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Architectural Horror [Clipping]
10/31/2008, 16:54 | Land+Living: Modern Lifestyle + Designintroducing a new design: Hus1
00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
The result of my year long study of the Swedish housing industry, and my love of mid-century modernism, the Hus1 puts these influences together with practicality and livability of the many small 50s and 60s homes in my own neighborhood. The basic two bedroom house will start out at modest 1,350 sqft, or the larger 1,750 sqft 3 bedroom plan shown below. Both have the option of an additional 500 sqft master bedroom upstairs which in the larger plan allows the downstairs master to serve as a family room.
A very livable home, the L shape creates privacy for its rear terrace where family life can flow out from the living areas. Conventional construction makes this house easy to build, and the iconic traditional form won't scare the average home builder.
Look for Design Prints to come available on the site soon. Well, you will hear about it here when it happens! And yes, this is the house for which we have been experimenting with new drawing styles. Not quite sorted out yet, but when its done the new collection will have a distinct graphic look apart from the original collection of designs.
Technorati Tags: house plans, modern design, modern house, Hus1
My Thoughts on Greg La Vardera's "Our Re-Modern Movement - The Tipping Point?"
00/00/0000, 00:00 | FUTURE HOUSE NOWI had always been interested in homes. I always dreamed of something better and more exciting than the standard fare of suburban cul-de-sacs, though I wasn't totally hooked on modern yet. But when I saw this cover, with a real family in a cool-ass house, it was like a lightning bolt. I can't tell you how badly I'd like to live in a Flatpak. It's one of the top three contenders for me. It just fits me and my family so perfectly. When the time finally comes to really build a new home I will be giving them a call to talk.
It's funny though, how "weird" most people think modernist homes are. My mother said "you want to live in a white box?" with a look on her face that was pure disbelief. Talking houses with some neighbors I could detect their nervous smiles when I mentioned concrete and steel, as in "uh, okay, sure, as long as it's not next door to my house." And look at the real estate markets. That's all you need to know. You don't see a lot of developers building modernist spec homes. Just pick up a real estate magazine and thumb through it for a minute. How many cool modernist homes will you find in the listings. Maybe one or two in a hundred page book. And they're mostly really big, expensive houses, probably built in the eighties after watching too many episodes of Miami Vice. Good, simple, modern homes for real families are hard to come by. Your best bet is a fifties ranch. Even those are a minority in the market compared to the grand total of everything else.
But I think Greg is right. This is the right time. Dwell has been so successful that some other similar publications have started to appear. Blogs like mine are popping up like daisies. Sarah Susanka's "Not So Big House" movement has a lot of followers (because it makes a lot of sense). Or consider John Brown's Slow Home Movement. And green is suddenly king. People finally realize that their choices have a real impact. Now is definitely the time of Less is More, and modernism fits that bill perfectly.
Probably the biggest helper in all of this, in my opinion, is going to be the bursting of the real estate bubble. I say that for one simple reason: it will make people change their view as to what their home really is - a home to live in and not an investment to make a fortune off of. I really believe that people won't/can't build what they really want because they are too hung up on resale value and growing massive equity. I don't know if this attitude caused the housing bubble or vice versa, but either way they combine to create an effect where the resultant high cost of housing distorts our views, closes our minds to new ideas, prices lots of people out of the market for a good home, and places too much power in the hands of developers, not in the hands of consumers where it should be. And so, here we are. With the bubble busting and home prices correcting I think we may also see home buyers making very different decisions about what they want to live in. I know this is the case for my wife and I, and I hope, at least, that this is the case for others.
It's definitely time for America to focus its attention on things like better homes, greener communities, reliable energy, even better communications technology, education and health care. These are the things that make up the infrastructure of this country. We won't have to worry about foreign threats for long if we allow ourselves to fall apart from the inside.
This whole country is at a tipping point, or near one. Modern homes are just a tiny, tiny part of that. We can choose a better way to live without giving up all the really great things we already enjoy.
Better living through design. Work smarter, not harder. Find the holistic solutions.
We can do it.
