John Hodgman was in San Francisco yesterday evening at a fund raising event for 826 Valencia.

He was on superb form, so much so, that interviewer Dave Eggers could barely get a word in, let alone a question. Hodgman talked about the pleasures of his new found fame that included sharing first class aircraft cabins with the likes of Peter Berg and Rachel Hunter. He also told the crowd that George Plimpton (former editor of The Paris Review) had been his inspiration from an early age. In fact, it was Plimpton's ad campaign for Intellivision video games that persuaded Hodgman that being the "PC" was the right thing to do.

Here's Plimpton selling video game systems.




Hodgman also played a couple of his political attack ads aimed at friends, people who had let him down and hotels. Here's the one attacking is friend, Johnathan Coulton for his cat sitting skills.
via videosift.com

Posted by Ed Cotton

It is interesting how these two different products are packaged in such similar form factors. The only differentiating factor seems to be the graphics. Right? Some things to think about… 1) Why does the package on the left cost $80 and the one on the right $12? 2) Why do we implicitly know that the [...]

Recent years have seen a flourishing of organizations that gather people with common interests participate in do-it-yourself activities

In a reaction to the digital age, creative people are finding ways to build community in the real world to share knowledge, projects, and ideas. People are looking to the Internet to find outlets for active creativity, rather than merely passive entertainment or consumption.

Cases

The Make Lounge

North London’s Make Lounge brings arts and crafts into the 21st century. One-off workshops are delivered in a branded “drop-in” environment, attracting those looking to dabble in activities such as millinery, jewelery making, or knitting.

The School of Life

Located close to some of London’s top universities, The School of Life makes adult education accessible and cool. Opened in September 2008, the space features a shop that sells books, art, courses, vacation packages, and consultancy to those seeking intellectual adventure. Beneath the shop is an underground classroom that hosts regular courses across five central themes - work, play, family, politics and love.





Maker Fair

Dubbed “Woodstock for inventors,” Maker Fair is a two-day event for people who love to make things themselves. Everything from arts and crafts to engineering and science, sustainable design, food, and music are represented. The event is no small job for organizers Make Magazine and Crafts Magazine: the last Maker Fair attracted 65,000 people.

Trend Impact
Although the Internet may provide us with instant, free information, we still thrive on real-world human interactions. Creative people are going online to connect people with common offline interests.

If you're into rammed earth building, don't miss this blog: Rammed Earth is for Everyone. You can't beat the enthusiasm of that name! The site highlights rammed earth projects all around the world, offers nice Youtube and Flickr finds, and has a great selection of links in its sidebar. It's proprietor is a rammed earth consultant who shares both interesting technical information as well as an intriguing and thought provoking world view. Definitely worth a look if you're an earth building enthusiast and/or you find yourself pondering the nature of man's impact on the Earth on a regular basis.

Via Earth Architecture (of course!).

Construction has begun on the new EcoSteel 3030 House model in Maryland. We have recieved the first progress photos back from the Owner, and we have them online to share with you. But first its time to share a little bit more information about the house.



As we described it before, the 3030 House sits on a 30ft x 30ft plus porch footprint, just under 2000 sqft, 3 bedrooms, and a nice open plan living space. It includes a generous kitchen work space and upstairs a large master bathroom, and in the case of this first one a full basement as well. It will fit on narrow in-fill lots or in new compact communities, but its size also makes it a good candidate for a weekend home as well.



The foundation is already in and steel will being rising this week. Lets look at the plans, beneath the fold.



On the ground floor you enter very near to grade level. Here you have a short stair up to the ground floor, and the stair to the basement. To the side is a coat closet and a powder room. Up the short run of steps you land in the middle of the ground floor. To one side is the kitchen island, and the workspace which continues around the corner. To the other side is the dining area. The living room sits towards the front of the house. The open plan allows you to alter the proportion, or location of these rooms. For instance the dining area can be moved closer to the kitchen island and a second seating group added to the living area. If it was me, I'd get a Wilkhahn Confair table and move the dining area on a daily basis! A sheltered terrace is beyond with doors from both the dining side and the kitchen side. In the Maryland house since grade is sloping away this will have a set of steps to grade.



