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road rage at work

10/31/2008, 01:04 | Influxinsights
There's an interesting new study that suggests male commuters who suffer road rage brought on by tough commutes, take that stress and frustration into the workplace. Corporations will be impacted by lost productivity and damage to working relationships.

What could companies do that are located in cities with tough commutes?

1. Encourage use of public transportation- if it works and is reliable
2. Build decompression chambers in the office
3. Create employee transportation systems- like Google's bus
4. Stress management advice- teach employees how to be less angry about their commutes
5. Yoga classes for commuters

It's not entirely surprising that road rage makes its way into the workplace, but I am sure very few companies pause for a moment to think about it and what it could be doing to their employees.


Posted by Ed Cotton

Stone Houses

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I recently returned from a vacation wandering around the Ozark Mountains in Oklahoma, Missouri, and Arkansas, and was amazed to see so many stone houses. This style of building has obviously been a vernacular art for at least two centuries, since many of the buildings were quite old. I would estimate that something on the order of 5% of the residential construction in that region is done with stone walls. I don't know if these houses are insulated on the inside (I hope so, given the seasonal heat and cold they must endure.)

This is a picture of one stone house that happened to be for sale, with about 3 acres of land for about $90,000 US. Some of the wood around the windows was rottiong out, but the rest of the structure appeared sound. One of the beauties of stonework is that it can last for centuries and be as sound as the day it was originally built!

Once I got home I was delighted to get an email from Xinyuan, a young woman in China, who was proud of the stone house that she had made near Biejing and completed in 2004. She designed the house and got the help of local construction workers to build it. She expects this to be her retirement home.

Xinyuan is a lover of nature and natural things and wants to promote natural building and life styles in China. There is a tradition of using stone for building in this region.

The house she made is obviously very well-built and quite handsome. The setting near the ruins of the Great Wall of China is also a knockout! Xinyuan would be happy to communicate with like-minded folks, and can be contacted at y.x1213AThotmail.com .

Arkhefield - Couran Point House

00/00/0000, 00:00 | Modern Residential Design

Arkhefield

Couran Point

Island retreat - The team at Arkhefield bring us one of their latest residential wonders in form of a simple, low maintenance, sustainable living volume which can be enjoyed all year round. The motives behind the design - maximising space and privacy - are attacked head on, as are the isolation and harsh climatic conditions on the island with basic low maintenance materials. The resulting simplistic structure, appears as a coastal tree, with its roof-line shaped by the strong winds and elements. Elements from which it can hunker down further, shelter, isolate and reorientate the use of external spaces.



Overview
The house offers a stark contrast to the predominant low shacks by the way that it expresses and celebrates volume, simplicity of form and its ability to manage/manipulate the external environment. The house appears to be inspirational amongst the community with many new houses currently under construction on the island being designed and sited in a similar manner.



The house is a simple extruded profile with its form being solely dictated by town planning constraints. Height, setback and roof pitch essentially created the volumetric section which was extruded to the road and waterfront boundary, then set back to maximize the enclosed space. The house breaks out onto the terraced waterfront on the east, for summer fun and to an enclosed "winter courtyard" on the west. The relatively closed north and south façades retain privacy from the adjacent blocks, and shelter from strong summer sun.



Design
The isolation of the site put a premium on the construction cost as all materials and skilled labour had to be barged out to the island. These constraints created unique challenges and encouraged a rethink to heavy/bulky build elements that couldn't be barged out to the site. Environmentally Sustainable Design principles of orientation and sitting along with use of solar, gas, rainwater harvesting, bamboo cladding/screening and a thermally efficient monolithic floor slab were all core ideas behind the build.



Layout
The house is split in half down the centre of its length with a large double volume "communal" living space on the north and a 2 level "private" core, comprising of bedrooms and service zones, on the south. The interplay between the two halves of the house creates a sense of inclusion and encourages interaction between family and guests whilst still enabling privacy and seclusion.


Our clients desire to recreate a "Bahaman" styled beach cottage with shingled, pitched, roof and quaint shuttered windows made for a challenging brief. They wanted the house to take them back to the memorable vacations they had spent in exotic locations. Through exploration and development it became evident that decoration and themed architecture may enable brief relapses into the bygone but that intelligent design and the creation of flexible spaces stimulated communal interaction, which was what really recreated that relaxed holiday atmosphere they were seeking. They are extremely happy and are enjoying there "Contemporary Bahaman" cottage which they have aptly named "the shed" out on Stradbrooke Island.

Results
The team at Arkhefield have managed to strip back this brief to the real essence of what the client was after. Conviviality and family togetherness were the clients true request and the flexibility of the hoses and its communal spaces are what makes the house such a wonderful island retreat.



