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German Design Management Forum: November 2008
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :Florian Weiss (no linking possible due to 100% flash on their end :-( over from our friends at PARK just dropped me a note sharing some closer information about the upcoming Design Management forum to be held (again) in Cologne in November this year. Chances are that you might meet me there physically as well ;-)
Interestingly the topic of Service Design (no link to the Wikipedia entry here as it seems to be reasonably promoting KISD and their stakeholders in the topic) seems to follow some sort of pig cycle as from my perspective it makes its way to the top 3 topics every now and then. Funnily enough my very own doctoral thesis that I’ve started back in 1998 dealt with Service Design and I’ve been investigating the mechanisms (usability) as well as benefits (usefulness) from investing into proper Web Based Service Design.
Needless to say that after the collapse of the Internet Bubble in early 200 nobody (in my specific case one insurance and a bank that funded my research at that time) was interested any longer in the topic so I’ve dropped it later on … In any case a quick Google search suggests that the topic is still up-to-date ;-)
After all a good (academic) resource to surf after is ‘Designing for Services‘ a project led by Lucy Kimbell in late 2006/2007. In contrast to other similar initiatives that are poorly documented this one shared insights and stuff via a blog and I greatly appreciate this!
—– snip —–
5th Design Management Forum at 07th & 08th November 2008 in Cologne
For businesses the customer satisfaction is a permanent challenge, because the wishes and demands of people grow continuously with the technical progress. Companies that pro-actively identify the interests of their customers open up new and profitable opportunities if they develop performance and service offerings that create good and pleasant experiences for the customer. Systematic and strategic management of service design helps the business to gain competitive advantages and to conquer new markets. Experts from the economy, who have gone new and innovative ways in the conception and design of experience worlds and services, present their knowledge and experience at the 5th Design Management Forum for further discussion.
This year lecturers from Germanwings (DE), Molecular (US), Aliagroup (UK & IN), Isobar (UK), Deutsche Bank (DE) and McDonald’s (DE) will provide corporate insights and present innovative approaches to Service Design Management.
Further information and application: http://www.design-management-forum.org
—– snip —–
Natural Building Network
00/00/0000, 00:00 | Green Home Building and Sustainable ArchitectureThe Natural Building Network is a non-profit membership association, where the joining members can place listings for their services and talents and network world-wide. Towards this end, there are directories of natural builders by location, by specialty, and by their willingness to teach others their skills. This helps the members find suitable employment and helps the public find experienced builders who live in their area. Additionally there are classified listings of announcements about related matters. The Network website also features listings of workshops and events around the world, along with resources for further education.
This network and website offer a much-needed central facility for collecting information about natural builders around the world.
obama and social media
11/05/2008, 18:32 | Influxinsights'patchwork pavilion' and 'cave house' by DOMO arquitetos associados
00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
at night, light shines through the exterior patterned blocks of the 'patchwork pavilion'
'patchwork pavilion' is a temporary art gallery designed by DOMO arquitetos associados. the structure was
originally built for the casa cor 2008, an exhibition for home textiles in brazil. the name of the pavilion is fitting,
as the exterior is constructed from a random combination of four different pre-cast concrete blocks whose
patterns have been inspired by embroidery pieces that originate in the northeast part of the country.
these concrete blocks were largely used in early modernist buildings in brazil, because of their ability to ventilate
and allow light to pass through the patterns, as well as for their low-cost and shape.

