The Designersblock exhibition that took place at The Piazza Covent Garden during the London Design Festival was the best Dblock show we have seen. The space was great and there was a huge variety of design over three floors, including some 100% Norway (some of the same pieces that were at Earl's Court) and the sensational freshness of the Seoul Designers Pavilion. We'll start with a taste: the Brilliant Wings installation by YLEM (Moonjung im & Sungsu Kang), a night sky full of birds that are really hands made out of sticky tape; intricate bespoke wallcoverings by Asma Hussain; a variety of pieces from DIDshow, Daegu University's Industrial Design department; and some Added Value porcelain. There was humour mixed with practicality abound, as shown by work from Eleanor Freya Gregory for KithKin Presents (the Chesterfold was a hit with the crowd) and Yookyung Shin & Younga Kim, who were ready to clean up.

+ designersblock.org.uk

The video above shows some of the work from the ongoing Helmut Lang exhibition called “Alles gleich schwer”. You can experience it both in real life at renowned kestnergesellschaft in Hanover and online at the collaboration partner Absolut.

Andra bloggar om: konst, mode, helmut lang, absolut, utställning

When they were first commissioned to create a “Bahaman” seaside cottage on secluded South Stradbroke Island, Brisbane-based Arkhefield was faced with a few interesting challenges. The design had to be livable all year round, made from materials strong enough to withstand the harsh climate conditions, yet remind its inhabitants of memorable vacations spent on exotic islands. The resulting design stands out as a modern, sustainable interpretation of a Bahaman cottage that capitalizes on the site and celebrates volume but is also capable of isolating, re-orienting and shutting down against inclement weather when necessary.

(more…)

A snapshot of the latest trends of Location-based Service (LBS) in Beijing, Shanghai, Hongkong and Tokyo.

Trend Description:

Many people would agree that Location Based Services are becoming more and more popular worldwide and are opening a host of opportunities for business, but few would agree on the business model that will best monetize the service. Nokia, the mobile market leader, expects to ship 35 million GPS-phones in 2008 and the latest  ABI report blueprinted a $ 3.3 billion market value for LBS, but still the way to whip up revenues from existing technology and infrastructure remains unclear. Here we filtered some promising, if not profitable, practices of LBS in Asia to summarize new trends for industrial practitioners and those who may be concerned.

Cases:

GyPSii is a social networking platform headquartered in Amsterdam, the Netherland. It has partnered with Shanghai Rannuo and China Unicom to launch its GyPSii service during the 2008 Olympic Games in Beijing and has opened a China Data Center to enhance local user experience. What GyPSii is doing in China is encouraging its network users to send back location information via mobile devices and integrate it into the digital map. Other users (who are also content creators) then, can experience a seamless mobile lifestyle, connecting with friends and communities, searching UGC and viewing maps and directions to points of interest.

Naviblog X is Japan’s first location-based moblog/mobsearch website. With this service, usrs can easily create their mobile diary sites within 60 seconds even if they know little about programming.  After the sites are created, they point their mobile phones to the QR Code auto-generated with the sites and transfer them to the mobile phones of their friends or clients to log on the sites. It is also designed to geo-tag users’ information by one-click. Naviblog is said to be used on non-Japan phones soon.

LV Soundwalk

Fashion makers lag behind to none in creativity if not in high-tech. With thousands of foreigners entering China this Olympic year, Louis Vuitton, the French luxury fashion brand entered the mobile space with a unique location-based audio guide, available in six languages, to three major cities, Beijing, Shanghai and Hong Kong. The voice is coming from three locally born actresses: Gong Li for Beijing, Joan Chen for Shanghai and Shu Qi for Hong Kong. It directs visitors by mobile phones in real time through the cities and costs 17 USD for for each city in one of the six languages, English, French, Cantonese, Chinese, Korean and Japanese.

Trend Potential:

The convergence of social networking, user-created content and location is a big trend. Mobile-enabled LBS is important because it links up something missing on the internet. There are some major barriers for business related to mobile internet, such as licensing and sophisticated algorithms, but as some of the global players have discovered, a fast track to enter a local market is to line up with local mobile carriers, technological developers and last but not least the users, who know best what they want.

Read the original post at CScout China Blog.

Technorati Tags: house plans, modern design, modern house, Plat House

New houses in Sweden are primarily built on slabs, partly because its expedient, but also because its naturally the best way to have in floor radiant heating. In a cold climate this is the only way to use a slab otherwise your slab will feel cold and uncomfortable. But a slab in a cold climate must be insulated from the elements or it will throw heat out its edges. There are typically two strategies to isolate your slab from the cold.

