• P&G’s Innovation Culture
  Good case on how the idea of a 'Blue Ocean Strategy' can be applied: "The heart of a company’s business model should be game-changing innovation. This is not just the invention of new products and services, but the ability to systematically convert ideas into new offerings that alter the very context of the business."
  (tags: Innovation P&G Blue Ocean Strategy applied research)

Here is part of a letter sent out by his family to former students:

“The flames that ignited him in life and the quest that brought each of you to Cal-Earth to learn from him have touched all of us and led us on this path….the right path……. for arts, humanity and the environment. His work and words have inspired us and his spirit is powerfully alive in every work and word, building and echo that your enthusiastic and loving hands have helped to create for this world.

His soul imbues every grain of sand and every memory contained in Cal-Earth, which expresses so much of his personal life of the last 17 years. And your works, like seeds have been growing and flourishing in every corner of the world…”

Born as an Iranian, Nader lived most of his life in the United States, gaining an architectural degree. He worked on the design of high-rise buildings and taught architecture in Southern California. In 1991 he founded Cal-Earth (the California Institute of Earth Art and Architecture) based in the desert region of Hesperia , California. From this center, he taught classes and workshops on the use of both bricks and bags to fashion domes, arches, vaults, and irregular shapes. These forms sprang from his early exposure to Middle Eastern architecture.

The earthbag concept evolved from attending a 1984 NASA symposium for brainstorming ways to build shelters on the moon. He realized that bags filled with lunar “dirt” could be stacked into domes or vaults to provide shelter. This concept was later refined to include stretching barbed wire between the courses of bags to help stabilize the structure. Nader never referred to this building technique as earthbag building; he preferred to call it “Super Adobe,” referring to the fact that he generally filled the bags (or long tubes) with an adobe soil mix.

In 1999 Nader was issued a U.S. Patent for his Super Adobe technique and he subsequently tried to require contractual arrangements for its use. At this point, however, he had been publicizing the idea for so long it was not an enforcable patent, and few would comply with his request.

This fact points to the complex nature of Nader’s personality. He truly loved humanity and the arts, and was an eloquent and passionate speaker. He often said that his ideas were a gift to humanity and he hoped they would provide shelter for the poor and disadvantaged. At the same time, he wanted to control the economic potential of his invention, and he pursued this vigorously.

Nader was the author of several books, including Ceramic Houses and Earth Architecture: How to Build Your Own, about literally making ceramic houses, and Sidewalks on the Moon, an autobiography. He also wrote several books about the the mystic poetry of Rumi. Interestingly, he never really wrote a book about his Super Adobe invention, allowing others to take the lead in doing this.

With the passing of Nader Khalili we have come to a point where his ideas and work can truly become universal. All of us who explore the potential of the earthbag concept and expand on its possibilities can help further his vision for bettering the world. We owe a great debt to this truly inspired individual. May he rest in peace!

New work this season by Dave Keune includes Sfere, a ceramic vase with a lid that can be removed or used to arrange the flowers by inserting them into the handy holes. Plint is a hanging lamp with an expanding bamboo shade that functions as a built-in dimmer. Clover is a steel coat stand created from a continuous loop that looks like clover from above.

+ davekeune.com

The New Designers SELECTION was an exhibition of work by 50 young designers who were selected from the New Designers event in July. Held at the Village Underground in Shoreditch, this show featured a variety of furniture, jewellery, accessories and lighting. There were colourful (and cheeky) ceramics from Michelle Wood, a salute to the monarchy by Faye Power, and intricate work from Rebecca Smye-Rumsby. Elena Fleury-Rojo's glass pieces were a combination of frost and shine, and Rachel Postlethwaite's layered cubbies provided unusual modular shelving options. More after the jump, along with work from Lizzie Thomas, Katie Merrick and Mira Horn.

+ newdesignersonline.co.uk

A combination of factors underpins rapid growth in the Chinese mobile commerce sector.

Trend Description

China is rapidly emerging as the global capital of m-commerce applications, driven by an increasingly high-tech digital environment, the world’s largest mobile phone subscriber base (nearly 600 million), and the recent launch of the country’s own 3G standard (TD-SCDMA).

Although China currently lacks the advanced mobile applications of Europe, North America, Japan and Korea, many cellular players are now launching sophisticated mobile applications, and analysts predict the country may leapfrog more traditional m-commerce markets in the near future.

