If it works, the next step is the fall of per-stream fees and download fees. Instead labels will see music consumption for what it really is - free marketing. Labels will compete to encourage song downloads and streams to move those songs up the charts, attracting premium advertisers, merchandise sales and sold out concerts."

What's interesting to see here is the role music has played as a glue to generate revenue for media companies, but the context of that revenue generation has changed over time.

As of yesterday we've changed our weekly Meta MoCo survey post, we've split it into two parts; Best MoCo Architecture This Week (posted yesterday) and Best MoCo Objects This Week. Best MoCo Architecture This Week will be posted every weekend and Best MoCo Objects This Week will now be posted on Mondays.

+ Kithkin: Some rights reserved video at Designguide.tv, "a group of creative friends who form a platform to show and promote their work. Consumers are given the chance to purchase design instantly, either printing it out on their own printer or taking the file to a listed supplier for production.".

+ Core77's FreeDesigndom 2008 photo gallery, featuring images from the first edition of a new annual design and fashion event in the Netherlands.

+ Core77's London Design Week photo gallery, from the 6th edition of this highly regarded annual event.

+ Ilio's hanging bookwave book/magazine storage from their new 2009 collection. At Dezeen.

+ Viable London's Slat Shelves, "an alternative storage solution constructed entirely using rectangular section FSC pine.". At Dezeen.

+ Doshi Levien's Exhibition at Moroso USA at Cool Hunting, a collection that draws upon Indian culture for inspiration.

+ Patricia Urquiola's Purely Porcelain for Rosenthal at designboom, a new 'landscape' ceramics collection with a "pattern [that] is erratic, sometimes filling the form and at other times escaping".

+ Designband's Birdturf birdhouse design by Emilie Baltz and Ben Bearsch, "inspired by the act of throwing shoes over power lines (which is thought to be how gangs mark their 'turf')". Via design*sponge.

+ The Quooker boiling water tap, a child-proof kitchen appliance that dispenses boiling hot water instantly for tea, pasta, vegetables and more. Via Designlines.

+ The Vroom Solo built-in vacuum appliance, a "quick-cleaning tool for small clean-ups in kitchens, bathrooms, laundry rooms, mudrooms and other high traffic areas of the home, the Vroom is easily installed directly into the cabinetry of a room either as a stand alone vacuum appliance or as an accessory to a central vacuum system.". Via Appliancist.

+ Debbie Smyth's 'pins and threads' electrical pylons, "each point was plotted and measured to ensure that the pylons were illustrated accurately.". At matandme.

Consumer packaged goods makers enhance product designs with practical twists.

Always on the lookout for new ways to interest customers, packaging designers have found ways to enhance the pack’s contents, by using it to chill or make its contents more flavorful. No longer competing on aesthetics along, the new designs give customers a practical reason to opt for the packaging.

Cases

Fruit Stickles

Trying to help customers find new ways of getting their five a day in a less monotonous way, Fruit Stickles are skewers infused with a cinnamon or tropical flavor. The company has refrained from adding sugar to its recipe to attract a health-conscious customer base.

Robero Cavalli for Coca Cola Light

Enhancing its contents in a fashion sense rather than a functional one, these limited edition Roberto Cavalli designs have been commissioned by Coca Cola Light (Diet Coke). 100,000 bottles of each animal print will be released, bringing a sense of exclusivity, fashion and collectability to a readily available commodity.

Burn Energy Drink

Coke’s Burn Energy Drink, currently available in Europe, offers a can with a unique re-sealable top. A plastic cover can be twisted into place, with a design that is based upon the packaging of salt and other spices. With new energy drinks being constantly introduced, Coca Cola is adding special packing features to separate themselves from competitors.

Kyo No Matcha
With “fresh” and “local” being key words for food products these days, manufacturers of pre-packaged items are seeking ways to change the image of their traditionally less than healthy goods. While bottled green tea might be one of the already acceptable convenience store products, CIC Co. goes the extra mile with its Kyo no Matcha. With a twist of the air-tight cap, 1.4 grams of traditional Kyoto matcha (high-grade green tea) is released into the mineral water below, creating a serving of fresh (yet instant) tea with no added chemicals or preservatives. At ¥5,280 ($52) for a case of 24, Kyo no Matcha is nearly twice the price of regular bottled teas, but certainly within the acceptable range for products billed as healthy and natural.