Up the stairs we come to a large landing. On this landing level is a small laundry area and the shared bathroom for bedrooms 2 & 3, At the top of the stairs there is a linen closet between the two bedrooms, and a wide set of doors to the master bedroom. The master has a walk-in closet and a large bathroom with shower and tub. Doors lead out to a balcony that extends the width of the house. Here is a section view where you can see the relationship of these landing levels.



The compact cubic proportion of the house is efficient with materials, and the floor plan is also efficient with space. The open plan makes it flexible, and gives the impression of being larger than its 1800 sqft would suggest. Into that space we have 3 bedrooms - enough for a family, but not too much to bite off for a first home. See the construction progress in the photo browser below. It starts with the demolition of the existing run-down house and shows excavation, and concrete work for the foundations and basement walls.

Technorati Tags: 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house, 3030 House

Again one of these posts I would have wished to have written myself ;-) Anyway I’ve skim read Kevin McCullagh’s posting on the Core77 Design Blog just before leaving to The Hague last week. Fortunately Kathryn Best reminded me on Kevin’s posting after my return a week ago!

What I like about Kevin’s post is his approach to assemble a sort of list of patterns he has observed when it comes to describing the term we love so much these days: ‘Design Leadership’. What I like in particular about ‘pattern recognition’ in general and this is also a reason why I like Kathryn’s book on Design Management is that it is not aiming for categories and definitions academia is looking after like: ‘right-wrong’, ‘good-bad’ or ‘truth’ in general.

While I will give my very own definition or better ‘description’ of the term later on I’d like to point to the four questions that have triggered Kevin’s article:

1.) What makes a design leader?

2.) Do they have to be designers?

3.) Who is leading whom?

4.) And to where exactly?

A point where I do disagree with him is clearly addressing question 2 as I don’t think that ‘Design Leaders’ necessarily need to be designers themselves. Let me try to explain this by referring back to the photo (or collage) I’ve assembled and which you see in the upper left corner. The picture in the lower right corner is taken from Kathryn’s book and illustrates quite well the three areas of responsibility of a Design Leader, a Design Manager and a Designer as those people in organisations who ‘Define a Vision’, ‘Manage the Process’ and ‘Create the Content’.

While on one hand I think that this ‘classification’ is helpful for better understanding the very often unclear terms I do think that on the other hand they are too discrete. Apparently a Designer or Design Manager can only remain in their category and won’t be able to embrace all of them at the same time. In contrast according to my understanding of a ‘Good Designer’ she/he must be able to address all those levels in order to ‘thoughtfully design’.

Therefore and in order to make the model more flexible I’d want to refer to one of the originators of the term ‘Design Thinking’ namely Roger Martin. You see his latest book ‘The Opposable Mind’ pictured in the upper left corner of the collage. Then replace ‘Design Leader’ with ‘Design Thinker’ and let ‘Design Leadership’ embrace all three functions ‘Design Thinking, Design Management and Design’ and you have a more flexible framework that communicates the key message: “Only if you’re good at all disciplines: ‘Thinking, Managing and Designing’ you are a ‘Design Leader’!

Accordingly this perspective also implies that one person will have a hard time to act as a ‘Design Leader’ since this would imply that all functions would need to be addressed by her/him alone. Even though for example the success of Apple Computer these days might appear as the single effort of Steve Jobs it is for sure the joint effort of many more (needless to mention Jonathan Ive).

Furthermore I do think that it is somehow anachronistic to believe that (in the competitive business landscape of these days) that individuals are still able to dominate; even though I admit that we tend to have a fascination for these sort of ’single heroes’.

Instead ‘Design Leadership’ according to my perspective above recognises that it is something that needs to be achieved collaboratively as a joint team effort of various ’specialists’. So the answer to Kevin’s question No. 2 definitely is: No, because only teams as I’ve described them above can effectively handle various functions from several disciplines with ‘Design Thinkers’ as the category most likely to embrace people from non-design disciplines.

What do you think? Is this something Kathryn/We shall adopt for the future?

