It’s confirmed! CScout Japan will be taking part in the PSFK Conference Asia in Singapore on October 10th. We’ll be on a forum on “Asian Youth Trends” moderated by Ian Stewart of MTV along with other Asian trend professionals from around Asia, and trying our best to tie together what is indeed a highly variable geographic and cultural area.

Read an interview with CScout’s Michael Keferl in preparation for the conference: PSFK Conference Asia Speaker Michael Keferl

Also representing the Tokyo beat will be architect Mark Dytham of Klein-Dytham and PechaKucha fame, and Daryl Arnold of Profero.

If you’re in Singapore, or are able to come, contact us and we’ll meet up.

Barack Obama’s election to the presidency wasn’t the only sustainable choice on the ballot last Tuesday. Californians voted in favor of an 800 mile high speed train system that will stop in every major city from Sacramento to San Diego. According to the High Speed Rail Authority, California is the 12th largest source of greenhouse gas emission on earth, 41% of which come from transportation. Traveling at 220 miles per hour, the trains will reduce greenhouse gases by up to 12.7 billion pounds annually, the equivalent of removing 1 million cars from the road each year. Set to begin construction as early as 2011, California’s high speed rail will create 450,000 new jobs and reduce dependence on foreign oil by 12 million barrels a year.

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The Father of Earthbag Building, Nader Khalili, died peacefully, surrounded by his family, a couple of days ago. He was 71 years old.

Here is part of a letter sent out by his family to former students:

“The flames that ignited him in life and the quest that brought each of you to Cal-Earth to learn from him have touched all of us and led us on this path….the right path……. for arts, humanity and the environment. His work and words have inspired us and his spirit is powerfully alive in every work and word, building and echo that your enthusiastic and loving hands have helped to create for this world.

His soul imbues every grain of sand and every memory contained in Cal-Earth, which expresses so much of his personal life of the last 17 years. And your works, like seeds have been growing and flourishing in every corner of the world…”

Born as an Iranian, Nader lived most of his life in the United States, gaining an architectural degree. He worked on the design of high-rise buildings and taught architecture in Southern California. In 1991 he founded Cal-Earth (the California Institute of Earth Art and Architecture) based in the desert region of Hesperia , California. From this center, he taught classes and workshops on the use of both bricks and bags to fashion domes, arches, vaults, and irregular shapes. These forms sprang from his early exposure to Middle Eastern architecture.

The earthbag concept evolved from attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter. This concept was later refined to include stretching barbed wire between the courses of bags to help stabilize the structure. Nader never referred to this building technique as earthbag building; he preferred to call it “Super Adobe,” referring to the fact that he generally filled the bags (or long tubes) with an adobe soil mix.

In 1999 Nader was issued a U.S. Patent for his Super Adobe technique and he subsequently tried to require contractual arrangements for its use. At this point, however, he had been publicizing the idea for so long it was not an enforcable patent, and few would comply with his request.

This fact points to the complex nature of Nader’s personality. He truly loved humanity and the arts, and was an eloquent and passionate speaker. He often said that his ideas were a gift to humanity and he hoped they would provide shelter for the poor and disadvantaged. At the same time, he wanted to control the economic potential of his invention, and he pursued this vigorously.

Nader was the author of several books, including Ceramic Houses and Earth Architecture: How to Build Your Own, about literally making ceramic houses, and Sidewalks on the Moon, an autobiography. He also wrote several books about the the mystic poetry of Rumi. Interestingly, he never really wrote a book about his Super Adobe invention, allowing others to take the lead in doing this.

With the passing of Nader Khalili we have come to a point where his ideas and work can truly become universal. All of us who explore the potential of the earthbag concept and expand on its possibilities can help further his vision for bettering the world. We owe a great debt to this truly inspired individual. May he rest in peace!

the university of exeter has selected wilkinson eyre architects to build their forum project. the new building
will be the centrepiece of the school’s streatham campus. the studio’s proposal works with the site’s
natural features of their hilly campus by creating a green corridor connecting the interior to the exterior.
the structure’s main feature is an undulating gridshell roof, which covers the new students spaces and
orthogonal buildings. wilkinson eyre architects’ director, stafford critchlow said, ‘our proposals seek to
create a new arrival point for the university. the sequence of spaces relate closely to the campus
landscape, establishing a new architectural language which is less about placing objects within this
landscape and more about an organic response to it.’ design work will begin immediately, with completion
anticipated by 2012.