Trend Impact
These products may not revolutionize the food industry, but they could inspire new approaches to packaging, putting the customer in control of the final stage of preparation before the product is consumed. It’s also possible this trend could inspire food wraps infused with certain flavors or cling film that absorbs certain unpleasant odors or bacteria.

The concerns about their system that I have are: The use of wood as the primary building material is not generally sustainable in this day of lost forests. With the double envelope design, you are practically building two houses to end up with one. Relying on wood as a thermal mass material compromises the potential thermal performance because wood does not serve this function nearly as well as traditional masonry thermal mass materials. So, I guess what I am saying is that a more sustainable and less costly design can be accomplished in more traditional ways.

1. Solid wood envelope. They seem to be using the old “mass enhanced R-value” argument for why solid wood walls perform well thermally. I think it’s well established that this is true only in very specific climatic situations. Touting solid southern yellow pine walls in comparison to solid white pine walls is like saying a Chevy Suburban gets better gas mileage than a Hummer…that’s not really a useful statistic.
2. Energy without oil. The presentation intimates that this is a completely passive design. For example, no heating system is mentioned. That simply isn’t credible for most climates using the technology they are describing.
3. Passive means local. You simply can’t create a design that relies heavily on passive techniques and generalize it across climates. In my area where we have high humidity, I’d wonder about this convective loop through the attic and basement, for example.

I could go on. I’m a passive design freak, so I’m all for the basic concepts they are dealing with. However, I don’t see anything really new here, but see marketing claims touting what they are doing as a major breakthrough and “the answer”. That always makes me nervous."

David Eisenberg, of www.dcat.net wrote, "After a skimming around their website, I see that they sell kits and their base prices don't include a lot of things - some of which are enumerated:

Because of this history of military and flood control, the use of sandbags has generally been associated with the construction of temporary structures or barriers. Using sandbags to actually build houses or permanent structures has been a relatively recent innovation.

It was an Iranian-born architect named Nader Khalili who has popularized the notion of building permanent structures with bags filled with earthen materials. Actually his first concept was to fill the bags with moon dust! Attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon, Khalili coupled the old sandbag idea with the ancient adobe dome and arch construction methods from his homeland in the Middle East. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter.

Khalili came up with a further refinement on this building concept on Earth: for a more permanent, shock-resistant structure, why not place strands of barbed wire between the courses of bags, thus unifying the shell into a more monolithic structure?

At first Khalili was filling his experimental bags with desert sand, but then he evolved his idea of “superadobe,” where bags or long tubes of polypropylene bag material would be filled with a moistened adobe soil that would dry into large adobe blocks. In this case the original bag material was merely the initial form and would not necessarily be an integral part of the eventual structure.

Soon after these first experiments, Khalili began publicizing his work through newspaper and magazine articles and conducting workshops and seminars on the techniques that he was perfecting. Many people who read about his work, visited his compound in Hesperia, California, or studied with him there, decided to go ahead with their own experiments with his ideas.

Among these “early adopters” were Joe Kennedy, Paulina Wojciechowska, Kaki Hunter and Doni Kiffmeyer, Akio Inoue, and Kelly Hart. I believe that it was Joe Kennedy who coined the more general term “earthbag” to suggest that the bag could contain a variety of earthen materials.

Paulina Wojciechowska was the first to write an entire book on the topic of earthbag building: Building with Earth: A Guide to Flexible-Form Earthbag Construction was published in 2001. This featured some of her early experiments done at Khalili’s CalEarth, along with several other case histories.

Akio Inoue, from Tenri University in Japan, has done extensive experimentation with earthbag construction, both on the campus of the University and in India and Africa where many other domes have been built for assistance programs.

