Good is now available as a lifestyle hotel choice.

"What does “good” mean to you? For some, the word may inspire visions of helping a homeless person find shelter for a night. Others may think of global warming and chant the mantra, “reduce, re-use, recycle.” Or, maybe your mission isn’t to save the world, and it simply connotes a positive fun attitude.

Joie de Vivre Hotels’ identity as a socially-conscious company inspired us to design this SOMA hotel with all these good intentions. From beds and headboards made from locally reclaimed wood to glow in the dark messages, our guests will discover that we are good with a lighthearted twist."

Is it smart to lead with Good or to build Good into everything you do?

Should Good be half-hearted?

Should Good by light-hearted?

Answers please on a postcard or in the comments section.

Posted by Ed Cotton

As of yesterday we've changed our weekly Meta MoCo survey post, we've split it into two parts; Best MoCo Architecture This Week (posted yesterday) and Best MoCo Objects This Week. Best MoCo Architecture This Week will be posted every weekend and Best MoCo Objects This Week will now be posted on Mondays.

+ Kithkin: Some rights reserved video at Designguide.tv, "a group of creative friends who form a platform to show and promote their work. Consumers are given the chance to purchase design instantly, either printing it out on their own printer or taking the file to a listed supplier for production.".

+ Core77's FreeDesigndom 2008 photo gallery, featuring images from the first edition of a new annual design and fashion event in the Netherlands.

+ Core77's London Design Week photo gallery, from the 6th edition of this highly regarded annual event.

+ Ilio's hanging bookwave book/magazine storage from their new 2009 collection. At Dezeen.

+ Viable London's Slat Shelves, "an alternative storage solution constructed entirely using rectangular section FSC pine.". At Dezeen.

+ Doshi Levien's Exhibition at Moroso USA at Cool Hunting, a collection that draws upon Indian culture for inspiration.

+ Patricia Urquiola's Purely Porcelain for Rosenthal at designboom, a new 'landscape' ceramics collection with a "pattern [that] is erratic, sometimes filling the form and at other times escaping".

+ Designband's Birdturf birdhouse design by Emilie Baltz and Ben Bearsch, "inspired by the act of throwing shoes over power lines (which is thought to be how gangs mark their 'turf')". Via design*sponge.

+ The Quooker boiling water tap, a child-proof kitchen appliance that dispenses boiling hot water instantly for tea, pasta, vegetables and more. Via Designlines.

+ The Vroom Solo built-in vacuum appliance, a "quick-cleaning tool for small clean-ups in kitchens, bathrooms, laundry rooms, mudrooms and other high traffic areas of the home, the Vroom is easily installed directly into the cabinetry of a room either as a stand alone vacuum appliance or as an accessory to a central vacuum system.". Via Appliancist.

+ Debbie Smyth's 'pins and threads' electrical pylons, "each point was plotted and measured to ensure that the pylons were illustrated accurately.". At matandme.

There has been a lot of reaction in the blogoshpere concerning our latest report called “5 Key Design Trends“. That’s fun, we like the discussion to continue and evolve. Below I’m posting a few of them. Check them out, they are all an interesting read.

Apartment therapy, Psfk, Home rejuvenation, Dexigner, Hi-id, Design Milk, Designophy, Mocoloco, Martin Koser, Trendbites, Desire to inspire, Live modern, Trendbird, Gems Sty, bwl zwei null, Frizzifrizzi, A ghost of daisies, Will it brand, Das Kulturmanagement blog, Addidea, Daidesignblog, Moneyfoxs, Foxerus, Yourtail, Daymoon design, Heyho, polymerclay daily, Docstoc, Design Latvia, Change the thought, Ffffound, Designcentre, Fav.or.it.

Andra bloggar om: design, trender, inspiration, kultur, framtid

Consumer packaged goods makers enhance product designs with practical twists.

Always on the lookout for new ways to interest customers, packaging designers have found ways to enhance the pack’s contents, by using it to chill or make its contents more flavorful. No longer competing on aesthetics along, the new designs give customers a practical reason to opt for the packaging.

