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Best MoCo Architecture This Week
10/04/2008, 23:02 | MoCo LocoSlight change to our weekly Meta MoCo survey post, we've decided to split it into two parts; Best MoCo Architecture This Week and Best MoCo Objects This Week. With the number and quality of design blogs steadily growing, the quantity of design objects and architecture has virtually exploded. The name change also more aptly describes the content we are presenting. Best MoCo Architecture This Week will be posted every weekend and Best MoCo Objects This Week will now be posted on Mondays.
+ Dorte Mandrup Arkitekter's prefab Read-Nest, "Measuring only 10 m2, Read-Nest is a small pre-manufactured structure that is designed to sit in the landscape like an architectural folly. Being flexible in both situation and use, the owner can place Read-Nest where he or she feels would best suit their needs, whether for study, relaxation or both.". At Arch Daily.
+ Also from Dorte Mandrup Arkitekter; Summerhouse in Jørlunde at Arch Daily. "Raised above the ground by concrete pillars, the house extends over the sloping terrain with interior spaces and terraces filtered from the outer landscape by movable fabric screens stretching along the perimeter.".
+ Splitterwerk's 32 sq. meter "Ivory and fresh Shell" apartment # 1 in Black Treefrog, Bad Waltersdorf, Austria. Converted from an old farmyard and a fire station, "The new interior envelope is conceived as a continuously active media surface - Projections, enlarged picture screens or TV - that makes the spatial divisions into virtual phenomena.". Via Judit Bellostes and We Make Money Not Art.
+ Jan Konings and Droog Lab's Hotel Experimenta*. "a temporary hotel at the northern IJ-river front in Amsterdam. It can be seen as an inverted hotel - the neighbourhood as a whole functions as a hotel, the streets are the hotel corridors, and the inhabitants are the hosts that offer the guests services, activities and excursions.". Via Judit Bellostes, Droog lab and Frame magazine.
+ Allied Works Architecture's Dutchess County Guesthouse profiled in the NYT's Style Magazine. "A cool guesthouse for a pair of art collectors upstate New York by the firm that redid 2 Columbus Circle.". Via Materialicious.
+ "Koji Tsutsui Architect & Associates design a house for an industrial designer in a quiet residential area in Tokyo." at World Architecture News.
+ Curiosity, Inc.'s C-2 House at rolu | design, with "a dash of something 70's here. picture the exterior covered in cedar shakes.".
+ Swedish designer Jonas Wagell's Mini House, "a 15 square metre house that can be built in a weekend". At Dezeen.
+ DeMaria Design's Redondo Beach House, "constructed with a combination of prefabricated shipping containers and traditional building materials". At Inhabitat.
+ Morten and Andrea's Gotland island sommarhus at Hemfeber.
The World House Project - "We Can 'Grow' Buildings"
00/00/0000, 00:00 | FUTURE HOUSE NOW
"The Evolution of Home
The WHP is a multi-year, collaborative initiative led by the Institute without Boundaries (IwB) that will explore the evolution of shelter and plan for the next generation of holistic housing design. The project will build on the research concepts of IwB’s inaugural project, Massive Change, using the same method of interdisciplinary design innovation.The home is the intersection between the individual and society. On one end of the spectrum, urban sprawl and monster houses consume huge amounts of energy and pollute the atmosphere. On the other, over a billion people live in urban slums or in the streets without shelter.
The ambition of the World House Project (WHP) is to generate a system that achieves a balance between these extremes, and operates on the principles of sustainability, universality, technological responsiveness and balance, so that we may create dwellings that promote the long-term health of nature and human cultures."
They're benchmarking homes from around the world, old and new, studying them to gain an understanding of important implications of "climate, culture and terrain." The team, international and interdisciplinary in nature, will examine housing in the framework of twelve core elements of housing design and work to "create dwellings that are grounded in the principles of ecological design and that promote the long-term health of natural and human economies." The twelve core elements are: identity, social, communication, spatial, constructional, air handling, energy, water, waste, food, mobility, and finance. That's a very compelling list, indeed.
Here are a few images from the World House Project scrapbook on Flickr that I really like:
I've always imagined that homes could (and should) be built in this way!
It will be very interesting to see what comes out of this project. I'll be looking forward to watching it.