http://www.wilkinsoneyre.com

"The only woman-run, hybrid specialty garage has opened in the Bay Area, which has more Priuses ? 70,000 as of 2006 ? than most states... Ms. Coquillette, 30, an Ohio native, hopes to become a prophet of the all-electric future that some Californians dream of... But being a prophet is different from making a profit." Thanks, Lincoln. (via NY Times)

A shot of the corner of the living room today from the owners of the OK Tray House. They are moved in, but not unpacked, and they promise more photos to come once they are settled.



So what do we have here. Well open up the catalog page so you can look at the floor plan. This photo is taken from the living room, looking into the study. We can see a stone wall which is flanking the fireplace, and above it we can see the gridded window wall which sits above the fireplace. I'm real excited about that since it looks like they did a really great job with that. Out the window we can see more of that nicely stained siding. To the left we can see the front door and the entry vestibule. In the study we see the side windows, and a couple of modern chairs? Man after my own heart! And upstairs some cable rail, and a glimpse of the bedroom ceiling. It looks awesome - can't wait to see the rest of the house!

And don't forget the flickr set of photos of this project from start to finish.

Technorati Tags: house plans, modern design, modern house, Tray House

What do flowers, drapes and wave flower vases have in common? They were all sources of inspiration for designer, Jane Punnopatham who created the Drape Side Table. The molded acrylic table form resembles tablecloths except there are no tables!  The rigid form of the Draped Table makes it free-standing. The design softens with the wavy  edges created by heating and hand molding. Each table is thus unique.

Here’s what’s cool about it - invert the table and you’ve got yourself a handy basket!! Somewhere to toss dirty laundry perhaps? Or a toy basket to corral the toys that get underfoot? The Drape tables are available from Spectrumwest for $1250 in black, clear and frost. - Via

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Drape Table by Jane Punnopatham

Image: Happy 3rd Birthday by Laura-Beth Wow I almost missed it yet again! Yesterday, November 09, was Design Sojourn’s 3rd birthday. It has been 3 great years of blogging and to mark this event it I have been thinking about what I should do to celebrate it with you dear reader. Oh before I [...]

We are pleased to announce a new promotion for November and December of 2008 - Order Design Prints in Nov or Dec 08 and receive double your Design Prints back on your qualifying Construction Print Order in 2009. Its our Kick the Crisis promotion and this is how it works:

Anybody who buys Design Prints in November or December 2008 will be eligible for a rebate equal to twice the value of the Design Prints if they order the corresponding Construction Prints before the end of 2009. So if you purchase a set of Small Design Prints in November for $100, and purchase Construction Prints in 2009 your prints will come with a rebate of $200. If you buy regular Design Prints for $200 and follow up with a Construction Print purchase in 09 they will come with a rebate for $400. Its double your design prints back! I hope that's not too confusing, its really quite simple. If you are kicking around the idea of building in 2009 or even 2010 or 11 then make sure you order Design Prints for the house you want in November or December 08 and purchase your Construction Prints by the end of 2009 to earn the rebate.

Jump over to our site to read the details. Well, actually we just copied all the details from our site and posted them here, but you should go and read the fine print on the offer.

Kick the Crisis Promotion

Technorati Tags: modern house

in the tradition of friday’s on d*s i decided to add a recipe to the mix for today’s DIY project. i love goat cheese. i could eat so much of it’s sick. last fall i spent some time researching different tart recipes after i got these cute little “mini-tins” as a gift. i finally settled on trying goat cheese with pear and loved them. these are so easy + they have the advantage of looking like they’re not. they satisfy the sweet & savory thing that i tend to crave. bring them with you to holiday parties and blow those chip & dippers out of the water.

what you will need: (makes 20)

mini baking tins (a mini muffin pan or the like will work)
2 pears
10 oz. goat cheese @ room temperature
1/2 tbsp sugar
dash of cinnamon
1 package puff pastry sheets (in the frozen foods aisle @ the grocery store)

1) preheat oven to 400.

2) roll out 1 puff pastry to a 20 x 20 inch square with a rolling pin,
and cut into 2 x 2 inch squares. grease your tins so the pastry does
not stick. press squares into tins and trim off the excess.

