I complained the other day about not having seen anything really interesting in a while, and then my buddy Justin at Materialicio.us answers the call with this amazing find - the Stroh Haus by Swiss architect Felix Jerusalem. This home has several things going for it that really appeal to me. First, it has a simple, clean plan. Second, that green exterior is my favorite color. Third, I am fascinated with translucent panels, and the Stroh Haus uses them as exterior sheathing to groovy effect. Lastly, the house utilizes a really interesting type of construction material - straw pre-formed into structural elements. That's a slick approach that ought to have some legs.








Thanks Juzz!

Image credits - Stroh Haus site

Talk about bending over backwards to please someone! This hybrid flexible kitchen faucet from Paini is all about pleasing you with its futuristic design, ergonomic shape and utility that makes it simply delightful. This irresistible kitchen faucet is flexible enough to make all your tasks easy and simple and ensuring that you can reach wherever you want with it. The design is elegant, modern and perfect for that “space-age kitchen”. Adding to the whole coolness, it sports LED indicators that illuminate to signify water temperature. The faucet is available in black, white and gray. - via HomeDosh

a

Futuristic hybrid Faucet from Paini: Bendy and Trendy!

Some challenging questions and ideas on if and how methods in design (if not in management at all) are both enriching the 'process experience' while still allowing for 'creativity'? This reminds me on the paradox between logic and creativity from de Wit.

Architecture by TEZUKA ARCHITECTS
Location: Japan
Specialty: Residential, Educational, Commercial
Project Highlights: Floating Roof House
Interior Photography: TEZUKA ARCHITECTS

To view more images of their work, see slideshow.

'club3' by rémy bardin, guillaume jounet - ENSA de paris-la-villette, part of 'habiter demain' exhibition



'le sommeilleur' by benoît , rest units at the mine museum, 2008, part of the 'habiter demain' exhibition


'l’îlot d’amaranthes' by emmanuel louisgrand, part of the 'city eco lab' exhibition - image © galerie roger tator lyon


'manger au travail - système pline' by julie bouillaut, part of the 'city eco lab' exhibition - image © véronque huygues


'robuDOG' by robosoft, 2008 - image © robosoft


'algues' by ronan and erwan bouroullec, installation at roubaix museum, 2004 - image © paul tahon

saint-etienne biennale: http://biennalesaint-etienne.citedudesign.com
cité du design: http://www.citedudesign.com

at night, light shines through the exterior patterned blocks of the 'patchwork pavilion'

'patchwork pavilion' is a temporary art gallery designed by DOMO arquitetos associados. the structure was
originally built for the casa cor 2008, an exhibition for home textiles in brazil. the name of the pavilion is fitting,
as the exterior is constructed from a random combination of four different pre-cast concrete blocks whose
patterns have been inspired by embroidery pieces that originate in the northeast part of the country.
these concrete blocks were largely used in early modernist buildings in brazil, because of their ability to ventilate
and allow light to pass through the patterns, as well as for their low-cost and shape.


the four different patterned tiles create a graphic patchwork effect




'cave house'

DOMO arquitetos associados' 'cave house', was originally designed for a competition called 'luxury for all'
which explores the idea of luxury living which considers our sensorial experience with buildings and objects,
with an approach to sustainability. the structure aims to continue the flow of nature through the cave-like space.

DOMO arquitetos associados: http://www.domo.arq.br

I am thankful for ...

The extremely generous support of architect Greg La Vardera, Matt Olson of rolu|dsgn, Max Mead of Building Green, and Justin Anthony of materialicio.us - cool people I have come to know through this blog, and the many other people I have met via blogging. That's the best part, for sure.

My wife (who is too good to me) and my wonderful kids, Owen and Parker. Unfortunately, Owen broke his arm a little over a week ago. He was so brave. He never cried, not when it happened, not on the way to the emergency room, not when the doctors were poking him and putting in an IV, or when they set the bones. That little five year old has more guts and composure than almost any adult I've ever met. He's doing great, even with a heavy cast on up almost to his shoulder. I am sooo thankful that he is okay.

Modernist Japanese residential architecture - for challenging and inspiring me always. So much good stuff.

The Detroit Lions, my football team who I get to watch on Thanksgiving day. A really nice tradition for us Lions fans. Let's hope they win one for a change (doubtful).