Plans



Architect: Arkhefield [AF employees] - Director, Andrew Gutteridge
Project/Design Architect: Simon Wynn
Project Team: Justin Boland, Julie Tomaszewski
Building Surveyor: Bennett & Francis
Construction completed: July 2006
Hydraulic: BRW Enterprises
Interior Designer: Arkhefield
Landscape: JW Concepts
Lighting: Arkhefield
Structural: McVeigh Consulting Engineers / Steel House Frames Australia
Structure and Frame: Steel House Frames Australia
Builder: Clarke Construction (Kelwyn Cassidy, Steven Parker)
Gross floor area: 355 m2
Project cost per square metre: Client wishes this to be kept confidential
Photography: Scott Burrows

via: Arkhefield

Two Things Design Experts Do That Novices Don’t [del.icio.us]

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
Great (link) pointer and according analysis from Victor on the way designers both senior as well as novices work.

Designers must Develop Critical Insight

00/00/0000, 00:00 | Design Sojourn
Image source: Insight One of the key factors I noticed in any successful product and/or design, was that the product’s designer had some kind of critical insight. It is this “ah-hah!”, this “Wow!”, this “Eureka” moment that can turn any design into a great one. It gives meaning to a product’s form, its function or even [...]

Has Design Evolved since Papanek?

00/00/0000, 00:00 | Design Sojourn
Such legendary negativity. There are professions more harmful than industrial design, but only a very few of them. And possibly only one profession is phonier. Advertising design, in persuading people to buy things they don’t need, with money they don’t have, in order to impress others who don’t care, is probably the phoniest field in existence [...]

links for 2008-08-29

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
  • Good case on how the idea of a 'Blue Ocean Strategy' can be applied: "The heart of a company’s business model should be game-changing innovation. This is not just the invention of new products and services, but the ability to systematically convert ideas into new offerings that alter the very context of the business."

goat cheese pear tarts

00/00/0000, 00:00 | Design*Sponge


in the tradition of friday’s on d*s i decided to add a recipe to the mix for today’s DIY project. i love goat cheese. i could eat so much of it’s sick. last fall i spent some time researching different tart recipes after i got these cute little “mini-tins” as a gift. i finally settled on trying goat cheese with pear and loved them. these are so easy + they have the advantage of looking like they’re not. they satisfy the sweet & savory thing that i tend to crave. bring them with you to holiday parties and blow those chip & dippers out of the water.


what you will need: (makes 20)

mini baking tins (a mini muffin pan or the like will work)
2 pears
10 oz. goat cheese @ room temperature
1/2 tbsp sugar
dash of cinnamon
1 package puff pastry sheets (in the frozen foods aisle @ the grocery store)

1) preheat oven to 400.

2) roll out 1 puff pastry to a 20 x 20 inch square with a rolling pin,
and cut into 2 x 2 inch squares. grease your tins so the pastry does
not stick. press squares into tins and trim off the excess.

3) chop the pears finely with the skins on. (this adds a little color
to the tarts). stir pears, sugar & cinnamon up. you will probably have
a bit of the pear mixture leftover.

4) spoon and press down 1/2 tbsp of goat cheese onto the bottom of the
pastry and add 1 tbsp of pear mixture on top.

5) bake at 400 for 25 minutes. the edges should be golden brown.

6) take out of oven and let cool for 10 minutes. you will be able to
pop them out if you properly greased your tins. enjoy. i like to serve
them with a nice glass of white wine. yum.

Earthbag Building in Haiti

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I spent several hours working on this project page: http://earthbagbuilding.com/projects/haiti.htm

I think it really is one of the best yet, because it shows the entire project from foundation to finish work on a simple home that would appeal to most people around the world; it was created by poor Haitians who had no prior experience; and it was done in a manner that I could easily recommend for others to follow. I think this really shows how earthbag building can really work for people throughout the world.

The house itself is a simple design (with some interest because it is an L shape) and was accomplished without any buttresses. Once finished it is nearly indistinguishable from their customary cement block homes, except that the walls are thicker...and it will be more comfortable to live in I am sure.

This home was built at Pwoje Espwa in Southern Haiti, where Father Marc has dedicated his life to serving and helping suffering children. This project not only houses over 700 children, but has an agricultural project, three schools, carpentry and masonry facilities, and an arts and crafts program. They have many ideas to help the Haitian economy and people living there. Because they are a non-profit, and are continuously struggling with funding, I encourage you to visit their website (www.freethekids.org) and consider making a donation to their cause.

cnn gets carried away

11/05/2008, 15:49 | Influxinsights
It was funny on election night to see all the networks go over the top with their data visualizations and their sophisticated touch data screens. CNN took it to eleven with their holograms, at least we know Larry King still has a future.




Posted by Ed Cotton

obama and social media

11/05/2008, 18:32 | Influxinsights
Nice deck from Adam Cahill on Obama and social media. Lots of lessons here, many already known and recognized, but well worth a timely reminder.

