Part of the characteristics of blogs is their sequential format. This implies that postings usually appear in a chronological order. While this is in general nothing to worry about from time to time however you’d wish to point people to ‘older’ blog posts as well.

However old is relative and if you’ve done several postings per week your ‘Monday Musing’ is low down in the list and already far away from visitor’s attention. Therefore here’s my weekly (visual) Summary:

- My Take On Design Leadership

- Dear Blog: Happy 5th Anniversary

- DMI Remix Conference Ning

Several of my favorite blogs posted interesting homes yesterday.

On the ever-cool BLDGBLOG Geoff Manaugh points out the compact Single Hauz from front architects. They remind him of the billboards outside his LA home. You can put them practically anywhere, even in the middle of a lake, which is what Manaugh says he'd go for. Personally, I've always wanted to live in a meadow.






Jetson Green brings us a sleek Cape Cod beach house by Independence Energy Homes. At 7,000 square feet it's probably not quite in my price range. I also usually frown on very large homes, but this one uses geothermal heating and photovoltaics to meet all its energy needs. It also has an air exchange system and low or no VOC materials for good indoor air quality, a permeable driveway, water conserving fixtures, and is built from "rapidly renewable materials." Very nice. Still, give me a 2,000 square foot, $200,000 home with all these features. Now that would be an accomplishment.






Finally, on the LamiDesign blog, Greg La Vardera shows off a final pic of the completed Vermont Plat House. You can follow the entire process of building this house, from start to finish, on Greg's blog. I think it turned out really well.





Image credits - architects sites

We often see new home designs at Inhabitat that incorporate advanced technologies, reduce energy use and provide a healthy and safe living environment, but we really enjoy seeing home designs that have been vetted in competitions such as the Lifecycle Building Challenge. This annual competition, in its 2nd year and sponsored by well-known organizations such as the EPA, AIA, Building Reuse Association, Southface, and West Coast Green, is a challenge to design buildings with several points in mind: incorporate local building materials, consider the whole lifecycle of building materials, reduce the overall embodied energy and greenhouse gas emissions from materials, use innovative and creative strategies, and reduce environmental and economic costs. The 2008 winner of this contest for Best Residential Design was the Spoorhouse, by Benno van Noort of Van Noort Designs, LLC.

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Good case on how the idea of a 'Blue Ocean Strategy' can be applied: "The heart of a company’s business model should be game-changing innovation. This is not just the invention of new products and services, but the ability to systematically convert ideas into new offerings that alter the very context of the business."

An idea whose time seems to have arrived is the use of stockpiled shipping containers as modular units for building homes. Because of the balance of trade in the United States, these hefty steel boxes are piling up in ports around the country and posing a storage problem. Several architects and builders are taking advantage of this surplus to recycle the containers.

According to David Cross of www.sgblocks.com, "a container has 8000 lbs of steel which takes 8000 kwh of energy to melt down and make new beams etc... Our process of modifying that entire 8000 lbs of steel into a "higher and better use" only takes 400 kwh of electrical energy (or 5%). Granted it takes a bit more "muscle" but we call this Value-Cycling which we feel is that next step up from Re-cycling."

Each container measures 8 feet wide by 40 feet long by 9 feet tall. SG Blocks sells the finished structural systems (also called SG Blocks) for $9,000 to $11,000 per unit. The finished units have one or two walls removed and include the necessary support columns and beam enhancements.

According to KPFF Consulting, a structural engineering firm in St. Louis with extensive experience working with shipping containers, the units are stronger than conventional house framing because of their resistance to "lateral loads" -- those seen in hurricanes and earthquakes -- and because steel is basically welded to steel. The roof is strong enough to support the extra weight of a green roof — which has vegetation growing on it — if the owner should want it.

As for their energy efficiency, they claim that when the appropriate coatings are installed, the envelope reflects about 95 percent of outside radiation, resists the loss of interior heat, provides an excellent air infiltration barrier and does not allow water to migrate in.

One idea that has occurred to me is that this system might benefit from the use of SIP's (Structural Insulated Panels) for the roofs, rather that standard truss framing. SIP's are very well insulated, install quickly, and use much less wood than convention roofs.