Image credits - World House Project Flickr photo album
sneak peek: dolan geiman
00/00/0000, 00:00 | Design*Sponge
it won’t take you long to figure out that dolan geiman’s chicago place isn’t what we typically feature in our sneak peeks. but looking through his images and reading through his descriptions felt like i was unlocking a treasure chest full of great stories and memories into the world of dolan geiman. it’s funny to think about where everything we own comes from and the stories behind it. and it’s very clear from dolan’s work how his surroundings inspire him. be sure to click here for more full-sized images, with complete descriptions, and you can find more of his work here (psst…there’s a sale!) and his blog here with all sorts of fun stuff he has in the works. [thanks dolan and ali!] -anne
[Above: This is the area I refer to as “the waiting room”. This is where my pal Chris Nightengale, fashion photographer extraordinaire, does some of his shoots. The mint colored chest of drawers is entirely metal and was a gift from my friend Denny, who always has been a wonderful inspiration in my life. He lugged this heavy thing to me when I was down on my luck and living in an unheated rat-hole apartment in Virginia. Now it looks a little better, as does my luck. I found the globe in a dumpster in Charleston, South Caroline, and the artwork, Jazz Atlas (2008), is one of my collage constructions made from magazines I found in old farm houses. [Photo credit: David Schalliol]
Yours truly at work. . . This is the Art Machine. There is a long story behind the Art Machine, but essentially I made this out of old doors and found objects from a soon-to-be-demolished house I was living in when I first moved to Chicago. Hockshop refers to the name of my previous studio and gallery in the Pilsen neighborhood of Chicago. Under the moniker Hockshop, the Art Machine debuted in Chicago during a yacht-based art show organized by Bridge Magazine (now called Bridge Art Fair, they produce expositions in London, Miami, New York, and elsewhere). The top of the Art Machine is an old canvas tent that my granddad used when hunting in Canada and which I screenprinted with various images. The little squares of metal on the front are hand-cut signs I grabbed in a scrap yard in Stuarts Draft, Virginia. The little Panel Paintings, on the wall behind the Art Machine, are the staple of my art business. I make about 1000 of these things a year, out of recycled wood, recycled paint, and water-based silkscreen ink. This is my carnival area, I like to say, because the combination of the Art Machine and the Panel Paintings presents a nice sideshow feel. [Photo credit: David Schalliol]
This is a cabin-like installation just inside the front entrance of my studio. I created this out of salvaged wood, found billboards, and old signs I’ve found along the road driving to and from art fairs. The raw wood slats were given to me by my pals over at Circa Ceramics who were using them as shelving. I found the deer head while exploring an abandoned barn in Ohio. I saw one of the antlers sticking out of the floorboards. The rusted milk can was used by my dad when he milked cows as a kid. The old glass bottles adorning my bottle tree surfaced outside my warehouse building when the City dug up the cobblestone street in preparation for resurfacing the road. The green bucket is full of shotgun shells I gathered from a shooting range in southern Illinois. The buoys have been collected from various coastal towns including Key West, Cape Cod, and New Orleans. I grabbed the screen door from an abandoned general store in Virginia, and I bought the lentil above the door at a yard sale here in Chicago for only five dollars. I’ve started collecting green and greenish-blue boxes from abandoned warehouses here in Chicago. [Photo credit: David Schalliol]
This is the back side of the entryway installation. This is where I feel most like a mad scientist. And yes, in case you’re wondering, there is a whiskey flask in the bottom drawer. I found the chair in an old farm house in North Carolina and screenprinted the back and seat myself. The desk was left in the basement of my last apartment and could kill an elephant if it fell on it. I had to use a truck jack and three retired football players to transport the desk when we moved into this space. The framed oil painting on the floor was hanging in my grandma’s den when I was a kid. She was trying to throw it out when I intercepted it. The red dolly in the corner I bartered from an old (semi) drunk barber for two six-packs of Old Style beer. I think he got the better deal, but at least it looks cool. I snagged the green metal hanging light from a warehouse here in Chicago. Above my desk is one of my inspiration clotheslines. I’ve found this is the best way for me to display various ideas and my notes to myself. The little white paintbrush holder sitting on my desk with the face on it is a ceramic mug made by my pal Ed Brownlee. Ed is about two pints away from being mistaken for a criminal, but he’s a damn good artist and has an enormous heart. [Photo credit: David Schalliol]
Our building has a green roof, which Ali helped plant, and this is where the plants were stored before they were given the outdoor penthouse suite. The equipment featured in the photo is one of our landlord’s lathes; he collects old, industrial machinery amongst other things.
