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sumika projects by sou fujimoto, toyo ito, terunobu fujimori and taira nishizawa

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews


tokyo gas co., ltd., is japan's largest supplier of natural gas for both residential and business consumption.
for their 'sumika project', they teamed up with japanese architects toyo ito, sou fujimoto, terunobu fujimori
and taira nishizawa. each of the architects are responsible for designing a built structure on the project site.
the concept behind sumika is to provide new residential units, buildings and a main pavilion that will use gas
as their main source of energy.

the main pavilion is a communal space that is meant to bring people together, to gather and interact with
one another. with the increasing amount of people living in apartments in urban areas, homes have become
uniform and monotonous. the aim of the sukima project is to provide more primitive, free and prosperous housing
which connects to nature and awakens the five senses.




sou fujimoto and toyo ito


terunobu fujimori and taira nishizawa


by sou fujimoto


by toyo ito


by terunobu fujimori


by taira nishizawa

more
sumika project: http://kenchiku.tokyo-gas.co.jp/sumika_project
tokyo gas co., ltd.: www.tokyo-gas.co.jp

Nov+Dec 2008 Promotion - Kick the Crisis! Save on Prints!

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
We are pleased to announce a new promotion for November and December of 2008 - Order Design Prints in Nov or Dec 08 and receive double your Design Prints back on your qualifying Construction Print Order in 2009. Its our Kick the Crisis promotion and this is how it works:

Anybody who buys Design Prints in November or December 2008 will be eligible for a rebate equal to twice the value of the Design Prints if they order the corresponding Construction Prints before the end of 2009. So if you purchase a set of Small Design Prints in November for $100, and purchase Construction Prints in 2009 your prints will come with a rebate of $200. If you buy regular Design Prints for $200 and follow up with a Construction Print purchase in 09 they will come with a rebate for $400. Its double your design prints back! I hope that's not too confusing, its really quite simple. If you are kicking around the idea of building in 2009 or even 2010 or 11 then make sure you order Design Prints for the house you want in November or December 08 and purchase your Construction Prints by the end of 2009 to earn the rebate.

Jump over to our site to read the details. Well, actually we just copied all the details from our site and posted them here, but you should go and read the fine print on the offer.

Kick the Crisis Promotion

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brands have nothing to learn from obama

11/13/2008, 16:41 | Influxinsights
Many writers are speculating that brands can learn a lot from Obama’s victory and that it was a triumph of branding, messaging and media understanding. Obviously tactics appear on the service to be easily repeatable, but without the context it's  meaningless.

Despite the grandiose plans brands have for themselves and their desire to create culture, they can never and will never single-handedly have the power to incite true social movements.

Brands however much they would like to be, aren’t human beings, they are products that try very hard to relate and understand us. They cater to our needs and wants, but are by their nature abstract and not made of flesh and blood. The credo of C21st marketers might be to become more human, but it’s a stretch and the entity of the corporation is always a more desirable, more defensible, more convenient and a safer place to be.

Obama succeeded because of the power of his human journey, his humanity, his chance to make history and his ability to connect. People aspired to the hope and change he stood for and trusted him to deliver it. They were voting for a person who provided them with the hope they wanted at the time; a promise that things could be better.

Timing is everything and Obama only needed to do this once and seize the moment. He had to find a way to position himself on November 4th, 2008 as the change that people were looking for. Brands unfortunately don’t have the luxury of the short window of time, they don’t have just one zeitgeist moment to seize, but a multitude, because they have to sell 24/7/365.

The best brands are undeniable in their power to help define us, but they are transient, disposable and easily replaced. They are things, not people and there are limits to the impact they have on the breadth of our lives and our futures.

However, once every four years two people contest for the right to become the most powerful person in the world. These candidates have the news media of the world reporting on them every second of the day, which means they dominate mind share. No brand could ever come close to this level of dominance.

When it comes to voting, we chose the human being that best represents the way we feel. Sometimes this feeling is one of ambivalence, because our lives are under control, but there are rare occasions, and this year was one, when we seek a leader who we want to lead us to better, brighter, future.  

Obama made history, he was the man chosen for the moment and lessons from his success are virtually impossible for brands to replicate.



Posted by Ed Cotton

Drew Mandel Design - 83A Marlborough Ave

00/00/0000, 00:00 | Modern Residential Design

Drew Mandel Design

83A Marlborough Ave


Infill house on a 13ft wide plot, becomes feature residence of the street - Drew Mandel has used every inch of this brownfield (ex 1 car garage & garden) site to create his ideal residence. Influences of Frank Lloyd Wright and Rudolph Schindler eminent in the residence's façade lead to elegant use of wood detailing for the interior.