Shipping containers are self-supporting with beams and stout, marine-grade plywood flooring already in place, thereby eliminating time and labor during the home-building process. Cross said construction costs are comparable to those in conventional building. Four to seven units are used in a typical home, he said.

Instead of nailing the siding they use "Super Therm", a ceramic paint made by Superior Products of Minnesota; it can be used as a paint, an adhesive, an insulator, a fireproofing material and an acoustic barrier. With this ceramic paint, they claim the insulation capacity is equal to a conventional house.

Adam Kalkin, of www.architectureandhygiene.com , has also become enamored with shipping containers as an architectural solution. The idea to do something with shipping containers came to Kalkin, a New Jersey resident, when driving to New York City, where he saw sky-high stacks of the unused cargo containers in the shipyards he passed.

"The cargo containers, with a life span of about 20 years when used for their original purpose, have an “infinite life span” when stationary and properly maintained," Kalkin says. “To me they are like a treasured antique: they may not be inherently valuable, but the history and the storytelling add value.”

Environmentalists have embraced the design, applauding the recycling inherent to Kalkin's designs. And advocates for affordable-housing like the design, since according to Kalkin, "the total cost of a house—between $150,000 and $175,000 after the buyer settles upon the various options—works out to be between $73 and $90 per square foot, about half the cost of the conventional $200 per square foot for reasonable quality, new construction in the Northeast.”

Kalkin has recently opened a factory—“a hangar at a little airport in New Jersey”—to manufacture Quik Houses. “There are a lot of elbows flying in this process, and this is the best way to protect the quality of the house, to keep the accounting transparent, and to make sure I am not unwittingly responsible for heinous crimes to the built environment.” Once the factory is fully functional, Kalkin plans to export many of his products, commenting that “the possibilities of working on a world scale are exciting.”

Twenty-one thousand containers hit American shores every day of the year. Containers can be shipped to the interior of the country via trains and trucks. Shipping containers are like Lego toys and the modules can be assembled in thousands of ways.

In general it is a good thing to recycle materials that otherwise have no further use for their intended purpose, and this is true here. As for whether one can make a comfortable house out of these metal boxes, the biggest question is: insulation...it is essential, but there are many ways to insulate these containers, so this is not a big concern. Another concern that many people would have is whether a metal box would have adverse health effects because of EMF (electro-magnetic frequencies) generation or propagation. Some people are sensitive to these while others are not.

There is no doubt that these containers can be used to fabricate very strong shells that would withstand substantial abuse from the ravages of nature.

Nokia demonstrates how it's leveraging insights gleaned from the developing world into products. The mobile phone is made to work a lot hard in developing countries; it becomes the mobile office and primary computer for many of its users. In response, Nokia is launching Life Tools; software included in its phones that can help those involved in agriculture better understand market and weather conditions.


Posted by Ed Cotton

Many writers are speculating that brands can learn a lot from Obama’s victory and that it was a triumph of branding, messaging and media understanding. Obviously tactics appear on the service to be easily repeatable, but without the context it's  meaningless.

Despite the grandiose plans brands have for themselves and their desire to create culture, they can never and will never single-handedly have the power to incite true social movements.

Brands however much they would like to be, aren’t human beings, they are products that try very hard to relate and understand us. They cater to our needs and wants, but are by their nature abstract and not made of flesh and blood. The credo of C21st marketers might be to become more human, but it’s a stretch and the entity of the corporation is always a more desirable, more defensible, more convenient and a safer place to be.

Obama succeeded because of the power of his human journey, his humanity, his chance to make history and his ability to connect. People aspired to the hope and change he stood for and trusted him to deliver it. They were voting for a person who provided them with the hope they wanted at the time; a promise that things could be better.

Timing is everything and Obama only needed to do this once and seize the moment. He had to find a way to position himself on November 4th, 2008 as the change that people were looking for. Brands unfortunately don’t have the luxury of the short window of time, they don’t have just one zeitgeist moment to seize, but a multitude, because they have to sell 24/7/365.

The best brands are undeniable in their power to help define us, but they are transient, disposable and easily replaced. They are things, not people and there are limits to the impact they have on the breadth of our lives and our futures.

However, once every four years two people contest for the right to become the most powerful person in the world. These candidates have the news media of the world reporting on them every second of the day, which means they dominate mind share. No brand could ever come close to this level of dominance.