+ The Ideaco & Muku collection of brings together a lovely collection of wooden desktop accessories.

+ Tokujin Yoshioka's Venus chair will be the centerpiece of the "Second Nature" exhibition at 21_21 Design Sight. Via Dezeen.

+ The Good Design Award 2008 "Best 15" has been announced. JS

Wolf Prix of Coop Himmelb(l)au will be speaking to Sylvia Lavin about his soon to be completed high school of visual and performing arts in Los Angeles. Wednesday, Nov. 5th, @ 7PM. (via LA Forum)

What if we could light our homes with glowing wallpaper rather than having to rely on electric lights? Swedish designer Camilla Diedrich has asked this exact question, and in response, created a stunning line of luminescent wallpaper that is lit by fiber optics. Her Nature Ray Charles Wallpaper features a delicate assortment of floral motifs that shine through in lucid lines, adding a touch of energy-efficient ambiance to any room.

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Books are very important to me. I'm one of those people who would rather sit at home reading than go to a party. I get lost in stories, and read coffee table books over and over again, scanning pictures repeatedly to glean every last detail. Books are good friends. They deserve good homes.

The Maison de Verre in Paris (via NY Times via rolu|dsgn). This house is absolutely brilliant.



The Upcher house by Bates Masi Architects (via DO Research). Beautiful.



Mill Valley Straw Bale Residence by Arkin Tilt Architects - the entire main inner wall is one great bookshelf and art gallery.

I've admired rammed earth homes for a long time, even though they're not really appropriate for the climate I live in. It's just that rammed earth walls are mesmerizing to look at. I get lost staring at the different layers of soil, in varying subtle shades of earth tone, flowing gracefully along along a wall. To my eye, rammed earth walls epitomize the very essence of natural beauty.

I can't think of any rammed earth builder that does it better than Terra Firma Builders Ltd. They have a way of crafting the most gracefully curved walls. Their designs blend with the surrounding landscape. Inside, massive earthen walls and sturdy timbers comfortably intertwine with delicate, artistic finishing. It's a totally unique aesthetic.










Terra Firma's website is fantastic. There's a wealth of images of their work in their portfolio. There's also a great explanation of why rammed earth is an effective, sustainable building solution.

Probably the most interesting thing I found on their site is that they use an unusual insulated rammed earth wall approach called SIREWALL (SIRE = Stabilized Insulated Rammed Earth). SIREWALL was developed by Meyer Krayenhoff, an environmental builder of over thirty years, who also founded Terra Firma. Here's an explanation from the SIREWALL site:

Stabilized, Insulated, Rammed Earth (SIRE) walls are made using rebar and insulation enveloped with the mass of 14 – 20 inches of rammed earth. This combination, along with SIREWALL®’s system for quality control and soil blending, builds walls that exceed current standards for energy efficiency and compressive strength. SIREWALL’s customizable forms refined over the last fifteen years by SIREWALL’s expert builders, work seamlessly with unique designs and modern finishes that have timeless appeal.

I always thought that would work. We've seen that concept applied to concrete walls, so why not rammed earth too? Actually, reading their FAQ, and noting that they're in Canada and do their building in British Columbia, I've learned that rammed earth can be a solution for climates other than hot, arid deserts, especially with the SIREWALL approach in place.

Note that Terra Firma builds complete homes only on their home turf. But they will build walls elsewhere, and let your builder finish the house. They also train and certify builders in the SIREWALL system, and offer design and consulting services. Wherever you are, whatever type of rammed earth project you might be considering, I think these would be the people to talk to.

I have new hope of living in a rammed earth house yet!

Image credits - Terra Firma site

Custom Concrete fireplace installation by Solus Decor, photography provided by Solus

"Block" Concrete surround display at Solus Decor Studio on 3rd

Consumer packaged goods makers enhance product designs with practical twists.

Always on the lookout for new ways to interest customers, packaging designers have found ways to enhance the pack’s contents, by using it to chill or make its contents more flavorful. No longer competing on aesthetics along, the new designs give customers a practical reason to opt for the packaging.