Overview
Drew, an up and coming Canadian architect snapped up an “interesting” plot, that his colleague at MacLennan Jaunkalns Miller Architects, David Miller had on offer. Setting out to create his debut "big time" design, Drew won a number of awards in Toronto and Canada. The house is an impressive example of modern infill, coming in at a modest $182 per ft2.

The Lot
Miller and his architect wife, Amy Falkner, had obtained a minor variance allowing them to build to the very edges of the property line without the usual margin of grass or ground cover. (It's only because the houses on each side are set back from the lot line that there is any space at all between the Mandel-Cooper house and its neighbours.) To support development, the municipality had allowed a substantial increase in the floor space, from 908 to more than 1,280 square feet above ground.
Their relatives labelled the plot a bowling lane, Mandel and his wife like to think of it as a lane each.


Design
Focusing on commercial design at work, Drew’s evening efforts on his own house pulled from his designs of multiplexes, community centres, libraries and banks. The main Achilles heel of the plot, the extended walls down either side of the property, led Drew to (as he sometimes reflects) to overcompensate with house glass panels at either end and a large light well at the centre of the build. I disagree; the house is fantastically bright and airy.



Breaking the house away from other designs out there and I believe linking it to his favoured FLW and Rudolf, is the use of patchwork glass rather than a large expanse of industrial like uniform façade. A cute modernist take on the Juliet balcony protrudes from the master bedroom, breaking the rear wall further and allows great views down to the meticulously landscaped garden, that complements the house so well. Adding to the functionality of the glass façade, a large central panel pivots to allow bigger pieces of furniture to be hoisted in.



Bringing in that industrial design know-how resolved the issue of construction methods too. Such a narrow tall design refused traditional frame design used in residential projects, meaning an industrial to balloon framing technique was adopted. Steel supports for the entire 38-foot length of the walls were put up first, and then the floors were locked in afterwards.

Further industrial features of the house include the two ramps from the entrance of the house to the living room and from the master bedroom to the second bedroom, a comfortable alternative to stairs.





Layout
From the semi-subterranean guest room at the front of the house you head south up the ramp to the living room, then north up five stairs to the dining room-kitchen floor, then south again up the house's only full flight of stairs to the master bedroom and bathroom. Finally, completing the layout you head north, up the second ramp to the second bedroom.

The Result
Drew and Denise have blown their relatives away. Despite the restricting plot they've created a house that through it's high ceilings, skylights and maximum glazing at both ends is a bright, spacious and airy home.


Plans





Architect/Designer: Drew Mandel Design
Client: Denise Cooper & Drew Mandel
Completed: 2007
Structural: Blackwell Engineering Ltd. (David Bowick)
Builder: T. Fijalkowski & Associates
Site Plan Approval: David Miller & Amy Falkner
Lot:13' x 115' or 1560 ft2
Costs: $182 per ft2



Information courtesy of: Drew Mandel Design


Sketch your NURBS Model with ILOVESKETCH!

00/00/0000, 00:00 | Design Sojourn
I think this would have done the rounds in the design blogosphere by this time. Sorry, it is a little late as I completely forgot to post it. But here it is, and all I can say is I WANT THIS! ILoveSketch from Seok-Hyung Bae on Vimeo. ILOVESketch is a 3D curve sketching system that [...]

Clinton Murray - Gunyah Residence

00/00/0000, 00:00 | Modern Residential Design

Clinton Murray

Gunyah Residence


Solid as a rock - A challenging section on Gunyah beach in Bundeena, forced Clinton Murray to rethink the vernacular (perhaps simple) Australian beach side house and create a resilient coastal retreat. Built to last forever.


Overview
Huge boulders throughout the cliff side, would have made slapping a wooden prefab house on the top of the plot the easiest option. Choosing instead to hide the house well down the plot near the breaking shoreline, posed challenges, yet rewarded both the architect and owners with stunning results. It also appeased the planning officials and nearby residents.

"The linear site is divided midway by a massive rock face, defining two distinct levels. The natural, sheltered enclave at the base of the rock face is where we believed the building belonged."

Tucked into the hillside, the copper clad roof has set out to weather itself in the ocean green shade of the bay beyond, further minimising the impact of the building for neighbours above.

Combined with the weathered copper is the solid base of the house. The ground floor living structure, of textured off-form concrete made with horizontal board forms, gives the impression of weathered timber, which contrasts with the fresh browns of the Oregon sleeping quarters and gallery above.



Building on a series of staggered rock platforms, the logistics of site management for labour, plant & equipment was challenging. All materials had to be craned in or manhandled from the top of the site, or from the beach front below. The entry stairs and concrete bridges required innovative reinforcement and form work solutions to achieve both continuous spans and the appearance of thin concrete blades hovering above the site. These thin blades continue inside with kitchen bench tops and bathroom surfaces formed on site of ultra thin jet black concrete.

