Congratulation World! Change CAN actually happen. Barack Obama made history by becoming the first African-American to win the US presidency. Above is his speech from last night in Grant Park in his home city of Chicago. I would like to bring forward the following sentence from the speech; “…our stories are singular but our destiny is shared!”.

Let’s hope for change and a possible new world order.

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Andra bloggar om: usa-valet, obama, barack obama, politik, presidentval, usa

From regular checking the logfiles of this blog I know that quite a few visitors come from The Netherlands.

So, as some sort of semi-shameless self promotion your might want to notice that I will be moderating a panel with Design Management experts from Europe at INHOLLAND University, The Hague, NL tomorrow.

The panel discussion is embedded in the inauguration ceremony of Brigitte Wolf who will be officially assigned the role of formally heading the Centre for Applied Research in Brand, Reputation and Design Management (CBRD) placed within INHOLLAND University.

Beside the fact that I always love to travel to the NL I’m also looking forward to meeting some friends and colleagues both on the panel as well as among the guests. So on the panel amongst others are Kathryn Best author of the most recent book on Design Management and Jos van der Zwaal a long term friend back from the days when we’ve co-developed the first European continental Master in Design Management at INHOLLAND.

For sure my business colleagues Erik Roscam Abbing & Christa van Gessel from ZilverInnovation will also attend as guests. Hopefully Joris Funcke will also be there as well as Jaap van der Grinten. I haven’t met both of them for some perceived ages ;-).

For closer information click on the thumbnail picture in the top left corner above. In case you’re from the NL and would like to attend still try to contact INHOLLAND. Chances are that they will kindly grant access.

Joie de Vivre Hotels’ identity as a socially-conscious company inspired us to design this SOMA hotel with all these good intentions. From beds and headboards made from locally reclaimed wood to glow in the dark messages, our guests will discover that we are good with a lighthearted twist."

Is it smart to lead with Good or to build Good into everything you do?

Here is part of a letter sent out by his family to former students:

“The flames that ignited him in life and the quest that brought each of you to Cal-Earth to learn from him have touched all of us and led us on this path….the right path……. for arts, humanity and the environment. His work and words have inspired us and his spirit is powerfully alive in every work and word, building and echo that your enthusiastic and loving hands have helped to create for this world.

His soul imbues every grain of sand and every memory contained in Cal-Earth, which expresses so much of his personal life of the last 17 years. And your works, like seeds have been growing and flourishing in every corner of the world…”

Born as an Iranian, Nader lived most of his life in the United States, gaining an architectural degree. He worked on the design of high-rise buildings and taught architecture in Southern California. In 1991 he founded Cal-Earth (the California Institute of Earth Art and Architecture) based in the desert region of Hesperia , California. From this center, he taught classes and workshops on the use of both bricks and bags to fashion domes, arches, vaults, and irregular shapes. These forms sprang from his early exposure to Middle Eastern architecture.

The earthbag concept evolved from attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter. This concept was later refined to include stretching barbed wire between the courses of bags to help stabilize the structure. Nader never referred to this building technique as earthbag building; he preferred to call it “Super Adobe,” referring to the fact that he generally filled the bags (or long tubes) with an adobe soil mix.

In 1999 Nader was issued a U.S. Patent for his Super Adobe technique and he subsequently tried to require contractual arrangements for its use. At this point, however, he had been publicizing the idea for so long it was not an enforcable patent, and few would comply with his request.

This fact points to the complex nature of Nader’s personality. He truly loved humanity and the arts, and was an eloquent and passionate speaker. He often said that his ideas were a gift to humanity and he hoped they would provide shelter for the poor and disadvantaged. At the same time, he wanted to control the economic potential of his invention, and he pursued this vigorously.

Nader was the author of several books, including Ceramic Houses and Earth Architecture: How to Build Your Own, about literally making ceramic houses, and Sidewalks on the Moon, an autobiography. He also wrote several books about the the mystic poetry of Rumi. Interestingly, he never really wrote a book about his Super Adobe invention, allowing others to take the lead in doing this.

With the passing of Nader Khalili we have come to a point where his ideas and work can truly become universal. All of us who explore the potential of the earthbag concept and expand on its possibilities can help further his vision for bettering the world. We owe a great debt to this truly inspired individual. May he rest in peace!