Cases

Fruit Stickles

Trying to help customers find new ways of getting their five a day in a less monotonous way, Fruit Stickles are skewers infused with a cinnamon or tropical flavor. The company has refrained from adding sugar to its recipe to attract a health-conscious customer base.

Robero Cavalli for Coca Cola Light

Enhancing its contents in a fashion sense rather than a functional one, these limited edition Roberto Cavalli designs have been commissioned by Coca Cola Light (Diet Coke). 100,000 bottles of each animal print will be released, bringing a sense of exclusivity, fashion and collectability to a readily available commodity.

Burn Energy Drink

Coke’s Burn Energy Drink, currently available in Europe, offers a can with a unique re-sealable top. A plastic cover can be twisted into place, with a design that is based upon the packaging of salt and other spices. With new energy drinks being constantly introduced, Coca Cola is adding special packing features to separate themselves from competitors.

Kyo No Matcha
With “fresh” and “local” being key words for food products these days, manufacturers of pre-packaged items are seeking ways to change the image of their traditionally less than healthy goods. While bottled green tea might be one of the already acceptable convenience store products, CIC Co. goes the extra mile with its Kyo no Matcha. With a twist of the air-tight cap, 1.4 grams of traditional Kyoto matcha (high-grade green tea) is released into the mineral water below, creating a serving of fresh (yet instant) tea with no added chemicals or preservatives. At ¥5,280 ($52) for a case of 24, Kyo no Matcha is nearly twice the price of regular bottled teas, but certainly within the acceptable range for products billed as healthy and natural.

Trend Impact
These products may not revolutionize the food industry, but they could inspire new approaches to packaging, putting the customer in control of the final stage of preparation before the product is consumed. It’s also possible this trend could inspire food wraps infused with certain flavors or cling film that absorbs certain unpleasant odors or bacteria.

Karrie Jacobs has been writing a series of articles for Metropolitan Home magazine, all under the theme of "How We Live". In the October 08 issue she wrote about our house plans.

We've not seen the issue yet, only this scan from friend Jeff "jake" Jacobs.



Karrie is a thoughtful observer and commenter on design and one of my favorite design writers. It was the questions that she posed as founding editor of Dwell, about why it was not possible to go out and buy a modern home that inspired me to create this collection of house plans way back at the start. Its really an honor to have it come full circle, to be interviewed by her about the house plans and the whole journey.

Technorati Tags: house plans, modern design, modern house

A real treat today. I just received an email from Sara and David Sage, the owners of a modular house I helped them design back in 2004. They have been in the house for about 2 years now, and they are well moved in and at home. They shared many pictures of the house which I'm posting here.



A panoramic view of the Sage home interior.



Sara and David's big goal for this house was to bring it in for $100 a square foot, no small task in the expensive Los Angeles county construction market. But they had a plan, to do copious research on their own, to get the most value out of every consultant they used, and every vendor and contractor they engaged, they resolved to build the house modular, to source their modules from a market with much lower labor cost in Utah, and to complete a good deal of the work themselves as sweat equity. It was their dream to have a modern house and I must say they succeeded on every count. From finding the best materials and vendors, to researching planting material and submitting their own landscape plan for permitting, Sara and David did it all and tracked it in detail in their blog on LiveModern.com. It was a tremendous inspiration and people cheered for them every step of the way. Its hard to know how many other people they inspired to dig their heels in and pursue their own dream of a modern house.



When the work was done, well, almost done, and the smoke had cleared I believe Sara calculated that their cost worked out to about 114$/sqft. This was pretty remarkable at a time when there were literally dozens of prefab house start-ups trying to get traction. The lament was how everything was costing much more than expected, and much more than hoped. In that milieu of dashed hopes Sara and David fought and struggled to make their house happen at a cost that was a pipe dream for the rest of the market.