This is my little shrine to Johnny Cash. On the day Johnny Cash passed away, I was getting ready for an opening at Unit B Gallery, formerly in Chicago and now in Austin. The work I was showing was loaded with connotations of death and resurrection and was called the Tombsigns of St Emmeline. The synchronicity of the event was really overwhelming and would have seemed spooky, except that I seem to attract energy like that and I am open to it. The week before I was eating pizza in St Louis and some kid was skateboarding nearby with a boom box and he was playing Johnny Cash’s last recording. When I asked him about it, he said he didn’t know it was Johnny Cash, and that he had just found the tape under a tree and liked the sound. I found the whiskey jug on the bottle tree in the dirt behind the warehouse. The butterflies are screenprinted on wood and were part of a spring window display for a local shoe store . . . I use one corner of the studio for staging photos, both for Etsy and for print brochures. The mantel was a gift from a T-shirt printer (48 Industries) in the building, a fellow scavenger. [Photo credit: David Schalliol]
Stuff I love: plastic dice, old painted nail, orange train ticket to California (1898), list of numbers in Spanish, green feed tag, hand-drawn family album for collage, Virginia text from a high school Math book cover. [Photo credit: David Schalliol]
In this entryway installation close-up, the fresh eggs (fresh eyes) sign was a studio warming gift passed on to me from my buddy, artist Michael Merck, who grabbed it from a little Mexican street cart. I found the paintbrush hanging on a hook in a bathroom of a warehouse I was occupying while living in Virginia. It’s the only paintbrush I own that’s never been used for painting. Below the brush is a catfish sinker I bought when I went fishing in Kentucky last year. The rooster painting, Dirt Road Series IX, is one of my own, silkscreen and acrylic on recycled wood available here. He’s a good pet and doesn’t eat food or make any noise. He just sits there lookin’ pretty. The books to the left of the rooster are my sketchbooks. I use old books for my sketchbooks, pasting ideas and collage materials into the existing pages, instead of buying new white-paged, sterile sketchbooks. I think it’s important to be surrounded by many different textures, so I started collecting the softballs over the past four or five years. Almost every time I make a trip down to a river, I find softballs stuck in leftover flood debris and so I started saving them in this locker room bin. If you like metal baskets like this one, you can find some here. The blue oar is a mystery. I found it one night in the middle of the road while I was driving through West Virginia. The strange part was that one end of the oar was tied to a tennis shoe. I kept the oar; the shoe didn’t fit, so I left it. Above the fresh eggs (fresh eyes) sign is a wooden gun I made from a piece of billboard I found in Indiana and then adorned with little metal objects from an old trade school parking lot. Finally, the rooster painting is sitting on an old hen crate, used by my granddad to take chickens to market. Ali won’t let me get chickens yet, but I’m working on it. [Photo credit: Kara Elliott-Ortega]
Included in this shot are an Ed Brownlee mug (paintbrush holder), comic book collage materials, old picture frames found in a barn in Kentucky, a bluebird collage in progress, and a couple print proofs. Used paint cans, thrift store mugs, and Quaker Oats bins are used to hold brushes, pens, and markers.[Photo credit: Kara Elliott-Ortega]
Frederico Zanelato - Casa Martins Siquiera
00/00/0000, 00:00 | Modern Residential Design
A True Weekend Retreat - Ferederico Zanelato's own house no doubt paved the way for the design of this marvellous family home near São Paulo. Maximising the slope of the plot, this house spreads living over three levels in three distinct zones.
Overview
The embracing the views of the Serra do Japi was the "be all" and "end all" of this build.
Frederico wanted a house that stimulates discussion, where spaces are integrated and connected to each other, as well as the surrounding plot. Conveniently the plot is well orientated to minimise the suns impact on the residence, and thus the requirements of air conditioning. Frederico's skills at minimising materials and specifying kept this build in economical proportions as well. Total construction cost $510US/m².
Lot
Located in a condominium between Jundiaí and Itupeva, 60km from São Paulo, 1000m², with a mild slope and a fantastic views of the Serra do Japi.
The client
A happy young couple with two children, a child and an adolescent and many friends. They wanted a home for the weekends, a place for unforgettable moments, for parties, to receive guests, relax and create. As an advertising director and businesswoman, respectively, the husband and wife team are usually based in São Paulo, and required a "retreat" from the hustle and bustle.
Following the topography of land and its geographical position, the house was designed in three blocks; intimate, social, and service, linked by an elongated circulation area of three distinct levels.
A single open plan wing for the living room, dining and kitchen is connected by a hallway to the rear block of two levels.
To the left of the hallway: two storeys and 4 bedrooms. To the right: the services/utility area and above, private office.
Access to the home is through a wooded avenue. The façade clearly indicates two blocks separated by a large panel of wood, the main door, which when opened, mimics the tree lined avenue. Up lighting is used to create sensations and justify the texture of materials in the entrance way.
Just inside the entrance are doors leading to two of the four bedrooms and stairs to the second level. Both levels overlooking the central courtyard or "birds square" as the owners refer to it. Wooden shutters afford shade and further privacy to these rooms, breaking the white façade nicely and distinguishing the two areas.
This courtyard receives morning sun and cross ventilation through strategic openings, making it a year round pleasant breakfast spot.
Passing the courtyard on your left as you head away from the entrance, you arrive at the social wing. Pleasantly shaded, overlooking the pool, a leisure area and further behind, views to the Sierra Japi.
Here, kitchen, dining and living room intertwine. It’s position between the "birds square" and the swimming pool area is strategic, for coexistence and as a buffer between the two zones: repose and action. The "birds square" works as a further filter between the social and private wings and creates an open intimate space.
The outdoor rooms, or BBQ area, is located in the largest free area of the plot. It too is open to those views that inspired the choice of the land: the Serra do Japi.