3) chop the pears finely with the skins on. (this adds a little color
to the tarts). stir pears, sugar & cinnamon up. you will probably have
a bit of the pear mixture leftover.

4) spoon and press down 1/2 tbsp of goat cheese onto the bottom of the
pastry and add 1 tbsp of pear mixture on top.

5) bake at 400 for 25 minutes. the edges should be golden brown.

6) take out of oven and let cool for 10 minutes. you will be able to
pop them out if you properly greased your tins. enjoy. i like to serve
them with a nice glass of white wine. yum.

Just a couple of quick things:

The wonderful blog DO Research has closed shop - it is already missed. The upside is they've bought land and are building a Flatpak. I am wildly jealous!

Read the story behind the sea container Holyoke Cabin on the Hive Modular blog. So cool.

Skinny Japanese Houses on eye candy (via Things Magazine). Only in Japan [sigh].

The amazingly hip Alan Family Happy New House is complete. Check it out in The New York Times. It turned out just like the renderings - very, very cool. It shows you just how much you can do with a remodel.

I just picked up a good book, Small Eco-houses. Loaded with interesting, green, modern homes from all over the world. Two thumbs up!

We decided quite early in the process to excavate under our garage and take advantage of the 200 sqft that would have otherwise sat unused. I don't believe this is particularly common, but it's a relatively inexpensive way to maximize the space on a small lot. Our original intention was to use a product called Insul-Deck to support the garage floor, however we've since had to abandon this approach in favor of a straightforward concrete & rebar structural slab.

+ 360winnett.com

Image source: Insight One of the key factors I noticed in any successful product and/or design, was that the product’s designer had some kind of critical insight. It is this “ah-hah!”, this “Wow!”, this “Eureka” moment that can turn any design into a great one. It gives meaning to a product’s form, its function or even [...]

Personally I know that I would like to have in my apartment a wall that looks like a stone wall, but how this is not possible you can still have this idea by using a wallpaper that looks like a stone wall. For those of you who like this idea, and are already thinking on how their apartment will look with this stone wallpaper you can buy the stone wall from Target.

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Wallpaper that Looks like a Stone Wall

Nice deck from Adam Cahill on Obama and social media. Lots of lessons here, many already known and recognized, but well worth a timely reminder.

When they were first commissioned to create a “Bahaman” seaside cottage on secluded South Stradbroke Island, Brisbane-based Arkhefield was faced with a few interesting challenges. The design had to be livable all year round, made from materials strong enough to withstand the harsh climate conditions, yet remind its inhabitants of memorable vacations spent on exotic islands. The resulting design stands out as a modern, sustainable interpretation of a Bahaman cottage that capitalizes on the site and celebrates volume but is also capable of isolating, re-orienting and shutting down against inclement weather when necessary.

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‘punta della dogana’ renovation, venice, italy
image © tadao ando architect & associates

'challenges: faithful to the basis' is an exhibition that attempts to give an overview of ando's 30 years
as an architect, focusing on the various types of ‘places’ he has designed over the years. 10 or so projects
undertaken in osaka, kobe, tokyo, venice, abu dhabi, mexico and bahrain which were completed under
different conditions, project durations, scales and programs are all featured in this retrospective exhibition.

 
‘punta della dogana’ renovation, venice, italy
image © designboom

see the designboom article:


tadao ando retrospective exhibition

One of the great perpetrators of the United States’ wastefulness is urban sprawl, which leads to SOV (single occupancy vehicle) disorder. Many Americans drive to work, and we usually don’t carpool. Beyond driving to work, we use our cars for other things – soccer practice, forgotten items at the grocery store, and trips across our giant country. It doesn’t need to be that way. If we could break ourselves of this habit of hyper-convenience, we could have better bike lanes, rail, and bus systems. Or we could share our cars. Zipcar is an innovative car sharing service that prides itself upon its convenience and accessibility. We recently caught up with Zipcar spokesperson Lesley Neadel to ask a few questions about the company’s green cred.

