed earth building, don't miss this blog: Rammed Earth is for Everyone. You can't beat the enthusiasm of that name! The site highlights rammed earth projects all around the world, offers nice Youtube and Flickr finds, and has a great selection of links in its sidebar. It's proprietor is a rammed earth consultant who shares both interesting technical information as well as an intriguing and thought provoking world view. Definitely worth a look if you're an earth building enthusiast and/or you find yourself pondering the nature of man's impact on the Earth on a regular basis.

Via Earth Architecture (of course!).

"Fifty years ago the Heineken Beer company looked at reshaping its beer bottle to be useful as a building block. It never happened, so Buddhist monks from Thailand's Sisaket province took matters into their own hands and collected a million bottles to build the Wat Pa Maha Chedi Kaew temple." - We'll drink to that! (via treehugger)

"The financial sector’s total losses from the credit crisis are approaching $1,000bn after recent turmoil in the markets triggered a further drop in the value of mortgage-backed securities and other debt securities."

Financial Times- November 12th


Posted by Ed Cotton

Hey, DMI seems to slightly open up towards the social web! Something I’ve tried to convince them on a while ago ;-)

Therefore under the lead of Scott Lerman they’ve set up a Ning where you can socialize and get in touch with other Design Management professionals across the globe that like to hang out at DMI conferences once in a while. Well done, DMI!

So in case you’re planning to attend the annual DMI conference in early October 2008 you should definitively join. Otherwise for lurking and networking join as well at: JoIN the REMIX >>>

Architecture by TEZUKA ARCHITECTS
Location: Japan
Specialty: Residential, Educational, Commercial
Project Highlights: Floating Roof House
Interior Photography: TEZUKA ARCHITECTS

To view more images of their work, see slideshow.

Some challenging questions and ideas on if and how methods in design (if not in management at all) are both enriching the 'process experience' while still allowing for 'creativity'? This reminds me on the paradox between logic and creativity from de Wit.

the k:fem department store by wingårdh architecture is located in the vällingby development, just outside
of stockholm. the store was conceived as a new beacon for the community serving to inject new life into
the area. the exterior is covered in a milky glass which get increasingly see through toward the top,
merging into the red overhang above. the list of stores inside are displayed on the overhang, all in white
on red. a pedestrian street cuts-through the department store, dividing it from the adjoining solo retailer.
inside the store, the semitransparent theme continues. the most unique features is the light filled central
core which is open to the sky.

http://www.wingardhs.se










via arch daily

Some links to workshops and seminars the Hong Kong Design Centre will be offering in London in June; just in case you're around the corner.

Mainly through the efforts of Illiac Diaz, a charismatic entrepenuer/actor/model/athlete, the Philippines has been home to some very innovative public works utilizing earthbags. Illiac discovered the benefits of this technology several years ago at Nader Khaili’s CalEarth Institute in Hesperia, California, and has been promoting earthbag building in the Philippines ever since.

Diaz is the Executive Director of My Shelter Foundation which has collaborated with various other governmental and industrial organizations to build new schools and clinics throughout the Philippines. He is quick to point out the many economic and sustainable advantages of this method of building, since the main component is abundant and natural earth. In hurricane-prone areas, such as the Philippines, earthbag buildings can withstand the ravages of nature better than most other systems. And with thicker walls, they are more thermally stable.

Here are several pages where you can find out more about the humanitarian works of Illiac Diaz: earthbagbuilding.com/articles/filipino, earthbagbuilding.com/projects/school, earthbagbuilding.com/projects/clinic.

Having just finished reading “A Declaration of Energy Independence: How Freedom from Foreign Oil Can Improve National Security, Our Economy and the Environment,” by Jay Hakes, my mind is spinning with all of the issues that this brings up. Hakes was the head of the Energy Information Administration at the U.S. Department of Energy during the Clinton administration, so he knows a fair amount about the topic.

He makes a pretty good case that not only will shaking the U.S. reliance on foreign oil help in all of these ways, but that it is possible. He points out that after measures put into action after the oil shortages in the 1970’s, the U. S. actually did cut its reliance on foreign oil by half…for a short while. This was accomplished through a combination of government resolve to solve the crisis and the public’s willingness to adopt some simple conservation measures. People actually did drive less and at slower speeds; they turned down their thermostats in the winter and up in the summer; they began to install solar water heaters.