Dwell and Pugh+Scarpa's entry to the Dwell Home II Competition, both of which inspired me to start this blog. My inaugural post is still the beacon.

Thanks everyone for visiting my site.

Have a great Thanksgiving!

kristy at two if by see sent over these beautiful photographs by impactist. the collection is called “paper” and everything you see in the photos is hand cut and assembled to create patterns. such a beautiful idea. click here for more information. [thanks, kristy!]

As the summer vacation period is starting soon I’d thought I celebrate and share the 5th anniversary of this blog a little bit earlier than scheduled with you. If you have a closer look at the ‘Full Archive’ section of this blog you will notice that e very first posting is dated 29. July 2003! Wow ;-)

After all in the very first posting (still written in small caption only; huhu fancy ;-) I’ll give credit to Lawrence Lee (back in 1997) who inspired me to do a regular publishing service on the web for the Design Management community as well.

However if I carefully remember how it all started I must admit that it has been more or less a technical coincidence that ‘Vol. 2: design-management.de‘ emerged: I’ve simply played around the other day with a piece of software called ‘Movable Type‘ and after a long night’s playing I succeeded to have this software installed on my hosted webserver. And most important: It worked ‘Hello World‘ :-)

From there the whole thing slowly developed into a tool for making my life as a teacher & lecturer for Design Management far easier. And still today many people ask me what to read or surf and ever since it simply takes a URL to point them to this blog and hopefully address their question in one or the other posting.

For sure the blog also emerged into a means to brand myself and raise my voice in the mist. What I’ve also learned however was that the often advertised ‘conversation‘ for most of us bloggers is a sort of ‘myth’ ;-( the blogosphere is not too different from the rest of the web and people on the web (as in real life) rather like to ‘lurk‘ than to ‘invest’ in a conversation. However please do not misunderstand this as a negative criticism, on the contrary: It’s not! It is simply helpful to keep this fact in mind in times of demotivation when you wish someone would clap on your shoulder and tell you how brilliant your postings are ;-) So yes, blogging also taught me to remain humble and appreciate & respect the fact that people are visiting this blog and spend their precious time on reading my musings.

So some of you might be interested in who else and how many are visiting this blog. Well that’s hard to measure for several reasons. While the web provider statistics report visitor numbers between 35.000 - 40.000 per month (personally I love that number ;-) Google Analytics reports some 100+ quality visitors per day on average (which is still fine for a niche topic I think). Visitors tend to come from across the globe and I think Tibet or Nepal belong to the very few countries that haven’t been logged yet ;-) The majority comes from the US as well as Western Europe, but this varies also depending on the country/institution where I’ve lectured last ;-) After all an interesting side note is the fact that more visitors come from Asia (China, India, and South Korea at the lead) as well as the Far East like Saudi Arabia for example!

So the fact that visitor numbers increased from 10/month in July 2003 to more than 10×10 per day is a good motivation to continue. However one of the key moments that made me think was at a DMI conference back in 2006. While sitting at lunch with a bunch of Design Management professionals both from academia and practice one commonly acknowledged ‘authority’ (at least by the grey hair community mostly in the academic domain) asked me: “Why do you waste your time writing for free on this blog?”. My spontaneous reply has been: “Do I also ask you: ‘Why do you waste your time writing Books?’” Needless to say that the quality of our relation ever since has decreased slightly ;-) After all I’ve learned to live with that.

Let me close this posting with a short anecdote that is linked to the picture above: For the recent inauguration in The Hague the panel members have been kindly offered the opportunity to display any book or paper they have written on a table in the reception hall. Since most of my writing on Design Management has taken place on the web (blog postings as well as guest comments on other blogs) and not on paper I’ve had a hard time to raise attention in the concert of publications on the table. Therefore my (graphic design) wife has been so kind to make a display for me that triggers visitor’s attention and points to this blog (have you noticed the ‘laurel wreath’ she has made ;-). While I can’t prove a correlation I can confirm that visitor numbers have increased slightly for the last couple of weeks ;-)

So, thanks for accompanying me over the last 5 years and I hope you hang out with me virtually or physically from time to time! Feel free to spread the information that there is a blog out there on Design Management and drop me a note whenever you like to: blog (at) design-management.de. Thanks!