Cases

Fruit Stickles

Trying to help customers find new ways of getting their five a day in a less monotonous way, Fruit Stickles are skewers infused with a cinnamon or tropical flavor. The company has refrained from adding sugar to its recipe to attract a health-conscious customer base.

Robero Cavalli for Coca Cola Light

Enhancing its contents in a fashion sense rather than a functional one, these limited edition Roberto Cavalli designs have been commissioned by Coca Cola Light (Diet Coke). 100,000 bottles of each animal print will be released, bringing a sense of exclusivity, fashion and collectability to a readily available commodity.

Burn Energy Drink

Coke’s Burn Energy Drink, currently available in Europe, offers a can with a unique re-sealable top. A plastic cover can be twisted into place, with a design that is based upon the packaging of salt and other spices. With new energy drinks being constantly introduced, Coca Cola is adding special packing features to separate themselves from competitors.

Kyo No Matcha
With “fresh” and “local” being key words for food products these days, manufacturers of pre-packaged items are seeking ways to change the image of their traditionally less than healthy goods. While bottled green tea might be one of the already acceptable convenience store products, CIC Co. goes the extra mile with its Kyo no Matcha. With a twist of the air-tight cap, 1.4 grams of traditional Kyoto matcha (high-grade green tea) is released into the mineral water below, creating a serving of fresh (yet instant) tea with no added chemicals or preservatives. At ¥5,280 ($52) for a case of 24, Kyo no Matcha is nearly twice the price of regular bottled teas, but certainly within the acceptable range for products billed as healthy and natural.

Trend Impact
These products may not revolutionize the food industry, but they could inspire new approaches to packaging, putting the customer in control of the final stage of preparation before the product is consumed. It’s also possible this trend could inspire food wraps infused with certain flavors or cling film that absorbs certain unpleasant odors or bacteria.

On Saturday I was hanging around the architecture section of my local Barnes & Noble, looking for something new. I found a nice book on houses by Tom Kundig of Olson Sundberg Kundig Allen Architects. I also just caught this post on Shedworking covering several of the firm's brilliant cabin-like houses.


I resisted buying the book, though I'd really like to have it. It's very nice and Kundig's work is amazing. The house on the cover, Chicken Point Cabin, has been shown everywhere, and for good reason. It's pretty spectacular, and that giant, tilting window and the unusual mechanical folly for opening it are sublime.


Visiting the OSKA site, I found that the house I liked most wasn't one of the groovy cabins I'd spotted in a lot of the blogs and architecture mags. I was taken by the "The Brain," a fascinating concrete monolith built for a filmmaker.

"The form is essentially a cast-in-place concrete box, intended to be a strong yet neutral background that provides complete flexibility to adapt the space at will." - OSKA site

That's wonderful. I love the way the house rests on its site, half hidden, with creeping vines growing all over it. I hate big ugly garages hanging off the side of a house, parasitic, distorting proportions, so I was delighted to see this house with the garages tucked neatly underneath, buried into the slope of the landscape. No yard either - excellent!



The austere concrete exterior belies a more playful space inside: wonderful bookshelves (just look at 'em!), interesting lighting, a fireman's pole, and an amusing custom staircase.




Yes, this is a house I can see myself living in. The only exception I take with it, and with most Kundig houses frankly, is that they all look like bachelor pads. I'm married with children. But I think the wife and kids could adapt. Who wouldn't want to live in a house with a fireman's pole?

_____________________________________________________
Addendum:

I should have pointed out this very good Seattle Times article about "The Brain." I've realized since writing this post that "The Brain" is a garage/studio, not intended to be a residence. Thanks to those who left comments pointing that out. It is also worth noting that Kundig received an AIA award for "The Brain" in 2004.

Oh well, even though it's not technically a house I'm still very inspired by it!