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it won’t take you long to figure out that dolan geiman’s chicago place isn’t what we typically feature in our sneak peeks. but looking through his images and reading through his descriptions felt like i was unlocking a treasure chest full of great stories and memories into the world of dolan geiman. it’s funny to think about where everything we own comes from and the stories behind it. and it’s very clear from dolan’s work how his surroundings inspire him. be sure to click here for more full-sized images, with complete descriptions, and you can find more of his work here (psst…there’s a sale!) and his blog here with all sorts of fun stuff he has in the works. [thanks dolan and ali!] -anne

[Above: This is the area I refer to as “the waiting room”.  This is where my pal Chris Nightengale, fashion photographer extraordinaire, does some of his shoots. The mint colored chest of drawers is entirely metal and was a gift from my friend Denny, who always has been a wonderful inspiration in my life. He lugged this heavy thing to me when I was down on my luck and living in an unheated rat-hole apartment in Virginia. Now it looks a little better, as does my luck.  I found the globe in a dumpster in Charleston, South Caroline, and the artwork, Jazz Atlas (2008), is one of my collage constructions made from magazines I found in old farm houses. [Photo credit: David Schalliol]

Yours truly at work. . . This is the Art Machine. There is a long story behind the Art Machine, but essentially I made this out of old doors and found objects from a soon-to-be-demolished house I was living in when I first moved to Chicago.  Hockshop refers to the name of my previous studio and gallery in the Pilsen neighborhood of Chicago. Under the moniker Hockshop, the Art Machine debuted in Chicago during a yacht-based art show organized by Bridge Magazine (now called Bridge Art Fair, they produce expositions in London, Miami, New York, and elsewhere). The top of the Art Machine is an old canvas tent that my granddad used when hunting in Canada and which I screenprinted with various images. The little squares of metal on the front are hand-cut signs I grabbed in a scrap yard in Stuarts Draft, Virginia. The little Panel Paintings, on the wall behind the Art Machine, are the staple of my art business. I make about 1000 of these things a year, out of recycled wood, recycled paint, and water-based silkscreen ink.  This is my carnival area, I like to say, because the combination of the Art Machine and the Panel Paintings presents a nice sideshow feel. [Photo credit: David Schalliol]

This is a cabin-like installation just inside the front entrance of my studio.  I created this out of salvaged wood, found billboards, and old signs I’ve found along the road driving to and from art fairs. The raw wood slats were given to me by my pals over at Circa Ceramics who were using them as shelving. I found the deer head while exploring an abandoned barn in Ohio. I saw one of the antlers sticking out of the floorboards. The rusted milk can was used by my dad when he milked cows as a kid. The old glass bottles adorning my bottle tree surfaced outside my warehouse building when the City dug up the cobblestone street in preparation for resurfacing the road. The green bucket is full of shotgun shells I gathered from a shooting range in southern Illinois. The buoys have been collected from various coastal towns including Key West, Cape Cod, and New Orleans. I grabbed the screen door from an abandoned general store in Virginia, and I bought the lentil above the door at a yard sale here in Chicago for only five dollars. I’ve started collecting green and greenish-blue boxes from abandoned warehouses here in Chicago. [Photo credit: David Schalliol]

This is the back side of the entryway installation.  This is where I feel most like a mad scientist. And yes, in case you’re wondering, there is a whiskey flask in the bottom drawer. I found the chair in an old farm house in North Carolina and screenprinted the back and seat myself. The desk was left in the basement of my last apartment and could kill an elephant if it fell on it. I had to use a truck jack and three retired football players to transport the desk when we moved into this space. The framed oil painting on the floor was hanging in my grandma’s den when I was a kid. She was trying to throw it out when I intercepted it.  The red dolly in the corner I bartered from an old (semi) drunk barber for two six-packs of Old Style beer. I think he got the better deal, but at least it looks cool. I snagged the green metal hanging light from a warehouse here in Chicago. Above my desk is one of my inspiration clotheslines. I’ve found this is the best way for me to display various ideas and my notes to myself. The little white paintbrush holder sitting on my desk with the face on it is a ceramic mug made by my pal Ed Brownlee. Ed is about two pints away from being mistaken for a criminal, but he’s a damn good artist and has an enormous heart. [Photo credit: David Schalliol]

Our building has a green roof, which Ali helped plant, and this is where the plants were stored before they were given the outdoor penthouse suite. The equipment featured in the photo is one of our landlord’s lathes; he collects old, industrial machinery amongst other things.