Layout
To reach the timber front door, you negotiate the rock face via timber steps that weave through the boulders. Crossing a bridge that leads to a discreet front door you push open an oversized panel to reveal the high stud gallery. Strategically orientated, the full height end window of the gallery frames a nearby palm. Everything is overscale, stretched vertically, to relate to the magnitude of the cliff face behind the building site. Here, the reused Oregon timber stands vertical, allowing the seams to disguise two door panels, behind which hide two of the three master bedrooms. Each with, en-suite, balconies and outstanding views across the bay.




Heading down the hillside, you arrive at the main living quarters, housed in that heavy masonry base of textured off-form concrete. As with the rest of the house, glass front windows bathe the room with light, yet here, in contrast, the kitchen area to the rear and cubbyhole rooms, are lined with dark black concrete floors and bench tops. The darkness providing refuge from the summer heat, and mimic the caves often found tucked into cliffs around the Australian coast.

Also taking notes from nature the orientation of each level shifts as you rise up the cliff face. Thus forming fronds like the nearby palms, and allowing the building to sit back, minimising it's visual impact from the shoreline.

Results
"The house sits with its toes touching the sea and with an exposed worn rock face at its back, both constant reminders of the power of wild storms blowing in from the north-east. And should the big seas come, this house is a safe haven, no question about it."

Slideshow


Architect Clinton Murray
Project team Polly Harbison (Project Architect), Tanja Klocker, Jeff Umansky
Project Gunyah Beach House
Location Bundeena, New South Wales
Google Location
Builder Bellavarde Constructions
Structural Engineer O’Hearn Consulting
Landscape Architect 360 degrees
Photographer Simon Kenny

Plans


via: Many thanks to Clinton Murray




Nader Khalili Died

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
The Father of Earthbag Building, Nader Khalili, died peacefully, surrounded by his family, a couple of days ago. He was 71 years old.

Here is part of a letter sent out by his family to former students:

“The flames that ignited him in life and the quest that brought each of you to Cal-Earth to learn from him have touched all of us and led us on this path….the right path……. for arts, humanity and the environment. His work and words have inspired us and his spirit is powerfully alive in every work and word, building and echo that your enthusiastic and loving hands have helped to create for this world.

His soul imbues every grain of sand and every memory contained in Cal-Earth, which expresses so much of his personal life of the last 17 years. And your works, like seeds have been growing and flourishing in every corner of the world…”

Born as an Iranian, Nader lived most of his life in the United States, gaining an architectural degree. He worked on the design of high-rise buildings and taught architecture in Southern California. In 1991 he founded Cal-Earth (the California Institute of Earth Art and Architecture) based in the desert region of Hesperia , California. From this center, he taught classes and workshops on the use of both bricks and bags to fashion domes, arches, vaults, and irregular shapes. These forms sprang from his early exposure to Middle Eastern architecture.

The earthbag concept evolved from attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter. This concept was later refined to include stretching barbed wire between the courses of bags to help stabilize the structure. Nader never referred to this building technique as earthbag building; he preferred to call it “Super Adobe,” referring to the fact that he generally filled the bags (or long tubes) with an adobe soil mix.

In 1999 Nader was issued a U.S. Patent for his Super Adobe technique and he subsequently tried to require contractual arrangements for its use. At this point, however, he had been publicizing the idea for so long it was not an enforcable patent, and few would comply with his request.

This fact points to the complex nature of Nader’s personality. He truly loved humanity and the arts, and was an eloquent and passionate speaker. He often said that his ideas were a gift to humanity and he hoped they would provide shelter for the poor and disadvantaged. At the same time, he wanted to control the economic potential of his invention, and he pursued this vigorously.

Nader was the author of several books, including Ceramic Houses and Earth Architecture: How to Build Your Own, about literally making ceramic houses, and Sidewalks on the Moon, an autobiography. He also wrote several books about the the mystic poetry of Rumi. Interestingly, he never really wrote a book about his Super Adobe invention, allowing others to take the lead in doing this.

With the passing of Nader Khalili we have come to a point where his ideas and work can truly become universal. All of us who explore the potential of the earthbag concept and expand on its possibilities can help further his vision for bettering the world. We owe a great debt to this truly inspired individual. May he rest in peace!

working class studio storage boxes

00/00/0000, 00:00 | Design*Sponge


i’ll always have a soft spot for anything coming from savannah. savannah is the first city, other than my hometown, where i really felt at home, and it’s also the city where we’ll be getting married next year. so i was happy to hear from jessica at working class studio (a program where students design work for sale) about these cute new fabric-covered storage boxes. i always need a pretty place to keep things in order so these might need to be in my tiny mini-office some day. the boxes will be available december 1st so click here to pick one up when they’re officially for sale.