'blinds'

analia segal

argentinean artist analia segal winner of designboom's 100% tiles competition in 2004,
is currently holding her first solo exhibition at the dpm gallery, ecuador. with all her work
segal creates objects and interiors that are often taken for granted and transforms
them into art. featured in the exhibition are blinds, wallpaper, tiles and doormats that
blur the line between architecture and art.


'w.c. tile project'

more:
http://www.analiasegal.com
http://www.dpmgallery.com

• Explaining Innovation through Illustration: Google Chrome
  For more than a year the use of illustrations in order to ideate and visualize innovation both in products and services has been part of my Design Management seminars.

  While preparing for the international version of this seminar in Lucerne/CH in November this year together with my colleague Erik over from http://www.zilverinnovation.com I've been happily stumbling across Google's announcement to release a new G-branded browser built from scratch. However it wouldn't be Google if they would have chosen the ordinary road of explaining innovation with plain fact sheets. Instead they've chosen the format of a 'Comic' in order to illustrate the new approach and rich features of the web browser.

  Thanks to Scott McCloud I do now have a new (and better) example of great use of illustrations for business purposes.

  (tags: web design software scottmccloud google browser illustration innovation)

on now at the instituto tomie ohtake, sao paulo is the first solo exhibition of designer karim rashid in brazil.
it is the institute's hope that by showcasing rashid's work, they will generate a discussion about the aspects
of contemporary design and its impact on daily life. upon entrance into the exhibition you are greeted by a large
painting-like, computer graphic, 300 square metres in size which acts as a backdrop to the furniture on display.
this virtual component within the exhibition gives visitors the opportunity to encounter the designer as a
life-size avatar, playing between reality and the artificial, something which is prominent in rashid's work.

the exhibition is an international cooperation with munich's design museum, die neue sammlung. it is curated by
german art historian and critic dr. albrecht bangert in collaboration with brazilian-born designer and architect
camila tariki of karim rashid's new york studio and organized by instituto tomie ohtake. most of the pieces on
show are from the munich collection.











designboom interview

karim rashid
karim rashid at milan design week 2008

rashid global: http://www.rashidglobal.net
instituto tomie ohtake: http://www.institutotomieohtake.org.br
die neue sammlung: http://www.die-neue-sammlung.de

With my vacation last week and a shorten week this week, I have been just too exhausted to update my blog. However, I have not been idle. I have been collecting lots of juicy design tips and thoughts. Not only that, I have been testing out the iPhone as a blogging tool. It’s not too [...]

Edit 1: Tim is from Frog! Sorry Tim! Edit 2: Completely forgot to highlight, original seed concept “Just Plain Old Thinking” is from csven of rebang. Edit 3: Lesson: Blog when awake! Duh! Tim Leberecht, Frog Design’s VP of Marketing, has written about Design Thinking and how it is the new Marketing “Buzzword”. He goes on [...]

I attended the Natural Building Colloquium held this year at the Orella Ranch overlooking the Pacific Ocean near Santa Barbara, California, at the end of October. What a magnificent setting this was to spend a fine week of connecting with fellow enthusiasts of the natural building movement. About 70 attendees shared our insights, stories, passions, songs, poetry, cooking, concerns, and labor. I came away with gratitude for the opportunity to interact with such caring people, and with a renewed sense of confidence that we will manage to help forge a sustainable future.

This year’s Colloquium was organized by the Natural Building Network (www.naturalbuildingnetwork.org) and was hosted by Gunner Tautrim, who represents the sixth generation of this family living on this land since 1866. The accommodations were primitive, with only a small kitchen as enclosed space; the rest of the facilities were rustic pit privies, temporary solar shower stalls, temporary bamboo and tarp meeting spaces, and a nice lawn area. We brought tents for sleeping. All of this was happening with the grandeur of the Pacific coast as a backdrop, and the elemental simplicity and beauty combined to create an appropriate mood for contemplating the benefits of building naturally. After breakfast each morning we would gather in a big circle on the lawn to review the various options for the rest of the day and share other thoughts. Typically the mornings were devoted to work on a sturdy, permanent, multi-stalled toilet facility that was already framed with wood. Gunner wanted the walls and a surrounding fence to be finished with natural materials, and there were many volunteers who formed teams to accomplish this. Mostly, split bamboo or recycled fencing was used for a framework, over which cob and clay finishes were applied.