This is my little shrine to Johnny Cash. On the day Johnny Cash passed away, I was getting ready for an opening at Unit B Gallery, formerly in Chicago and now in Austin. The work I was showing was loaded with connotations of death and resurrection and was called the Tombsigns of St Emmeline. The synchronicity of the event was really overwhelming and would have seemed spooky, except that I seem to attract energy like that and I am open to it. The week before I was eating pizza in St Louis and some kid was skateboarding nearby with a boom box and he was playing Johnny Cash’s last recording. When I asked him about it, he said he didn’t know it was Johnny Cash, and that he had just found the tape under a tree and liked the sound. I found the whiskey jug on the bottle tree in the dirt behind the warehouse. The butterflies are screenprinted on wood and were part of a spring window display for a local shoe store . . . I use one corner of the studio for staging photos, both for Etsy and for print brochures. The mantel was a gift from a T-shirt printer (48 Industries) in the building, a fellow scavenger. [Photo credit: David Schalliol]

Stuff I love: plastic dice, old painted nail, orange train ticket to California (1898), list of numbers in Spanish, green feed tag, hand-drawn family album for collage, Virginia text from a high school Math book cover. [Photo credit: David Schalliol]

In this entryway installation close-up, the fresh eggs (fresh eyes) sign was a studio warming gift passed on to me from my buddy, artist Michael Merck, who grabbed it from a little Mexican street cart.  I found the paintbrush hanging on a hook in a bathroom of a warehouse I was occupying while living in Virginia. It’s the only paintbrush I own that’s never been used for painting.  Below the brush is a catfish sinker I bought when I went fishing in Kentucky last year.  The rooster painting, Dirt Road Series IX, is one of my own, silkscreen and acrylic on recycled wood available here. He’s a good pet and doesn’t eat food or make any noise.  He just sits there lookin’ pretty. The books to the left of the rooster are my sketchbooks.  I use old books for my sketchbooks, pasting ideas and collage materials into the existing pages, instead of buying new white-paged, sterile sketchbooks. I think it’s important to be surrounded by many different textures, so I started collecting the softballs over the past four or five years. Almost every time I make a trip down to a river, I find softballs stuck in leftover flood debris and so I started saving them in this locker room bin. If you like metal baskets like this one, you can find some here. The blue oar is a mystery. I found it one night in the middle of the road while I was driving through West Virginia. The strange part was that one end of the oar was tied to a tennis shoe.  I kept the oar; the shoe didn’t fit, so I left it. Above the fresh eggs (fresh eyes) sign is a wooden gun I made from a piece of billboard I found in Indiana and then adorned with little metal objects from an old trade school parking lot. Finally, the rooster painting is sitting on an old hen crate, used by my granddad to take chickens to market. Ali won’t let me get chickens yet, but I’m working on it. [Photo credit: Kara Elliott-Ortega]

Included in this shot are an Ed Brownlee mug (paintbrush holder), comic book collage materials, old picture frames found in a barn in Kentucky, a bluebird collage in progress, and a couple print proofs. Used paint cans, thrift store mugs, and Quaker Oats bins are used to hold brushes, pens, and markers.[Photo credit: Kara Elliott-Ortega]

Hey, DMI seems to slightly open up towards the social web! Something I’ve tried to convince them on a while ago ;-)

Therefore under the lead of Scott Lerman they’ve set up a Ning where you can socialize and get in touch with other Design Management professionals across the globe that like to hang out at DMI conferences once in a while. Well done, DMI!

So in case you’re planning to attend the annual DMI conference in early October 2008 you should definitively join. Otherwise for lurking and networking join as well at: JoIN the REMIX >>>

I should share some snippets from last Friday when I’ve joined several of my peers in The Hague, NL. However please allow for some digesting of my impressions and thoughts! I will write a follow up for sure ;-)

After all what we’ve touched in our panel discussion as well as during the ‘after show’ talks has been (amongst others) the question how to best enter the ‘Design Management Sphere’. From regular email conversations as well as face2face talks this seems to be an urgent question in particular for fresh (design) graduates.

What I usually respond (and this is not meant as ‘fobbing off’) is that independent from their focus of study (let it be design or business administration just to name the two most dominant ones) graduates should try to gain as many and rich experiences in their field of profession as possible. This enables them to comprehensively explore the pros and cons of the field and will help them to render more precisely which domain of the Design Management sphere they are most interested in: Digital, Brand, Corporate, Industrial, Consumer, Services, just to name a few.