the four different patterned tiles create a graphic patchwork effect


'cave house'
DOMO arquitetos associados' 'cave house', was originally designed for a competition called 'luxury for all'
which explores the idea of luxury living which considers our sensorial experience with buildings and objects,
with an approach to sustainability. the structure aims to continue the flow of nature through the cave-like space.
Fleshing out a new design
00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
I have to confess that I find the space really interesting, but no doubt it won't be for everybody.
Technorati Tags: house plans, modern design, modern house
kevin kelly- the next phase of the web
11/07/2008, 10:51 | InfluxinsightsHe takes us through what might happen in the next 6,500 days of the web.
Some highlights.
1. Not be anything like the web
2. Be a single machine- everything is connect to the same thing.We have one large machine with the web as its OS
3. The web will own every bit that's produced- if it's not part of the web, it will not count
4. Everything in our lives will be on this "machine"
5. The machine has and will have a global sense- see latest financial crisis
6. Move to the cloud
7. Be all about sharing- what can we do? what will the limits be?
8. Always be on- never off
9. Extreme dependence on this "machine" because it makes us smarter. Being off will feel like an amputation!
10. Lead us to continue to question- "Who are we?"
11. We will need to believe in the impossible
Posted by Ed Cotton
My Thoughts on Greg La Vardera's "Our Re-Modern Movement - The Tipping Point?"
00/00/0000, 00:00 | FUTURE HOUSE NOWI had always been interested in homes. I always dreamed of something better and more exciting than the standard fare of suburban cul-de-sacs, though I wasn't totally hooked on modern yet. But when I saw this cover, with a real family in a cool-ass house, it was like a lightning bolt. I can't tell you how badly I'd like to live in a Flatpak. It's one of the top three contenders for me. It just fits me and my family so perfectly. When the time finally comes to really build a new home I will be giving them a call to talk.
It's funny though, how "weird" most people think modernist homes are. My mother said "you want to live in a white box?" with a look on her face that was pure disbelief. Talking houses with some neighbors I could detect their nervous smiles when I mentioned concrete and steel, as in "uh, okay, sure, as long as it's not next door to my house." And look at the real estate markets. That's all you need to know. You don't see a lot of developers building modernist spec homes. Just pick up a real estate magazine and thumb through it for a minute. How many cool modernist homes will you find in the listings. Maybe one or two in a hundred page book. And they're mostly really big, expensive houses, probably built in the eighties after watching too many episodes of Miami Vice. Good, simple, modern homes for real families are hard to come by. Your best bet is a fifties ranch. Even those are a minority in the market compared to the grand total of everything else.
But I think Greg is right. This is the right time. Dwell has been so successful that some other similar publications have started to appear. Blogs like mine are popping up like daisies. Sarah Susanka's "Not So Big House" movement has a lot of followers (because it makes a lot of sense). Or consider John Brown's Slow Home Movement. And green is suddenly king. People finally realize that their choices have a real impact. Now is definitely the time of Less is More, and modernism fits that bill perfectly.
Probably the biggest helper in all of this, in my opinion, is going to be the bursting of the real estate bubble. I say that for one simple reason: it will make people change their view as to what their home really is - a home to live in and not an investment to make a fortune off of. I really believe that people won't/can't build what they really want because they are too hung up on resale value and growing massive equity. I don't know if this attitude caused the housing bubble or vice versa, but either way they combine to create an effect where the resultant high cost of housing distorts our views, closes our minds to new ideas, prices lots of people out of the market for a good home, and places too much power in the hands of developers, not in the hands of consumers where it should be. And so, here we are. With the bubble busting and home prices correcting I think we may also see home buyers making very different decisions about what they want to live in. I know this is the case for my wife and I, and I hope, at least, that this is the case for others.
It's definitely time for America to focus its attention on things like better homes, greener communities, reliable energy, even better communications technology, education and health care. These are the things that make up the infrastructure of this country. We won't have to worry about foreign threats for long if we allow ourselves to fall apart from the inside.
This whole country is at a tipping point, or near one. Modern homes are just a tiny, tiny part of that. We can choose a better way to live without giving up all the really great things we already enjoy.
Better living through design. Work smarter, not harder. Find the holistic solutions.
We can do it.
Stone Houses
00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
This is a picture of one stone house that happened to be for sale, with about 3 acres of land for about $90,000 US. Some of the wood around the windows was rottiong out, but the rest of the structure appeared sound. One of the beauties of stonework is that it can last for centuries and be as sound as the day it was originally built!


These Designers Have a Hard Time!
00/00/0000, 00:00 | Design SojournThe World House Project - "We Can 'Grow' Buildings"
00/00/0000, 00:00 | FUTURE HOUSE NOW
"The Evolution of Home
The WHP is a multi-year, collaborative initiative led by the Institute without Boundaries (IwB) that will explore the evolution of shelter and plan for the next generation of holistic housing design. The project will build on the research concepts of IwB’s inaugural project, Massive Change, using the same method of interdisciplinary design innovation.The home is the intersection between the individual and society. On one end of the spectrum, urban sprawl and monster houses consume huge amounts of energy and pollute the atmosphere. On the other, over a billion people live in urban slums or in the streets without shelter.
The ambition of the World House Project (WHP) is to generate a system that achieves a balance between these extremes, and operates on the principles of sustainability, universality, technological responsiveness and balance, so that we may create dwellings that promote the long-term health of nature and human cultures."