Of course times have changed, and now we are painfully aware of the costs that we face from not having continued to boldly deal with these issues. The true cost and burden of our reliance on oil (not just foreign oil) will be paid by future generations. There is little doubt that the Iraq War is a battle for control of oil resources, for which we are paying dearly in dollars, blood, and tarnished reputation. There is little doubt that global climate change, fanned by our burning of fossil fuels is wreaking havoc with rising sea levels, loss of crops, loss of biodiversity, and increasing severity of storms.

Hakes points out that because of the time lag that often occurs between when tough mitigating measures are adopted and when their effects are noticed, there is frequently little resolve among politicians to act because unpopular measures usually don’t bring votes, especially if voters don’t see positive results.

It has taken a few centuries for us to get into this mess. For over 99% of the time that Homo sapiens has been roaming earth, we have done just fine without burning fossil fuel. Even during the great leap into agriculture from hunting and gathering, we relied solely on our labor, with the help of a few beasts of burden. Then, as ecologist William Catton writes, “Homo sapiens attained a kind of superhumanity by learning to convert the heat energy from fire into mechanical energy by means of various engines.” This discovery has jettisoned humanity into the industrial age, and we have comfortably settled into this new way of life, congratulating ourselves on our modern ways.

Now, with the peaking of fossil fuel supplies and increasing world-wide demand, there is only one direction for the price of oil to go: up. With spiraling prices, all aspects of our economy will be affected. The cost of living in this modern world will continue to increase.

But this simple fact may ultimately be our salvation, because economics will force us to find alternative ways of living, and these will inevitably lead us to cleaner, renewable forms of energy. The inexorable laws of economics will eventually force us to address these thorny issues, even when politicians and an unwilling public dig in their heels to avoid change. It will cost too much to do otherwise!

Of course we can choose to cushion the blow of economic and climatic upheaval by making wise decisions now. We can invest in renewable energy now. We can drive cleaner, more fuel efficient cars now. We can walk. We can grow more of our own food. We can make our homes more energy efficient. We can buy only what we really need. We can do all of these things…and we will be much healthier for it!

Good is now available as a lifestyle hotel choice.

"What does “good” mean to you? For some, the word may inspire visions of helping a homeless person find shelter for a night. Others may think of global warming and chant the mantra, “reduce, re-use, recycle.” Or, maybe your mission isn’t to save the world, and it simply connotes a positive fun attitude.

Joie de Vivre Hotels’ identity as a socially-conscious company inspired us to design this SOMA hotel with all these good intentions. From beds and headboards made from locally reclaimed wood to glow in the dark messages, our guests will discover that we are good with a lighthearted twist."

Is it smart to lead with Good or to build Good into everything you do?

Should Good be half-hearted?

Should Good by light-hearted?

Answers please on a postcard or in the comments section.

Posted by Ed Cotton

On my recent trip to London for the Design Festival, I did not limit my search for aesthetics to home interiors and accessories. I stopped in a bookstore and checked in on some British cookbooks that are easier to find in the UK than in the US like Tamasin Day-Lewis, Leith’s Cooking School series, and the new Gordon Ramsay Cooking for Friends. Ditte Isager is the photographer who shot Gordon Ramsay’s new book, and I will admit that the photos sold the book. I am so enchanted by Ditte’s work, that I keep the book on my bedside table to look at before going to sleep so I’ll have nice dreams! Ditte’s signature photographic style is unmistakable and totally addictive. Her recipe for a fruit meringue cake looks fancy but is simple to make. Don’t be afraid of meringue! It will be your new friend! Click here for the full recipe or just click “read more” below. -Kristina

About Ditte: Ditte Isager was born and raised in Copenhagen. She was educated at Danish technical school of photography and Schiller studio and is now living in NYC. Specialized in interiors, travel, and food, her clients include Gourmet, Traveler, Domino, Martha Stewart, Gordon Ramsey, Fritz Hansen, to name a few.

Fruit Meringue Cake

Meringues
2 egg whites
1/2 teaspoon vinegar
½ cup sugar

For topping:
whip cream
fruit or berries, whatever you feel like

1. Whip the egg whites, vinegar and sugar for around 5 min to it is thick and shiny.
2. Put a little bit of flour on baking paper and make a circle around 20 cm in diameter with the whipped egg whites.

3. Bake it at 305 degrees (F) for around an hour to it is crisp, turn off the oven and leave the meringues there until it is cold.
4. Whip the cream, you can add some berries to the cream too, and decorate the cake with whipped cream and berries

Why Ditte chose this recipe: This is my favorite cake soooooo easy and so delicious! I always make it for birthdays, dessert when friends come over for dinner ………any occasion.

Images are 4×5 polaroids taken with a Linhoff camera.