Image credits - Amazon listing (book), OSKA Architects site

The collaboration between BIG Architects of Copenhagen, Denmark, and NOD Landscape Architects of Stockholm, Sweden, provides not only a solution to Slussen, one of Scandinavia’s busiest intersections but most importantly privileges the pedestrian and cyclist.
When the Stockholm City Council invited BIG and NOD to act as design consultants on Slussen, the direction given was to create a proposal that reconnects the historic Gamla Stan with Södermalm. Understanding the long legacy of previous attempts to solve Slussen’s traffic chaos, the team set out to create a single form within which the different modes of traffic are layered. The proposal touches the waters surrounding Gamla Stan and slowly terrace up using ascending and descending ramps to create a new, coherent area focusing on providing an attractive and functional setting for both movement and rest.

Currently considered inaccessible to pedestrians and cyclists, Slussen is a black hole in the heart of Stockholm. It is no wonder then that Danish-Swedish collaboration has made sure to offer cyclists as well as pedestrians easy access to and through the area. The proposal turns Slussen into an urban recreational area assuring easy movement for the citizens and tourists of Stockholm. Slussen will gain a whole new kind of urban space unlike any other in the world, where artwork, a summer’s midnight stroll and outdoor theatre can cohabitate with the need to move cars, buses, trains, metro, and boats. The strength of Slussen lies in its continual and varied movement which the proposed ramped landscape only underscores. The heavy traffic of cars and buses is carefully immersed under the rising hillside. Suddenly due to the submersed traffic, large areas have been freed and are made attractive to the entire city to enjoy. As a result, new opportunities for urban life are created.

The basic traffic system has already been developed by Nyrens Arkitektkontor as part of an architectural competition, with soft traffic and a public program on the top and with heavy traffic at ground floor level, storing away boats, buses, metro, cars and trains. But instead of separating the different levels, connected only by stairs and elevators in a traditional way, we propose to integrate all public, accessible areas around Slussen by interweaving the levels using descending and ascending ramps as this will allow people to move freely between the levels.

Pedestrian zones are designed to connect the already existing promenades and road crossings, and all areas of the new Slussen are as such accessible to pedestrians. The bicycle lanes follow the road as well as the promenade along the waterfront, and are pulled away only where the curvy bays of the new Slussen are created to leave space for pedestrians to enjoy the waterfront.

Today Slussen does not take advantage of its rising topography. Seeking to utilize its unique setting the proposal uses the terraced hillside to house kiosks, shops, and tourist information stands accessible through the network of ramps. In this way, a new and active urban area is created. In addition to the landscaped contours and pathways characterising BIG and NOD’s proposal, the dispersion of light has been instrumental in developing the site and the various levels. By day, natural light will pierce through circle shaped skylights into the lower levels. By night, the skylights will be illuminated from below. The expression will thus vary from dusk till dawn, from season to season and depending on the weather. This dynamic process and the continual hum of traffic will serve as the backdrop to a new urban form and regenerate life into the surrounding neighbourhoods.

There is an animation showing the complete program as well. I will put it up in a separate post as well.

Ping Intressant.se

Andra bloggar om: slussen, stockholm, kultur, arkitektur landskapsarkitektur, bjarke ingels, stadsbyggnad

“As real as it gets” by advertising firm, Bates 141 Jakarta. A very clever representation of, I dare say, one of our design software’s most recognizable user interface. Even the tag line is great. I love it! Check out their production process and the full size (obviously photoshopped) final print image on their [...]

Just a couple of quick things:

The wonderful blog DO Research has closed shop - it is already missed. The upside is they've bought land and are building a Flatpak. I am wildly jealous!

Read the story behind the sea container Holyoke Cabin on the Hive Modular blog. So cool.

Skinny Japanese Houses on eye candy (via Things Magazine). Only in Japan [sigh].

The amazingly hip Alan Family Happy New House is complete. Check it out in The New York Times. It turned out just like the renderings - very, very cool. It shows you just how much you can do with a remodel.

I just picked up a good book, Small Eco-houses. Loaded with interesting, green, modern homes from all over the world. Two thumbs up!

What the heck. It's Halloween, and we might as well cover a few more architects in the fatality department. Enjoy! (via land+living)

Considering the fact that the average person produces 4.5 pounds of waste per day according to the EPA, we would be remiss not to address the question of household waste in our exploration of what it takes to make a green home. Thanks to more widespread public and private recycling programs and increased consumer awareness, Americans are definitely learning to tighten their ‘waste-line,’ but we still produce a phenomenal amount of garbage on a daily basis. Before we can talk about reducing, re-using and re-cycling, Green Home 101 needs to talk trash.