Kaki Hunter and Doni Kiffmeyer (a couple) became enamored with earthbag construction after studying with Khalili, and worked on a variety of projects, both for themselves and for clients. In 2004 they wrote and got published another book, Earthbag Building: the Tools, Tricks and Techniques, based on their particular experience.

Kelly Hart (the author of this article) first began experimenting with earthbag building in 1997, after being exposed to the concept while producing his video program, A Sampler of Alternative Homes: Approaching Sustainable Architecture. He later documented his experience in actually building his own home in another program titled Building with Bags: How We Made Our Experimental Earthbag/Papercrete Home. Both of these programs are now available as DVD’s.

In the meantime, Nader Khalili was continuing the promotion of his “Superadobe” technique and eventually decided to patent the idea, which he obtained in the U. S. in 1999, using very general terms that cover using bags made of any material being filled with virtually any material, and combining these with barbed wired between the courses. While having made many public statements that this concept was his gift to humanity, he obviously wanted to capitalize on the potential economic reward.

Many of us who had been engaged in promoting earthbag building on our own were contacted by Khalili and asked to enter into contracts with him in order to continue our work. It didn’t take much research to discover that his patent could easily be disqualified because he had been publicizing his techniques through various media for at least four years before he even applied for his patent. Patent law clearly states that such publicity occurring prior to one year before the patent application would disqualify it for consideration.

So now the door is wide open for anyone to take this concept and run with it, and more people are doing so all the time, all over the world. While Khalili (and most of his students) have focused primarily on using the bags to form large adobe blocks, others have tried filling the bags with a variety of other materials, such as crushed volcanic rock, crushed coral, non-adobe soils, gravel, and rice hulls.

Earthbag building is unique among all other building technologies in that it can be either insulation or thermal mass, depending on what the bags are filled with. This is a very important distinction, because these characteristics of a wall greatly influence how comfortable, economical, and ecological any given system will be.

Safety is of prime concern with all building technologies, and much experimentation and testing has been done to establish guidelines for many ways of building. Khalili has established a relationship with the building department in Hesperia, California where CalEarth is located, an area where earthquakes are naturally a great danger. In 1993 live-load tests to simulate seismic, snow and wind loads were performed on a number of domed earthbag structures at CalEarth and these exceeded code requirements by 200%.

In 1995 dynamic and static load tests were performed on several prototypes for a planned Hesperia Museum and Nature Center to be constructed using Khalili’s Superadobe concepts with both dome and vault shapes. All of these tests exceeded ICBO and City of Hesperia requirements.

In 2006, at the request of Dr. Owen Geiger of the Geiger Research Institute of Sustainable Building, the Department of Civil and Mechanical Engineering of the U.S. Military Academy at West Point conducted several controlled and computer-monitored tests to determine the ability of polypropylene earthbags filled with sand, local soil, and rubble to withstand vertical loads. Their written report concluded that “overall, the earthbags show promise as a low cost building alternative. Very cheap, and easy to construct, they have proven durable under loads that will be seen in a single story residential home. More testing should prove the reliability and usefulness of earthbags.”

Despite the success of these tests, earthbag building concepts have yet to be incorporated into the International Residential Building Code. Obviously more enlightened acceptance of the demonstrated viability of earthbag building needs to occur!

It is difficult to know how many residences and other earthbag structures have been made at this point, probably hundreds if not thousands. Many of us have been promoting the technique for use as emergency shelters, and certainly some have been built for this reason. It is easy for folks to accept this way of building temporary shelters because it fits the historical model of sandbag use.

But many of us have also built substantial homes using earthbags, and in the process realized how truly versatile and sustainable the technique is. I wouldn’t be surprised if many of these earthbag homes are still standing long after their conventional counterparts built contemporaneously have disintegrated.

• P&G’s Innovation Culture
  Good case on how the idea of a 'Blue Ocean Strategy' can be applied: "The heart of a company’s business model should be game-changing innovation. This is not just the invention of new products and services, but the ability to systematically convert ideas into new offerings that alter the very context of the business."
  (tags: Innovation P&G Blue Ocean Strategy applied research)

• Lines and Bubbles and Bars, Oh My! New Ways to Sift Data
  This articles very nicely supports the new concept of my latest course I will be offering in Design Management this fall: Business Modell Visualization.