Lunchtime often featured tables where specific discussions would occur, having spontaneously been announced at the morning circle. The afternoons were reserved for many concurrent presentations or discussions, so there were always hard choices to make about what to attend. During the course of the week, over forty different topics were explored, in a variety of meeting places. These ranged from the use of materials (such as bamboo, cob, adobe, and lime) to more theoretical discussions about engineering, thermal properties, efficiency, and design. One of the most popular forums was about codes and ways of improving the acceptance of natural building techniques by building officials. I will be writing about this topic in more detail in a future blog post.

I shared one two-hour presentation about earthbag building around the world with a woman architect from Israel, who had brought plans for an earthbag residence that she was designing for a client there. First I talked about the history and development of this technique, and then profiled a number of projects that have been completed (see www.earthbagbuilding.com). After this introduction, the architect laid her plans on a table and we all discussed specific questions that she had about them. This was a great way to learn some of the basics of earthbag building, and then apply these concepts to a specific situation.
I was very pleased that a discussion was convened to explore the role that natural building can play in what was described as the “long emergency,” or the compounded effects of climate change, peak oil and other resource depletion, population pressures, and financial crises. Without this discussion I would have felt that we were negligent in addressing these most pressing issues. I plan to write another entire blog post about this.

After dinner (which was always delicious and usually vegetarian), we were treated to a variety of programs or entertainment that emanated from our group. Mostly these were slide or Power Point presentations, but one night was devoted to a talent show with lots of music and some stand-up comedy…great fun. I showed lots of pictures I took when in Jeddah, Saudi Arabia a couple of years ago where I had been invited to discuss sustainable architecture with the faculty and students at the King’s University (see www.greenhomebuilding.com/weblog for my essay about the situation there) .

One morning, about half of us opted to attend a tour of historic adobe buildings in the heart of Santa Barbara. The earliest remnants date to the 1780’s when Spain authorized the construction of a presidio and the Santa Barbara Mission. Much of this early adobe construction was toppled during subsequent earthquakes, but recent reconstruction, using stabilized adobes, has returned the area to its original presence. I chatted (in Spanish) with the Guatemalan and Mexican crew who were making new adobe blocks for further repair work. On the return trip to the Orella Ranch, several of us made a detour to the nearby beach to dip our feet in the ocean.

One of the delights of this event was the participation of James from Zimbabwe, Africa. This very engaging fellow brought with him pictures of a lovely little thatched cob circular building that he and some friends had made. He also brought his large thumb piano to serenade us with African ballads. This was a reminder of the deep roots that natural building has from all corners of the world.

All together this week of camping out in this spectacular place and connecting with these dedicated and compassionate souls has left me feeling heartened that we will find ways to overcome the enormous obstacles that lay ahead.

On a very foggy night before we were to disperse the next morning, during our closing ceremony, we arranged ourselves in two large circles that faced each other. We (on the outer circle) were asked to assume the role of addressing our ancestors (on the inner circle) from some indefinite time in the future. When I did this I felt strangely like I was really speaking from the future. I told the young woman who was sitting across from me that I did not blame her for the difficulties that she and subsequent generations had endured. I said that the pattern was innocently established well before she was born. Industrialization was fashioned to improve life, not deteriorate it, and the consequences were not foreseen. And then I told her how much I appreciated the hard work she was doing to address and correct the mistakes of our ancestors. I said that because of the actions of her generation, we in the future were enjoying a simple and healthy life based on ecological balance, and that we owe her and many of her generation our gratitude for all that they did to make this possible. We then stood and embraced, the Future and the Present, for a moment of true compassion.

To see more of my pictures taken at this event go to flickr.com/photos/kellyhart.

When I initially designed www.greenhomebuilding.com I intentionally avoided advocating the use of much wood in building, because of my concern for the health of our forests and their ecosystems, with all of the over-harvesting of timber that has occurred around the globe. There is also the fact that forests help sequester CO2 (a greenhouse gas) from the atmosphere.

This was a difficult choice for me, since my father was a wood worker and I grew up learning many of these skills; I love working with wood and I worked for years as a carpenter. It is certainly one of the most versatile of all building materials, and is a renewable resource, when harvested sensibly.