Half way to the second level bedrooms, the circulation area opens to a roof deck over the living area. Used as a mini-golf course, the deck is also the only access to the owners workshop and hidden office, which is above the service wing.
The choice of materials was defined according to the function of each area obeying the basic rules of environmental comfort and wishes of this family.
The Result
A house zoned into three distinct areas, each buffered from the other by the outdoors that allows for private retreat or very social entertaining.
Plans
Architect: Frederico Zanelato
Co-authors: Marcelo Miua and Fernanda Kano
Student: Regina Sesoko
Structures: Vagner Garcia de Oliveira
Photos: Bebete Viégas
Completed: 2007
Costs: $510 US/m²
Information courtesy of: Frederico Zanelato
Drew Mandel Design - 83A Marlborough Ave
00/00/0000, 00:00 | Modern Residential Design
Infill house on a 13ft wide plot, becomes feature residence of the street - Drew Mandel has used every inch of this brownfield (ex 1 car garage & garden) site to create his ideal residence. Influences of Frank Lloyd Wright and Rudolph Schindler eminent in the residence's façade lead to elegant use of wood detailing for the interior.
Overview
Drew, an up and coming Canadian architect snapped up an “interesting” plot, that his colleague at MacLennan Jaunkalns Miller Architects, David Miller had on offer. Setting out to create his debut "big time" design, Drew won a number of awards in Toronto and Canada. The house is an impressive example of modern infill, coming in at a modest $182 per ft2.
The Lot
Miller and his architect wife, Amy Falkner, had obtained a minor variance allowing them to build to the very edges of the property line without the usual margin of grass or ground cover. (It's only because the houses on each side are set back from the lot line that there is any space at all between the Mandel-Cooper house and its neighbours.) To support development, the municipality had allowed a substantial increase in the floor space, from 908 to more than 1,280 square feet above ground.
Their relatives labelled the plot a bowling lane, Mandel and his wife like to think of it as a lane each.
Design
Focusing on commercial design at work, Drew’s evening efforts on his own house pulled from his designs of multiplexes, community centres, libraries and banks. The main Achilles heel of the plot, the extended walls down either side of the property, led Drew to (as he sometimes reflects) to overcompensate with house glass panels at either end and a large light well at the centre of the build. I disagree; the house is fantastically bright and airy.
Breaking the house away from other designs out there and I believe linking it to his favoured FLW and Rudolf, is the use of patchwork glass rather than a large expanse of industrial like uniform façade. A cute modernist take on the Juliet balcony protrudes from the master bedroom, breaking the rear wall further and allows great views down to the meticulously landscaped garden, that complements the house so well. Adding to the functionality of the glass façade, a large central panel pivots to allow bigger pieces of furniture to be hoisted in.
Bringing in that industrial design know-how resolved the issue of construction methods too. Such a narrow tall design refused traditional frame design used in residential projects, meaning an industrial to balloon framing technique was adopted. Steel supports for the entire 38-foot length of the walls were put up first, and then the floors were locked in afterwards.
Further industrial features of the house include the two ramps from the entrance of the house to the living room and from the master bedroom to the second bedroom, a comfortable alternative to stairs.
Layout
From the semi-subterranean guest room at the front of the house you head south up the ramp to the living room, then north up five stairs to the dining room-kitchen floor, then south again up the house's only full flight of stairs to the master bedroom and bathroom. Finally, completing the layout you head north, up the second ramp to the second bedroom.
The Result
Drew and Denise have blown their relatives away. Despite the restricting plot they've created a house that through it's high ceilings, skylights and maximum glazing at both ends is a bright, spacious and airy home.
Plans
Architect/Designer: Drew Mandel Design
Client: Denise Cooper & Drew Mandel
Completed: 2007
Structural: Blackwell Engineering Ltd. (David Bowick)
Builder: T. Fijalkowski & Associates
Site Plan Approval: David Miller & Amy Falkner
Lot:13' x 115' or 1560 ft2
Costs: $182 per ft2
Information courtesy of: Drew Mandel Design
Bernardes + Jacobsen - Vila Nova Da Conceiçao Residence
00/00/0000, 00:00 | Modern Residential DesignVila Nova Da Conceiçao Residence
Smoke and Mirrors - once past the solid industrial façade of this residence, light, shade and reflections open up this hemmed in residence by Thiago Bernardes and Paulo Jacobsen.
Architect/Designer: Bernardes + Jacobsen Information courtesy of: Bernardes + Jacobsen
Overview & Plot
In dealing with a narrow conical plot near Ibirapuera Park in São Paulo, stretching the layout and smart use of structural steel, has rewarded Thiago Bernardes and Paul Jacobsen.
The sloped plot, required them to play with the layout of the house, spreading out and reordering the location of the office, five bedrooms with en suites, and the gym into a plot of just 760m2.
