As of yesterday we've changed our weekly Meta MoCo survey post, we've split it into two parts; Best MoCo Architecture This Week (posted yesterday) and Best MoCo Objects This Week. Best MoCo Architecture This Week will be posted every weekend and Best MoCo Objects This Week will now be posted on Mondays.

+ Kithkin: Some rights reserved video at Designguide.tv, "a group of creative friends who form a platform to show and promote their work. Consumers are given the chance to purchase design instantly, either printing it out on their own printer or taking the file to a listed supplier for production.".

+ Core77's FreeDesigndom 2008 photo gallery, featuring images from the first edition of a new annual design and fashion event in the Netherlands.

+ Core77's London Design Week photo gallery, from the 6th edition of this highly regarded annual event.

+ Ilio's hanging bookwave book/magazine storage from their new 2009 collection. At Dezeen.

+ Viable London's Slat Shelves, "an alternative storage solution constructed entirely using rectangular section FSC pine.". At Dezeen.

+ Doshi Levien's Exhibition at Moroso USA at Cool Hunting, a collection that draws upon Indian culture for inspiration.

+ Patricia Urquiola's Purely Porcelain for Rosenthal at designboom, a new 'landscape' ceramics collection with a "pattern [that] is erratic, sometimes filling the form and at other times escaping".

+ Designband's Birdturf birdhouse design by Emilie Baltz and Ben Bearsch, "inspired by the act of throwing shoes over power lines (which is thought to be how gangs mark their 'turf')". Via design*sponge.

+ The Quooker boiling water tap, a child-proof kitchen appliance that dispenses boiling hot water instantly for tea, pasta, vegetables and more. Via Designlines.

+ The Vroom Solo built-in vacuum appliance, a "quick-cleaning tool for small clean-ups in kitchens, bathrooms, laundry rooms, mudrooms and other high traffic areas of the home, the Vroom is easily installed directly into the cabinetry of a room either as a stand alone vacuum appliance or as an accessory to a central vacuum system.". Via Appliancist.

+ Debbie Smyth's 'pins and threads' electrical pylons, "each point was plotted and measured to ensure that the pylons were illustrated accurately.". At matandme.

Slight change to our weekly Meta MoCo survey post, we've decided to split it into two parts; Best MoCo Architecture This Week and Best MoCo Objects This Week. With the number and quality of design blogs steadily growing, the quantity of design objects and architecture has virtually exploded. The name change also more aptly describes the content we are presenting. Best MoCo Architecture This Week will be posted every weekend and Best MoCo Objects This Week will now be posted on Mondays.

+ Dorte Mandrup Arkitekter's prefab Read-Nest, "Measuring only 10 m2, Read-Nest is a small pre-manufactured structure that is designed to sit in the landscape like an architectural folly. Being flexible in both situation and use, the owner can place Read-Nest where he or she feels would best suit their needs, whether for study, relaxation or both.". At Arch Daily.

+ Also from Dorte Mandrup Arkitekter; Summerhouse in Jørlunde at Arch Daily. "Raised above the ground by concrete pillars, the house extends over the sloping terrain with interior spaces and terraces filtered from the outer landscape by movable fabric screens stretching along the perimeter.".

+ Splitterwerk's 32 sq. meter "Ivory and fresh Shell" apartment # 1 in Black Treefrog, Bad Waltersdorf, Austria. Converted from an old farmyard and a fire station, "The new interior envelope is conceived as a continuously active media surface - Projections, enlarged picture screens or TV - that makes the spatial divisions into virtual phenomena.". Via Judit Bellostes and We Make Money Not Art.

+ Jan Konings and Droog Lab's Hotel Experimenta*. "a temporary hotel at the northern IJ-river front in Amsterdam. It can be seen as an inverted hotel - the neighbourhood as a whole functions as a hotel, the streets are the hotel corridors, and the inhabitants are the hosts that offer the guests services, activities and excursions.". Via Judit Bellostes, Droog lab and Frame magazine.

+ Allied Works Architecture's Dutchess County Guesthouse profiled in the NYT's Style Magazine. "A cool guesthouse for a pair of art collectors upstate New York by the firm that redid 2 Columbus Circle.". Via Materialicious.

+ "Koji Tsutsui Architect & Associates design a house for an industrial designer in a quiet residential area in Tokyo." at World Architecture News.

+ Curiosity, Inc.'s C-2 House at rolu | design, with "a dash of something 70's here. picture the exterior covered in cedar shakes.".