When it comes to voting, we chose the human being that best represents the way we feel. Sometimes this feeling is one of ambivalence, because our lives are under control, but there are rare occasions, and this year was one, when we seek a leader who we want to lead us to better, brighter, future.  

Obama made history, he was the man chosen for the moment and lessons from his success are virtually impossible for brands to replicate.



Posted by Ed Cotton

Another excellent program on This American Life today all about the financial crisis. If you remember back in May I recommended their program called The Giant Pool of Money which explained in easy to understand terms how the sub-prime lending debacle happened. Similarly today's program titled Another Frightening Show About the Economy explains in easy to understand terms how this all happened.

The financial players on Wall Street had essentially placed "bets" in the form of complex financial constructs called Credit Default Swaps. These were placed by the banks against one another making them all interdependent and likely to topple if one fell. These were first conceived as a form of insurance, later used as more or less a bet. There is no regulation of these financial devices, and hence no overall picture of how over leveraged the industry was. Incredibly irresponsible.

I highly recommend getting the podcast from their site if you have any interest at all in understanding what just happened to you and me - it is a free download for the first week following the show. Here is a link to their site:

http://www.thislife.org/

Or if you are an iTunes user you can subscribe and get the show from there.

Hookaboo is a discreet wall hanger that you can have in the hallway, bathroom, bedroom or anywhere you wish. This wall hanger has 4 pieces of metal hanger that fold up when are not used. Designed by Matt Carr, this wall hook is made from bamboo and is 34 cm wide, 8,5 cm hight and about 2 cm deep. For those of you interested in this product, you can purchase it from Bluebox ( Sweedish shop ).

a

Hookaboo Wall Hanger by Matt Carr

Well, in contrast to the usual news that happiness is THE key to a better living I found that this article share some interesting sources on quite the contrary. Similarly have you ever thought about how our world would look/feel like if everything is 'designed' well? For me this triggers quite a few follow up questions like: How about Design's role as 'styling' then in contrast to 'Design' as a source for innovation? And re-phrasing Naish's words: 'Bad Design is the driver of human endeavour'! What do you think?

I recently received two emailed questions about the seeming lack of attention to green building in urban settings:

"I happened to notice that very little, if not at all, mention of urban dwellings and how small urban homes are practically the greenest you can get when you factor in transportation. Green homes spread out in the country, unless you're living off the earth and have no use for a car, may counteract your carbon footprint savings if you have to drive on a continuous basis. A vast majority of Americans live in a metropolitan area, it would be nice if your information can include an aspect to the benefits of small homes in urban dwellings."

"I am curious about building an earth covered or underground home in the future. Can these houses be built on a small lot within a city? I think being close to your neighbors etc., is one way to help achieve sustainable living, however, the green homes I have seen always appear to be on a large parcel of land."

I think these folks are absolutely right about this. It is unfortunate that most of the natural building movement has been more of a rural activity...but there is no reason why it has to be. Virtually all of the principles of sustainable architecture that I outline at http://greenhomebuilding.com/sustainable_architecture.htm would equally apply in an urban setting.

In districts where housing goes above 2 or 3 stories, it is difficult to use some of the more natural techniques. One problem is that many of these methods of building result in rather thick walls, especially when the walls must go quite high, so that interior space is compromised by this. This is where some hybrid concepts might be useful, such as building with a steel framework to allow multiple stories, and then fill in the walls with less industrial materials, such as strawbales, cordwood, or earthbags.

As for going underground in a city, it certainly can be done. It would be a great way to create dwelling space and reserve most of the land above for gardening or parks, creating much needed green space in the city.

Also much of the movement towards "sharing facilities," such as co-housing, can be done in cities. This is another way to create both denser housing and reserve open space for parks and gardening.

I think that all proponents of green architecture need to put more creative thought into urban design!

As the climate crisis mounts and Arctic icebergs slip away, polar bears are suffering starvation, population declines, and drowning as they must swim further and further to find food. Seeking to raise awareness for the endangered species’ plight, ADDI Concepts has taken wildlife preservation literally by designing a life-vest for displaced polar bears struggling to stay afloat as their homes sink into the sea.