At the narrow entrance end of the plot sit the service area, laundry and garage, just below ground level. Half a level above street height and just a little further down the plot are the entrance, kitchen and dining room. From here, an impressive atrium carries you either: down a long set of short depth stairs the living room, home theatre and gym; or upstairs to the five bedrooms. This atrium is an amazing planted area with bamboo and foliage abound. Through glass openings above; it appears light and airy, despite being in the centre of the narrow plot.
Key to the project is this area of vertical circulation. It is composed of a set of stairs and bridge, illuminated by openings above, which give the residence spatiality that is unusual. Through this atrium, emphasis was also placed on the secondary entrance, access between the house and garage, used every day, but often ignored in design. 
Layout
On the ground floor, at the widest area of the plot, the living rooms all open out to the pool and BBQ area receiving light through sliding doors that rise the height of their extended stud.
Above, the bedrooms are one and a half storeys off the ground. The extra high stud, affording them light and views above the surrounding residences.
The Result
The project also takes full advantage of the external area at the bottom of the plot.
This is done through: high studs; open plan; minimal interference in the indoor outdoor flow; and where support was needed the upper levels, svelte steel poles were used, and even then, polished to a mirror, to minimise their impact.
The garden is then in effect doubled through the use of a reflective sheathing on the rear party wall (intriguing, as we often see this in narrow restaurants to double the depth of perception). 
Plans
Completed: December 2005.
Materials: Steel structure, stone, wood, glass and Ceramic tiles
Built area: 900m2
Pugh + Scarpa Atchitects | Solar Umbrella
00/00/0000, 00:00 | Modern Residential Design
Model Rebuild - When remodelling their own residence Angela Brooks and Lawrence Scarpa could never have imagined the press and accolades that would be bestowed upon a build designed around their own very personal needs. Economical, solar powered, solar water heating, nearly off the power grid and with a fitting yet aesthetically contrasting extension. A rear extension that embraces the house's 1920's bungalow origins and pays homage to its design sake, the Paul Rudolph Umbrella House of 1953.
Name of Project: Solar Umbrella, Venice, California, USA Information courtesy of: Pugh + Scarpa Architects
Overview and Plot
The lot, in Venice California, typical of the area, has two road frontages. This allowed the house's orientation to be flipped, the crux of this build. With the living area and kitchen behind now facing the larger rear garden, an additional bedroom was added upstairs, and the second bedroom converted to an office. Most of all, the flip orients the house to the southern sun allowing the sun's energy to be stored in the concrete eastern and western walls and floor. 
Design
The extension has the majority of its glazing along the warmth facing southern wall, with northern glazing opening up for cross ventilation. The architects describe it as "global regionalism," Californian indoor outdoor flow, wrapped in modern technology using recycled and sustainable materials, offsetting the use of concrete with gains made through its thermal storing properties that lead to lower power bills. Overhangs regulate the sun in its strongest months and double glazing with a low-E film , framed in aluminium with thermal breaks, control the wind and indoor environment. To save on materials the solar panels themselves form the outer canopy and Solar Umbrella, shading the house. With the rear set up, insulation was blown into the walls and floors of the original wing and operable skylights in the kitchen and bathroom provide natural light and ventilation whilst maintaining privacy.
Upstairs
In winter, warmth is provided through radiant in-floor heating powered partly by one of three solar hot water panels. Two are used to pre-heat the domestic hot water before it gets to the gas-fired hot water heater and the other to heat the pool. These panels halved the gas use of the house which is now 2.5 times as big! As usual there was initial outlay for the solar water heaters and panels, which 10 years.
Living area extension
Although the double height extension sets the house apart from its neighbours, the fact that it is at the rear facing the alley, contrary to most of the houses on the block, mean its northern facing traditional façade, lets it fit in with the Joneses. The services are concealed up the side of the house, and a bike rack just inside the new front gate provides mobility to the nearby shops (apparently a novelty in the US).
Exterior
Well thought out landscaping incorporates gravel, to allow the plot to drain and prevent it from heating up like large paved areas do, and planting is drought tolerant, with species that appeal to the abundant hummingbirds in the area. The new pond and pool also help regulate the temperate and composting was also included as part of the landscape design.
Layout
A relatively simple layout provides for both open plan living and more intimate work and rest areas.
Downstairs the office, with access to the main street, sits beside the second bedroom and main bathroom on the eastern wall. The living room and kitchen take the southern and western walls respectively. As well as allowing heat to rise up and out the upstairs windows, the industrial like steel stairs link the downstairs area to the more private master bedroom with en-suite.
The Results
The house now provides an additional open plan living area ideal for the couple's son, connecting outdoor play and space indoors. The Solar Umbrella plays its dual role, keeping the house cool and shaded in summer and warm through its solar panel composition in winter. Utilitarian, the house is built to be lived in and enjoyed rather than as a show-piece 'typical' modern build. This to me is what makes this a home.
Plans
Architect: Pugh + Scarpa Architects
Completed: April 2005
Total project cost excluding land: US$390,000.00
Usage: 3 permanent occupants 105 hours/week, 15 visitors/week at 3 hrs per visit average.