+ Swedish designer Jonas Wagell's Mini House, "a 15 square metre house that can be built in a weekend". At Dezeen.

+ DeMaria Design's Redondo Beach House, "constructed with a combination of prefabricated shipping containers and traditional building materials". At Inhabitat.

+ Morten and Andrea's Gotland island sommarhus at Hemfeber.

A very livable home, the L shape creates privacy for its rear terrace where family life can flow out from the living areas. Conventional construction makes this house easy to build, and the iconic traditional form won't scare the average home builder.



Look for Design Prints to come available on the site soon. Well, you will hear about it here when it happens! And yes, this is the house for which we have been experimenting with new drawing styles. Not quite sorted out yet, but when its done the new collection will have a distinct graphic look apart from the original collection of designs.

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On the ground floor you enter very near to grade level. Here you have a short stair up to the ground floor, and the stair to the basement. To the side is a coat closet and a powder room. Up the short run of steps you land in the middle of the ground floor. To one side is the kitchen island, and the workspace which continues around the corner. To the other side is the dining area. The living room sits towards the front of the house. The open plan allows you to alter the proportion, or location of these rooms. For instance the dining area can be moved closer to the kitchen island and a second seating group added to the living area. If it was me, I'd get a Wilkhahn Confair table and move the dining area on a daily basis! A sheltered terrace is beyond with doors from both the dining side and the kitchen side. In the Maryland house since grade is sloping away this will have a set of steps to grade.



Up the stairs we come to a large landing. On this landing level is a small laundry area and the shared bathroom for bedrooms 2 & 3, At the top of the stairs there is a linen closet between the two bedrooms, and a wide set of doors to the master bedroom. The master has a walk-in closet and a large bathroom with shower and tub. Doors lead out to a balcony that extends the width of the house. Here is a section view where you can see the relationship of these landing levels.



The compact cubic proportion of the house is efficient with materials, and the floor plan is also efficient with space. The open plan makes it flexible, and gives the impression of being larger than its 1800 sqft would suggest. Into that space we have 3 bedrooms - enough for a family, but not too much to bite off for a first home. See the construction progress in the photo browser below. It starts with the demolition of the existing run-down house and shows excavation, and concrete work for the foundations and basement walls.

Technorati Tags: 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house, 3030 House

Technorati Tags: 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house

Technorati Tags: house plans, modern design, modern house

Technorati Tags: house plans, modern design, modern house, Plat House

On site they applied a void filling top coating to the foundation wall and ground it smooth. This creates a mottled patina on the concrete surface which looks pretty cool.



The rest of the crew is sanding reclaimed oak barn boards which will become the ceiling of the ground floor.



Tune into the 3030 House flickr group to see all of the photos forwarded by the owner.

Technorati Tags: 3030 House, 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house

Sara and David's big goal for this house was to bring it in for $100 a square foot, no small task in the expensive Los Angeles county construction market. But they had a plan, to do copious research on their own, to get the most value out of every consultant they used, and every vendor and contractor they engaged, they resolved to build the house modular, to source their modules from a market with much lower labor cost in Utah, and to complete a good deal of the work themselves as sweat equity. It was their dream to have a modern house and I must say they succeeded on every count. From finding the best materials and vendors, to researching planting material and submitting their own landscape plan for permitting, Sara and David did it all and tracked it in detail in their blog on LiveModern.com. It was a tremendous inspiration and people cheered for them every step of the way. Its hard to know how many other people they inspired to dig their heels in and pursue their own dream of a modern house.



When the work was done, well, almost done, and the smoke had cleared I believe Sara calculated that their cost worked out to about 114$/sqft. This was pretty remarkable at a time when there were literally dozens of prefab house start-ups trying to get traction. The lament was how everything was costing much more than expected, and much more than hoped. In that milieu of dashed hopes Sara and David fought and struggled to make their house happen at a cost that was a pipe dream for the rest of the market.



The house is a reasonable 1400 sqft, 3 bedrooms, with an open kitchen, living/dining, family room space, it really is a wonderful plan that lives much larger than it appears on paper. The modular units in different colors tell the prefab story. You should be able to orient yourself to the photos using the plan. The house site is unusual in that the back yard of the house is really at the side, so the front porch wraps around to the side, and that is the main back yard like space. The rear and other side have proximity to neighbors, more like a house typically has at the sides.
My favorite thing about the design is the three spaces you see in the photos - the kitchen, living/dining, and family room are each small square rooms that overlap at their corners, each space well defined, and very open to one another. It really walks the tightrope between open plan and discrete rooms. David and Sara brought a rough version of this floor plan to the table when they hired me, so they deserve the credit for its design, my role being more to refine, and adapt it to division into modules, and to resolve the plan into the 3d massing and window placement. It was truly a collaboration of the best kind. More photos in the browser below.