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In general I find the conferences organized by Trendbüro Hambug quite corporate and too often the same players (aka speakers) show off. However Tim Leberecht from frog design pointed me to a slideshare summary on the key findings of the German Trend Day 2008 conference. Have a mind on your own and browse the slides: "In May this year, frog design founder Hartmut Esslinger spoke at the German Trend Day in Hamburg. The Trend Day is an influential annual forum that gathers thought leaders from business, media, and academia to discuss emerging social and cultural trends. This year's theme was "Identity Management," and other speakers besides Hartmut included Richard Florida, Danny Choo, and David Bosshart."

the university of exeter has selected wilkinson eyre architects to build their forum project. the new building
will be the centrepiece of the school’s streatham campus. the studio’s proposal works with the site’s
natural features of their hilly campus by creating a green corridor connecting the interior to the exterior.
the structure’s main feature is an undulating gridshell roof, which covers the new students spaces and
orthogonal buildings. wilkinson eyre architects’ director, stafford critchlow said, ‘our proposals seek to
create a new arrival point for the university. the sequence of spaces relate closely to the campus
landscape, establishing a new architectural language which is less about placing objects within this
landscape and more about an organic response to it.’ design work will begin immediately, with completion
anticipated by 2012.

http://www.wilkinsoneyre.com

• Hong Kong Design Centre Workshops
  Some links to workshops and seminars the Hong Kong Design Centre will be offering in London in June; just in case you’re around the corner.
  (tags: design hong kong hongkong centre china London)
• Study Shows Blogging Now ‘Mainstream’ Among Women
  While not directly related to Design Management I do think that when it comes to user involvement in the design process the social web will for sure emerge as an additional source of insight. Interestingly only a few DM experts did get it so far!
  (tags: women blogging research blogs socialmedia blog marketing stats)
• Are Methods The New Waterfall? at Experience Matters
  Some challenging questions and ideas on if and how methods in design (if not in management at all) are both enriching the ‘process experience’ while still allowing for ‘creativity’? This reminds me on the paradox between logic and creativity from de Wit.
  (tags: design management methods process thinking tools)

I recently got a query from one of the editors of Mother Earth News regarding a news story she had read in the New York Times. The writer, David Pogue, had been a judge in a contest sponsored by by the History Channel and the National Inventors Hall of Fame titled "Modern Marvels/Invent Now." A $25,000 prize was awarded to one amoung 25,000 contestants, and the winner was the Enertia House, which was invented by engineer and former log-home architect, Michael Sykes.

The Mother Earth News editor said that these homes had been featured in their magazine before. They essentially provide two wooden shells for the home, one inside the other. She said that there was no mention in the article about the cost per square foot. She was wondering what I thought about the concept from the standpoint of sustainable architecture.

Here is my response:

Double envelope house designs have been around for several decades and they definitely offer some benefits, as well as raise some questions. Any house that takes advantage of the geothermal properties of the ground will be doing its inhabitants and the earth a good turn. This can take the form of earth-sheltering in general, or some clever system of circulating air like the Enertia concept; coupled with sensible passive solar design, it is possible to approach a "zero energy" home.

The concerns about their system that I have are: The use of wood as the primary building material is not generally sustainable in this day of lost forests. With the double envelope design, you are practically building two houses to end up with one. Relying on wood as a thermal mass material compromises the potential thermal performance because wood does not serve this function nearly as well as traditional masonry thermal mass materials. So, I guess what I am saying is that a more sustainable and less costly design can be accomplished in more traditional ways.

Answering the same question, Paul Scheckel wrote, "At first glance, this looks a lot like sunspace design from the 70s (without the stone-filled basement to store heat) which overheated in the daytime and lost lots of heat at night. Consider also that this giant convection oven requires a temperature difference, which in this case is driven by the sun and the cool basement. A New England winter has precious little sun, so my heating system will drive the convective loop, increasing heat loss (in addition to the insulation-free envelope). I haven't heard too many people (ie: none) say that wood is bad for houses and better for biodiesel, but there are good arguments for not using so much material in a home. Does it work? I'd like to see one built in the northeast and see the resulting energy data, wherein the proof will lie."