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Every year I update all of the listings for media at www.greenhomebuilding.com and I am doing that now. Last year when I got to the topic of our environment and books about global warming I was astounded to notice that nearly half of the new titles were nay-sayers trying to cast doubt in the public perception of the issue. Most of these writers were associated with conservative think tanks or corporate interests.

As you might imagine there are many new books written about global warming and its consequences; I noticed over twenty five that were published in 2007. This time, the ratio of nay-sayers has diminished to about a quarter of the volume. I take this as an encouraging trend, in that the real science and public perception are obviously coming closer together. To see a listing of some of new media see this page.

Part of the characteristics of blogs is their sequential format. This implies that postings usually appear in a chronological order. While this is in general nothing to worry about from time to time however you’d wish to point people to ‘older’ blog posts as well.

However old is relative and if you’ve done several postings per week your ‘Monday Musing’ is low down in the list and already far away from visitor’s attention. Therefore here’s my weekly (visual) Summary:

- My Take On Design Leadership

- Dear Blog: Happy 5th Anniversary

- DMI Remix Conference Ning

I am very pleased to announce the launch of my new website, www.earthbagbuilding.com. Actually this is a cooperative project between myself and Dr. Owen Geiger of the Geiger Research Institute of Sustainable Building (www.grisb.org). Owen and I have known each other for several years and have much respect for each other's work and for the potential of building sustainably with earthbags. To find out more About Us, see this page.

As the banner proclaims, our main attitude is that of sharing information and promoting earthbag building. We expect this to become the premeir site for learning about how to build with earthbags. While the site will be expanding over time, it already has a wealth of information.

Under the heading of Projects and Pictures we have already featured 17 earthbag projects from around the world, and we have plans to show many more. These pages are quite rich with photos and text that explain the nature of the projects, which range from residences to studios to walls to public buildings.

We have already posted 11 Articles about earthbag building, some we have written and some by other authorities on the topic. I have written a short History of earthbag building as well. So far we have 3 articles about Testing earthbag technology.

We have posted 4 pages devoted to the use of earthbags for Emergency Dwellings, and feature several other Plans that are available for more lasting structures.

There is a lengthy section with FAQs gleaned from my years of answering questions from the public at www.greenhomebuilding.com.

Our page of Resources features links to other related sites, books and DVDs that might be purchased, and where to buy supplies for building with earthbags. If you are looking for ways to get involved through Workshops, this page might help you find one.

If you are seeking specific information about this technology, we have provided a couple of Search engines to fascilitate this. One of these is set to search a selection of content-rich resources.

And finally, we are launching a Blog that is specifically about building with earthbags, where both Owen and I will be posting more information and provide a way for you to share information with us through your comments.

I hope you enjoy browsing and benefit from this new resource!

Architecture by TEZUKA ARCHITECTS
Location: Japan
Specialty: Residential, Educational, Commercial
Project Highlights: Floating Roof House
Interior Photography: TEZUKA ARCHITECTS

To view more images of their work, see slideshow.

• P&G’s Innovation Culture
  Good case on how the idea of a 'Blue Ocean Strategy' can be applied: "The heart of a company’s business model should be game-changing innovation. This is not just the invention of new products and services, but the ability to systematically convert ideas into new offerings that alter the very context of the business."
  (tags: Innovation P&G Blue Ocean Strategy applied research)

We often see new home designs at Inhabitat that incorporate advanced technologies, reduce energy use and provide a healthy and safe living environment, but we really enjoy seeing home designs that have been vetted in competitions such as the Lifecycle Building Challenge. This annual competition, in its 2nd year and sponsored by well-known organizations such as the EPA, AIA, Building Reuse Association, Southface, and West Coast Green, is a challenge to design buildings with several points in mind: incorporate local building materials, consider the whole lifecycle of building materials, reduce the overall embodied energy and greenhouse gas emissions from materials, use innovative and creative strategies, and reduce environmental and economic costs. The 2008 winner of this contest for Best Residential Design was the Spoorhouse, by Benno van Noort of Van Noort Designs, LLC.