Obama Social
View SlideShare presentation or Upload your own. (tags: obama socialmedia)

MODERN INSPIRATION

00/00/0000, 00:00 | GAILE GUEVARA

To see complete inspiration library for MODERN WHITE view slide show
Today is a special October 12 - I share with you a MODERN INSPIRATION DEDICATION in honor of today's birthday. The birthday of a talented designer, artist, visonary, spirit and loving friend DONNA TOPPINGS.
Looking back ... I attribute my learned love for modern minimal interiors and architecture to our days of working together and brainstorming for projects ... that excitement of opening the pages of beautiful books or magazines, and like twins at birth, the synchronized - oohs and aahs would follow. If we didn't say the exact same comment of excitement at the same time, there was always at least one of us thinking as the other is saying "look at the detail - LOVE IT". For those who aren't design junkies and cannot relate ... basically a PASSION for MODERN DESIGN is as addicting as that glass of wine you may be drinking as you read this or for others as you inhale that smoke or wolf down that block of cheese - that immediate sigh of bliss. It is that synergy or excitement and energy that inspires designers like me to be grateful for moments like those. Pure LOVE of appreciating all that is beautiful and visually articulate in its execution. I attribute my love and detailed eye to years of appreciating the laughs, cries, excitement, pop corn evenings, power walks, sushi dinners over lengthly design chats and talks. The experience of learning through eyes of someone you admire and respect helps motivate one to learn and crave more. Thank you DONNA for reminding me on your special day the moments in life that take your breath away, make you smile, make you cry and make you love - the beauty of seeing from within. MODERN DESIGN and INTERIORS isn't just about the aesthetics, is is a lifestyle, a process of embrassing and appreciating the experience of that moment.

'soil lamp' by marieke staps

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


marieke staps is dutch product designer who is the creator of the ‘soil lamp’. unlike most lights, staps’
uses free and environmentally friendly energy sourced from mud. the metabolism of biological life
produces enough electricity to burn the led light on the top. by adding a touch of water to the base of
the lamp, the natural life force in the dirt conducts electricity through copper and zinc, powering the
small bulb.

http://www.mariekestaps.nl



via make

F3 Arquitectos | House in Rupanco

00/00/0000, 00:00 | Modern Residential Design

F3 Arquitectos

House in Rupanco

Wooden Wonder - F3 Arquitectos - renowned for their timber architecture in Chile, have created this wonderful prefab retreat in 75 days! I question what more could be required of a modernistic cabin?


Many thanks to Plataforma Arquitectura for bringing us this fantastic residence in Southern Chile.

Translation / reword of original article by Carlos J Vial

Located in a remote area of Lake Rupanco, the commission responds to the request of a "summer house" or retreat, of sporadic use. Due to its complex, ever changing climate and geographical location, the plot made on site slow construction impossible.

The project consists of a single volume, with the layout distributed linearly, parallel to the lake views and shore. The site drops down a field to the shore below and northern sun.

A solid timber rear façade with a singular overlapped entrance, to the house, provides the necessary private secure barrier to the public road, becoming the main structural axis of the project. This wall in turn partially meets the requirements of security due to the prolonged periods when the house is uninhabited.

In contrast, once inside the interior, each room has a glazed wall facing the lake, creating a porous, and therefore vulnerable, façade. F3's solution being sliding wooden panels, clad in the same treated wood of the rear façade, that allow the owner to create a singular, completely airtight volume when leaving for the city.

As for the remote location and inclement weather that would hinder an on-site build - this was resolved by prefabricating many of the wall, floor and roof panels.

The Result
A beautiful, simple, elegant lakeside retreat. And to top it off, construction was completed in 75 days!!





Plans



Location: Lago Rupanco, X Region, Chile.
Arquitectos: F3 Arquitectos - Alejandro Dumay, Nicolás Fones, Francisco Vergara.
Size: 127 m2.
Materials: Treated wood, in prefab panels.
Completed: 2005.
via: Plataforma Arquitectura
& F3 Arquitectos


Brewery Art Walk, Los Angeles [Clipping]

10/30/2008, 12:03 | Land+Living: Modern Lifestyle + Design
This weekend the (apparently) world's largest art colony invites you to have a look around and maybe purchase an artifact or two. (via kcrw)

Blog Action Day

00/00/0000, 00:00 | FUTURE HOUSE NOW
Today is Blog Action Day, a single day for all bloggers to post about one important issue, the environment. Most people think that Future House Now is a green site. It isn't. My primary focus is interesting modern homes, particularly those that are in the realm of realistic affordability for real families. But having said that, I frequently post about "green homes," and today is a good day to clarify my views on the subject.

First of all, why do I often post about green homes, even when my site is not purely focused on green issues? Well, for starters, green makes a lot of practical sense. It's laughable how much emphasis we put on greening our cars when we spend way more energy in our houses. It should be obvious every week when we take out the trash that our homes are the epicenter of our consumption habits. And I care about my family's health. I want them to live in a safe household environment, not one that is riddled with toxins and allergens.