I have finally come to realize that building with wood (at least partially) can still be a sound ecological choice, which is particularly true in regions where forests have regenerated to the point that they can be harvested sustainably. This means that the trees are carefully monitored to make sure that the health and character of the forest is maintained; only certain trees are culled periodically, leaving the remaining trees to grow and contribute to a healthy ecosystem. It is possible to buy wood that has been certified by the Forest Stewardship Council (FSC), but if this means that you are buying wood shipped great distances, then this becomes a less ecological choice; use local materials!

Furthermore, with timber framing it is possible to use large wooden posts and beams in such a way as to create strong and versatile load-bearing structures, which can then be completed by either in-filling between the wooden structural members, or completely wrapping the timber frame structure with a variety of other materials (as is recommended in colder climates). Since this method of building has been recognized and approved by most code authorities, it is a way of approaching a natural building project that would otherwise be difficult for the authorities to sanction.

So I have now created a page about Timber Framing, greenhomebuilding.com/timber, with lots of media resources and informative links listed. I have also enlisted the gracious assistance of a preeminent timber framing specialist to answer questions from the public about this ancient art.

Will Beemer is a charter member and co-Executive Director of the Timber Framers Guild, and is owner of the Heartwood School for the Homebuilding Crafts in Washington, MA. For over 30 years, this school has been offering students a chance to improve their woodworking and timber framing skills. Will helps teach many courses at Heartwood and has been designing and building houses for over 35 years. He was a construction foreman at the Arcosanti project in Arizona, and design instructor at Cornell University. He has organized and taught building workshops around the world, including timber framing courses through the Guild and at Palomar College in San Diego, the North House Folk School and at the Colorado State University Mountain Campus. He has written for Fine Homebuilding, Joiner's Quarterly, and Timber Framing magazines.

You are invited to visit the new page about Timber Framing and to seek guidance about this art from Will Beemer.

I should share some snippets from last Friday when I’ve joined several of my peers in The Hague, NL. However please allow for some digesting of my impressions and thoughts! I will write a follow up for sure ;-)

After all what we’ve touched in our panel discussion as well as during the ‘after show’ talks has been (amongst others) the question how to best enter the ‘Design Management Sphere’. From regular email conversations as well as face2face talks this seems to be an urgent question in particular for fresh (design) graduates.

What I usually respond (and this is not meant as ‘fobbing off’) is that independent from their focus of study (let it be design or business administration just to name the two most dominant ones) graduates should try to gain as many and rich experiences in their field of profession as possible. This enables them to comprehensively explore the pros and cons of the field and will help them to render more precisely which domain of the Design Management sphere they are most interested in: Digital, Brand, Corporate, Industrial, Consumer, Services, just to name a few.

Ultimately and this is what I truly believe in: Design Management to a large degree is to a large degree nurtured by the application of (for sure!) cross-disciplinary experiences and skills that tend to rather grow over time. This does however not mean that undergraduate BA & MA programmes in Design Management are not useful. This is however a different discussion to be discussed at another time.

So, for those of you who are seeking for these cross-disciplinary experiences delivered in a highly condensed format you might want to have a look at the MoHo Website. Here’s a snippet from their vision statement:

“Innovation is hampered by a myriad of factors in today’s globalised world. The lack of communication between knowledge centers such as engineering, marketing and design in companies, creates distortions and miscomprehensions between people that heavily penalize the innovation process.

These problems are further amplified if economic reality is brought into the picture. Too many products have been ‘invented’ in the past with little or no potential for economic success. ‘Inventors’ very easily forget the importance of market reality.”

Unfortunately I haven’t been aware of this initiative and hopefully they will share some of the findings publicly soon!

Side note:

These are the facts & figures of the event I do miss more designers here for sure:
# 7 days in Palo Alto
# June 1 - June 8
# 1 house
# 16 partners
# 15 endorsements
# 15 engineering students
# 3 design students
# 15 business students
# 10 social entrepreneurs
# 10 artists
# 5 venture capitalists
# 2 design professors
# 3 business professors

I have gotten the following information from a Canadian inventor who claims some pretty amazing attributes for a product that he calls "New-crete." While it is not yet available, it has the potential to become one an amazing manufactured technology that addresses many issues related to sustainability. See what you think:

I have a patented product of lightweight cement called new-crete. New-crete is designed to form millions of air bubbles when cured. This makes new-crete 50% lighter and stronger than regular cement and 35% lighter and stronger than lightweight cement. It is also 30%-40% cheaper than regular cement. It has an R-20 insulation value with a 9-inch thick wall. It is nontoxic and not corrosive and it floats.