Technorati Tags: modern design, modern house, prefab house

Technorati Tags: house plans, modern design, modern house, Plat House

Recently St. Lucie County in Florida announced that it has teamed up with Geoplasma to develop the United States’ first plasma gasification plant. The plant will use super-hot 10,000 degree fahrenheit plasma to effectively vaporize 1,500 tons of trash each day, which in turn spins turbines to generate 60MW of electricity - enough to power 50,000 homes! Cutting down on landfill waste while generating energy is a pretty win-win proposition, and the plant will also be able to melt down inorganic materials to be reused for other applications, such as in roadbed and heavy construction.

(more…)

The London Design Festival saw the launch of the first Rabih Hage/Piet Hein Eek pop-up store in a space large enough to highlight a wide variety of Eek's work. The temporary shop will be open through October 31 and features Eek's new 99% cabinets, storage that makes use of 99.13% of a whole steel sheet (the waste is a result of the holes for the fasteners). There was a nice selection of signature Waste Scrapwood pieces, all a glorious, yet soothing, patchwork of colours. The Plywood Chandelier and Plissélamp were good examples of Piet Hein Eek lighting, and the ceramics range caught the sun on the tables. The Crisis Cushion Sofa beckoned softly from a corner, and the Plywood dining set showed up well in the space.

+ pietheineek.nl

Technorati Tags: house plans, Hus1, modern design, modern house

Tom Kundig: Houses

"The form is essentially a cast-in-place concrete box, intended to be a strong yet neutral background that provides complete flexibility to adapt the space at will." - OSKA site

At this year’s Wireless Japan Expo, Fujitsu and NTT DoCoMo debuted some new RakuRaku (easy easy) handsets made for aging users who are concerned about their health and want to keep both good records and good communication with health care professionals.

With the F884iES users can place their fingers over the camera lens, which can determine their heart rate simply by scanning minute movements. This information, along with that from the built-in pedometer, can be input into a personal “health diary”.

Read the rest of the post at the CScout Japan site.

it won’t take you long to figure out that dolan geiman’s chicago place isn’t what we typically feature in our sneak peeks. but looking through his images and reading through his descriptions felt like i was unlocking a treasure chest full of great stories and memories into the world of dolan geiman. it’s funny to think about where everything we own comes from and the stories behind it. and it’s very clear from dolan’s work how his surroundings inspire him. be sure to click here for more full-sized images, with complete descriptions, and you can find more of his work here (psst…there’s a sale!) and his blog here with all sorts of fun stuff he has in the works. [thanks dolan and ali!] -anne

[Above: This is the area I refer to as “the waiting room”.  This is where my pal Chris Nightengale, fashion photographer extraordinaire, does some of his shoots. The mint colored chest of drawers is entirely metal and was a gift from my friend Denny, who always has been a wonderful inspiration in my life. He lugged this heavy thing to me when I was down on my luck and living in an unheated rat-hole apartment in Virginia. Now it looks a little better, as does my luck.  I found the globe in a dumpster in Charleston, South Caroline, and the artwork, Jazz Atlas (2008), is one of my collage constructions made from magazines I found in old farm houses. [Photo credit: David Schalliol]

Yours truly at work. . . This is the Art Machine. There is a long story behind the Art Machine, but essentially I made this out of old doors and found objects from a soon-to-be-demolished house I was living in when I first moved to Chicago.  Hockshop refers to the name of my previous studio and gallery in the Pilsen neighborhood of Chicago. Under the moniker Hockshop, the Art Machine debuted in Chicago during a yacht-based art show organized by Bridge Magazine (now called Bridge Art Fair, they produce expositions in London, Miami, New York, and elsewhere). The top of the Art Machine is an old canvas tent that my granddad used when hunting in Canada and which I screenprinted with various images. The little squares of metal on the front are hand-cut signs I grabbed in a scrap yard in Stuarts Draft, Virginia. The little Panel Paintings, on the wall behind the Art Machine, are the staple of my art business. I make about 1000 of these things a year, out of recycled wood, recycled paint, and water-based silkscreen ink.  This is my carnival area, I like to say, because the combination of the Art Machine and the Panel Paintings presents a nice sideshow feel. [Photo credit: David Schalliol]

This is a cabin-like installation just inside the front entrance of my studio.  I created this out of salvaged wood, found billboards, and old signs I’ve found along the road driving to and from art fairs. The raw wood slats were given to me by my pals over at Circa Ceramics who were using them as shelving. I found the deer head while exploring an abandoned barn in Ohio. I saw one of the antlers sticking out of the floorboards. The rusted milk can was used by my dad when he milked cows as a kid. The old glass bottles adorning my bottle tree surfaced outside my warehouse building when the City dug up the cobblestone street in preparation for resurfacing the road. The green bucket is full of shotgun shells I gathered from a shooting range in southern Illinois. The buoys have been collected from various coastal towns including Key West, Cape Cod, and New Orleans. I grabbed the screen door from an abandoned general store in Virginia, and I bought the lentil above the door at a yard sale here in Chicago for only five dollars. I’ve started collecting green and greenish-blue boxes from abandoned warehouses here in Chicago. [Photo credit: David Schalliol]