The house is a reasonable 1400 sqft, 3 bedrooms, with an open kitchen, living/dining, family room space, it really is a wonderful plan that lives much larger than it appears on paper. The modular units in different colors tell the prefab story. You should be able to orient yourself to the photos using the plan. The house site is unusual in that the back yard of the house is really at the side, so the front porch wraps around to the side, and that is the main back yard like space. The rear and other side have proximity to neighbors, more like a house typically has at the sides.
My favorite thing about the design is the three spaces you see in the photos - the kitchen, living/dining, and family room are each small square rooms that overlap at their corners, each space well defined, and very open to one another. It really walks the tightrope between open plan and discrete rooms. David and Sara brought a rough version of this floor plan to the table when they hired me, so they deserve the credit for its design, my role being more to refine, and adapt it to division into modules, and to resolve the plan into the 3d massing and window placement. It was truly a collaboration of the best kind. More photos in the browser below.

Technorati Tags: modern design, modern house, modular house, prefab house

To see complete inspiration library for MODERN WHITE view slide show
Today is a special October 12 - I share with you a MODERN INSPIRATION DEDICATION in honor of today's birthday. The birthday of a talented designer, artist, visonary, spirit and loving friend DONNA TOPPINGS.

On Saturday I was hanging around the architecture section of my local Barnes & Noble, looking for something new. I found a nice book on houses by Tom Kundig of Olson Sundberg Kundig Allen Architects. I also just caught this post on Shedworking covering several of the firm's brilliant cabin-like houses.


I resisted buying the book, though I'd really like to have it. It's very nice and Kundig's work is amazing. The house on the cover, Chicken Point Cabin, has been shown everywhere, and for good reason. It's pretty spectacular, and that giant, tilting window and the unusual mechanical folly for opening it are sublime.


Visiting the OSKA site, I found that the house I liked most wasn't one of the groovy cabins I'd spotted in a lot of the blogs and architecture mags. I was taken by the "The Brain," a fascinating concrete monolith built for a filmmaker.

"The form is essentially a cast-in-place concrete box, intended to be a strong yet neutral background that provides complete flexibility to adapt the space at will." - OSKA site

That's wonderful. I love the way the house rests on its site, half hidden, with creeping vines growing all over it. I hate big ugly garages hanging off the side of a house, parasitic, distorting proportions, so I was delighted to see this house with the garages tucked neatly underneath, buried into the slope of the landscape. No yard either - excellent!



The austere concrete exterior belies a more playful space inside: wonderful bookshelves (just look at 'em!), interesting lighting, a fireman's pole, and an amusing custom staircase.




Yes, this is a house I can see myself living in. The only exception I take with it, and with most Kundig houses frankly, is that they all look like bachelor pads. I'm married with children. But I think the wife and kids could adapt. Who wouldn't want to live in a house with a fireman's pole?

_____________________________________________________
Addendum:

I should have pointed out this very good Seattle Times article about "The Brain." I've realized since writing this post that "The Brain" is a garage/studio, not intended to be a residence. Thanks to those who left comments pointing that out. It is also worth noting that Kundig received an AIA award for "The Brain" in 2004.

Oh well, even though it's not technically a house I'm still very inspired by it!

Image credits - Amazon listing (book), OSKA Architects site

Modern farmhouse sounds like an oxymoron, but I've seen more than a few great looking modernist takes on the American homestead. One of my favorites is Farmhouse One, by the architecture firm of Durkee, Brown, Viveiros and Werenfels. It's a simple, traditionally inspired Rhode Island farmhouse with modern twists. Take a look.




And if you're in to modern farmhouses you'll also be pleased to know there's a great blog dedicated to the genre - the appropriately named Farmhouse Modern. It's definitely worth a look (I found it on the LiveModern Blog Directory, where Future House Now is also listed).

If you want to completely overdose on cool modern farmhouses, pick up the book Farm Houses: The New Style by Neill Heath. It features the houses I mentioned above, and many more, in 185 full color pages. Great book.



Image credits - Durkee, Brown, Viveiros & Werenfels site, Amazon.com Listing

I am thankful for ...

The extremely generous support of architect Greg La Vardera, Matt Olson of rolu|dsgn, Max Mead of Building Green, and Justin Anthony of materialicio.us - cool people I have come to know through this blog, and the many other people I have met via blogging. That's the best part, for sure.