Technorati Tags: 3030 House, ecosteel, modern design, modern house, prefab house

Landscape is a term that has possessed a variety of related definitions in the past. At Sculpture Center’s group exhibition, Degrees of Remove: Landscape and Affect, landscape is “as an interpreted notion of space.” The exhibit questions how perceptions of landscape have changed since technology has made it possible to engage in landscapes far removed from our physical locations– or if we can really engage in them at all. Curated by Sarina Basta and Fionn Meade, the exhibition will run until the end of this month and has a corresponding film series at Anthology Film Archives.

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The Freewheelin story.

Bike sharing was a hit when launched in Paris in 2007. It was cheap, convenient and eco-friendly. End of story? Not so fast. A U.S. health insurer changed the game and wrote a new story. Humana promotes its business agenda - lower health care costs - through a state-of-the-art bike sharing program tested during the 2008 U.S. political party conventions in Denver and St. Paul.

Freewheelin promotes its social and business agenda through communication - made possible by wireless/mobile and social networking technology. When you ride a Feewheelin bike, wireless networks track your mileage and calories burned. Social networking tools help individuals track their personal successes and, by calculating reduced carbon emmisions, their contributions to the shared health and wellness of their community and the planet.

Andra bloggar om: cykla, motion, träning, miljö, hållbarhet

The collaboration between BIG Architects of Copenhagen, Denmark, and NOD Landscape Architects of Stockholm, Sweden, provides not only a solution to Slussen, one of Scandinavia’s busiest intersections but most importantly privileges the pedestrian and cyclist.
When the Stockholm City Council invited BIG and NOD to act as design consultants on Slussen, the direction given was to create a proposal that reconnects the historic Gamla Stan with Södermalm. Understanding the long legacy of previous attempts to solve Slussen’s traffic chaos, the team set out to create a single form within which the different modes of traffic are layered. The proposal touches the waters surrounding Gamla Stan and slowly terrace up using ascending and descending ramps to create a new, coherent area focusing on providing an attractive and functional setting for both movement and rest.

Currently considered inaccessible to pedestrians and cyclists, Slussen is a black hole in the heart of Stockholm. It is no wonder then that Danish-Swedish collaboration has made sure to offer cyclists as well as pedestrians easy access to and through the area. The proposal turns Slussen into an urban recreational area assuring easy movement for the citizens and tourists of Stockholm. Slussen will gain a whole new kind of urban space unlike any other in the world, where artwork, a summer’s midnight stroll and outdoor theatre can cohabitate with the need to move cars, buses, trains, metro, and boats. The strength of Slussen lies in its continual and varied movement which the proposed ramped landscape only underscores. The heavy traffic of cars and buses is carefully immersed under the rising hillside. Suddenly due to the submersed traffic, large areas have been freed and are made attractive to the entire city to enjoy. As a result, new opportunities for urban life are created.

The basic traffic system has already been developed by Nyrens Arkitektkontor as part of an architectural competition, with soft traffic and a public program on the top and with heavy traffic at ground floor level, storing away boats, buses, metro, cars and trains. But instead of separating the different levels, connected only by stairs and elevators in a traditional way, we propose to integrate all public, accessible areas around Slussen by interweaving the levels using descending and ascending ramps as this will allow people to move freely between the levels.

Pedestrian zones are designed to connect the already existing promenades and road crossings, and all areas of the new Slussen are as such accessible to pedestrians. The bicycle lanes follow the road as well as the promenade along the waterfront, and are pulled away only where the curvy bays of the new Slussen are created to leave space for pedestrians to enjoy the waterfront.

Today Slussen does not take advantage of its rising topography. Seeking to utilize its unique setting the proposal uses the terraced hillside to house kiosks, shops, and tourist information stands accessible through the network of ramps. In this way, a new and active urban area is created. In addition to the landscaped contours and pathways characterising BIG and NOD’s proposal, the dispersion of light has been instrumental in developing the site and the various levels. By day, natural light will pierce through circle shaped skylights into the lower levels. By night, the skylights will be illuminated from below. The expression will thus vary from dusk till dawn, from season to season and depending on the weather. This dynamic process and the continual hum of traffic will serve as the backdrop to a new urban form and regenerate life into the surrounding neighbourhoods.

There is an animation showing the complete program as well. I will put it up in a separate post as well.

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Andra bloggar om: slussen, stockholm, kultur, arkitektur landskapsarkitektur, bjarke ingels, stadsbyggnad