100 Push ups : Week 3, 4 and 5!

00/00/0000, 00:00 | Design Sojourn
Wow! That was quick, according to the program, I should be now into my 6th and final week. The last week before the big 100 push-ups attempt! The reps in week 3 and 4 were getting really tough. I was having a lot of trouble getting through all the sets. [...]

holiday fair map

00/00/0000, 00:00 | Design*Sponge




these maps are by uk artist chris kenny. i think they are stunning. the detail blows me away. i made a google map with the fairs i covered this week (+ others that were mentioned in the comments and emails i received.) this map is open to be edited by anyone, so go ahead and add fairs from your area to it. (you need a google account to add fairs to the map but anyone can view it.)

i’d like to thank grace for having me here in this space. highlighting these fairs, artist’s & diy projects has been such a thrill. my aim in promoting these fairs has been to encourage people to check out their local holiday fairs for your gift buying needs. these events are really fun to attend. usually there is music, food, sometimes workshops, and of course truly unique holiday gifts. these tough economic times are forcing everyone to cut costs this holiday season. i believe supporting your local economy, and artists is always a good place to put your money + there are always some incredible deals to be had at these shows. this season if you’re in the chicago/milwaukee area i’ll be selling here, here, and here. stop by and say hi. i love meeting people at these fairs because i’m usually holed up in my studio all day chatting with my cat (no joke). for more info about what i do you can check out my shop, blog & flickr. happy holidays!

10 Useful Cost Saving Design Strategies for these Troubled Times

00/00/0000, 00:00 | Design Sojourn
I finally got the time today to sit down and really think about the impact of these troubled times. It has been a very hectic month since I officially started my new role, as a result I really only hovered around the “doom and gloom” of the global impact from the US Sub-Prime Crises. With [...]

introducing a new design: Hus1

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
The first of a new collection of house plans on the lamidesign.com/plans site. The new collection is to be modest in size, large on livability, family friendly, eminently build-able, with a contemporary modern presence and a bit of retro mid-century dash as well. The first in a series, introducing the Hus 1.



The result of my year long study of the Swedish housing industry, and my love of mid-century modernism, the Hus1 puts these influences together with practicality and livability of the many small 50s and 60s homes in my own neighborhood. The basic two bedroom house will start out at modest 1,350 sqft, or the larger 1,750 sqft 3 bedroom plan shown below. Both have the option of an additional 500 sqft master bedroom upstairs which in the larger plan allows the downstairs master to serve as a family room.



A very livable home, the L shape creates privacy for its rear terrace where family life can flow out from the living areas. Conventional construction makes this house easy to build, and the iconic traditional form won't scare the average home builder.



Look for Design Prints to come available on the site soon. Well, you will hear about it here when it happens! And yes, this is the house for which we have been experimenting with new drawing styles. Not quite sorted out yet, but when its done the new collection will have a distinct graphic look apart from the original collection of designs.

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Alvaro Ramírez y Clarisa Elton | House in Buchupureo

00/00/0000, 00:00 | Modern Residential Design

Alvaro Ramírez y Clarisa Elton

House in Buchupureo

1782480404_8.JPG

Cliffhanger - Alvaro Ramírez and Clarisa Elton - are the authors of their own weekend retreat on the central Chile coastline. Great residential design, propped on stilts, with minimal environmental impact.


{Reworked article from Plataforma Arqutectura Author:David Basulto [tricky]}

This great house is located on a remote coastal trail in central-south Chile, in Buchupureo, VIII región del Bío-Bío. When I lived in Concepción, the capital of the region, we'd surf here. The waves were fantastic, rolling into all the bays around this area. Getting there was difficult and the water was freezing (pushed up from the Antarctic), but the untouched waves, scenery and beaches were, and are still, amazing!

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The project was developed in dialogue with its environment, both through the materials used for creating the volumes, as well as how these are implemented and placed on the site.

The house is supported on a steep slope through piles, which lessen the intervention/excavation of the plot's soil, allowing in turn, the free passage of water.

520441098_32.JPG

The cabin is divided into three functional spaces, relating to the three requirements of a holiday house. A bedroom with bathroom; a space for entertaining and guests - being with the kitchen; and a terrace, linking the other two spaces and providing spot for those spectacular views. All spaces seeking panoramic view towards the Pacific Ocean. The terrace serves as the lobby space, an intermediate space, as it is located between two interior spaces, providing protection against the wind and and as a place to embrace the ocean.

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The structural elements of the house are left visible, giving form to the shape of the house. The structure, external and internal elements, are all created from local wood (the equivalent of Radiata pine), yet treated differently depending on their role. For the pillar structures and beams pieces of 4 "x6" 2 "x6" and 2 "x5" were used. All were treated to give them protection against moisture.
For interior cladding, ¾" x 4" pine are used,brushed, without any treatment. Finally for the external cladding 1" x 4", painted with carbolineum.