Technorati Tags: modern design, modern house, modular house, prefab house

New houses in Sweden are primarily built on slabs, partly because its expedient, but also because its naturally the best way to have in floor radiant heating. In a cold climate this is the only way to use a slab otherwise your slab will feel cold and uncomfortable. But a slab in a cold climate must be insulated from the elements or it will throw heat out its edges. There are typically two strategies to isolate your slab from the cold.

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Here it appears the entire main framing system is in place, including the roof purlins. Next will be the light gage wall framing to infill the exterior walls and frame out the window and door openings.



Here we see the recycled barn siding that we saw in an earlier post being installed as the first floor ceiling. The bar joists will be exposed, painted, but more or less as we see them here. The barn planks are going directly over the joists, and plywood floor deck will go down over the planks, and then finish flooring. I love the way this looks. The contrast between the industrial truss joists and the rustic planks is just great.

Tune into the 3030 House flickr group to see all of the photos forwarded by the owner.

Technorati Tags: 3030 House, ecosteel, modern design, modern house, prefab house

it won’t take you long to figure out that dolan geiman’s chicago place isn’t what we typically feature in our sneak peeks. but looking through his images and reading through his descriptions felt like i was unlocking a treasure chest full of great stories and memories into the world of dolan geiman. it’s funny to think about where everything we own comes from and the stories behind it. and it’s very clear from dolan’s work how his surroundings inspire him. be sure to click here for more full-sized images, with complete descriptions, and you can find more of his work here (psst…there’s a sale!) and his blog here with all sorts of fun stuff he has in the works. [thanks dolan and ali!] -anne

[Above: This is the area I refer to as “the waiting room”.  This is where my pal Chris Nightengale, fashion photographer extraordinaire, does some of his shoots. The mint colored chest of drawers is entirely metal and was a gift from my friend Denny, who always has been a wonderful inspiration in my life. He lugged this heavy thing to me when I was down on my luck and living in an unheated rat-hole apartment in Virginia. Now it looks a little better, as does my luck.  I found the globe in a dumpster in Charleston, South Caroline, and the artwork, Jazz Atlas (2008), is one of my collage constructions made from magazines I found in old farm houses. [Photo credit: David Schalliol]

Yours truly at work. . . This is the Art Machine. There is a long story behind the Art Machine, but essentially I made this out of old doors and found objects from a soon-to-be-demolished house I was living in when I first moved to Chicago.  Hockshop refers to the name of my previous studio and gallery in the Pilsen neighborhood of Chicago. Under the moniker Hockshop, the Art Machine debuted in Chicago during a yacht-based art show organized by Bridge Magazine (now called Bridge Art Fair, they produce expositions in London, Miami, New York, and elsewhere). The top of the Art Machine is an old canvas tent that my granddad used when hunting in Canada and which I screenprinted with various images. The little squares of metal on the front are hand-cut signs I grabbed in a scrap yard in Stuarts Draft, Virginia. The little Panel Paintings, on the wall behind the Art Machine, are the staple of my art business. I make about 1000 of these things a year, out of recycled wood, recycled paint, and water-based silkscreen ink.  This is my carnival area, I like to say, because the combination of the Art Machine and the Panel Paintings presents a nice sideshow feel. [Photo credit: David Schalliol]

This is a cabin-like installation just inside the front entrance of my studio.  I created this out of salvaged wood, found billboards, and old signs I’ve found along the road driving to and from art fairs. The raw wood slats were given to me by my pals over at Circa Ceramics who were using them as shelving. I found the deer head while exploring an abandoned barn in Ohio. I saw one of the antlers sticking out of the floorboards. The rusted milk can was used by my dad when he milked cows as a kid. The old glass bottles adorning my bottle tree surfaced outside my warehouse building when the City dug up the cobblestone street in preparation for resurfacing the road. The green bucket is full of shotgun shells I gathered from a shooting range in southern Illinois. The buoys have been collected from various coastal towns including Key West, Cape Cod, and New Orleans. I grabbed the screen door from an abandoned general store in Virginia, and I bought the lentil above the door at a yard sale here in Chicago for only five dollars. I’ve started collecting green and greenish-blue boxes from abandoned warehouses here in Chicago. [Photo credit: David Schalliol]