My wife (who is too good to me) and my wonderful kids, Owen and Parker. Unfortunately, Owen broke his arm a little over a week ago. He was so brave. He never cried, not when it happened, not on the way to the emergency room, not when the doctors were poking him and putting in an IV, or when they set the bones. That little five year old has more guts and composure than almost any adult I've ever met. He's doing great, even with a heavy cast on up almost to his shoulder. I am sooo thankful that he is okay.

Modernist Japanese residential architecture - for challenging and inspiring me always. So much good stuff.

The Detroit Lions, my football team who I get to watch on Thanksgiving day. A really nice tradition for us Lions fans. Let's hope they win one for a change (doubtful).

Dwell and Pugh+Scarpa's entry to the Dwell Home II Competition, both of which inspired me to start this blog. My inaugural post is still the beacon.

Thanks everyone for visiting my site.

Have a great Thanksgiving!

This is the first coffee table I've seen in ages that I actually like. Pretty cool, though not cheap at $3,500.

Via Inspire Me, Now!

it won’t take you long to figure out that dolan geiman’s chicago place isn’t what we typically feature in our sneak peeks. but looking through his images and reading through his descriptions felt like i was unlocking a treasure chest full of great stories and memories into the world of dolan geiman. it’s funny to think about where everything we own comes from and the stories behind it. and it’s very clear from dolan’s work how his surroundings inspire him. be sure to click here for more full-sized images, with complete descriptions, and you can find more of his work here (psst…there’s a sale!) and his blog here with all sorts of fun stuff he has in the works. [thanks dolan and ali!] -anne

[Above: This is the area I refer to as “the waiting room”.  This is where my pal Chris Nightengale, fashion photographer extraordinaire, does some of his shoots. The mint colored chest of drawers is entirely metal and was a gift from my friend Denny, who always has been a wonderful inspiration in my life. He lugged this heavy thing to me when I was down on my luck and living in an unheated rat-hole apartment in Virginia. Now it looks a little better, as does my luck.  I found the globe in a dumpster in Charleston, South Caroline, and the artwork, Jazz Atlas (2008), is one of my collage constructions made from magazines I found in old farm houses. [Photo credit: David Schalliol]

Yours truly at work. . . This is the Art Machine. There is a long story behind the Art Machine, but essentially I made this out of old doors and found objects from a soon-to-be-demolished house I was living in when I first moved to Chicago.  Hockshop refers to the name of my previous studio and gallery in the Pilsen neighborhood of Chicago. Under the moniker Hockshop, the Art Machine debuted in Chicago during a yacht-based art show organized by Bridge Magazine (now called Bridge Art Fair, they produce expositions in London, Miami, New York, and elsewhere). The top of the Art Machine is an old canvas tent that my granddad used when hunting in Canada and which I screenprinted with various images. The little squares of metal on the front are hand-cut signs I grabbed in a scrap yard in Stuarts Draft, Virginia. The little Panel Paintings, on the wall behind the Art Machine, are the staple of my art business. I make about 1000 of these things a year, out of recycled wood, recycled paint, and water-based silkscreen ink.  This is my carnival area, I like to say, because the combination of the Art Machine and the Panel Paintings presents a nice sideshow feel. [Photo credit: David Schalliol]

This is a cabin-like installation just inside the front entrance of my studio.  I created this out of salvaged wood, found billboards, and old signs I’ve found along the road driving to and from art fairs. The raw wood slats were given to me by my pals over at Circa Ceramics who were using them as shelving. I found the deer head while exploring an abandoned barn in Ohio. I saw one of the antlers sticking out of the floorboards. The rusted milk can was used by my dad when he milked cows as a kid. The old glass bottles adorning my bottle tree surfaced outside my warehouse building when the City dug up the cobblestone street in preparation for resurfacing the road. The green bucket is full of shotgun shells I gathered from a shooting range in southern Illinois. The buoys have been collected from various coastal towns including Key West, Cape Cod, and New Orleans. I grabbed the screen door from an abandoned general store in Virginia, and I bought the lentil above the door at a yard sale here in Chicago for only five dollars. I’ve started collecting green and greenish-blue boxes from abandoned warehouses here in Chicago. [Photo credit: David Schalliol]