Steven Holl | Planar House
00/00/0000, 00:00 | Modern Residential Design
Desert Tilt Up Wonder - This Steven Holl designed residence in Paradise Valley, AZ, USA, uses raw Concrete and Corten Steel to create a great prefabricated home and art gallery for it's owner.
Overview
Designed to house a contemporary art collection, internally, the house sets out to be a blank canvas, not to distract from the works held within. The street façade blends into the desert greys, with the ageing steel fitting in perfectly.
Flourishes on the exterior are limited to the courtyard from where a ramp leads to a rooftop sculpture garden - a place of silence and reflection.
The rear, with overhands for shading, is the largest expanse of light giving glass. These sliding openings taking in views to the nearby Camelback Mountain.
Layout
The house is broken up into three functional areas. The garage and master bedroom, together with the library form the quiet zone at front of the house. To the rear are the dining and kitchen areas, located to soak up the views down to the mountain. A contemplative study joins these rooms at the rear, cool in summer no doubt as the doors to both the pool behind and rear yard would form a breeze-way of cooled air.
Between the two spaces lies the gallery and living area, a perfect space for the owner to enjoy the collection.
Similar natural cooling techniques are employed inside, with the overhead light shafts linking to cooling pools on the floor below, a technique which combined with minimal unshaded glass, would keep air con bills to a minimum.
Images
Plans
Google Location Paradise Valley, Phoenix, Arizona
Status completed 2005
Client Withheld
Architect: Steven Holl
Project Architect Martin Cox (Tim Bade - Schematic Design)
Floor Area 3320 sf
Project Team Robert Edmonds, Annette Goderbauer, Hideki Hirahara, Clark Manning
General Contractor(s) The Construction Zone
Structural Engineer(s) Rudow & Berry
Mechanical Engineer(s) Roy Otterbein
Civil Engineer(s) Fleet Fisher
Electrical Engineer(s) Associated Engineering
Landscape Architect(s) Steve Martino & Associates
Photos Bill Timmerman
via:Steven Holl
David Hertz - Studio EA | McKinley Residence
00/00/0000, 00:00 | Modern Residential Design
Green Alchemist's Residential Compound - The McKinley Residence is David Hertz's live in laboratory for modern - environmentally friendly - residential design. Converting common elements into green design, it's feature packed. The house is a true testament to David's commitment to the cause and to top it off forms a homely modern residence, showcasing practical design elements, fine tailored for a young family.
Aimed at "spreading the word", the Studio of Environmental Architecture is David Hertz's latest venture, leading the way in Eco friendly design and sharing what he's learnt both through his residential work and his own house. Many thanks to the team at Studio EA for the details on this house.
Overview
Designed as a new house when Venice was till a rough neighbourhood the house presents a relatively strong/protective façade at street level and uses enclosed balconies to extend the upper levels and take full advantage of sea breezes.
The house consisted of two pavilions connected by a bridge, and was already cutting edge (environmentally) through its use of Syndecrete®, which contains about 41% percent recycled content and is twice as light, with twice the compressive strength, of normal concrete. Syndecrete® is David's own development and one of many featured in the residence.
It is now a compound made up of four discrete two-story buildings linked by three enclosed bridges that all face onto the courtyard.
Style "Balinese Modern"
Working it through
There was only one snag in the whole process. David is staunchly in favour of green design, the mere fact of adding that much space nagged at him. "There's no getting around the fact," he says, "that on a purely ecological level, 4,400 square feet is a lot of house by most of the world's standards."
His solution was to make the house the greenest house of its size he'd ever seen. Hertz used this house as a case study for green building techniques. An array of 20 solar collector panels on the roof help generate about 70 percent of the home’s electricity needs, and other sections of the roof are given over to flat-plate collectors that provide hot water to the water heater, which then sends it into a radiant heating system in the concrete floors.
I've no beef with the results, David's family expanded and so has his residence, the house is all used and as much as we battle with the urges, who wouldn't want their own compound like this. David's innovative materials and willingness to push for a more environmentally sound house is exemplary.
The materials used were chosen carefully to support environmental sustainability and the design intent. Recycled and FSC certified sustainable woods such as Ipe, Mahogany, and Fir, are used throughout the house to complement the Syndecrete®.
The Syndecrete® acts inside the house as a kind of “solar sink” for passive solar energy transfer, storing up the sun’s warmth during the day, and thus keeping it from overheating the interior, and then slowly releasing that heat during the night. Syndecrete® flooring was chosen for several reasons; it eliminates mold and dust caused by carpet, requires less maintenance, and is more environmentally sensitive than carpet, wood, or other floor finishes.
In order to maintain excellent indoor air quality, David used zero VOC paint, and eliminated a forced air system and carpeted floors, and with them mould and dust.