Bare Hill Barn House
00/00/0000, 00:00 | FUTURE HOUSE NOWThat was the case again this week when I got an e-mail from Ben, who pointed me to his site, Bare Hill Barn House. Ben's blog chronicles his very cool project of dismantling, moving and then transforming a once forgotten barn into a totally hip modernist house.
What a fabulous study in recycling and reclamation. America is dotted with old barns, full of big hardwood timbers you can only buy at very high prices today. I really enjoy seeing someone make good use of these materials. There's an old barn not too far from where I live and every time I pass by it I look at those heavy oak beams and think "hmmm ... what if." Ben and his family have taken that idea to reality, and with a modernist twist.
Ben's site is really great. He does a wonderful job telling the story of what it's like to take on a project like this. He has lot of thoughtful posts about the nature of the project and some of the choices they've made, as well as the inspiration behind it. And besides seeing pics of the house's progress you'll also find video as well as great links to barn home resources.
Ben and his family should be in before year end. I know I'll be following along on Ben's site, watching as things progress. I can't wait to see the finished home!
By the way, Ben is working with JASONOAH Design Build on this project. The firm does some really unique and interesting work. Their theme is "designing and building for healthy, inspirational living." You can't beat that. Very nice. It's awesome to see yet another firm promoting great green design. Definitely check their site, especially their Chatham House. Really nice.
Image credits - Bare Hill Barn House site and JASONOAH Design Build for elevations and renderings (copyright).
Modern North
00/00/0000, 00:00 | FUTURE HOUSE NOWI've never been to the Twin Cities but it occurs to me that most of my favorite modernist architecture and related firms and websites are based there:
DO Research - A favorite Minneapolis-based modernist blog
rosenlof/lucas - the hippest modern landscaping duo going, with a cool blog to boot
Alchemy Architects - you cannot resist the appeal of their weeHouses
Flatpak - I drool over these Eamesish beauties
City Desk Studio - recently in Dwell, awesome Skyway Retreat
Bark Design - I'm in love with Doris
Hive Modular - The B-Line is an instant classic modern prefab
What is it about Minnesota????? So much good stuff is coming out of there right now. It makes me want to move. I think a weekend trip to finally see the Twin Cities is in order.
Modern Farmhouse
00/00/0000, 00:00 | FUTURE HOUSE NOW
And if you're in to modern farmhouses you'll also be pleased to know there's a great blog dedicated to the genre - the appropriately named Farmhouse Modern. It's definitely worth a look (I found it on the LiveModern Blog Directory, where Future House Now is also listed).
If you want to completely overdose on cool modern farmhouses, pick up the book Farm Houses: The New Style by Neill Heath. It features the houses I mentioned above, and many more, in 185 full color pages. Great book.
Image credits - Durkee, Brown, Viveiros & Werenfels site, Amazon.com Listing
Happy Thanksgiving From Future House Now
00/00/0000, 00:00 | FUTURE HOUSE NOWThe extremely generous support of architect Greg La Vardera, Matt Olson of rolu|dsgn, Max Mead of Building Green, and Justin Anthony of materialicio.us - cool people I have come to know through this blog, and the many other people I have met via blogging. That's the best part, for sure.
My wife (who is too good to me) and my wonderful kids, Owen and Parker. Unfortunately, Owen broke his arm a little over a week ago. He was so brave. He never cried, not when it happened, not on the way to the emergency room, not when the doctors were poking him and putting in an IV, or when they set the bones. That little five year old has more guts and composure than almost any adult I've ever met. He's doing great, even with a heavy cast on up almost to his shoulder. I am sooo thankful that he is okay.
Modernist Japanese residential architecture - for challenging and inspiring me always. So much good stuff.
The Detroit Lions, my football team who I get to watch on Thanksgiving day. A really nice tradition for us Lions fans. Let's hope they win one for a change (doubtful).
Dwell and Pugh+Scarpa's entry to the Dwell Home II Competition, both of which inspired me to start this blog. My inaugural post is still the beacon.
Thanks everyone for visiting my site.
Have a great Thanksgiving!
Totally Awesome 'Penguin House'
00/00/0000, 00:00 | FUTURE HOUSE NOWYou know I'm a huge fan of Japanese modernist houses. This one is genius.