The tectonics of the project establish a close relationship with the local architecture, using wood and 'laja' stone, materials predominant in the area (most of the fences in the area are built with laja stone and mud, as well as many old house floors).

654545746_9.JPG

The structure of the roof is wood and in its V design, it detaches itself from the wall structures at both the front and rear of the house. This letting light into the interior,generating a feeling of spaciousness. Laja, the stone used to cover and protect the roof, was thought of as an element of both cultural adaptation (local architecture) and natural (landscape elements), blending the building into the rocky shores below. Conversely the view up from the beach sees the timber framework match the colours of the cliff face, the house's home.

Images
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Plans
543488824_elevacion.jpg 2014161179_plantagral.jpg 981119213_plantatech.jpg

Google Maps Location: Buchupureo, VIII Región, Chile
Designed: September 2005
Constructed: December 2005 - February 2006
Architects: Alvaro Ramírez, Clarisa Elton
Builder: Ruperto Vera
Structural Engineer: Alvaro Ramirez
Owners: Alvaro Ramirez + Clarisa Elton
Total cost: $7.050.000 (US$15.000)
Constructed Area: 55m2
Images: Carlos Ferrer + Alvaro Ramirez + Clarisa Elton

via:Plataforma Arquitectura
& Alvaro Ramirez + Clarisa Elton



New Mexico EcoSteel House - railings installed

00/00/0000, 00:00 | LamiDesign Modern House Plan Blog
The handrails on the stair and all around the second floor of the New Mexico EcoSteel House are installed and they look great.



I had gotten very used to lookng at the stair without a rail, and I was afraid that the rail would somehow complicate or spoil the spare look of the stair. Well it did not turn out that way and I think this is why. The rail that was picked is a stainless tube rail with cables so its very light and transparent. Also the brightness of the stainless really separates it from the grey vertebrae and ribs appearance of the stair. If the rail had been painted steel work that matched the stair I believe it would have compromised the lines of the stair.

More photos below the fold.



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Thermoplan and Zeigel Blocks

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture

There is a manufactured building system that has been gaining popularity in Europe for several years called Thermoplan or Zeigel Blocks. While I have no personal experience with this technology, I can readily see its many advantages. As far as I know this system has not made its way across the ocean to North America. From what I can gather from the websites (referenced below), here are some of the advantages:

Thermoplan or Zeigel Blocks are fired clay blocks which use about 1/3 less energy to make compared to concrete blocks, and about 2/3 less CO2. They are fast, simple and ideal for a self builder to use. About 50% of German homes are made this way and the technology is spreading to other areas of Europe.

Thermoplan systems use Ziegel blocks with a thin bed of mortar, to provide a breathing wall construction system. When combined with woodfibre board they can form a thermally and acoustically high performance shell. The Ziegel blocks come as part of a full load-bearing external and internal wall masonry system, and combine high thermal performance with robustness, speed of build and a breathing wall design.

Because of all the trapped air and the thickness of the walls, these blocks provide reasonable insulation, while at the same time do provide some degree of interior thermal mass for maintaining constant interior temperatures. This is an unusual combination of these two factors in a single wall system.

See www.burdensenvironmental.com or www.natural-building.co.uk for information for this innovative system.

London Design Festival: Piet Hein Eek

10/05/2008, 23:25 | MoCo Loco

phe_0102.jpg
The London Design Festival saw the launch of the first Rabih Hage/Piet Hein Eek pop-up store in a space large enough to highlight a wide variety of Eek's work. The temporary shop will be open through October 31 and features Eek's new 99% cabinets, storage that makes use of 99.13% of a whole steel sheet (the waste is a result of the holes for the fasteners). There was a nice selection of signature Waste Scrapwood pieces, all a glorious, yet soothing, patchwork of colours. The Plywood Chandelier and Plissélamp were good examples of Piet Hein Eek lighting, and the ceramics range caught the sun on the tables. The Crisis Cushion Sofa beckoned softly from a corner, and the Plywood dining set showed up well in the space.

+ pietheineek.nl

Brewery Art Walk, Los Angeles [Clipping]

10/30/2008, 12:03 | Land+Living: Modern Lifestyle + Design
This weekend the (apparently) world's largest art colony invites you to have a look around and maybe purchase an artifact or two. (via kcrw)

Trend: DIY Communities

00/00/0000, 00:00 | CScout TrendBlog

Recent years have seen a flourishing of organizations that gather people with common interests participate in do-it-yourself activities

In a reaction to the digital age, creative people are finding ways to build community in the real world to share knowledge, projects, and ideas. People are looking to the Internet to find outlets for active creativity, rather than merely passive entertainment or consumption.