Ultimately and this is what I truly believe in: Design Management to a large degree is to a large degree nurtured by the application of (for sure!) cross-disciplinary experiences and skills that tend to rather grow over time. This does however not mean that undergraduate BA & MA programmes in Design Management are not useful. This is however a different discussion to be discussed at another time.

So, for those of you who are seeking for these cross-disciplinary experiences delivered in a highly condensed format you might want to have a look at the MoHo Website. Here’s a snippet from their vision statement:

“Innovation is hampered by a myriad of factors in today’s globalised world. The lack of communication between knowledge centers such as engineering, marketing and design in companies, creates distortions and miscomprehensions between people that heavily penalize the innovation process.

These problems are further amplified if economic reality is brought into the picture. Too many products have been ‘invented’ in the past with little or no potential for economic success. ‘Inventors’ very easily forget the importance of market reality.”

Unfortunately I haven’t been aware of this initiative and hopefully they will share some of the findings publicly soon!

Side note:

These are the facts & figures of the event I do miss more designers here for sure:
# 7 days in Palo Alto
# June 1 - June 8
# 1 house
# 16 partners
# 15 endorsements
# 15 engineering students
# 3 design students
# 15 business students
# 10 social entrepreneurs
# 10 artists
# 5 venture capitalists
# 2 design professors
# 3 business professors

Congratulation World! Change CAN actually happen. Barack Obama made history by becoming the first African-American to win the US presidency. Above is his speech from last night in Grant Park in his home city of Chicago. I would like to bring forward the following sentence from the speech; “…our stories are singular but our destiny is shared!”.

Let’s hope for change and a possible new world order.

Ping Intressant.se

Andra bloggar om: usa-valet, obama, barack obama, politik, presidentval, usa

ines schwotzer is a jewelry and accessory designer who lives and works in the small town of feilitzsch,
germany. she has worked as a freelance designer since 1995, creating her own pieces and working for
the likes of fashion house chanel. many of her works are done in stainless steel using non-tradition
technique she learned through textile background. using thin wire, schwotzer weaves and braids the
metal to create delicate works that contrast the coldness of the material.

http://www.schwotzer-design.de

I've admired rammed earth homes for a long time, even though they're not really appropriate for the climate I live in. It's just that rammed earth walls are mesmerizing to look at. I get lost staring at the different layers of soil, in varying subtle shades of earth tone, flowing gracefully along along a wall. To my eye, rammed earth walls epitomize the very essence of natural beauty.

I can't think of any rammed earth builder that does it better than Terra Firma Builders Ltd. They have a way of crafting the most gracefully curved walls. Their designs blend with the surrounding landscape. Inside, massive earthen walls and sturdy timbers comfortably intertwine with delicate, artistic finishing. It's a totally unique aesthetic.










Terra Firma's website is fantastic. There's a wealth of images of their work in their portfolio. There's also a great explanation of why rammed earth is an effective, sustainable building solution.

Probably the most interesting thing I found on their site is that they use an unusual insulated rammed earth wall approach called SIREWALL (SIRE = Stabilized Insulated Rammed Earth). SIREWALL was developed by Meyer Krayenhoff, an environmental builder of over thirty years, who also founded Terra Firma. Here's an explanation from the SIREWALL site:

Stabilized, Insulated, Rammed Earth (SIRE) walls are made using rebar and insulation enveloped with the mass of 14 – 20 inches of rammed earth. This combination, along with SIREWALL®’s system for quality control and soil blending, builds walls that exceed current standards for energy efficiency and compressive strength. SIREWALL’s customizable forms refined over the last fifteen years by SIREWALL’s expert builders, work seamlessly with unique designs and modern finishes that have timeless appeal.

I always thought that would work. We've seen that concept applied to concrete walls, so why not rammed earth too? Actually, reading their FAQ, and noting that they're in Canada and do their building in British Columbia, I've learned that rammed earth can be a solution for climates other than hot, arid deserts, especially with the SIREWALL approach in place.

Note that Terra Firma builds complete homes only on their home turf. But they will build walls elsewhere, and let your builder finish the house. They also train and certify builders in the SIREWALL system, and offer design and consulting services. Wherever you are, whatever type of rammed earth project you might be considering, I think these would be the people to talk to.