'Penguin House' (aka Skin House Project #2) by Yasuhiro Yamashita of Atelier Tekuto.
Via the girl in the green dress
Drew Mandel Design - 83A Marlborough Ave
00/00/0000, 00:00 | Modern Residential Design
Infill house on a 13ft wide plot, becomes feature residence of the street - Drew Mandel has used every inch of this brownfield (ex 1 car garage & garden) site to create his ideal residence. Influences of Frank Lloyd Wright and Rudolph Schindler eminent in the residence's façade lead to elegant use of wood detailing for the interior.
Overview
Drew, an up and coming Canadian architect snapped up an “interesting” plot, that his colleague at MacLennan Jaunkalns Miller Architects, David Miller had on offer. Setting out to create his debut "big time" design, Drew won a number of awards in Toronto and Canada. The house is an impressive example of modern infill, coming in at a modest $182 per ft2.
The Lot
Miller and his architect wife, Amy Falkner, had obtained a minor variance allowing them to build to the very edges of the property line without the usual margin of grass or ground cover. (It's only because the houses on each side are set back from the lot line that there is any space at all between the Mandel-Cooper house and its neighbours.) To support development, the municipality had allowed a substantial increase in the floor space, from 908 to more than 1,280 square feet above ground.
Their relatives labelled the plot a bowling lane, Mandel and his wife like to think of it as a lane each.
Design
Focusing on commercial design at work, Drew’s evening efforts on his own house pulled from his designs of multiplexes, community centres, libraries and banks. The main Achilles heel of the plot, the extended walls down either side of the property, led Drew to (as he sometimes reflects) to overcompensate with house glass panels at either end and a large light well at the centre of the build. I disagree; the house is fantastically bright and airy.
Breaking the house away from other designs out there and I believe linking it to his favoured FLW and Rudolf, is the use of patchwork glass rather than a large expanse of industrial like uniform façade. A cute modernist take on the Juliet balcony protrudes from the master bedroom, breaking the rear wall further and allows great views down to the meticulously landscaped garden, that complements the house so well. Adding to the functionality of the glass façade, a large central panel pivots to allow bigger pieces of furniture to be hoisted in.
Bringing in that industrial design know-how resolved the issue of construction methods too. Such a narrow tall design refused traditional frame design used in residential projects, meaning an industrial to balloon framing technique was adopted. Steel supports for the entire 38-foot length of the walls were put up first, and then the floors were locked in afterwards.
Further industrial features of the house include the two ramps from the entrance of the house to the living room and from the master bedroom to the second bedroom, a comfortable alternative to stairs.
Layout
From the semi-subterranean guest room at the front of the house you head south up the ramp to the living room, then north up five stairs to the dining room-kitchen floor, then south again up the house's only full flight of stairs to the master bedroom and bathroom. Finally, completing the layout you head north, up the second ramp to the second bedroom.
The Result
Drew and Denise have blown their relatives away. Despite the restricting plot they've created a house that through it's high ceilings, skylights and maximum glazing at both ends is a bright, spacious and airy home.
Plans
Architect/Designer: Drew Mandel Design
Client: Denise Cooper & Drew Mandel
Completed: 2007
Structural: Blackwell Engineering Ltd. (David Bowick)
Builder: T. Fijalkowski & Associates
Site Plan Approval: David Miller & Amy Falkner
Lot:13' x 115' or 1560 ft2
Costs: $182 per ft2
Information courtesy of: Drew Mandel Design
OJMR Architects | Fritz Residence
00/00/0000, 00:00 | Modern Residential Design
L Shaped Simplicity - Wrapped around a cooling pool with ample shade and expansive living areas, this Jay M. Reynolds residence in Palm Springs, combines two simple volumes to create a modernistic whole.
Name of Project: Fritz Residence, Palm Desert, California Information courtesy of: OJMR Architects and Taylor & Company (many thanks)
Site
The house is located on a flat, irregularly shaped lot at the end of a cul-de-sac. The neighbourhood contains a variety of styles and references to the preferred typical suburban desert subdivision architecture.