Second, green isn't that hard to do anymore. You don't have to live in an Earthship made of tires pounded full of dirt, and old aluminum cans to be green (though that's pretty cool if you ask me). You also don't have to be an eco-warrior living off the grid in Northern California, growing all your own food and living off $10,000 worth of yearly organic produce sales. I guess what I mean is that being "green" isn't really an extreme lifestyle choice, it's part of everyday life for everyday people all over the USA. We have to stop treating green as extreme. Frankly, I think that alienates more people than it attracts. That's why I try not to overplay my green views, just as I don't downplay them either. To me, the important thing is that we're all constantly raising our awareness and incorporating green practices in our lives one little step at a time.

There are so many good ways to green any home, any style, old or new, anywhere. How about more efficient appliances, compact fluorescent light bulbs, better insulation, and low-VOC paints? These are pretty easy things that can make a big difference. How about not using those toxic cleaners in your kitchen and bathroom? Use good ol' white vinegar - it works great and is non-toxic. Inexpensive too. And great technology is here, with real strides in renewable energy being made every day. The reasons for not taking advantage of better technology for greener homes are becoming fewer and fewer. We're pretty much at the point where going green isn't about making tough choices, it's about making smart choices. The difference now isn't as much about toughness as it is about awareness.

I like to show interesting modern homes, and some of them are not particularly green. But lots of them are, in lots of different ways. Some are green just because they are compact. Some are green because they have a broad sheltering roof and good insulation. Some are green becaues they make good use of recycled materials, or new materials like steel framing that will last a long, long time without a lot of costly maintenance, and that can be recycled someday if need be. Maybe they aren't all perfect, but we can learn something from them. My site is about ideas. Some of the good ideas I like to show are about environmentally friendly homes, and some of the ideas are about other things. They're not mutually exclusive. And we have to stop thinking in those terms. Green fits with modern because they are both about good design. Good design has logic, economy and beauty all rolled into one. I see green as a part of that, not a whole unto itself.

Don't get me wrong, I don't take green for granted. I accept green as a matter of fact. That's how it should be - a natural part of life, not a radical philosophy. I view the recent mainstreaming of green as a sign that we've finally turned the corner. It won't be long now before we build the momentum to make lasting positive change. The challenges are real, but humanity, in spite of itself, is a problem solving species. We can do it.

sumika projects by sou fujimoto, toyo ito, terunobu fujimori and taira nishizawa

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


tokyo gas co., ltd., is japan's largest supplier of natural gas for both residential and business consumption.
for their 'sumika project', they teamed up with japanese architects toyo ito, sou fujimoto, terunobu fujimori
and taira nishizawa. each of the architects are responsible for designing a built structure on the project site.
the concept behind sumika is to provide new residential units, buildings and a main pavilion that will use gas
as their main source of energy.

the main pavilion is a communal space that is meant to bring people together, to gather and interact with
one another. with the increasing amount of people living in apartments in urban areas, homes have become
uniform and monotonous. the aim of the sukima project is to provide more primitive, free and prosperous housing
which connects to nature and awakens the five senses.




sou fujimoto and toyo ito


terunobu fujimori and taira nishizawa


by sou fujimoto


by toyo ito


by terunobu fujimori


by taira nishizawa

more
sumika project: http://kenchiku.tokyo-gas.co.jp/sumika_project
tokyo gas co., ltd.: www.tokyo-gas.co.jp

nokia- mobile phones are the new computers

11/07/2008, 13:37 | Influxinsights
Nokia demonstrates how it's leveraging insights gleaned from the developing world into products. The mobile phone is made to work a lot hard in developing countries; it becomes the mobile office and primary computer for many of its users. In response, Nokia is launching Life Tools; software included in its phones that can help those involved in agriculture better understand market and weather conditions.
Nokia Life Tools

Posted by Ed Cotton

Bits 'n' Pieces

00/00/0000, 00:00 | FUTURE HOUSE NOW
Just a couple of quick things:

The wonderful blog DO Research has closed shop - it is already missed. The upside is they've bought land and are building a Flatpak. I am wildly jealous!

Read the story behind the sea container Holyoke Cabin on the Hive Modular blog. So cool.

Skinny Japanese Houses on eye candy (via Things Magazine). Only in Japan [sigh].

The amazingly hip Alan Family Happy New House is complete. Check it out in The New York Times. It turned out just like the renderings - very, very cool. It shows you just how much you can do with a remodel.

I just picked up a good book, Small Eco-houses. Loaded with interesting, green, modern homes from all over the world. Two thumbs up!

image credit - Amazon.com listing

links for 2008-08-15

00/00/0000, 00:00 | :: Vol. 2: the design management weblog | by ralf beuker :
  • We all know the drill when it comes to meetings: Arrive prepared and in time, stick to the agenda, don't interrupt others and let them speak until they're finished … But we all do also know that we so often suck with these basic rules.

    Therefore I'd thought that it might be a good idea to have the basic rules written down. This is no matter of being a business or design manager. On the contrary maybe some more structure in discussions would very often help meetings on design, process, and aesthetics to be more effective … What are your experiences?