This is the back side of the entryway installation.  This is where I feel most like a mad scientist. And yes, in case you’re wondering, there is a whiskey flask in the bottom drawer. I found the chair in an old farm house in North Carolina and screenprinted the back and seat myself. The desk was left in the basement of my last apartment and could kill an elephant if it fell on it. I had to use a truck jack and three retired football players to transport the desk when we moved into this space. The framed oil painting on the floor was hanging in my grandma’s den when I was a kid. She was trying to throw it out when I intercepted it.  The red dolly in the corner I bartered from an old (semi) drunk barber for two six-packs of Old Style beer. I think he got the better deal, but at least it looks cool. I snagged the green metal hanging light from a warehouse here in Chicago. Above my desk is one of my inspiration clotheslines. I’ve found this is the best way for me to display various ideas and my notes to myself. The little white paintbrush holder sitting on my desk with the face on it is a ceramic mug made by my pal Ed Brownlee. Ed is about two pints away from being mistaken for a criminal, but he’s a damn good artist and has an enormous heart. [Photo credit: David Schalliol]

Our building has a green roof, which Ali helped plant, and this is where the plants were stored before they were given the outdoor penthouse suite. The equipment featured in the photo is one of our landlord’s lathes; he collects old, industrial machinery amongst other things.

This is my little shrine to Johnny Cash. On the day Johnny Cash passed away, I was getting ready for an opening at Unit B Gallery, formerly in Chicago and now in Austin. The work I was showing was loaded with connotations of death and resurrection and was called the Tombsigns of St Emmeline. The synchronicity of the event was really overwhelming and would have seemed spooky, except that I seem to attract energy like that and I am open to it. The week before I was eating pizza in St Louis and some kid was skateboarding nearby with a boom box and he was playing Johnny Cash’s last recording. When I asked him about it, he said he didn’t know it was Johnny Cash, and that he had just found the tape under a tree and liked the sound. I found the whiskey jug on the bottle tree in the dirt behind the warehouse. The butterflies are screenprinted on wood and were part of a spring window display for a local shoe store . . . I use one corner of the studio for staging photos, both for Etsy and for print brochures. The mantel was a gift from a T-shirt printer (48 Industries) in the building, a fellow scavenger. [Photo credit: David Schalliol]

Stuff I love: plastic dice, old painted nail, orange train ticket to California (1898), list of numbers in Spanish, green feed tag, hand-drawn family album for collage, Virginia text from a high school Math book cover. [Photo credit: David Schalliol]

In this entryway installation close-up, the fresh eggs (fresh eyes) sign was a studio warming gift passed on to me from my buddy, artist Michael Merck, who grabbed it from a little Mexican street cart.  I found the paintbrush hanging on a hook in a bathroom of a warehouse I was occupying while living in Virginia. It’s the only paintbrush I own that’s never been used for painting.  Below the brush is a catfish sinker I bought when I went fishing in Kentucky last year.  The rooster painting, Dirt Road Series IX, is one of my own, silkscreen and acrylic on recycled wood available here. He’s a good pet and doesn’t eat food or make any noise.  He just sits there lookin’ pretty. The books to the left of the rooster are my sketchbooks.  I use old books for my sketchbooks, pasting ideas and collage materials into the existing pages, instead of buying new white-paged, sterile sketchbooks. I think it’s important to be surrounded by many different textures, so I started collecting the softballs over the past four or five years. Almost every time I make a trip down to a river, I find softballs stuck in leftover flood debris and so I started saving them in this locker room bin. If you like metal baskets like this one, you can find some here. The blue oar is a mystery. I found it one night in the middle of the road while I was driving through West Virginia. The strange part was that one end of the oar was tied to a tennis shoe.  I kept the oar; the shoe didn’t fit, so I left it. Above the fresh eggs (fresh eyes) sign is a wooden gun I made from a piece of billboard I found in Indiana and then adorned with little metal objects from an old trade school parking lot. Finally, the rooster painting is sitting on an old hen crate, used by my granddad to take chickens to market. Ali won’t let me get chickens yet, but I’m working on it. [Photo credit: Kara Elliott-Ortega]