• Price: regular cement , $125 per cubic yard; new-crete, $75 per cubic yard
• It has the ability to shed water with a .5 mm saturation point. this will prevent water seeping into it and freezing causing cracking.
• The ingredients to make New-Crete are readily found around the world and are in no danger of being depleted.
• New-crete can be formed into any object. We have the designs for walls, drywall, floors, shingles, stairs, window frames, cupboards, bricks, doors ect....we can make a whole house from the bottom up using only New-Crete
• It can be painted, or laminated with wood panels, ect.
  
• It can be nailed into and not crack.
  

It is designed to be processed in a controlled environment so it can not be poured. That is why we need a $2 million processing plant to start manufacturing pre-fab homes then ship them by train or boat anywhere in the world. Before that, we need about $150 000 to build a prototype home so we can get it approved by CSA (Canadian Standards Association).

Once this is up and running we can start supplying the world with better, cheaper homes. The plans for the prototype home is for a regular box style home. The next step will be to make in-ground and underground domes that are storm proof. They will also be cheaper and strong than regular homes with revolutionary designs...100% self sustainable.

The Canadian north (native reserves) are in much need for about 35 000 new homes as the old ones are in 3rd world condition.

So I know this will be better for everyone, especially the trees. This will change the world. All I need to do is find $150 000 to get it started. I see many people with lots of money (US government spending trillions on war) and the Canadian government also spending money on war ect...the will to change the world is the first key; money will then come naturally.

I believe we must start using other building materials instead of trees before they are all gone. If interested you can contact Matthew Smyth at infiniteearthdesignATyahoo.ca or visit his website: www.InfiniteEarthDesign.com

The assembly of the frame has begun in earnest at the Massachusetts EcoSteel Plat House.



More photos of the frame going up after the fold.



With good access all around the house the work can be done with the all terrain fork lift, saving the expense of a crane.

Technorati Tags: 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house

As the climate crisis mounts and Arctic icebergs slip away, polar bears are suffering starvation, population declines, and drowning as they must swim further and further to find food. Seeking to raise awareness for the endangered species’ plight, ADDI Concepts has taken wildlife preservation literally by designing a life-vest for displaced polar bears struggling to stay afloat as their homes sink into the sea.

(more…)

I just wanted to send a warm welcome to a dear colleague and friend, Tanya Schoenroth, who recently launched her new website. I'm looking forward to collaborating with an amazing talent in the coming year to help bring fresh new modern ideas to a growing market of sophisticated buyers and home owners. Like me a modern dog lover, we send our best to all of you for the holidays!

California has adopted the nation's first statewide green-building standards, which will become mandatory in 2010. The new California Green Buildings Standards Code requires builders to reduce energy use by 15 to 30 percent beyond current standards and use more recycled materials. Some of the code will be mandatory, while other parts are just suggested. This is a significant recognition that energy and resource conservation is essential for the welfare of state residents, and hopefully this officially sanctioned consciousness will spread to other states.

These new codes include basic passive solar mandates: "When site and location permit, orient the building with the long sides facing north and south. Provide exterior shade for south-facing windows during the peak cooling season. Provide vertical shading against direct solar gain and glare due to low altitude sun angles for east- and west-facing windows."

For renewable energy, the codes says, "Use on-site renewable energy sources such as solar, wind, geothermal, low-impact hydro, biomass and bio-gas for at least 1% of the electric power."

For water conservation, the code says, "A schedule of plumbing fixtures and fixture fittings will reduce the overall use of potable water within the building by 20%, and provide water efficient landscape irrigation design that reduces by 50% the use of potable water beyond the initial requirements for plant installation and establishment."

"Each building shall further reduce the generation of wastewater by one of the following methods: The installation of water-conserving fixtures (water closets, urinals) or utilizing non-potable water systems (captured rainwater, graywater, and municipally treated wastewater
(recycled water)."

For materials to be specified for construction, the following is mandated:

• Select building materials or products for permanent installation on the project that have been harvested or manufactured in California or within 500 miles of the project site.
  