They're benchmarking homes from around the world, old and new, studying them to gain an understanding of important implications of "climate, culture and terrain." The team, international and interdisciplinary in nature, will examine housing in the framework of twelve core elements of housing design and work to "create dwellings that are grounded in the principles of ecological design and that promote the long-term health of natural and human economies." The twelve core elements are: identity, social, communication, spatial, constructional, air handling, energy, water, waste, food, mobility, and finance. That's a very compelling list, indeed.
Here are a few images from the World House Project scrapbook on Flickr that I really like:



I've always imagined that homes could (and should) be built in this way!
It will be very interesting to see what comes out of this project. I'll be looking forward to watching it.
Image credits - World House Project Flickr photo album
Podcast: Social Media in European and US Companies
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
While I’m at it (see my previous posting on my recent activities) I’d thought you might also be interested in a recent conversation on the use of social media in European and US corporations (MP3 file ~ 48MB) I’ve had with Tom Guarriello from the “True Talk Blog” (iTunes here).
I’m following Tom’s blog for more than a year now and I’m intrigued by the breadth, but at the same time depth of his postings ranging from Politics, Business over Design & Fashion, to Social Media.
However what fascinates me most is his playful yet still professional use of social media like audio and video sharing. accordingly Tom is creating regular video and audio podcasts on various topics on a regular basis.
On Monday this week we’ve been able to realise a long planned podcast on ‘Social Media in European and US Companies’ based on our practical and theoretical expertise. And as hoped and expected it has been fun and inspirational.
As a side effect again I’ve recognised that listening to your own musings after the recording has been done is a ‘Point of Truth (POT) experience. From this particular recording and on a meta level I’ve learned that I can still improve the scope I usually frame my thoughts in. As a non native speaker (& writer) I always want to make sure that my ideas reach the audience in the right (not to say ‘perfect’) way ;-) Unfortunately this sometimes goes to the disadvantage of coming to the point in a concise fashion say ‘delayed’. So some way to go ;-)
Anyway while (for sure ;-) we did not fully answer the question why in particular organisations with strong brands and fashion brands in particular have difficulties to articulate themselves on the web beyond their brand image we’ve identified several strategic areas that are worth digging deeper into.
After all what surprised me indeed has been Tom’s feedback that US companies are far less ahead of using the social web compared to European companies as I’ve imagined. A question that popped up and that attracted my attention as well has been: How much do Social Technologies affect the corporate as well as brand culture once an organisation has ‘dared’ to enter this field of communication? Any insights from you readers are more than welcome!
In any case have fun listening to our conversation and drop me a comment or email on what you’ve thought while listening :-)
designboom contemporary: tadao ando retrospective exhibition
00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
punta della dogana renovation, venice, italy
image © tadao ando architect & associates
'challenges: faithful to the basis' is an exhibition that attempts to give an overview of ando's 30 years
as an architect, focusing on the various types of places he has designed over the years. 10 or so projects
undertaken in osaka, kobe, tokyo, venice, abu dhabi, mexico and bahrain which were completed under
different conditions, project durations, scales and programs are all featured in this retrospective exhibition.
punta della dogana renovation, venice, italy
image © designboom
see the designboom article:

tadao ando retrospective exhibition
saint-étienne international design biennale 2008
00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
'club3' by rémy bardin, guillaume jounet - ENSA de paris-la-villette, part of 'habiter demain' exhibition
this year's saint-étienne international design biennale will be held at three main venues within the
cité du design site, the former saint-étienne weapons manufacturer. there will be a few main exhibitions including
'city eco lab' by john thackara and the 'sugoroku' exhibition by catherine beaugrand which will present
experiments which put humans at the heart of urban development. this year, there is the 'flight number ten'
exhibition will be taking a look at designers who have made their mark in the design world over the last ten years,
including ronan and erwan bouroullec. the biennale is an opportunity for designers from france and abroad
to present their latest designs to the public, using design to raise awareness to the current changes in society.