Cases


The Make Lounge


North London’s Make Lounge brings arts and crafts into the 21st century. One-off workshops are delivered in a branded “drop-in” environment, attracting those looking to dabble in activities such as millinery, jewelery making, or knitting.

The School of Life

Located close to some of London’s top universities, The School of Life makes adult education accessible and cool. Opened in September 2008, the space features a shop that sells books, art, courses, vacation packages, and consultancy to those seeking intellectual adventure. Beneath the shop is an underground classroom that hosts regular courses across five central themes - work, play, family, politics and love.





Maker Fair

Dubbed “Woodstock for inventors,” Maker Fair is a two-day event for people who love to make things themselves. Everything from arts and crafts to engineering and science, sustainable design, food, and music are represented. The event is no small job for organizers Make Magazine and Crafts Magazine: the last Maker Fair attracted 65,000 people.

Trend Impact
Although the Internet may provide us with instant, free information, we still thrive on real-world human interactions. Creative people are going online to connect people with common offline interests.

good is the new lifestyle choice

11/03/2008, 16:39 | Influxinsights
Good is now available as a lifestyle hotel choice.

"What does “good” mean to you? For some, the word may inspire visions of helping a homeless person find shelter for a night. Others may think of global warming and chant the mantra, “reduce, re-use, recycle.” Or, maybe your mission isn’t to save the world, and it simply connotes a positive fun attitude.

Joie de Vivre Hotels’ identity as a socially-conscious company inspired us to design this SOMA hotel with all these good intentions. From beds and headboards made from locally reclaimed wood to glow in the dark messages, our guests will discover that we are good with a lighthearted twist."

Is it smart to lead with Good or to build Good into everything you do?

Should Good be half-hearted?

Should Good by light-hearted?

Answers please on a postcard or in the comments section.





Posted by Ed Cotton

Akihisa Hirata Architecture Office's House t

00/00/0000, 00:00 | FUTURE HOUSE NOW
I hate to say it, but I haven't spotted anything really interesting in a while that I wanted to post on. Yes, things have been going on. I check my feed readers every day, I see them. But I've sort of found it to be more of the same. Nothing really turned my head.

Finally, I saw something that sparked a little daydreaming again, which is really what I'm after. It's "House t" by Akihisa Hirata Architecture Office (HAO) of Tokyo, Japan. Of course, it's Japanese. Is there any place in the world that produces more unique, original, thought provoking houses than Japan? NO WAY!





The approach to a second story and the division of spaces in the home is totally different. I get lost just looking at the roof line and the placement of the windows. It's bright, clean and sculptural in a way that only Japanese houses are.

Via Things Magazine (October 3rd, 2007)

Image credits - HAO site

design miami, florida 08: ornamentum jewelry gallery

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

'matador necklace' by philip sajet

ornamentum gallery will be the first jewelry gallery ever to participate in design miami. founded in 2002 by
stefan friedemann and wife laura lapachin, the hudson, new york gallery represents a collection of pieces of
conceptual jewelry. ornamentum gallery focuses on contemporary jewelry designers who are working beyond
our traditional understanding of jewelry as ornamental, showcasing pieces that explore sculptural forms,
new materials and approaches.


'freundeund' by gerd rothmann


'rough ruff' by dan jocz


'marble necklace' by ted noten
all images © ornamentum gallery

related
designboom snapshots design miami 2007

more
design miami: http://www.designmiami.com
ornamentum gallery: http://www.ornamentumgallery.com

wallpaper by mashallah design

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

‘good old times’ wall-carpet

mashallah design is a berlin based design studio which works in fashion furniture and wallpaper.
the studio has developed a few designs for adorning vertical surfaces which definitely don’t fit the
traditional wallpaper mould. ‘diva’ is a line of 3-d wall paper which is quite normal on the upper
portion and fringed on the bottom. their other design is ‘good old times’ a clever reworking of the
persian carpet for your walls.

http://www.mashallahdesign.lacaptas.com

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wallpaper



‘diva’ 3-d wallpaper with fringes


‘diva’ 3-d wallpaper with fringes

via apartment therapy

Oil Dependency

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture

Having just finished reading “A Declaration of Energy Independence: How Freedom from Foreign Oil Can Improve National Security, Our Economy and the Environment,” by Jay Hakes, my mind is spinning with all of the issues that this brings up. Hakes was the head of the Energy Information Administration at the U.S. Department of Energy during the Clinton administration, so he knows a fair amount about the topic.