I have new hope of living in a rammed earth house yet!

Image credits - Terra Firma site

It’s about time, the (M)Ad Men figured that out. Well they sort of did before and there always been Industrial Designers in advertising and branding. But much of the focus then was on packaging design, and Industrial Design was often seen as nothing more than skinning. Core77 has a pretty good article called “Stepmothers [...]

while the mp3 is the leading music format, there is still a passionate collection of vinyl record collectors
out there. while not all of these collectors are professional dj’s, a large majority are men. and while most
contemporary turntables are designed for men, the ‘diamond’ turntable by scheu ananlog is designed
for woman. the sleek design combines a curvy form and frosty record holder in a very non-traditional
turntable. while the main model comes in a very feminine pink, it is also available in black and wood grain.
despite the 3,900 euro price tag, there may even be a few guys waiting in line to buy one.

http://www.ladylikescheu.com







via luxist

If you’ve ever wondered what it means to work at the intersection of Managers and Designers than you should watch this great video clip! … after all I was wondering the other day which Muppet character would best characterise a Design Manager!? Any ideas?

found via Dan Roam

On September 8, 2008 at the Ars Electronica digital media festival in Linz, Austria, 170 people from fields spanning business, culture, arts and technology gathered at Mission Future to explore the power and potential of open innovation and collaboration. Under the theme „We’re Open“, participants spent the day immersed in presentations, panels, interviews, breakout sessions, Future Slams, a Future Hunt, music and interactive art.

Over 25 speakers lead discussion, sharing their expertise and opinions on topics including the future of intellectual property, open source, crowd-funding, social networking, the future of creation, open community, open business and open arts. Over the coming weeks and months we’ll be posting video clippings and summaries of Mission Future 2008 sessions on the Mission Future website, so visit http://missionfuture.trendpool.com/ to find out what went on.

An enormous amount of gratitude is due to all the speakers for sharing their foresights and insights with us, and equally sincere thanks go to our participants, whose contributions were key to the success of the day, to Ars Electronica Linz for their support in realizing this first major undertaking of Mission Future, and to our sponsors, the Berlin School of Creative Leadership, Weingüter Retzer Land, Art Directors Club, Red Bull, Carpe Diem, Linz 09, Indigo, Der Standard, Linz Tourism, Groupile and rebell.tv.

Building on the success of the 2008 event, the goals for Mission Future 2009 are now far loftier. We intend to receive speakers of the same high calibre as those we were privileged to hear this year, to tap into the knowledge and experience of participants to even greater effect, and to further advance Mission Future’s initiative to create tomorrow’s economy.

(Photo: Oswald Schröder, Elizabeth Stark and Joichi Ito discuss the future of intellectual property. Credit: Ars Elelctronica)

Architecture by TEZUKA ARCHITECTS
Location: Japan
Specialty: Residential, Educational, Commercial
Project Highlights: Floating Roof House
Interior Photography: TEZUKA ARCHITECTS

To view more images of their work, see slideshow.

There is a manufactured building system that has been gaining popularity in Europe for several years called Thermoplan or Zeigel Blocks. While I have no personal experience with this technology, I can readily see its many advantages. As far as I know this system has not made its way across the ocean to North America. From what I can gather from the websites (referenced below), here are some of the advantages:

Thermoplan or Zeigel Blocks are fired clay blocks which use about 1/3 less energy to make compared to concrete blocks, and about 2/3 less CO2. They are fast, simple and ideal for a self builder to use. About 50% of German homes are made this way and the technology is spreading to other areas of Europe.

Thermoplan systems use Ziegel blocks with a thin bed of mortar, to provide a breathing wall construction system. When combined with woodfibre board they can form a thermally and acoustically high performance shell. The Ziegel blocks come as part of a full load-bearing external and internal wall masonry system, and combine high thermal performance with robustness, speed of build and a breathing wall design.

Because of all the trapped air and the thickness of the walls, these blocks provide reasonable insulation, while at the same time do provide some degree of interior thermal mass for maintaining constant interior temperatures. This is an unusual combination of these two factors in a single wall system.

See www.burdensenvironmental.com or www.natural-building.co.uk for information for this innovative system.