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Here is a link to a recently held design competition for Florida home designers. Its very developer oriented, and the house designs reflect that, but what is remarkable is that many of the designs shown as the "best of the rest" are overtly modern.

The Florida Homebuyer Home Design Challenge

On one level I'm very gratified to see modern shouldering its way into this mainstream platform. At the same time I'm discouraged because the homes, while modern, seem to have the same issues as typical developer homes. They are dressed modern, and some I think look nice, but they are bloated and pseudo luxurious in a way that makes my skin crawl. Its not just look and feel, its statistical as well - there is an alarming bedroom count to square footage ratio in most of these homes. 3 bedrooms in 3,500 sqft?

The discussion of "modern" on LiveModern all the way back to the Dwell messageboards always involved doing more with less, as a lifestyle, as a design dictum, not even driven by sustainability, but as a personal value and as an aesthetic. This stuff is really stepping on that for me.

What do you think? Please check out the link and comment.

Technorati Tags: modern design, modern house

Karrie Jacobs has been writing a series of articles for Metropolitan Home magazine, all under the theme of "How We Live". In the October 08 issue she wrote about our house plans.

We've not seen the issue yet, only this scan from friend Jeff "jake" Jacobs.



Karrie is a thoughtful observer and commenter on design and one of my favorite design writers. It was the questions that she posed as founding editor of Dwell, about why it was not possible to go out and buy a modern home that inspired me to create this collection of house plans way back at the start. Its really an honor to have it come full circle, to be interviewed by her about the house plans and the whole journey.

Technorati Tags: house plans, modern design, modern house

When I initially designed www.greenhomebuilding.com I intentionally avoided advocating the use of much wood in building, because of my concern for the health of our forests and their ecosystems, with all of the over-harvesting of timber that has occurred around the globe. There is also the fact that forests help sequester CO2 (a greenhouse gas) from the atmosphere.

This was a difficult choice for me, since my father was a wood worker and I grew up learning many of these skills; I love working with wood and I worked for years as a carpenter. It is certainly one of the most versatile of all building materials, and is a renewable resource, when harvested sensibly.

I have finally come to realize that building with wood (at least partially) can still be a sound ecological choice, which is particularly true in regions where forests have regenerated to the point that they can be harvested sustainably. This means that the trees are carefully monitored to make sure that the health and character of the forest is maintained; only certain trees are culled periodically, leaving the remaining trees to grow and contribute to a healthy ecosystem. It is possible to buy wood that has been certified by the Forest Stewardship Council (FSC), but if this means that you are buying wood shipped great distances, then this becomes a less ecological choice; use local materials!

Furthermore, with timber framing it is possible to use large wooden posts and beams in such a way as to create strong and versatile load-bearing structures, which can then be completed by either in-filling between the wooden structural members, or completely wrapping the timber frame structure with a variety of other materials (as is recommended in colder climates). Since this method of building has been recognized and approved by most code authorities, it is a way of approaching a natural building project that would otherwise be difficult for the authorities to sanction.

So I have now created a page about Timber Framing, greenhomebuilding.com/timber, with lots of media resources and informative links listed. I have also enlisted the gracious assistance of a preeminent timber framing specialist to answer questions from the public about this ancient art.

Will Beemer is a charter member and co-Executive Director of the Timber Framers Guild, and is owner of the Heartwood School for the Homebuilding Crafts in Washington, MA. For over 30 years, this school has been offering students a chance to improve their woodworking and timber framing skills. Will helps teach many courses at Heartwood and has been designing and building houses for over 35 years. He was a construction foreman at the Arcosanti project in Arizona, and design instructor at Cornell University. He has organized and taught building workshops around the world, including timber framing courses through the Guild and at Palomar College in San Diego, the North House Folk School and at the Colorado State University Mountain Campus. He has written for Fine Homebuilding, Joiner's Quarterly, and Timber Framing magazines.

You are invited to visit the new page about Timber Framing and to seek guidance about this art from Will Beemer.