'le sommeilleur' by benoît , rest units at the mine museum, 2008, part of the 'habiter demain' exhibition

'lîlot damaranthes' by emmanuel louisgrand, part of the 'city eco lab' exhibition - image © galerie roger tator lyon

'manger au travail - système pline' by julie bouillaut, part of the 'city eco lab' exhibition - image © véronque huygues

'robuDOG' by robosoft, 2008 - image © robosoft

'algues' by ronan and erwan bouroullec, installation at roubaix museum, 2004 - image © paul tahon
cité du design: http://www.citedudesign.com
handmade photos by impactist
00/00/0000, 00:00 | Design*Sponge
kristy at two if by see sent over these beautiful photographs by impactist. the collection is called “paper” and everything you see in the photos is hand cut and assembled to create patterns. such a beautiful idea. click here for more information. [thanks, kristy!]
On the value of dissatisfaction [del.icio.us]
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :Plasma Plants Will Vaporize Trash While Generating Energy
00/00/0000, 00:00 | Inhabitat
Recently St. Lucie County in Florida announced that it has teamed up with Geoplasma to develop the United States’ first plasma gasification plant. The plant will use super-hot 10,000 degree fahrenheit plasma to effectively vaporize 1,500 tons of trash each day, which in turn spins turbines to generate 60MW of electricity - enough to power 50,000 homes! Cutting down on landfill waste while generating energy is a pretty win-win proposition, and the plant will also be able to melt down inorganic materials to be reused for other applications, such as in roadbed and heavy construction.
MODERN FLOWERS
00/00/0000, 00:00 | GAILE GUEVARA


Floral design by JEFF LEATHAM, to see more of his work see website

Floral design by OLIVIER GUIGNI to see more of their work see website

Floral design by OVANDO to see more of their work see website
I learn so much working with an amazing team and find inspiration from talented New York based florists Banchet, Ovando to Olivier Guigni and Jeff Leatham. I admire the sculptural arrangements of Singapore based Sakul Intakul & Devehastin na Ayudhya, London based floral designer John Carter and LA based Krislyn Design. Flowers transform a room while providing a lasting impression and creates a signature feature in a room. Applying the rule of "less is more" to a floral arrangement allows the natural beauty of a bloom to stand alone, with a skill full eye and attention to details, choosing one single floral type or combinations of monochromatic arrangements give much more impact to a room. I find myself in pure bliss when making an arrangement. More so, I love the design process of creating a focal point where light, water and air meet the stem and petals of a bloom. I also love fully submerged flowers love to breath in water ... and when lit in the right way, you can see the bubbles collect around each petal ...
I share with you the amazing talents of those who have inspired me and the work that unfolded.

One of my favorite flower shops to see in New York is Blanchet located in the meatpacking district. They always have amazing window displays and a beautifully designed floral shop.
k:fem department store by wingårdh architecture
00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews
the k:fem department store by wingårdh architecture is located in the vällingby development, just outside
of stockholm. the store was conceived as a new beacon for the community serving to inject new life into
the area. the exterior is covered in a milky glass which get increasingly see through toward the top,
merging into the red overhang above. the list of stores inside are displayed on the overhang, all in white
on red. a pedestrian street cuts-through the department store, dividing it from the adjoining solo retailer.
inside the store, the semitransparent theme continues. the most unique features is the light filled central
core which is open to the sky.
http://www.wingardhs.se




via arch daily
Ok Tray House - sneak peak inside
00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
So what do we have here. Well open up the catalog page so you can look at the floor plan. This photo is taken from the living room, looking into the study. We can see a stone wall which is flanking the fireplace, and above it we can see the gridded window wall which sits above the fireplace. I'm real excited about that since it looks like they did a really great job with that. Out the window we can see more of that nicely stained siding. To the left we can see the front door and the entry vestibule. In the study we see the side windows, and a couple of modern chairs? Man after my own heart! And upstairs some cable rail, and a glimpse of the bedroom ceiling. It looks awesome - can't wait to see the rest of the house!
And don't forget the flickr set of photos of this project from start to finish.
Technorati Tags: house plans, modern design, modern house, Tray House
Arkhefield - Couran Point House
00/00/0000, 00:00 | Modern Residential Design
Island retreat - The team at Arkhefield bring us one of their latest residential wonders in form of a simple, low maintenance, sustainable living volume which can be enjoyed all year round. The motives behind the design - maximising space and privacy - are attacked head on, as are the isolation and harsh climatic conditions on the island with basic low maintenance materials. The resulting simplistic structure, appears as a coastal tree, with its roof-line shaped by the strong winds and elements. Elements from which it can hunker down further, shelter, isolate and reorientate the use of external spaces.