He makes a pretty good case that not only will shaking the U.S. reliance on foreign oil help in all of these ways, but that it is possible. He points out that after measures put into action after the oil shortages in the 1970’s, the U. S. actually did cut its reliance on foreign oil by half…for a short while. This was accomplished through a combination of government resolve to solve the crisis and the public’s willingness to adopt some simple conservation measures. People actually did drive less and at slower speeds; they turned down their thermostats in the winter and up in the summer; they began to install solar water heaters.

Of course times have changed, and now we are painfully aware of the costs that we face from not having continued to boldly deal with these issues. The true cost and burden of our reliance on oil (not just foreign oil) will be paid by future generations. There is little doubt that the Iraq War is a battle for control of oil resources, for which we are paying dearly in dollars, blood, and tarnished reputation. There is little doubt that global climate change, fanned by our burning of fossil fuels is wreaking havoc with rising sea levels, loss of crops, loss of biodiversity, and increasing severity of storms.

Hakes points out that because of the time lag that often occurs between when tough mitigating measures are adopted and when their effects are noticed, there is frequently little resolve among politicians to act because unpopular measures usually don’t bring votes, especially if voters don’t see positive results.

It has taken a few centuries for us to get into this mess. For over 99% of the time that Homo sapiens has been roaming earth, we have done just fine without burning fossil fuel. Even during the great leap into agriculture from hunting and gathering, we relied solely on our labor, with the help of a few beasts of burden. Then, as ecologist William Catton writes, “Homo sapiens attained a kind of superhumanity by learning to convert the heat energy from fire into mechanical energy by means of various engines.” This discovery has jettisoned humanity into the industrial age, and we have comfortably settled into this new way of life, congratulating ourselves on our modern ways.

Now, with the peaking of fossil fuel supplies and increasing world-wide demand, there is only one direction for the price of oil to go: up. With spiraling prices, all aspects of our economy will be affected. The cost of living in this modern world will continue to increase.

But this simple fact may ultimately be our salvation, because economics will force us to find alternative ways of living, and these will inevitably lead us to cleaner, renewable forms of energy. The inexorable laws of economics will eventually force us to address these thorny issues, even when politicians and an unwilling public dig in their heels to avoid change. It will cost too much to do otherwise!

Of course we can choose to cushion the blow of economic and climatic upheaval by making wise decisions now. We can invest in renewable energy now. We can drive cleaner, more fuel efficient cars now. We can walk. We can grow more of our own food. We can make our homes more energy efficient. We can buy only what we really need. We can do all of these things…and we will be much healthier for it!

MODERN HOLIDAY GREETINGS

00/00/0000, 00:00 | GAILE GUEVARA

I'm inspired by the talent, compassion, hard work, motivation and positive energy of the special people like you. Each season of 2007 has brought me experiences and lessons I look forward to sharing with all those who appreciate modern design, authenticity, quality, passion for learning the value of sharing resources and most of all staying true to yourself with each of your choices. Whether you're buying a new sofa, to finding a talent that reflects your values or to understanding the design process that best fits your goals ... I look forward to sharing a new meaning for MODERN design for living. Tyson and I send our our love and smiles - HAPPY MODERN HOLIDAY WISHES TO ALL OF YOU! -

new work by martin creed

00/00/0000, 00:00 | designboom weblog, design related news, reviews and previews

‘work no 878’, 2008 & ‘work no. 876’, 2008

artist martin creed may be well known for his neon light text installation, but in 2008 he has been working a lot
with stacking. creed has been exploring the concept through both sculpture and painting. in his paintings,
creed applies broad brush strokes accros the canvas in a single colour, each one grower smaller or large
than the previous. he applies this same principle to his sculptures. instead of bruish strokes he uses boxes
and furniture. in one such piece, he stacks a dinging chair on a plastic folding chair, on top of a wooden chair,
that sits on a white leather arm chair.

http://www.martincreed.com

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martin creed - I like things



‘work no. 903’, 2008 & ‘work no. 958’, 2008


‘work no. 928’, 2008


‘work no. 925’, 2008


‘work no. 916’, 2008

MoCo Submissions

10/07/2008, 09:07 | MoCo Loco

met_homeduvet.jpg
+ The Home Duvet by Dutch by Design features the print of a cardboard box: 30% of the gross profits from the sale of this duvet go to a charity for homeless young people.

presentoir_nze_design.jpg
+ When you want to take the delights of chocolate up a notch, why not use a Chocolate Presentoir by NZE Design?

met_timetuner.jpg
+ Antrepo's Time Tuner is an alarm clock with an mp3 player. Watch time slide on by.

etienne_meneau_petit_coeur.jpg
+ Etienne Meneau continues his marriage of sculpture and oenology with the latest in his series of borosilicate wine decanters, but this time he presents a glass called Petit Coeur (Little Heart).

met_magneat.jpg
+ Iceland's Magneat is a new way to keep headphone wires under control. Adjust the wires to the right length and fasten the magnet to your clothing.

met_japanmornings.jpg
+ Japanese architect Sato Matsuda most recent chairs, Japan Mornings, look like a cross between chair and table.