Another bonus of these materials is the resultant durability and functionality of the house. Its for living in. Rather than begin a minimalist box (don't get me wrong they have their place) the house portrays both David's design innovations, but also the family's efforts, endeavours, favourite drawings, posters, toys, etc. And it's a tough house.
You can see here one of my favourite shots showing the utilitarian nature of the house, and how its designed for a family.
Yup, David's hosing it down, an ability that's now on the list for my house. You can also see that playful design feature to let the kids feel its their house too, a pint size door for them.
Green Credentials
Hopefully in the images, you'll spot some of these fantastic features.
- Passive Ventilation – eliminating the need for a forced air system the shaded front living area naturally ducts cool air up thought the house and stairwell, then out the temperature sensitive skylights.
- Solar Energy – an array of 20 solar panels on the roof supply around 70% of the home's energy needs
- Photovoltaic Panels and Flat Plate Collectors – providing hot water to the water heater and subsequently the radiant heating system in the concrete floors. David says to heat the place, with these panels installed takes about as much energy as a 60w light bulb, all taken from his solar array.
- Vacuum tubing on the roof, which uses a parabolic collector to focus the sun’s rays, provides additional hot water
- Recycled FSC certified sustainable woods such as Ipe, Mahogany and Fir
- That Syndecrete®, a light-weight concrete that uses 41% recycled content - it also holds various pigments and textures to form furniture throughout the house, like the kitchen bench, table and bathroom sinks.
- Zero VOC paints
- High performance heat-mirror glazing
- The pool system uses an ionization and silver filter, eliminating the need for chlorine
Layout
I've wanted to write about David's work for some time now as his preferred layout for houses draws from tropical bungalows and linked pavilions.
Phase-1
You'll note that he has separated the functional areas of the original house at the bottom, both vertically and horizontally into 4 boxes. The living and dining come entertaining areas at the front are split from the garage at the rear to form an external lounge/fire pit, one that tops my list for "ideal after work summer beer spot".
Above, the bedrooms retreats, with the master bedroom above the lounge, and the children's bedrooms, back away over the garage.
Second only to the fire pit, is the outdoor sleeping area off the master bedroom. In summer time, the enclosed balcony becomes a comfy, cool sleeping area.
Phase-2
This renders the children's original bedrooms as guest areas that convert into a large rumpus room for rainy days. To accommodate the three children as they grow older, David's given them more space (between them and their wing of the house) and space for their guests. They have a bedroom and studio area in the upstairs of the new wing, and mum and dad gain an open plan kitchen/dining area with a wall that opens up completely to the pool and inner courtyard formed between the two wings.
Results
This building is a successful study in architecture that is both aesthetically pleasing and environmentally responsible, whilst functioning as a pair of Levi 501s, hard wearing, sexy and a design classic.
Images
Slideshow
Plans
via: Many thanks to Christina at Studio EA
Shubin + Donaldson Architects - Urban Spa
00/00/0000, 00:00 | Modern Residential Design
Urban Spa - Shubin + Donaldson Architects have remodelled this house to soak up its Malibu shore front location. Sliding doors and windows allow the residence to be open plan or sectioned off at will. The site elements of the highway and beach challenged, and dispatched with charming results.
Program
The initial task was to renovate the original 1976 dwelling into a contemporary urban retreat, whilst adding some structural reinforcement. Bought in 2001 for it's location, the owners, together with the architects, went on to extensively remodel the house into an urban oasis. Concious efforts to negate the road behind and emphasise the beach in front are evident throughout.
Design
The overall concept for this 2,900-square-foot beach-side modern house was to transform it into an urban spa-like retreat. The house is perched along Malibu’s Pacific Coast Highway, and features access to the beach at the back. Sheltering the house and providing a hard façade is the garage to the rear. As an area of transition between the street and beach, an interior entry courtyard behind the garage, laid with rectangular cement pavers and bordered by smooth river rock and tufted grasses, introduces the primary design element of the home — a seamless union between interior and exterior spaces. Through crisp linear architecture, a split level plan, and visual access throughout the house brings in the beach.
From the entry courtyard, a line of sight straight through the living room takes in the sea views. Dragging your attention away, to the left is a bay window type dining room, accented by a white grid of window panes and shadowed from the noon sun. This window grid is echoed by the geometric pattern of the cabinets and shelves that lead into the minimal kitchen. True to the open plan, the kitchen seamlessly overlooks the main living space, allowing distractions whilst cooking. 
The interior design palette of natural woods and limestone, white walls and fabrics, frosted and clear plate-glass creates a crisp and airy environment to appreciate the Pacific Ocean setting. A true Urban Spa,the elements were hand picked to portray the theme of air, light, and water.
Ground-floor living room and adjacent sitting room offer shadowed relief from the sunlit terraces beyond, with cooling white and dark wood tones in the furniture and materials. Double-paned windows, which open onto the first-level terrace, offer several ways for freedom, permitting unrestricted views onto the ocean while buffering sound (from the highway). 