This is the back side of the entryway installation.  This is where I feel most like a mad scientist. And yes, in case you’re wondering, there is a whiskey flask in the bottom drawer. I found the chair in an old farm house in North Carolina and screenprinted the back and seat myself. The desk was left in the basement of my last apartment and could kill an elephant if it fell on it. I had to use a truck jack and three retired football players to transport the desk when we moved into this space. The framed oil painting on the floor was hanging in my grandma’s den when I was a kid. She was trying to throw it out when I intercepted it.  The red dolly in the corner I bartered from an old (semi) drunk barber for two six-packs of Old Style beer. I think he got the better deal, but at least it looks cool. I snagged the green metal hanging light from a warehouse here in Chicago. Above my desk is one of my inspiration clotheslines. I’ve found this is the best way for me to display various ideas and my notes to myself. The little white paintbrush holder sitting on my desk with the face on it is a ceramic mug made by my pal Ed Brownlee. Ed is about two pints away from being mistaken for a criminal, but he’s a damn good artist and has an enormous heart. [Photo credit: David Schalliol]

Our building has a green roof, which Ali helped plant, and this is where the plants were stored before they were given the outdoor penthouse suite. The equipment featured in the photo is one of our landlord’s lathes; he collects old, industrial machinery amongst other things.

This is my little shrine to Johnny Cash. On the day Johnny Cash passed away, I was getting ready for an opening at Unit B Gallery, formerly in Chicago and now in Austin. The work I was showing was loaded with connotations of death and resurrection and was called the Tombsigns of St Emmeline. The synchronicity of the event was really overwhelming and would have seemed spooky, except that I seem to attract energy like that and I am open to it. The week before I was eating pizza in St Louis and some kid was skateboarding nearby with a boom box and he was playing Johnny Cash’s last recording. When I asked him about it, he said he didn’t know it was Johnny Cash, and that he had just found the tape under a tree and liked the sound. I found the whiskey jug on the bottle tree in the dirt behind the warehouse. The butterflies are screenprinted on wood and were part of a spring window display for a local shoe store . . . I use one corner of the studio for staging photos, both for Etsy and for print brochures. The mantel was a gift from a T-shirt printer (48 Industries) in the building, a fellow scavenger. [Photo credit: David Schalliol]

Stuff I love: plastic dice, old painted nail, orange train ticket to California (1898), list of numbers in Spanish, green feed tag, hand-drawn family album for collage, Virginia text from a high school Math book cover. [Photo credit: David Schalliol]

In this entryway installation close-up, the fresh eggs (fresh eyes) sign was a studio warming gift passed on to me from my buddy, artist Michael Merck, who grabbed it from a little Mexican street cart.  I found the paintbrush hanging on a hook in a bathroom of a warehouse I was occupying while living in Virginia. It’s the only paintbrush I own that’s never been used for painting.  Below the brush is a catfish sinker I bought when I went fishing in Kentucky last year.  The rooster painting, Dirt Road Series IX, is one of my own, silkscreen and acrylic on recycled wood available here. He’s a good pet and doesn’t eat food or make any noise.  He just sits there lookin’ pretty. The books to the left of the rooster are my sketchbooks.  I use old books for my sketchbooks, pasting ideas and collage materials into the existing pages, instead of buying new white-paged, sterile sketchbooks. I think it’s important to be surrounded by many different textures, so I started collecting the softballs over the past four or five years. Almost every time I make a trip down to a river, I find softballs stuck in leftover flood debris and so I started saving them in this locker room bin. If you like metal baskets like this one, you can find some here. The blue oar is a mystery. I found it one night in the middle of the road while I was driving through West Virginia. The strange part was that one end of the oar was tied to a tennis shoe.  I kept the oar; the shoe didn’t fit, so I left it. Above the fresh eggs (fresh eyes) sign is a wooden gun I made from a piece of billboard I found in Indiana and then adorned with little metal objects from an old trade school parking lot. Finally, the rooster painting is sitting on an old hen crate, used by my granddad to take chickens to market. Ali won’t let me get chickens yet, but I’m working on it. [Photo credit: Kara Elliott-Ortega]

Included in this shot are an Ed Brownlee mug (paintbrush holder), comic book collage materials, old picture frames found in a barn in Kentucky, a bluebird collage in progress, and a couple print proofs. Used paint cans, thrift store mugs, and Quaker Oats bins are used to hold brushes, pens, and markers.[Photo credit: Kara Elliott-Ortega]