MODERN VANCOUVER - GASTOWN PART I

00/00/0000, 00:00 | GAILE GUEVARA
INFORM INTERIORS, Gastown
Photography by Jonathan Cruz Photography
Geothermal building with a green roof - environmental details in addition to re-using, rebuilding and recreating an amazing interior space, Inform Interiors is a destination retail space and experience that every modern design enthusiast must see when visiting Vancouver.
INFORM INTERIORS, Gastown
Gastown is a cool and hip neighborhood filled with great little boutiques, restaurants and shops. None of the expected main stream big box stores ... rather a collection of unique retailers and eateries that set the tone of bringing upscale design to a the less obvious street scape. This little pocket of historic Vancouver offers a cutting edge to building character for the city. The cobblestone roads now meet a new wave of modern transformations which encompass the best of loft living and the design studios of creative minds behind recent face-lift exterior facades. Inform Interiors re-opened their showroom and will re-launch in spring'08 a new flagship B&B Italia and Boffi showroom in their previous location. (stay tuned - the Inform family is cleverly building local pedestrians and design lovers like me into modern addicts anxiously waiting for the big opening)
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
MGB ARCHITECTS obakki, gastown
Images provided by Obakki
Architecture & Interiors by Mcfarlane Green + Biggar4
Historic Gastown is now the home to an A-list of must sees from a cool hip shop for modern mom and pops, visit Modern Kid which offers kid-friendly "easy on the eye" design for the modern novelist while fashion fronts like Obakki (tops as my favorite fashion retail interior for Vancouver) or Hunt & Gather bring a unique collection of one of a kind pieces made right in the store by costume designer atelier.

OBAKKI, Gastown

OBAKKI, Gastown
Images of Obakki above are through my eyes. Some of my favorite details include exposed concrete walls meeting seamlessly with polished concrete floors. The extension of corian meeting reclaimed fir to reverse beveled drywall details lit from behind to give a diffused wash of light to highlight the exposed brick walls. Love, love the architectural detailing. The interior reflects the quality and craftsmanship of the Obakki label right down to each detail.

100 Push ups : Week 3, 4 and 5!

00/00/0000, 00:00 | Design Sojourn
Wow! That was quick, according to the program, I should be now into my 6th and final week. The last week before the big 100 push-ups attempt! The reps in week 3 and 4 were getting really tough. I was having a lot of trouble getting through all the sets. [...]

Freewheelin way to go

00/00/0000, 00:00 | David Report

The Freewheelin story.

Bike sharing was a hit when launched in Paris in 2007. It was cheap, convenient and eco-friendly. End of story? Not so fast. A U.S. health insurer changed the game and wrote a new story. Humana promotes its business agenda - lower health care costs - through a state-of-the-art bike sharing program tested during the 2008 U.S. political party conventions in Denver and St. Paul.

Freewheelin promotes its social and business agenda through communication - made possible by wireless/mobile and social networking technology. When you ride a Feewheelin bike, wireless networks track your mileage and calories burned. Social networking tools help individuals track their personal successes and, by calculating reduced carbon emmisions, their contributions to the shared health and wellness of their community and the planet.

Andra bloggar om: , , , ,

MacGabhann Architects - Tuath na Mara Residence

00/00/0000, 00:00 | Modern Residential Design

MacGabhann Architects

Tuath na Mara Residence

Armoured Longboat - Standing vigilant over a northern Fjord in Ireland, the Tuath na Mara Residence, by MacGabhann Architects appears solid as a rock. Zinc clad for resilience, the low slung house blends seamlessly into the heather-covered rocky landscape, its own seams, echoing the strata of surrounding rocks. Contrasting a well hunkered core, the roof line warps and twists upwards like wonderful grey weathered seaweed, revealing the surrounding views to the living areas.



Overview
The project's focus around the specifics of the site and putting the personal and particular experiences above the powerful and the public, seeks to create a mood which is meditative instead of tensing or relaxing.

The site is hidden from the public road and is accessed from high ground on the landward side where the first experience is of an elevated view of the site and the sea beyond. Therefore the importance of the roof, or fifth façade, dictated a metal zinc cladding which is suitable for both walls and roof. Said façade, mimicking the seaweed found on the shores beyond. The anthracite colour of the zinc makes the building camouflage itself into the heather landscape.



The roof of both living areas is flipped and directed in opposite directions and towards particular points in the landscape and sunlight. Both living areas are fully glazed, thus embracing nature and developing a conversation with it. By way of contrast the sloped slit windows of the bedrooms act as a counter point to the absolute horizontal of the ocean horizon.

In order to emphasise the fact that the owners were embarking on a holiday each time they entered the house, the step and entry ramp at the front door is disconnected from the building thus making the visitor step over a gap not unlike stepping from the static platform onto a passing train. Thus a physical step from the day to day life into this adventurous house.

Layout
The plan form was inspired by the traditional narrow cottage and is orientated towards warm southern sun. It contains three sleeping cells and auxiliary spaces in the middle with two living areas, one at each end, connected by a library. Glazing is relative to the function of the rooms, with the centre bedrooms and auxiliary spaces horizontally glazed with small landscape framing windows, while the end living areas are wide open to the surrounding views.