Penetration of new markets, including retail, ticket purchases and person-to-person transactions, is predicted to result in increasingly high volumes of small payments to Chinese m-commerce service providers. Because this type of transaction costs businesses far less than retail or other forms of transaction, the demand for m-commerce solutions is expected to grow and result in tremendous opportunities for these SPs.

Cases

UFIDA’s hapigo

The “hapigo” platform developed by UFIDA Mobile is China’s first large-scale, multi-functional m-commerce platform. With a strong focus on mobile internet technology, hapigo provides retailers and consumers with an efficient and effective  one-stop m-commerce shop. Last year hapigo became “the first brand of mobile e-commerce in China”, serving 200,000 retailers over 1 million mobile consumers.

UFIDA Mobile is a recently created US$13.42 million joint venture between the Beijing-based Ufida Software Company and Japan-based wireless heavyweight NTT DoCoMo.

Taobao’s WAP Site

Alibaba’s Taobao, the Chinese version of eBay, has recently launched a WAP version of the site at wap.taobao.com., in an effort to expand its reach to China’s huge mobile phone subscriber base, many of whom do not have net access of their own.

More interesting still is the way in which the site is served by a mobile interface for Alipay. Payment for most m-commerce in China so far has been processed by mobile service providers as part of the consumers’ bill. Although China Mobile may not be too happy with Alibaba’s move to cut them out of the loop with its “m-Alipay” service, its hard to imagine they can stop it in the long term.

Trend Impact

While the future for m-commerce in China looks rosy, there are still many obstacles to overcome. China is still largely a cash-based economy, with m-payment support structures only recently being developed. The rate of mobile phone uptake is also very  biased toward urban areas, especially when it comes to smartphones / PDAs.

Since voice is still the dominant application, decades-old mobile technologies are still some of the most profitable, and many mobile operators will need to upgrade large parts of their networks to the 2.5G and 3G technologies needed for most m-commerce applications. Still, with m-commerce proving increasingly popular and profitable, the financial incentives will surely continue to drive investment in both infrastructure and applications.

Find the original blog at CScout China blog.

The insulating value of these ranges from about R-2 to R-3, so they are quite effective, and can also be quite inexpensive to install.

This article also describes how one might use mats made of natural fibers to cover and finish these earthbag ceilings.

Suspended ceilings, as described in this article, have a number of benefits. They conceal the roof structure, plumbing, venting and electrical wiring, as well as improve acoustics and insulation. And they can also greatly enhance the ambiance or hominess of a room.

I think these folks are absolutely right about this. It is unfortunate that most of the natural building movement has been more of a rural activity...but there is no reason why it has to be. Virtually all of the principles of sustainable architecture that I outline at http://greenhomebuilding.com/sustainable_architecture.htm would equally apply in an urban setting.

In districts where housing goes above 2 or 3 stories, it is difficult to use some of the more natural techniques. One problem is that many of these methods of building result in rather thick walls, especially when the walls must go quite high, so that interior space is compromised by this. This is where some hybrid concepts might be useful, such as building with a steel framework to allow multiple stories, and then fill in the walls with less industrial materials, such as strawbales, cordwood, or earthbags.

As for going underground in a city, it certainly can be done. It would be a great way to create dwelling space and reserve most of the land above for gardening or parks, creating much needed green space in the city.

Also much of the movement towards "sharing facilities," such as co-housing, can be done in cities. This is another way to create both denser housing and reserve open space for parks and gardening.

I think that all proponents of green architecture need to put more creative thought into urban design!

A very livable home, the L shape creates privacy for its rear terrace where family life can flow out from the living areas. Conventional construction makes this house easy to build, and the iconic traditional form won't scare the average home builder.



Look for Design Prints to come available on the site soon. Well, you will hear about it here when it happens! And yes, this is the house for which we have been experimenting with new drawing styles. Not quite sorted out yet, but when its done the new collection will have a distinct graphic look apart from the original collection of designs.