The upstairs rooms continue the overall theme of air, light, and water with repeating materials and colours. The well-dressed master suite faces onto a second large terrace with pocket-glass doors that fold away, converting the stepped upper terrace into a sleeping porch reminiscent of designs by Schindler and Neutra (and last weeks post - David Hertz! [Image]).
For reclining on the teak chaises, billowing fabrics can be drawn above and alongside the terrace to shield the sun and wind.
With the clients goal being a boutique like retreat to entertain guests rather than as a reclusive beach getaway, opulent bright-white materials: Limestone and high gloss surfaces were used to give that crisp light filled feel. In fact, the owners found it too 'bling'. The house was cool crisp and far too full of light, with the white being overwhelming sometimes. Aware of this, Shubin + Donaldson had already incorporated exterior shutters and shades, which compensate in the southern facing rooms. Then in terms of layout, a simple North facing Media room was added with minimal windows at the rear, providing a further space to retreat in summer, and a little getaway for all. 
Openness and transformation are themes throughout and are most expressive in the master bath. Cool, ocean-blue frosted glass lines the walls and windows (that face another house on these sought-after lots). Behind the glass swing doors are the toilet and shower. Three layers of floor-to-ceiling glass form a translucent door that closes the space off from the bedroom, or opens it up to the master suite, porch, and Pacific Ocean beyond. Dark wenge wood - used throughout the house as an accent - encases the tub, vanity, and spacious closets. The rich brown colour gently contrasts with the limestone counters and floors. Double mirrors are placed on poles in front of the frosted glass, rather than set into a wall. To name-drop, the tub is designed by Philippe Starck.
Layout
First level: living room, dining room, den area, terrace with beach access, powder room. Upper level: home office, guest room and bath, powder room, media room, and master suite with bathroom/walk-in closet, closet office, outdoor sleeping porch.
Plans
Architect: Shubin + Donaldson Architects - Robin Donaldson, AIA, Principal and Russell Shubin, AIA, Principal
Interiors: Audrey Alberts, interior design consultant
Commenced: 2001
Photos: Tom Bonner Photography
Article & Imagery: Courtesy - Taylor & Company (many thanks)
via: Taylor & Company
Arkhefield - Couran Point House
00/00/0000, 00:00 | Modern Residential Design
Island retreat - The team at Arkhefield bring us one of their latest residential wonders in form of a simple, low maintenance, sustainable living volume which can be enjoyed all year round. The motives behind the design - maximising space and privacy - are attacked head on, as are the isolation and harsh climatic conditions on the island with basic low maintenance materials. The resulting simplistic structure, appears as a coastal tree, with its roof-line shaped by the strong winds and elements. Elements from which it can hunker down further, shelter, isolate and reorientate the use of external spaces.
Overview
The house offers a stark contrast to the predominant low shacks by the way that it expresses and celebrates volume, simplicity of form and its ability to manage/manipulate the external environment. The house appears to be inspirational amongst the community with many new houses currently under construction on the island being designed and sited in a similar manner. 
The house is a simple extruded profile with its form being solely dictated by town planning constraints. Height, setback and roof pitch essentially created the volumetric section which was extruded to the road and waterfront boundary, then set back to maximize the enclosed space. The house breaks out onto the terraced waterfront on the east, for summer fun and to an enclosed "winter courtyard" on the west. The relatively closed north and south façades retain privacy from the adjacent blocks, and shelter from strong summer sun. 
Design
The isolation of the site put a premium on the construction cost as all materials and skilled labour had to be barged out to the island. These constraints created unique challenges and encouraged a rethink to heavy/bulky build elements that couldn't be barged out to the site. Environmentally Sustainable Design principles of orientation and sitting along with use of solar, gas, rainwater harvesting, bamboo cladding/screening and a thermally efficient monolithic floor slab were all core ideas behind the build.
Layout
The house is split in half down the centre of its length with a large double volume "communal" living space on the north and a 2 level "private" core, comprising of bedrooms and service zones, on the south. The interplay between the two halves of the house creates a sense of inclusion and encourages interaction between family and guests whilst still enabling privacy and seclusion.
Our clients desire to recreate a "Bahaman" styled beach cottage with shingled, pitched, roof and quaint shuttered windows made for a challenging brief. They wanted the house to take them back to the memorable vacations they had spent in exotic locations. Through exploration and development it became evident that decoration and themed architecture may enable brief relapses into the bygone but that intelligent design and the creation of flexible spaces stimulated communal interaction, which was what really recreated that relaxed holiday atmosphere they were seeking. They are extremely happy and are enjoying there "Contemporary Bahaman" cottage which they have aptly named "the shed" out on Stradbrooke Island.
Results
The team at Arkhefield have managed to strip back this brief to the real essence of what the client was after. Conviviality and family togetherness were the clients true request and the flexibility of the hoses and its communal spaces are what makes the house such a wonderful island retreat.
Plans