The roof rain water is drained by way of gargoyles making one aware of the elements even in the lightest of showers, thus reinforcing the connection between inhabitant and nature.



Client's Comments

For us, ‘Tuath na Mara’ is wonderfully paradoxical: profoundly contextual and strikingly free-floating.

It is contextual in two senses: Firstly it speaks to the built experience of both our families, being the width of a house on the west coast that has been in the family for generations, and having the name and some of the shape of a house built by a Scottish grandparent (‘Tuath na Mara’ equally well in Scots and Irish Gaelic). Secondly it is rooted in the Donegal landscape, or more precisely in the inter-tidal seascape with which it shares its colour and, very nearly, its location. From the sea, it is virtually invisible.

But it is also free-floating, both in the way it sculpts light internally, and in the way its design is part of a cosmopolitan architectural conversation that is above national boundaries. This global-local interchange marks it out as capable of belonging only to the 21st century.


Results
MacGabhann Architects have made, as the client describes, a wonderful modern escape. With integrated reference to vernacular buildings and the landscape, without compromising aesthetics and impressive modern design, I'm confident that this is not the last we'll hear from them in great residential design.



Plans


Project: Tuath Na Mara
Architect: MacGabhann Architects
Team Credits: Tarla MacGabhann, Antoin MacGabhann, Niels Merschbrock & Barry Maguire
Completed: 2006-2007
Awards: Royal Institute of Architects of Ireland, Public Choice Award
Best house 2008 Royal Institute of Architects of Ireland, Irish Architecture Awards 2008
Photographic Credits: Dennis Gilbert - VIEW Pictures

via: MacGabhann Architects

visible sound sewing machine by sounds butter

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


the interactive design group sounds butter wanted to create a new way to make sound visible. while things
like equalizers and sub-titles already visualize sound, they sought to find a way to make sound physical.
using an old sewing machine as a basis, they conceptualized a prototype, which would take sound input
and convert it into a sound wave of thread on textile. the sewing machine is synonymous with producing
products in industry and thus served as a fitting analogy for the project.

http://www.soundsbutter.com





via infosthetics

Arkhefield’s Bahaman Eco-Shed Down Under

00/00/0000, 00:00 | Inhabitat

couran point house, arkhefield, brisbane architects, sustainable building, australia green residence, australia eco house, australia eco residence, south stradbroke island green house

When they were first commissioned to create a “Bahaman” seaside cottage on secluded South Stradbroke Island, Brisbane-based Arkhefield was faced with a few interesting challenges. The design had to be livable all year round, made from materials strong enough to withstand the harsh climate conditions, yet remind its inhabitants of memorable vacations spent on exotic islands. The resulting design stands out as a modern, sustainable interpretation of a Bahaman cottage that capitalizes on the site and celebrates volume but is also capable of isolating, re-orienting and shutting down against inclement weather when necessary.

(more…)

working class studio storage boxes

00/00/0000, 00:00 | Design*Sponge


i’ll always have a soft spot for anything coming from savannah. savannah is the first city, other than my hometown, where i really felt at home, and it’s also the city where we’ll be getting married next year. so i was happy to hear from jessica at working class studio (a program where students design work for sale) about these cute new fabric-covered storage boxes. i always need a pretty place to keep things in order so these might need to be in my tiny mini-office some day. the boxes will be available december 1st so click here to pick one up when they’re officially for sale.

A Short History of Earthbag Building

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
The idea of making walls by stacking bags of sand or earth has been around for at least a century. Originally sand bags were used for flood control and military bunkers because they are easy to transport to where they need to be used, fast to assemble, inexpensive, and effective at their task of warding off both water and bullets.

At first natural materials such as burlap were used to manufacture the bags; more recently woven polypropylene has become the preferred material because of its superior strength. The burlap will actually last a bit longer if subjected to sunlight, but it will eventually rot if left damp, whereas polypropylene is unaffected by moisture.

Because of this history of military and flood control, the use of sandbags has generally been associated with the construction of temporary structures or barriers. Using sandbags to actually build houses or permanent structures has been a relatively recent innovation.

It was an Iranian-born architect named Nader Khalili who has popularized the notion of building permanent structures with bags filled with earthen materials. Actually his first concept was to fill the bags with moon dust! Attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon, Khalili coupled the old sandbag idea with the ancient adobe dome and arch construction methods from his homeland in the Middle East. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter.

Khalili came up with a further refinement on this building concept on Earth: for a more permanent, shock-resistant structure, why not place strands of barbed wire between the courses of bags, thus unifying the shell into a more monolithic structure?

At first Khalili was filling his experimental bags with desert sand, but then he evolved his idea of “superadobe,” where bags or long tubes of polypropylene bag material would be filled with a moistened adobe soil that would dry into large adobe blocks. In this case the original bag material was merely the initial form and would not necessarily be an integral part of the eventual structure.