Technorati Tags: house plans, modern design, modern house, Hus1

Technorati Tags: 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house

Hookaboo is a discreet wall hanger that you can have in the hallway, bathroom, bedroom or anywhere you wish. This wall hanger has 4 pieces of metal hanger that fold up when are not used. Designed by Matt Carr, this wall hook is made from bamboo and is 34 cm wide, 8,5 cm hight and about 2 cm deep. For those of you interested in this product, you can purchase it from Bluebox ( Sweedish shop ).

a

Hookaboo Wall Hanger by Matt Carr

I should share some snippets from last Friday when I’ve joined several of my peers in The Hague, NL. However please allow for some digesting of my impressions and thoughts! I will write a follow up for sure ;-)

After all what we’ve touched in our panel discussion as well as during the ‘after show’ talks has been (amongst others) the question how to best enter the ‘Design Management Sphere’. From regular email conversations as well as face2face talks this seems to be an urgent question in particular for fresh (design) graduates.

What I usually respond (and this is not meant as ‘fobbing off’) is that independent from their focus of study (let it be design or business administration just to name the two most dominant ones) graduates should try to gain as many and rich experiences in their field of profession as possible. This enables them to comprehensively explore the pros and cons of the field and will help them to render more precisely which domain of the Design Management sphere they are most interested in: Digital, Brand, Corporate, Industrial, Consumer, Services, just to name a few.

Ultimately and this is what I truly believe in: Design Management to a large degree is to a large degree nurtured by the application of (for sure!) cross-disciplinary experiences and skills that tend to rather grow over time. This does however not mean that undergraduate BA & MA programmes in Design Management are not useful. This is however a different discussion to be discussed at another time.

So, for those of you who are seeking for these cross-disciplinary experiences delivered in a highly condensed format you might want to have a look at the MoHo Website. Here’s a snippet from their vision statement:

“Innovation is hampered by a myriad of factors in today’s globalised world. The lack of communication between knowledge centers such as engineering, marketing and design in companies, creates distortions and miscomprehensions between people that heavily penalize the innovation process.

These problems are further amplified if economic reality is brought into the picture. Too many products have been ‘invented’ in the past with little or no potential for economic success. ‘Inventors’ very easily forget the importance of market reality.”

Unfortunately I haven’t been aware of this initiative and hopefully they will share some of the findings publicly soon!

Side note:

These are the facts & figures of the event I do miss more designers here for sure:
# 7 days in Palo Alto
# June 1 - June 8
# 1 house
# 16 partners
# 15 endorsements
# 15 engineering students
# 3 design students
# 15 business students
# 10 social entrepreneurs
# 10 artists
# 5 venture capitalists
# 2 design professors
# 3 business professors

Eggs were all the rage at Designersblock at Covent Garden, from fresh (Nosigner) to fried (Jaehyung Hong). Karen Ryan showed her versatility from eclectic chairs to colourful, umbrella-sized lights. Lucky Candles from Maria Gil Ulldemolins showed us a trick or two about aging, and the Biodegradable 100 Prayer Pots by Mingyu Jeung & Misun Kong contain handwritten wishes that go back to the earth. Kyeok Kim exhibited rings carved from soap, and Nic Wallenberg's lighting was configured in just one of many ways.

+ designersblock.org.uk

Breathing life into antiques.

The design week activities just came to a close in Tokyo and amidst the background blur of networking, parties and the traipsing back and forth to venues, what stood out as a highlight? For me it was the Lloyd’s Antiques store in Aoyama, who in collaboration with Ito Masaru took the theme of trompe l’oeil to design forms of the Union Jack for their installation.

While not a new concept, it was the execution that was so special. Mr. Uichi Yamamoto, well known for his work with famous cafes, catered the event with baskets of fish and chips and other ‘UK’ foods. For dessert, red, white and blue macaroons were used to form the Union Jack on a tray, and once one had been taken and devoured, there was a hostess on hand to replace the missing macaroon. The Union Jack was never eaten out of existence! UK rock songs filled the air – from The Kinks to Bloc Party – as the precious stuffiness of an antiques showroom went out the window. Rather, the antiques became the perfect backdrop for a thoroughly modern Tokyo style party.

This is a post by David Report contributor Kristina Dryza.

Ping Intressant.se

Andra bloggar om: design, tokyo, japan, antikviteter

• On the value of dissatisfaction
  Well, in contrast to the usual news that happiness is THE key to a better living I found that this article share some interesting sources on quite the contrary. Similarly have you ever thought about how our world would look/feel like if everything is 'designed' well? For me this triggers quite a few follow up questions like: How about Design's role as 'styling' then in contrast to 'Design' as a source for innovation? And re-phrasing Naish's words: 'Bad Design is the driver of human endeavour'! What do you think?
  (tags: design happiness designthinking research Book Review)