  In my role as a Professor for Design Management I carefully monitor the development of skills design students show when they leave our faculty. Beside usually excellent hands-on skills in graphic, product, and communication design very often the graduates lack appropriate skills to integrate their thinking particularly into business contexts. However one of the most powerful skills design graduates (shal) have is to visualize their thinking and accordingly frame their ideas into powerful charts and illustrations that are easy to comprehend.

  This NYTimes article concisely explains what kind of new approaches, tools, and web applications are out there only to be discovered and used.

  (tags: data visualization design busines models business_models businessmodels education)

New houses in Sweden are primarily built on slabs, partly because its expedient, but also because its naturally the best way to have in floor radiant heating. In a cold climate this is the only way to use a slab otherwise your slab will feel cold and uncomfortable. But a slab in a cold climate must be insulated from the elements or it will throw heat out its edges. There are typically two strategies to isolate your slab from the cold.

Technorati Tags: modern design, modern house, prefab house

it won’t take you long to figure out that dolan geiman’s chicago place isn’t what we typically feature in our sneak peeks. but looking through his images and reading through his descriptions felt like i was unlocking a treasure chest full of great stories and memories into the world of dolan geiman. it’s funny to think about where everything we own comes from and the stories behind it. and it’s very clear from dolan’s work how his surroundings inspire him. be sure to click here for more full-sized images, with complete descriptions, and you can find more of his work here (psst…there’s a sale!) and his blog here with all sorts of fun stuff he has in the works. [thanks dolan and ali!] -anne

[Above: This is the area I refer to as “the waiting room”.  This is where my pal Chris Nightengale, fashion photographer extraordinaire, does some of his shoots. The mint colored chest of drawers is entirely metal and was a gift from my friend Denny, who always has been a wonderful inspiration in my life. He lugged this heavy thing to me when I was down on my luck and living in an unheated rat-hole apartment in Virginia. Now it looks a little better, as does my luck.  I found the globe in a dumpster in Charleston, South Caroline, and the artwork, Jazz Atlas (2008), is one of my collage constructions made from magazines I found in old farm houses. [Photo credit: David Schalliol]

Yours truly at work. . . This is the Art Machine. There is a long story behind the Art Machine, but essentially I made this out of old doors and found objects from a soon-to-be-demolished house I was living in when I first moved to Chicago.  Hockshop refers to the name of my previous studio and gallery in the Pilsen neighborhood of Chicago. Under the moniker Hockshop, the Art Machine debuted in Chicago during a yacht-based art show organized by Bridge Magazine (now called Bridge Art Fair, they produce expositions in London, Miami, New York, and elsewhere). The top of the Art Machine is an old canvas tent that my granddad used when hunting in Canada and which I screenprinted with various images. The little squares of metal on the front are hand-cut signs I grabbed in a scrap yard in Stuarts Draft, Virginia. The little Panel Paintings, on the wall behind the Art Machine, are the staple of my art business. I make about 1000 of these things a year, out of recycled wood, recycled paint, and water-based silkscreen ink.  This is my carnival area, I like to say, because the combination of the Art Machine and the Panel Paintings presents a nice sideshow feel. [Photo credit: David Schalliol]

This is a cabin-like installation just inside the front entrance of my studio.  I created this out of salvaged wood, found billboards, and old signs I’ve found along the road driving to and from art fairs. The raw wood slats were given to me by my pals over at Circa Ceramics who were using them as shelving. I found the deer head while exploring an abandoned barn in Ohio. I saw one of the antlers sticking out of the floorboards. The rusted milk can was used by my dad when he milked cows as a kid. The old glass bottles adorning my bottle tree surfaced outside my warehouse building when the City dug up the cobblestone street in preparation for resurfacing the road. The green bucket is full of shotgun shells I gathered from a shooting range in southern Illinois. The buoys have been collected from various coastal towns including Key West, Cape Cod, and New Orleans. I grabbed the screen door from an abandoned general store in Virginia, and I bought the lentil above the door at a yard sale here in Chicago for only five dollars. I’ve started collecting green and greenish-blue boxes from abandoned warehouses here in Chicago. [Photo credit: David Schalliol]