Soon after these first experiments, Khalili began publicizing his work through newspaper and magazine articles and conducting workshops and seminars on the techniques that he was perfecting. Many people who read about his work, visited his compound in Hesperia, California, or studied with him there, decided to go ahead with their own experiments with his ideas.

Among these “early adopters” were Joe Kennedy, Paulina Wojciechowska, Kaki Hunter and Doni Kiffmeyer, Akio Inoue, and Kelly Hart. I believe that it was Joe Kennedy who coined the more general term “earthbag” to suggest that the bag could contain a variety of earthen materials.

Paulina Wojciechowska was the first to write an entire book on the topic of earthbag building: Building with Earth: A Guide to Flexible-Form Earthbag Construction was published in 2001. This featured some of her early experiments done at Khalili’s CalEarth, along with several other case histories.

Akio Inoue, from Tenri University in Japan, has done extensive experimentation with earthbag construction, both on the campus of the University and in India and Africa where many other domes have been built for assistance programs.

Kaki Hunter and Doni Kiffmeyer (a couple) became enamored with earthbag construction after studying with Khalili, and worked on a variety of projects, both for themselves and for clients. In 2004 they wrote and got published another book, Earthbag Building: the Tools, Tricks and Techniques, based on their particular experience.

Kelly Hart (the author of this article) first began experimenting with earthbag building in 1997, after being exposed to the concept while producing his video program, A Sampler of Alternative Homes: Approaching Sustainable Architecture. He later documented his experience in actually building his own home in another program titled Building with Bags: How We Made Our Experimental Earthbag/Papercrete Home. Both of these programs are now available as DVD’s.

In the meantime, Nader Khalili was continuing the promotion of his “Superadobe” technique and eventually decided to patent the idea, which he obtained in the U. S. in 1999, using very general terms that cover using bags made of any material being filled with virtually any material, and combining these with barbed wired between the courses. While having made many public statements that this concept was his gift to humanity, he obviously wanted to capitalize on the potential economic reward.

Many of us who had been engaged in promoting earthbag building on our own were contacted by Khalili and asked to enter into contracts with him in order to continue our work. It didn’t take much research to discover that his patent could easily be disqualified because he had been publicizing his techniques through various media for at least four years before he even applied for his patent. Patent law clearly states that such publicity occurring prior to one year before the patent application would disqualify it for consideration.

So now the door is wide open for anyone to take this concept and run with it, and more people are doing so all the time, all over the world. While Khalili (and most of his students) have focused primarily on using the bags to form large adobe blocks, others have tried filling the bags with a variety of other materials, such as crushed volcanic rock, crushed coral, non-adobe soils, gravel, and rice hulls.

Earthbag building is unique among all other building technologies in that it can be either insulation or thermal mass, depending on what the bags are filled with. This is a very important distinction, because these characteristics of a wall greatly influence how comfortable, economical, and ecological any given system will be.

Safety is of prime concern with all building technologies, and much experimentation and testing has been done to establish guidelines for many ways of building. Khalili has established a relationship with the building department in Hesperia, California where CalEarth is located, an area where earthquakes are naturally a great danger. In 1993 live-load tests to simulate seismic, snow and wind loads were performed on a number of domed earthbag structures at CalEarth and these exceeded code requirements by 200%.

In 1995 dynamic and static load tests were performed on several prototypes for a planned Hesperia Museum and Nature Center to be constructed using Khalili’s Superadobe concepts with both dome and vault shapes. All of these tests exceeded ICBO and City of Hesperia requirements.

In 2006, at the request of Dr. Owen Geiger of the Geiger Research Institute of Sustainable Building, the Department of Civil and Mechanical Engineering of the U.S. Military Academy at West Point conducted several controlled and computer-monitored tests to determine the ability of polypropylene earthbags filled with sand, local soil, and rubble to withstand vertical loads. Their written report concluded that “overall, the earthbags show promise as a low cost building alternative. Very cheap, and easy to construct, they have proven durable under loads that will be seen in a single story residential home. More testing should prove the reliability and usefulness of earthbags.”

Despite the success of these tests, earthbag building concepts have yet to be incorporated into the International Residential Building Code. Obviously more enlightened acceptance of the demonstrated viability of earthbag building needs to occur!

It is difficult to know how many residences and other earthbag structures have been made at this point, probably hundreds if not thousands. Many of us have been promoting the technique for use as emergency shelters, and certainly some have been built for this reason. It is easy for folks to accept this way of building temporary shelters because it fits the historical model of sandbag use.

But many of us have also built substantial homes using earthbags, and in the process realized how truly versatile and sustainable the technique is. I wouldn’t be surprised if many of these earthbag homes are still standing long after their conventional counterparts built contemporaneously have disintegrated.

Building with Unbonded Pumice

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
Dr. Owen Geiger and I have just found that a book published in 1990 in Germany, Building with Pumice, written by Klaus Grasser and Gernot Minke, describes experiments done in the 1970’s at the Research Laboratory for Experimental Building at Kassel Polytechnic College in Germany that have considerable bearing on the history of earthbag building.