Clark Snell of www.thinkgreenbuilding.com wrote, "I spent five minutes looking over the web site, so these comments are only based at looking at marketing materials, i.e. they may be inaccurate. Ditto what has been said so far. A couple more “red flags:”

1. Solid wood envelope. They seem to be using the old “mass enhanced R-value” argument for why solid wood walls perform well thermally. I think it’s well established that this is true only in very specific climatic situations. Touting solid southern yellow pine walls in comparison to solid white pine walls is like saying a Chevy Suburban gets better gas mileage than a Hummer…that’s not really a useful statistic.
2. Energy without oil. The presentation intimates that this is a completely passive design. For example, no heating system is mentioned. That simply isn’t credible for most climates using the technology they are describing.
3. Passive means local. You simply can’t create a design that relies heavily on passive techniques and generalize it across climates. In my area where we have high humidity, I’d wonder about this convective loop through the attic and basement, for example.

I could go on. I’m a passive design freak, so I’m all for the basic concepts they are dealing with. However, I don’t see anything really new here, but see marketing claims touting what they are doing as a major breakthrough and “the answer”. That always makes me nervous."

David Eisenberg, of www.dcat.net wrote, "After a skimming around their website, I see that they sell kits and their base prices don't include a lot of things - some of which are enumerated:

If you’re a fan of modern prefab architecture and you’re raising rugrats, now you can get your little ones on the prefab mod action with the Mini Modern Prefab Playshed. Part Case-Study home, part play-house, the Mini Modern Prefab proves that kid’s design can be fun and sophisticated at the same time. Architect Ryan Grey Smith, known for his adult-sized Modern-Shed is bringing prefab to preschoolers with his Modern Play Shed, a smaller but no-less awesome version of his original design. Better than any treehouse or playhouse we’ve ever seen, it comes fully loaded with a sloped shed roof, dutch doors, 12 windows, and more.

READ MORE AT INHABITOTS >

on now at the instituto tomie ohtake, sao paulo is the first solo exhibition of designer karim rashid in brazil.
it is the institute's hope that by showcasing rashid's work, they will generate a discussion about the aspects
of contemporary design and its impact on daily life. upon entrance into the exhibition you are greeted by a large
painting-like, computer graphic, 300 square metres in size which acts as a backdrop to the furniture on display.
this virtual component within the exhibition gives visitors the opportunity to encounter the designer as a
life-size avatar, playing between reality and the artificial, something which is prominent in rashid's work.

the exhibition is an international cooperation with munich's design museum, die neue sammlung. it is curated by
german art historian and critic dr. albrecht bangert in collaboration with brazilian-born designer and architect
camila tariki of karim rashid's new york studio and organized by instituto tomie ohtake. most of the pieces on
show are from the munich collection.











designboom interview

karim rashid
karim rashid at milan design week 2008

rashid global: http://www.rashidglobal.net
instituto tomie ohtake: http://www.institutotomieohtake.org.br
die neue sammlung: http://www.die-neue-sammlung.de

ines schwotzer is a jewelry and accessory designer who lives and works in the small town of feilitzsch,
germany. she has worked as a freelance designer since 1995, creating her own pieces and working for
the likes of fashion house chanel. many of her works are done in stainless steel using non-tradition
technique she learned through textile background. using thin wire, schwotzer weaves and braids the
metal to create delicate works that contrast the coldness of the material.

http://www.schwotzer-design.de

it’s been a great week here at d*s and i’m super excited for next week…because it’s the premier of the d*s and new york public library project! so please tune in on monday at 1pm for the launch of the first episode of our series! i’m so pleased with the results and can’t wait to share it all here. i’m filming the second episode on monday and we have a bonafide design celebrity joining us so stick around on monday to find out who that is! until then, here is a roundup of this week’s highlights. have a wonderful weekend! [above is a beautiful paper cut out from heather moore of skinny laminx. click here for more info]

• must read post(s) of the week: ugliest pillow contest- finalists and voting! and alyson fox’s gorgeous wedding
• regional roundups: austin regional roundup part 1, 2, and 3
• new sneak peeks: ruth shively, melissa mcclure’s LA loft, matte stephens’ portland home, dolan geiman’s studio
• new guide: doorstop roundup
• new diy projects: custom house of cards, kate’s ceramic planters, candy control
• new before & afters: andrea’s outdoor seating, barb’s wooden table, whitney’s ottoman, summer’s dresser
• furniture: schindlersalmeron stools
• paper: new morris & essex stationery, linda and harriett calendar
• artwork: john murphy collages, alexander girard prints
• textiles: japanese tea towels, fabric covered boxes
• misc: new coe and waito ceramics, things i’m loving- metallics, modern pet houses, crystal kluge monogram font, new jocelyn warner wallpaper, pattern show at olio united, gorgeous green interiors
• gift guides: we’re launching ours after thanksgiving but better living through design just launched a great gift guide. click here to check it out.
• new d*s guest blog: click here to check out sarah fox’s fantastic guest blog posts (including 4 diy projects!)
• recipes: in the kitchen with ditte isager (fruit meringue cake), sarah fox’s goat cheese pear tarts