Program
Mew single-family residence including kitchen, dining area, living room, office, three bedrooms, and two-and-one-half bathrooms.
Design
The house is designed for a retired couple with the need for guest bedroom suites and a large communal space for the living, dining, and kitchen areas.
To achieve a feeling of "simplicity" within conventional means, it was decided that planning and construction must be straight-forward and the character of the house reflect a strategy of enclosure and openness focused towards the main outdoor space. Two simple volumes are connected together to define a corner with one wing containing the guest bedrooms, and the other containing the master suite. The two wings are connected at the main living, dining, and kitchen space.
Hallways are located along the east and south sides of the two wings and help to define the laterally spaced rooms, which can be closed off from the circulation zone with large sliding walls. The rooms all access the outdoor pool/courtyard space from large sliding glass walls.
Plans
Architect: The Office of J.M. Reynolds Architects, Los Angeles
Jay M. Reynolds, AIA, principal
Built area: 2,600 square-feet
Completed: 2003
Budget: US$650,000
Materials: Exposed concrete block walls, natural stone veneer walls, plaster over wood framing, concrete floors, walnut cabinetry, Gascogne Blue limestone floors in bathrooms, translucent glass panels, Montauk Black marble counters in kitchen, Venetino White marble countertops in bathroom and on kitchen island.
Photos: Ciro Coelho
F3 Arquitectos | House in Rupanco
00/00/0000, 00:00 | Modern Residential Design
Wooden Wonder - F3 Arquitectos - renowned for their timber architecture in Chile, have created this wonderful prefab retreat in 75 days! I question what more could be required of a modernistic cabin?
Many thanks to Plataforma Arquitectura for bringing us this fantastic residence in Southern Chile.
Translation / reword of original article by Carlos J Vial
Located in a remote area of Lake Rupanco, the commission responds to the request of a "summer house" or retreat, of sporadic use. Due to its complex, ever changing climate and geographical location, the plot made on site slow construction impossible.
The project consists of a single volume, with the layout distributed linearly, parallel to the lake views and shore. The site drops down a field to the shore below and northern sun.
A solid timber rear façade with a singular overlapped entrance, to the house, provides the necessary private secure barrier to the public road, becoming the main structural axis of the project. This wall in turn partially meets the requirements of security due to the prolonged periods when the house is uninhabited.
In contrast, once inside the interior, each room has a glazed wall facing the lake, creating a porous, and therefore vulnerable, façade. F3's solution being sliding wooden panels, clad in the same treated wood of the rear façade, that allow the owner to create a singular, completely airtight volume when leaving for the city.
As for the remote location and inclement weather that would hinder an on-site build - this was resolved by prefabricating many of the wall, floor and roof panels.
The Result
A beautiful, simple, elegant lakeside retreat. And to top it off, construction was completed in 75 days!!
Plans
Location: Lago Rupanco, X Region, Chile.
Arquitectos: F3 Arquitectos - Alejandro Dumay, Nicolás Fones, Francisco Vergara.
Size: 127 m2.
Materials: Treated wood, in prefab panels.
Completed: 2005.
via: Plataforma Arquitectura
& F3 Arquitectos
Studio di Architettura Marco Castelletti - Casa del Masso
00/00/0000, 00:00 | Modern Residential DesignStudio di Architettura Marco Castelletti
Razionalismo Comasco - A near vertical site in Como, with stunning views, let Marco Castelletti nod to local Italian architecture of the thirties, whilst bringing his clients a modernist house, proportioned and segmented with precision.
Overview
"At the end of 2002 the clients approached us to design the house.
They wanted to build this new house next to their one, in the garden facing the lake, and they were after something typically razionalismo comasco, architecture of the thirties driven by architect Giuseppe Terragni. So they chose the project that best met their expectations, ours. The project's main idea gave the name to the building: casa del masso." Marco Castelletti.
The house, set on a steep slope above the street, can be clearly seen across the lake.
The building stands by the side of the client's old house designed by engineer Luciano Trolli in 1955, and it takes advantage of a little tract of flat land, as does the original residence.
The house is linked to the street by a long flight of steps which wind along the slope and down to the house, which is organised over two floors.