Most of the book is about the physical properties of pumice, how to obtain and process it, and how to make blocks or walls with pumice/cement, but the fifth and final chapter, titled “Building with Unbonded Pumice,” describes how they began to investigate the question of how natural building materials like sand and gravel could be used for building houses without the necessity of using binders. The use of fabric-packed bulk material was found to be a cost-efficient approach. They used pumice to pack in the bags, because it weighs less and has better thermal insulating properties than ordinary sand and gravel. Their first successful experiments were with corbeled dome shapes (an inverted catenary) which was obtained with the aid of a rotating vertical template mounted at the center of the structure.

1978, a prototype house using an earthquake-proof stacked-bag type of construction was built in Guatemala. They used cotton bags soaked in lime-wash to protect the material from rot and insects. When flattened, the bags measured roughly 8 X 10 cm. Vertical bamboo poles placed on both sides of the bags and interconnected with wire loops gave the stacked bags stability. The bamboo rods were fixed to the foundation and to the horizontal tie beam at the top.

Obviously the concept of constructing homes with fabric bags of mineral material predates Nader Khalili’s earliest experiments by many years, and I was certainly not the first to experiment with filling earthbags with pumice! The entire chapter is reproduced as an article at www.greenhomebuilding.com.

California's Green Building Code

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
California has adopted the nation's first statewide green-building standards, which will become mandatory in 2010. The new California Green Buildings Standards Code requires builders to reduce energy use by 15 to 30 percent beyond current standards and use more recycled materials. Some of the code will be mandatory, while other parts are just suggested. This is a significant recognition that energy and resource conservation is essential for the welfare of state residents, and hopefully this officially sanctioned consciousness will spread to other states.

These new codes include basic passive solar mandates: "When site and location permit, orient the building with the long sides facing north and south. Provide exterior shade for south-facing windows during the peak cooling season. Provide vertical shading against direct solar gain and glare due to low altitude sun angles for east- and west-facing windows."

For renewable energy, the codes says, "Use on-site renewable energy sources such as solar, wind, geothermal, low-impact hydro, biomass and bio-gas for at least 1% of the electric power."

For water conservation, the code says, "A schedule of plumbing fixtures and fixture fittings will reduce the overall use of potable water within the building by 20%, and provide water efficient landscape irrigation design that reduces by 50% the use of potable water beyond the initial requirements for plant installation and establishment."

"Each building shall further reduce the generation of wastewater by one of the following methods: The installation of water-conserving fixtures (water closets, urinals) or utilizing non-potable water systems (captured rainwater, graywater, and municipally treated wastewater
(recycled water)."

For materials to be specified for construction, the following is mandated:
  • Select building materials or products for permanent installation on the project that have been harvested or manufactured in California or within 500 miles of the project site.
  • Select bio-based building materials and products made from solid wood, engineered wood, bamboo, wool, cotton, cork, straw, natural fibers, products made from crops (soy-based, corn-based) and other bio-based materials with at least 50% bio-based content.
  • Employ wood-based materials and products comprising at least 50% of a major building component, such as framing, flooring, or millwork, which are certified by one of five listed sustainably harvested certification programs.
  • Use materials made from plants harvested within a ten-year cycle for at least 2.5% of total materials value, based on estimated cost.
  • Use salvaged, refurbished, refinished, or reused materials for a minimum of 5% of the total value, based on estimated cost of materials on the project.
  • Use materials, equivalent in performance to virgin materials, with post-consumer or preconsumer recycled content value (RCV) for a minimum of 10% of the total value, based on estimated cost of materials on the project.
  • Use cement and concrete made with recycled products, fly ash, raw or calcined natural pozzolan, blast furnace slag (as a lightweight aggregate) .
  • Select materials for longevity and minimal deterioration under conditions of use.
  • Select materials that require little, if any, finishing.
  • Select materials that can be re-used or recycled at the end of their service life in the project.
  • Select materials assemblies based on life cycle assessment of their embodied energy and/or green house gas emission potentials.
"Provide readily accessible areas that serve the entire building and are identified for the depositing, storage, and collection of non-hazardous materials for recycling, including (at a minimum) paper, corrugated cardboard, glass, plastics and metals."

Environmental and health-related items establish specific limits on VOC emission of materials used within the structure, as well as regulate ventilation, CO2 emissions, tobacco smoke, lighting, outside views, and noise transmission.

Additional recommended measures include:
  • If feasible, disassemble existing buildings instead of demolishing to allow reuse or recycling of building materials.
  • Utilize a Frost-Protected Shallow Foundation.
  • Use pre-manufactured floor and roof systems to eliminate solid sawn lumber whenever possible.
The code also identifies site improvements including bicycle storage and designated parking spots for low-emissions vehicles.

I have been advocating most of these measures at www.greenhomebuilding.com for many years now, and it is heartening to see them being officially sanctioned. This is a far-reaching and well-considered attempt by California legislators to establish requisites for living sustainably. If there are going to be building codes, they might as well be green! Yeah California!