• Select bio-based building materials and products made from solid wood, engineered wood, bamboo, wool, cotton, cork, straw, natural fibers, products made from crops (soy-based, corn-based) and other bio-based materials with at least 50% bio-based content.
  
• Employ wood-based materials and products comprising at least 50% of a major building component, such as framing, flooring, or millwork, which are certified by one of five listed sustainably harvested certification programs.
  
• Use materials made from plants harvested within a ten-year cycle for at least 2.5% of total materials value, based on estimated cost.
  
• Use salvaged, refurbished, refinished, or reused materials for a minimum of 5% of the total value, based on estimated cost of materials on the project.
  
• Use materials, equivalent in performance to virgin materials, with post-consumer or preconsumer recycled content value (RCV) for a minimum of 10% of the total value, based on estimated cost of materials on the project.
  
• Use cement and concrete made with recycled products, fly ash, raw or calcined natural pozzolan, blast furnace slag (as a lightweight aggregate) .
  
• Select materials for longevity and minimal deterioration under conditions of use.
  
• Select materials that require little, if any, finishing.
  
• Select materials that can be re-used or recycled at the end of their service life in the project.
  
• Select materials assemblies based on life cycle assessment of their embodied energy and/or green house gas emission potentials.

"Provide readily accessible areas that serve the entire building and are identified for the depositing, storage, and collection of non-hazardous materials for recycling, including (at a minimum) paper, corrugated cardboard, glass, plastics and metals."

Environmental and health-related items establish specific limits on VOC emission of materials used within the structure, as well as regulate ventilation, CO2 emissions, tobacco smoke, lighting, outside views, and noise transmission.

Additional recommended measures include:

• If feasible, disassemble existing buildings instead of demolishing to allow reuse or recycling of building materials.
  
• Utilize a Frost-Protected Shallow Foundation.
  
• Use pre-manufactured floor and roof systems to eliminate solid sawn lumber whenever possible.

The code also identifies site improvements including bicycle storage and designated parking spots for low-emissions vehicles.

I have been advocating most of these measures at www.greenhomebuilding.com for many years now, and it is heartening to see them being officially sanctioned. This is a far-reaching and well-considered attempt by California legislators to establish requisites for living sustainably. If there are going to be building codes, they might as well be green! Yeah California!

The steel framing for the 3030 EcoSteel House has been set up and we have a few photos back from the owner/builder showing the progress.



Here we see the frame set up to the second floor, and first and second floor joists in place. The roof framing has just begun.



Here it appears the entire main framing system is in place, including the roof purlins. Next will be the light gage wall framing to infill the exterior walls and frame out the window and door openings.



Here we see the recycled barn siding that we saw in an earlier post being installed as the first floor ceiling. The bar joists will be exposed, painted, but more or less as we see them here. The barn planks are going directly over the joists, and plywood floor deck will go down over the planks, and then finish flooring. I love the way this looks. The contrast between the industrial truss joists and the rustic planks is just great.

Tune into the 3030 House flickr group to see all of the photos forwarded by the owner.

Technorati Tags: 3030 House, ecosteel, modern design, modern house, prefab house

• Deliver a Presentation like Steve Jobs
  Well, we all need to tweak our presentations from time to time, right? ;-) Anyway even though most hints are not rocket science at all it's good to have them written down in order to be remembered; take me at my word!
  (tags: steve_jobs presentation inspiration education tips steve speech)

On October 14, 2008, in Seoul, Korea, the Open Web Asia 2008 conference will gather web industry leaders from across Asia, as well as the US and Europe. The day long event focuses on the theme of “The Social Web.” Speakers include Shusaku Maruko (General Manager, Corporate Strategy Department, FeliCa Networks,) Jean Min (Communications Director, Ohmynews,) Loic Le Meur (Founder and CEO, Seesmic.com,) Arthur Chang (VP of Sale, Alibab.com,) and Jason Calacanis (CEO Mahalo.) As well, Korean tech blogger, writer, and CScout consultant, Taewoo Danny Kim, will also speak.

The combination of executives, entrepreneurs, and venture capitalists is going to explore how social media is evolving on the international, regional, and country stage. The event is the first pan-Asian web technology industry conference of its kind.