Slow Blogging Week

00/00/0000, 00:00 | Design Sojourn
With my vacation last week and a shorten week this week, I have been just too exhausted to update my blog. However, I have not been idle. I have been collecting lots of juicy design tips and thoughts. Not only that, I have been testing out the iPhone as a blogging tool. It’s not too [...]

Slide Show of Earthbag Building Projects

00/00/0000, 00:00 | Green Home Building and Sustainable Architecture
I am very pleased to announce that there is now an extensive slide show of earthbag building projects up at www.earthbagbuilding.com. I spent several days selecting the best photos that I could find and formatting them to fluidly present a marvelous array of architectural styles and approaches to building with earthbags. There are already over sixty images assembled, and I expect to continue to enlarge the library over time.

The pictures are labeled so that if any of them attract further attention, the more detailed description of the project can be found on the projects page.

The pace of the slide show is controlled by the viewer by clicking on arrow buttons below the images, so one can browse as casually as one likes. This is a great way to become familiar with some of what is being created with earthbags. The photos depict both works in progress and completed projects.

So sit back and enjoy the show!

WELCOME - TANYA SCHOENROTH

00/00/0000, 00:00 | GAILE GUEVARA

I just wanted to send a warm welcome to a dear colleague and friend, Tanya Schoenroth, who recently launched her new website. I'm looking forward to collaborating with an amazing talent in the coming year to help bring fresh new modern ideas to a growing market of sophisticated buyers and home owners. Like me a modern dog lover, we send our best to all of you for the holidays!

Slussen in Stockholm by BIG and NOD

00/00/0000, 00:00 | David Report

The collaboration between BIG Architects of Copenhagen, Denmark, and NOD Landscape Architects of Stockholm, Sweden, provides not only a solution to Slussen, one of Scandinavia’s busiest intersections but most importantly privileges the pedestrian and cyclist.
When the Stockholm City Council invited BIG and NOD to act as design consultants on Slussen, the direction given was to create a proposal that reconnects the historic Gamla Stan with Södermalm. Understanding the long legacy of previous attempts to solve Slussen’s traffic chaos, the team set out to create a single form within which the different modes of traffic are layered. The proposal touches the waters surrounding Gamla Stan and slowly terrace up using ascending and descending ramps to create a new, coherent area focusing on providing an attractive and functional setting for both movement and rest.

Currently considered inaccessible to pedestrians and cyclists, Slussen is a black hole in the heart of Stockholm. It is no wonder then that Danish-Swedish collaboration has made sure to offer cyclists as well as pedestrians easy access to and through the area. The proposal turns Slussen into an urban recreational area assuring easy movement for the citizens and tourists of Stockholm. Slussen will gain a whole new kind of urban space unlike any other in the world, where artwork, a summer’s midnight stroll and outdoor theatre can cohabitate with the need to move cars, buses, trains, metro, and boats. The strength of Slussen lies in its continual and varied movement which the proposed ramped landscape only underscores. The heavy traffic of cars and buses is carefully immersed under the rising hillside. Suddenly due to the submersed traffic, large areas have been freed and are made attractive to the entire city to enjoy. As a result, new opportunities for urban life are created.

The basic traffic system has already been developed by Nyrens Arkitektkontor as part of an architectural competition, with soft traffic and a public program on the top and with heavy traffic at ground floor level, storing away boats, buses, metro, cars and trains. But instead of separating the different levels, connected only by stairs and elevators in a traditional way, we propose to integrate all public, accessible areas around Slussen by interweaving the levels using descending and ascending ramps as this will allow people to move freely between the levels.

Pedestrian zones are designed to connect the already existing promenades and road crossings, and all areas of the new Slussen are as such accessible to pedestrians. The bicycle lanes follow the road as well as the promenade along the waterfront, and are pulled away only where the curvy bays of the new Slussen are created to leave space for pedestrians to enjoy the waterfront.

Today Slussen does not take advantage of its rising topography. Seeking to utilize its unique setting the proposal uses the terraced hillside to house kiosks, shops, and tourist information stands accessible through the network of ramps. In this way, a new and active urban area is created. In addition to the landscaped contours and pathways characterising BIG and NOD’s proposal, the dispersion of light has been instrumental in developing the site and the various levels. By day, natural light will pierce through circle shaped skylights into the lower levels. By night, the skylights will be illuminated from below. The expression will thus vary from dusk till dawn, from season to season and depending on the weather. This dynamic process and the continual hum of traffic will serve as the backdrop to a new urban form and regenerate life into the surrounding neighbourhoods.

There is an animation showing the complete program as well. I will put it up in a separate post as well.

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