Overview
The house offers a stark contrast to the predominant low shacks by the way that it expresses and celebrates volume, simplicity of form and its ability to manage/manipulate the external environment. The house appears to be inspirational amongst the community with many new houses currently under construction on the island being designed and sited in a similar manner.

The house is a simple extruded profile with its form being solely dictated by town planning constraints. Height, setback and roof pitch essentially created the volumetric section which was extruded to the road and waterfront boundary, then set back to maximize the enclosed space. The house breaks out onto the terraced waterfront on the east, for summer fun and to an enclosed "winter courtyard" on the west. The relatively closed north and south façades retain privacy from the adjacent blocks, and shelter from strong summer sun. 
Design
The isolation of the site put a premium on the construction cost as all materials and skilled labour had to be barged out to the island. These constraints created unique challenges and encouraged a rethink to heavy/bulky build elements that couldn't be barged out to the site. Environmentally Sustainable Design principles of orientation and sitting along with use of solar, gas, rainwater harvesting, bamboo cladding/screening and a thermally efficient monolithic floor slab were all core ideas behind the build.
Layout
The house is split in half down the centre of its length with a large double volume "communal" living space on the north and a 2 level "private" core, comprising of bedrooms and service zones, on the south. The interplay between the two halves of the house creates a sense of inclusion and encourages interaction between family and guests whilst still enabling privacy and seclusion.
Our clients desire to recreate a "Bahaman" styled beach cottage with shingled, pitched, roof and quaint shuttered windows made for a challenging brief. They wanted the house to take them back to the memorable vacations they had spent in exotic locations. Through exploration and development it became evident that decoration and themed architecture may enable brief relapses into the bygone but that intelligent design and the creation of flexible spaces stimulated communal interaction, which was what really recreated that relaxed holiday atmosphere they were seeking. They are extremely happy and are enjoying there "Contemporary Bahaman" cottage which they have aptly named "the shed" out on Stradbrooke Island.
Results
The team at Arkhefield have managed to strip back this brief to the real essence of what the client was after. Conviviality and family togetherness were the clients true request and the flexibility of the hoses and its communal spaces are what makes the house such a wonderful island retreat.
Plans

Architect: Arkhefield [AF employees] - Director, Andrew Gutteridge
Project/Design Architect: Simon Wynn
Project Team: Justin Boland, Julie Tomaszewski
Building Surveyor: Bennett & Francis
Construction completed: July 2006
Hydraulic: BRW Enterprises
Interior Designer: Arkhefield
Landscape: JW Concepts
Lighting: Arkhefield
Structural: McVeigh Consulting Engineers / Steel House Frames Australia
Structure and Frame: Steel House Frames Australia
Builder: Clarke Construction (Kelwyn Cassidy, Steven Parker)
Gross floor area: 355 m2
Project cost per square metre: Client wishes this to be kept confidential
Photography: Scott Burrows
via: Arkhefield
Design Thinking or just Thinking?
00/00/0000, 00:00 | Design SojournDesign Research Conference 2008, IIT Institute of Design; Chicago [del.icio.us]
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :the financial sector's losses are enormous
11/12/2008, 15:51 | InfluxinsightsFinancial Times- November 12th
Posted by Ed Cotton
Luminescent Fiber Optic Wallpaper by Camilla Diedrich
00/00/0000, 00:00 | Inhabitat
What if we could light our homes with glowing wallpaper rather than having to rely on electric lights? Swedish designer Camilla Diedrich has asked this exact question, and in response, created a stunning line of luminescent wallpaper that is lit by fiber optics. Her Nature Ray Charles Wallpaper features a delicate assortment of floral motifs that shine through in lucid lines, adding a touch of energy-efficient ambiance to any room.
Weekly Summary: CW 25
00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
Part of the characteristics of blogs is their sequential format. This implies that postings usually appear in a chronological order. While this is in general nothing to worry about from time to time however you’d wish to point people to ‘older’ blog posts as well.
However old is relative and if you’ve done several postings per week your ‘Monday Musing’ is low down in the list and already far away from visitor’s attention. Therefore here’s my weekly (visual) Summary:
- My Take On Design Leadership
- Dear Blog: Happy 5th Anniversary
Nicholas Burns - Johanna Beach House
00/00/0000, 00:00 | Modern Residential Design
Thinking Globally | Acting Locally - Nicholas Burns has taken this "green" addage and designed a modern residential retreat that: incorporates international ideas, templates low impact construction, has relatively minimal impact on the environment and embraces this spectacular plot.