This is the back side of the entryway installation.  This is where I feel most like a mad scientist. And yes, in case you’re wondering, there is a whiskey flask in the bottom drawer. I found the chair in an old farm house in North Carolina and screenprinted the back and seat myself. The desk was left in the basement of my last apartment and could kill an elephant if it fell on it. I had to use a truck jack and three retired football players to transport the desk when we moved into this space. The framed oil painting on the floor was hanging in my grandma’s den when I was a kid. She was trying to throw it out when I intercepted it.  The red dolly in the corner I bartered from an old (semi) drunk barber for two six-packs of Old Style beer. I think he got the better deal, but at least it looks cool. I snagged the green metal hanging light from a warehouse here in Chicago. Above my desk is one of my inspiration clotheslines. I’ve found this is the best way for me to display various ideas and my notes to myself. The little white paintbrush holder sitting on my desk with the face on it is a ceramic mug made by my pal Ed Brownlee. Ed is about two pints away from being mistaken for a criminal, but he’s a damn good artist and has an enormous heart. [Photo credit: David Schalliol]

Our building has a green roof, which Ali helped plant, and this is where the plants were stored before they were given the outdoor penthouse suite. The equipment featured in the photo is one of our landlord’s lathes; he collects old, industrial machinery amongst other things.

This is my little shrine to Johnny Cash. On the day Johnny Cash passed away, I was getting ready for an opening at Unit B Gallery, formerly in Chicago and now in Austin. The work I was showing was loaded with connotations of death and resurrection and was called the Tombsigns of St Emmeline. The synchronicity of the event was really overwhelming and would have seemed spooky, except that I seem to attract energy like that and I am open to it. The week before I was eating pizza in St Louis and some kid was skateboarding nearby with a boom box and he was playing Johnny Cash’s last recording. When I asked him about it, he said he didn’t know it was Johnny Cash, and that he had just found the tape under a tree and liked the sound. I found the whiskey jug on the bottle tree in the dirt behind the warehouse. The butterflies are screenprinted on wood and were part of a spring window display for a local shoe store . . . I use one corner of the studio for staging photos, both for Etsy and for print brochures. The mantel was a gift from a T-shirt printer (48 Industries) in the building, a fellow scavenger. [Photo credit: David Schalliol]

Stuff I love: plastic dice, old painted nail, orange train ticket to California (1898), list of numbers in Spanish, green feed tag, hand-drawn family album for collage, Virginia text from a high school Math book cover. [Photo credit: David Schalliol]

In this entryway installation close-up, the fresh eggs (fresh eyes) sign was a studio warming gift passed on to me from my buddy, artist Michael Merck, who grabbed it from a little Mexican street cart.  I found the paintbrush hanging on a hook in a bathroom of a warehouse I was occupying while living in Virginia. It’s the only paintbrush I own that’s never been used for painting.  Below the brush is a catfish sinker I bought when I went fishing in Kentucky last year.  The rooster painting, Dirt Road Series IX, is one of my own, silkscreen and acrylic on recycled wood available here. He’s a good pet and doesn’t eat food or make any noise.  He just sits there lookin’ pretty. The books to the left of the rooster are my sketchbooks.  I use old books for my sketchbooks, pasting ideas and collage materials into the existing pages, instead of buying new white-paged, sterile sketchbooks. I think it’s important to be surrounded by many different textures, so I started collecting the softballs over the past four or five years. Almost every time I make a trip down to a river, I find softballs stuck in leftover flood debris and so I started saving them in this locker room bin. If you like metal baskets like this one, you can find some here. The blue oar is a mystery. I found it one night in the middle of the road while I was driving through West Virginia. The strange part was that one end of the oar was tied to a tennis shoe.  I kept the oar; the shoe didn’t fit, so I left it. Above the fresh eggs (fresh eyes) sign is a wooden gun I made from a piece of billboard I found in Indiana and then adorned with little metal objects from an old trade school parking lot. Finally, the rooster painting is sitting on an old hen crate, used by my granddad to take chickens to market. Ali won’t let me get chickens yet, but I’m working on it. [Photo credit: Kara Elliott-Ortega]