Edit 1: Tim is from Frog! Sorry Tim! Edit 2: Completely forgot to highlight, original seed concept “Just Plain Old Thinking” is from csven of rebang. Edit 3: Lesson: Blog when awake! Duh! Tim Leberecht, Frog Design’s VP of Marketing, has written about Design Thinking and how it is the new Marketing “Buzzword”. He goes on [...]

Breathing life into antiques.

The design week activities just came to a close in Tokyo and amidst the background blur of networking, parties and the traipsing back and forth to venues, what stood out as a highlight? For me it was the Lloyd’s Antiques store in Aoyama, who in collaboration with Ito Masaru took the theme of trompe l’oeil to design forms of the Union Jack for their installation.

While not a new concept, it was the execution that was so special. Mr. Uichi Yamamoto, well known for his work with famous cafes, catered the event with baskets of fish and chips and other ‘UK’ foods. For dessert, red, white and blue macaroons were used to form the Union Jack on a tray, and once one had been taken and devoured, there was a hostess on hand to replace the missing macaroon. The Union Jack was never eaten out of existence! UK rock songs filled the air – from The Kinks to Bloc Party – as the precious stuffiness of an antiques showroom went out the window. Rather, the antiques became the perfect backdrop for a thoroughly modern Tokyo style party.

This is a post by David Report contributor Kristina Dryza.

Ping Intressant.se

Andra bloggar om: design, tokyo, japan, antikviteter

The handrails on the stair and all around the second floor of the New Mexico EcoSteel House are installed and they look great.



I had gotten very used to lookng at the stair without a rail, and I was afraid that the rail would somehow complicate or spoil the spare look of the stair. Well it did not turn out that way and I think this is why. The rail that was picked is a stainless tube rail with cables so its very light and transparent. Also the brightness of the stainless really separates it from the grey vertebrae and ribs appearance of the stair. If the rail had been painted steel work that matched the stair I believe it would have compromised the lines of the stair.

More photos below the fold.

Technorati Tags: 6030 House, 6040 House, ecosteel, modern design, modern house, prefab house

dutch designers frank tjepkema, janneke hooymans, tina stieger and leonie janssen were commissioned
by the dutch beer maker heineken to design their first shop. the studio at tjep settled on a theme of pouring,
translating the idea into displays the blend from floor to wall to ceiling, in wave-like forms. a sub-theme for
the retail outlet was coldness. this theme can be spotted in the cool colours and 100% led lighting system.
coldness is also literally seen in the three- story fridge that holds heineken bottles form around the world.
the store is divided into four sections, the aforementioned fridge, a fashion department, a ticket and travel
section and a fully equipped recording studio for young music artists.

http://www.tjep.com

new public space furniture for amsterdam's amstel station designed by frank tjepkema











via archdaily

The New Designers SELECTION was an exhibition of work by 50 young designers who were selected from the New Designers event in July. Held at the Village Underground in Shoreditch, this show featured a variety of furniture, jewellery, accessories and lighting. There were colourful (and cheeky) ceramics from Michelle Wood, a salute to the monarchy by Faye Power, and intricate work from Rebecca Smye-Rumsby. Elena Fleury-Rojo's glass pieces were a combination of frost and shine, and Rachel Postlethwaite's layered cubbies provided unusual modular shelving options. More after the jump, along with work from Lizzie Thomas, Katie Merrick and Mira Horn.

+ newdesignersonline.co.uk

Finally an update! Well I’m glad that I revisited Week 1 again before going into Week 2. It got my system moving and I was starting to feel comfortable going through the routine 3 times a week. I must admit, getting comfortable with any fitness routine is an important plus to maintaining [...]

Photography by Jonathan Cruz Photography