The Johanna residence sits a few kilometres off the Great Ocean Road in Victoria, Australia, up a bush track leading to a gravel turnaround. This porous parking area is the first step into Nicholas's realm of environmentally concious design, allowing the water to soak through in a semi un-constructed area, combats erosion far better than a concrete slab.
Constructed of rammed earth taken in part from the surrounding area the house self regulates in temperature for all but the coldest of days. A super insulated wood burning fire in the centre of the living area tops up on the few days that it is required, whilst for most of the year the 300mm walls and thick floor store daytime heat for night time release. Carefully judged overhangs and windows, shade the rooms from peak summer heat, and allow cooling air to pass.
Arriving at the house you play out a mini script that depicts the notion of a holiday home. A getaway, a release from the constrictive day-to-day life we lead in the city.
Leaving your car you head towards a strong rear wall. From this angle the house appears a small bank or cliff, solid and permanent, with stripes of layers in the rammed earth walls creating cliff like strata. Nearing the house, a courtyard leads you in to a "Burns" play on space and dimensions.

As if entering a cinema through the back corridor, the short courtyard, with its imposing 300mm thick rammed earth walls, contracts to a single passageway and heads to the front door.

The constricting nature of the entrance has you prepared to duck your head and don a helmet and caving lamp. Yet as you pass the front door and round the partitioning wall, you're released into a panorama of views out across Johanna beach and along the coastline. About ten minutes later, you'll realise you're in a wonderful open plan living / dining room.


Nicholas Burns has an affinity for the architecture of Tadao Ando, which he studied for years, admiring as I do, his self taught designs.
Hidden in full view throughout the design of this residence are homages to Ando. Tadao's designs, based of the Tatami mat, 900mm x 1800mm, are all divisible by this measure, leading to a hidden, calming simplicity. Nicholas's dimension is 600mm "so everything has an inherent logic in the space, making it unobtrusive.” Simply furnished, the house allows you to focus on it's surrounds.
Layout
A slight twist on a single plane design, the two bedroom wings are set back from the living area to allow 180 degree views. This also allows a raised courtyard to be placed behind the living area. A sheltered area from winds heading up hillside, it also provides an area for BBQs and outdoor dining.
All but one of the four bedrooms soak in the views and sunsets, the fourth, a more reserved room, is windowed to the rear and surrounding bush, an ideal room for private contemplation.
Plan

About Nicholas Burns
In the 1990s, Burns left his architecture studies in South Australia to pursue a self-education in philosophy and building crafts, a la Tadao Ando. In 2000, he moved to Singapore, where he is still based, travelling from there through Europe, India, China, South-East Asia and Japan. I think Nicholas's practice really focuses on balancing the three way split, design, clients desires and the environment in which the build sits.
As part of all initial concepts and drafts, Nicholas's practice now encourages all of their clients to offset the carbon footprint of the build with United Nations-Certified carbon credits.
The environment is a strong stakeholder. But as you can see, in no way at the expense of fantastic design.
via: Nicholas Burns
Related Articles: http://materialicio.us/2008/01/15/johana-beach-house-nicholas-burns/
http://www.pushpullbar.com/forums//showthread.php?t=5990
MODERN VANCOUVER part I
00/00/0000, 00:00 | GAILE GUEVARA