Included in this shot are an Ed Brownlee mug (paintbrush holder), comic book collage materials, old picture frames found in a barn in Kentucky, a bluebird collage in progress, and a couple print proofs. Used paint cans, thrift store mugs, and Quaker Oats bins are used to hold brushes, pens, and markers.[Photo credit: Kara Elliott-Ortega]

The idea behind Viidrio shirt designs is to practice other options aside from screen-printing. Initially when they knew they wanted to use an aluminum tin, they were thinking about having the containers printed by packaging manufacturer. But that option would have contradicted the concept behind Viidrio.

The shirt designs have embroidery-art, and Viidrio wanted the packaging to have a cohesive design and theme. Packaging to Viidrio has a big impact on how you perceive a product at the beginning, and at the end of its use. Packaging becomes part of the product, and is a form of presentation. But it must be done correctly, the same way someone can plate a meal attractively, for one to be excited about what they are just about to eat.

The top of the tin has an embroidered design that foreshadows the design that is in the shirt. The recycled paper band that is wrapper around the tin (that contains additional graphics and product identity) is sewn together at the ends. The band around the tin is also affixed with clear stickers for easy removal.

The materials of the Viidrio shirts are 100% cotton threads, aluminum tin, 100% recycled printed matter and aluminum foil tape.

The other main concerned about packaging is the waste it produces. With this particular shirt packaging, the paper used for the band is 100% recycled paper from grocery bags (therefore making a 3rd cycle of use). After removing the band (if the consumer wishes) the tin can be reused to store any small non-perishable item. Example: jewelry, loose change, keys, paper clips, etc. If you ultimately don’t want the container, you can always take it to a recycling center. Last, but not least, you can return 5 undamaged containers to Viidrio. In exchange of a free t-shirt of your choice.

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• Meetings suck, but they don't have to
  We all know the drill when it comes to meetings: Arrive prepared and in time, stick to the agenda, don't interrupt others and let them speak until they're finished … But we all do also know that we so often suck with these basic rules.

  Therefore I'd thought that it might be a good idea to have the basic rules written down. This is no matter of being a business or design manager. On the contrary maybe some more structure in discussions would very often help meetings on design, process, and aesthetics to be more effective … What are your experiences?

  (tags: design mangement meetings rules productivity management business tips office projectmanagement)

• B_E_E | New Zealand | Branding Cleaning Products
  More and more I find that simple, clear & intenlligently designed concepts are the most convincing ones in our world of increasingly plurivalent and confusing messages: I'll make it all white!
  (tags: brands branding brandchannel typography design)

MODERN FURNITURE - COOL SWIVEL CHAIRS (to see full article go to 2modern)

Luxy italy | big jim
31.5" wide x 32.28" high, seat height: 16.53"
for version with swivel auto return and polished aluminum base
$1,525.00 available through SPENCER INTERIORS

MODERN LOUNGE CHAIR re-inventing the bean bag chair


Available through Ligne Roset, Livingspace Interiors Vancouver

MODERN DAYBEDS - Frigerio Italy (to see full article go to 2modern)


Frigerio Italy | cooper wings daybed 90 cm
35.43" x 59.84" x 26.77"/34.25" high, seat height: 13.77"
$5,685.00 in fabric Cat Lusso available through SPENCER INTERIORS

MODERN FURNITURE - SPAIN (to see full article go to 2modern)

The "holy day" lounge chair from Vicarbe Spain designed by Jean-Marie Massaud is the perfect modern alternative to the the commonly used Barcelona Chair.
(27.5"W x 30.3"D x 26.4"H) $2,179.00 CAD from Spencer Interiors.

MODERN DAYBEDS - still sourcing (to see full article go to 2modern)