This is the back side of the entryway installation.  This is where I feel most like a mad scientist. And yes, in case you’re wondering, there is a whiskey flask in the bottom drawer. I found the chair in an old farm house in North Carolina and screenprinted the back and seat myself. The desk was left in the basement of my last apartment and could kill an elephant if it fell on it. I had to use a truck jack and three retired football players to transport the desk when we moved into this space. The framed oil painting on the floor was hanging in my grandma’s den when I was a kid. She was trying to throw it out when I intercepted it.  The red dolly in the corner I bartered from an old (semi) drunk barber for two six-packs of Old Style beer. I think he got the better deal, but at least it looks cool. I snagged the green metal hanging light from a warehouse here in Chicago. Above my desk is one of my inspiration clotheslines. I’ve found this is the best way for me to display various ideas and my notes to myself. The little white paintbrush holder sitting on my desk with the face on it is a ceramic mug made by my pal Ed Brownlee. Ed is about two pints away from being mistaken for a criminal, but he’s a damn good artist and has an enormous heart. [Photo credit: David Schalliol]

Our building has a green roof, which Ali helped plant, and this is where the plants were stored before they were given the outdoor penthouse suite. The equipment featured in the photo is one of our landlord’s lathes; he collects old, industrial machinery amongst other things.

This is my little shrine to Johnny Cash. On the day Johnny Cash passed away, I was getting ready for an opening at Unit B Gallery, formerly in Chicago and now in Austin. The work I was showing was loaded with connotations of death and resurrection and was called the Tombsigns of St Emmeline. The synchronicity of the event was really overwhelming and would have seemed spooky, except that I seem to attract energy like that and I am open to it. The week before I was eating pizza in St Louis and some kid was skateboarding nearby with a boom box and he was playing Johnny Cash’s last recording. When I asked him about it, he said he didn’t know it was Johnny Cash, and that he had just found the tape under a tree and liked the sound. I found the whiskey jug on the bottle tree in the dirt behind the warehouse. The butterflies are screenprinted on wood and were part of a spring window display for a local shoe store . . . I use one corner of the studio for staging photos, both for Etsy and for print brochures. The mantel was a gift from a T-shirt printer (48 Industries) in the building, a fellow scavenger. [Photo credit: David Schalliol]

Stuff I love: plastic dice, old painted nail, orange train ticket to California (1898), list of numbers in Spanish, green feed tag, hand-drawn family album for collage, Virginia text from a high school Math book cover. [Photo credit: David Schalliol]

In this entryway installation close-up, the fresh eggs (fresh eyes) sign was a studio warming gift passed on to me from my buddy, artist Michael Merck, who grabbed it from a little Mexican street cart.  I found the paintbrush hanging on a hook in a bathroom of a warehouse I was occupying while living in Virginia. It’s the only paintbrush I own that’s never been used for painting.  Below the brush is a catfish sinker I bought when I went fishing in Kentucky last year.  The rooster painting, Dirt Road Series IX, is one of my own, silkscreen and acrylic on recycled wood available here. He’s a good pet and doesn’t eat food or make any noise.  He just sits there lookin’ pretty. The books to the left of the rooster are my sketchbooks.  I use old books for my sketchbooks, pasting ideas and collage materials into the existing pages, instead of buying new white-paged, sterile sketchbooks. I think it’s important to be surrounded by many different textures, so I started collecting the softballs over the past four or five years. Almost every time I make a trip down to a river, I find softballs stuck in leftover flood debris and so I started saving them in this locker room bin. If you like metal baskets like this one, you can find some here. The blue oar is a mystery. I found it one night in the middle of the road while I was driving through West Virginia. The strange part was that one end of the oar was tied to a tennis shoe.  I kept the oar; the shoe didn’t fit, so I left it. Above the fresh eggs (fresh eyes) sign is a wooden gun I made from a piece of billboard I found in Indiana and then adorned with little metal objects from an old trade school parking lot. Finally, the rooster painting is sitting on an old hen crate, used by my granddad to take chickens to market. Ali won’t let me get chickens yet, but I’m working on it. [Photo credit: Kara Elliott-Ortega]

Included in this shot are an Ed Brownlee mug (paintbrush holder), comic book collage materials, old picture frames found in a barn in Kentucky, a bluebird collage in progress, and a couple print proofs. Used paint cans, thrift store mugs, and Quaker Oats bins are used to hold brushes, pens, and markers.[Photo credit: Kara Elliott-Ortega]