Layout
The composition is based on the intersection of two volumes:
The first - facing the lake, is an horizontal structure supported by pilotis houseing all the living and bedrooms.
The second - is vertical holding the staicase and the services rooms.
On the first floor the living room crosses the house and is directly connected with the slope behind. Here the presence of a erratic boulder, in italian language "masso" (here is where the name of the house comes), protrudes into the dwelling as the characterising element of the space, so that it seems that the house is anchored to the slope at this point.
The boulder can be seen through the glass floor of the living room.
From the parking area you reach the main entrance via a flight of steps or an elevator running on the side of the garden.
After reaching the main entrance a footpath covered by a overhanging volume introduces a little hall where you can see the landscape and the monuments of the city.
From here, a large staircase takes you to an atrium with the large glass window which frames the erratic boulder. The internal layout of the main dwelling faces the kitchen, the living room and some other rooms towards the lake, while bathrooms, services and the laundry are put towards the slope.
The materials used to build the house enhance the volumetric composition and the difference between the horizontal volume, suspended and completely covered by white marble dust plaster, and the vertical covered with a natural stone called Iragna, laid down in horizontal layers with different length and thickness.
The same stone was used for the external pavements, the main entrance staircase and the terrace floor on the highest level.
The large windows are divided in sliding parts with electrical rolling shutters made of aluminium.
Solar exposure is optimised wit hteh building orientated with its largest windows and rooms to the south, and services and bathrooms facing north.
ResultsThe clients were really satisfied of the project and followed all the phases of the building that, because of the particular nature of the steep land, involved many challenges.
The crane to build the house was placed on the slope with an helicopter used to transport heavy weights. None the less, the house was completed in seventeen months, from May 2003 to December 2004, as stipulated.
Slideshow
Architect Marco Castelletti Architetto
Short Biography
Marco Castelletti, born in 1958, graduaded from the Facolty of Architecture in Genova on 1983.
In 1994, 1999, 2001, 2003 and 2005 was awarded the architecture’ s award “Magistri Comacini” for works carried out in Provincia of Como and in 2004 the international award AR+D for emerging architecture in London.
In the spring of 2005 he was invited to give a lecture at the Royal Institute of British Architects in London.
He won many competitions for urban renewals in north Italy, as the upgrading of the Trieste waterfront, and from 1998 he has been invited to international competitions.
Project location Como Italy
Client private owners
Architectural design by Studio di Architettura Marco Castelletti
Interior design by Studio di Architettura Marco Castelletti
Landscape design by Studio di Architettura Marco Castelletti
Structural design by Ingeneer. Vittorio Montanini
HVAC design by Ingeneer. Vittorio Montanini
Lighting design by. Zumtobel
Main Contractor Impresa Biacchi s.a.s. – Plesio (Co)
Landscape contractor Impresa Biacchi s.a.s. – Plesio (Co)
Site Area 3000 sq/mt
Built up area 200 sq/mt
Budget 750.000,00 euro
Cost per sq. metre 1.800,00 euro
Google Location
Plans
via: Studio di Architettura Marco Castelletti
'patchwork pavilion' and 'cave house' by DOMO arquitetos associados
00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
at night, light shines through the exterior patterned blocks of the 'patchwork pavilion'
'patchwork pavilion' is a temporary art gallery designed by DOMO arquitetos associados. the structure was
originally built for the casa cor 2008, an exhibition for home textiles in brazil. the name of the pavilion is fitting,
as the exterior is constructed from a random combination of four different pre-cast concrete blocks whose
patterns have been inspired by embroidery pieces that originate in the northeast part of the country.
these concrete blocks were largely used in early modernist buildings in brazil, because of their ability to ventilate
and allow light to pass through the patterns, as well as for their low-cost and shape.
the four different patterned tiles create a graphic patchwork effect
'cave house'
DOMO arquitetos associados' 'cave house', was originally designed for a competition called 'luxury for all'
which explores the idea of luxury living which considers our sensorial experience with buildings and objects,
with an approach to sustainability. the structure aims to continue the flow of nature through the cave-like space.