Included in this shot are an Ed Brownlee mug (paintbrush holder), comic book collage materials, old picture frames found in a barn in Kentucky, a bluebird collage in progress, and a couple print proofs. Used paint cans, thrift store mugs, and Quaker Oats bins are used to hold brushes, pens, and markers.[Photo credit: Kara Elliott-Ortega]

As the summer vacation period is starting soon I’d thought I celebrate and share the 5th anniversary of this blog a little bit earlier than scheduled with you. If you have a closer look at the ‘Full Archive’ section of this blog you will notice that e very first posting is dated 29. July 2003! Wow ;-)

After all in the very first posting (still written in small caption only; huhu fancy ;-) I’ll give credit to Lawrence Lee (back in 1997) who inspired me to do a regular publishing service on the web for the Design Management community as well.

However if I carefully remember how it all started I must admit that it has been more or less a technical coincidence that ‘Vol. 2: design-management.de‘ emerged: I’ve simply played around the other day with a piece of software called ‘Movable Type‘ and after a long night’s playing I succeeded to have this software installed on my hosted webserver. And most important: It worked ‘Hello World‘ :-)

From there the whole thing slowly developed into a tool for making my life as a teacher & lecturer for Design Management far easier. And still today many people ask me what to read or surf and ever since it simply takes a URL to point them to this blog and hopefully address their question in one or the other posting.

For sure the blog also emerged into a means to brand myself and raise my voice in the mist. What I’ve also learned however was that the often advertised ‘conversation‘ for most of us bloggers is a sort of ‘myth’ ;-( the blogosphere is not too different from the rest of the web and people on the web (as in real life) rather like to ‘lurk‘ than to ‘invest’ in a conversation. However please do not misunderstand this as a negative criticism, on the contrary: It’s not! It is simply helpful to keep this fact in mind in times of demotivation when you wish someone would clap on your shoulder and tell you how brilliant your postings are ;-) So yes, blogging also taught me to remain humble and appreciate & respect the fact that people are visiting this blog and spend their precious time on reading my musings.

So some of you might be interested in who else and how many are visiting this blog. Well that’s hard to measure for several reasons. While the web provider statistics report visitor numbers between 35.000 - 40.000 per month (personally I love that number ;-) Google Analytics reports some 100+ quality visitors per day on average (which is still fine for a niche topic I think). Visitors tend to come from across the globe and I think Tibet or Nepal belong to the very few countries that haven’t been logged yet ;-) The majority comes from the US as well as Western Europe, but this varies also depending on the country/institution where I’ve lectured last ;-) After all an interesting side note is the fact that more visitors come from Asia (China, India, and South Korea at the lead) as well as the Far East like Saudi Arabia for example!

So the fact that visitor numbers increased from 10/month in July 2003 to more than 10×10 per day is a good motivation to continue. However one of the key moments that made me think was at a DMI conference back in 2006. While sitting at lunch with a bunch of Design Management professionals both from academia and practice one commonly acknowledged ‘authority’ (at least by the grey hair community mostly in the academic domain) asked me: “Why do you waste your time writing for free on this blog?”. My spontaneous reply has been: “Do I also ask you: ‘Why do you waste your time writing Books?’” Needless to say that the quality of our relation ever since has decreased slightly ;-) After all I’ve learned to live with that.

Let me close this posting with a short anecdote that is linked to the picture above: For the recent inauguration in The Hague the panel members have been kindly offered the opportunity to display any book or paper they have written on a table in the reception hall. Since most of my writing on Design Management has taken place on the web (blog postings as well as guest comments on other blogs) and not on paper I’ve had a hard time to raise attention in the concert of publications on the table. Therefore my (graphic design) wife has been so kind to make a display for me that triggers visitor’s attention and points to this blog (have you noticed the ‘laurel wreath’ she has made ;-). While I can’t prove a correlation I can confirm that visitor numbers have increased slightly for the last couple of weeks ;-)

So, thanks for accompanying me over the last 5 years and I hope you hang out with me virtually or physically from time to time! Feel free to spread the information that there is a blog out there on Design Management and drop me a note whenever you like to: blog (at) design-management.de. Thanks!